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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5FCCB1 it is the complementary color #A0334E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5FCCB1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5FCCB1 shade: #64CCAC, #75DEBF, #86F0D2, #97FFE5 and #A8FFF8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5FCCB1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5FCCB1 shade: #5FCCB1, #4EBA9E, #3DA88B, #2C9678 and #1B8465

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5FCCB1 shade: #60CDB2, #60CD95, #60CD77, #66CD60 and #84CD60

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5FCCB1 shade: #60CDB2, #60CACD, #60ADCD, #6090CD and #6072CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5FCCB1 shade matches the following richer shades: #60CDB2, #4FDEBA and #3EEFC3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5FCCB1 shade: #60CDB2, #71BCA9, #82ABA1, #939A98 and #A48990

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5FCCB1 shade: #60CD78, #60CD95, #60CDB2, #60CBCD and #60AECD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5FCCB1 shade: #34A68A, #41C3A3, #60CDB2, #7FD7C1 and #9FE1D0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5FCCB1 shade: #5FCCB1, #6066CD and #CD8660

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5FCCB1 shade: #5FCCB1, #B260CD and #CDB260

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5FCCB1 shade: #5FCCB1, #6066CD, #CD607B and #CDC760

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5FCCB1 shade: #5FCCB1, #7B60CD, #CD607B and #B2CD60

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 0 / 13 / 20

HEX #5FCCB1

RGB 95 204 177

HSL 165.14, 0.52%, 0.59%

LAB 75.32, -37.83, 3.97

 

Complementary color

CMYK 0 / 68 / 51 / 37

HEX #A0334E

RGB 160 51 78

HSL 345.14, 0.52%, 0.41%

LAB 38.54, 46.96, 9.18

 

CMYK 51 / 0 / 16 / 20

HEX #64CCAC

RGB 100 204 172

HSL 161.54, 0.5%, 0.6%

LAB 75.37, -37.89, 6.76

 

CMYK 47 / 0 / 14 / 13

HEX #75DEBF

RGB 117 222 191

HSL 162.29, 0.61%, 0.66%

LAB 81.72, -37.79, 5.83

 

CMYK 44 / 0 / 13 / 6

HEX #86F0D2

RGB 134 240 210

HSL 163.02, 0.78%, 0.73%

LAB 87.99, -37.66, 4.96

 

CMYK 41 / 0 / 10 / 0

HEX #97FFE5

RGB 151 255 229

HSL 165, 1%, 0.8%

LAB 93.34, -36.14, 2.94

 

CMYK 34 / 0 / 3 / 0

HEX #A8FFF8

RGB 168 255 248

HSL 175.17, 1%, 0.83%

LAB 94.58, -27.58, -4.98

 

CMYK 53 / 0 / 13 / 20

HEX #5FCCB1

RGB 95 204 177

HSL 165.14, 0.52%, 0.59%

LAB 75.32, -37.83, 3.97

 

CMYK 58 / 0 / 15 / 27

HEX #4EBA9E

RGB 78 186 158

HSL 164.44, 0.44%, 0.52%

LAB 68.9, -37.78, 4.95

 

CMYK 64 / 0 / 17 / 34

HEX #3DA88B

RGB 61 168 139

HSL 163.74, 0.47%, 0.45%

LAB 62.39, -37.61, 6.04

 

CMYK 71 / 0 / 20 / 41

HEX #2C9678

RGB 44 150 120

HSL 163.02, 0.55%, 0.38%

LAB 55.79, -37.24, 7.25

 

CMYK 80 / 0 / 23 / 48

HEX #1B8465

RGB 27 132 101

HSL 162.29, 0.66%, 0.31%

LAB 49.1, -36.55, 8.62

 

CMYK 53 / 0 / 13 / 20

HEX #60CDB2

RGB 96 205 178

HSL 165.14, 0.52%, 0.59%

LAB 75.68, -37.84, 3.95

 

CMYK 53 / 0 / 27 / 20

HEX #60CD95

RGB 96 205 149

HSL 149.17, 0.52%, 0.59%

LAB 75.03, -44.23, 18.56

 

CMYK 53 / 0 / 42 / 20

HEX #60CD77

RGB 96 205 119

HSL 132.66, 0.52%, 0.59%

LAB 74.5, -49.7, 33.5

 

CMYK 50 / 0 / 53 / 20

HEX #66CD60

RGB 102 205 96

HSL 116.7, 0.52%, 0.59%

LAB 74.4, -51.43, 44.79

 

CMYK 36 / 0 / 53 / 20

HEX #84CD60

RGB 132 205 96

HSL 100.18, 0.52%, 0.59%

LAB 75.71, -42.25, 46.67

 

CMYK 53 / 0 / 13 / 20

HEX #60CDB2

RGB 96 205 178

HSL 165.14, 0.52%, 0.59%

LAB 75.68, -37.84, 3.95

 

CMYK 53 / 1 / 0 / 20

HEX #60CACD

RGB 96 202 205

HSL 181.65, 0.52%, 0.59%

LAB 75.54, -29.59, -10.84

 

CMYK 53 / 16 / 0 / 20

HEX #60ADCD

RGB 96 173 205

HSL 197.61, 0.52%, 0.59%

LAB 67.11, -14.86, -23.57

 

CMYK 53 / 30 / 0 / 20

HEX #6090CD

RGB 96 144 205

HSL 213.58, 0.52%, 0.59%

LAB 58.83, 1.28, -36.38

 

CMYK 53 / 44 / 0 / 20

HEX #6072CD

RGB 96 114 205

HSL 230.09, 0.52%, 0.59%

LAB 50.6, 19.26, -49.37

 

CMYK 53 / 0 / 13 / 20

HEX #60CDB2

RGB 96 205 178

HSL 165.14, 0.52%, 0.59%

LAB 75.68, -37.84, 3.95

 

CMYK 64 / 0 / 16 / 13

HEX #4FDEBA

RGB 79 222 186

HSL 164.9, 0.68%, 0.59%

LAB 80.43, -46.64, 6.47

 

CMYK 74 / 0 / 18 / 6

HEX #3EEFC3

RGB 62 239 195

HSL 165.08, 0.85%, 0.59%

LAB 85.35, -53.9, 8.75

 

CMYK 53 / 0 / 13 / 20

HEX #60CDB2

RGB 96 205 178

HSL 165.14, 0.52%, 0.59%

LAB 75.68, -37.84, 3.95

 

CMYK 40 / 0 / 10 / 26

HEX #71BCA9

RGB 113 188 169

HSL 164.8, 0.36%, 0.59%

LAB 71.11, -27.79, 2.29

 

CMYK 24 / 0 / 6 / 33

HEX #82ABA1

RGB 130 171 161

HSL 165.37, 0.2%, 0.59%

LAB 66.86, -15.95, 0.63

 

CMYK 5 / 0 / 1 / 40

HEX #939A98

RGB 147 154 152

HSL 162.86, 0.03%, 0.59%

LAB 63, -2.9, 0.17

 

CMYK 0 / 16 / 12 / 36

HEX #A48990

RGB 164 137 144

HSL 344.44, 0.13%, 0.59%

LAB 59.71, 11.41, 0.09

 

CMYK 53 / 0 / 41 / 20

HEX #60CD78

RGB 96 205 120

HSL 133.21, 0.52%, 0.59%

LAB 74.51, -49.53, 33.01

 

CMYK 53 / 0 / 27 / 20

HEX #60CD95

RGB 96 205 149

HSL 149.17, 0.52%, 0.59%

LAB 75.03, -44.23, 18.56

 

CMYK 53 / 0 / 13 / 20

HEX #60CDB2

RGB 96 205 178

HSL 165.14, 0.52%, 0.59%

LAB 75.68, -37.84, 3.95

 

CMYK 53 / 1 / 0 / 20

HEX #60CBCD

RGB 96 203 205

HSL 181.1, 0.52%, 0.59%

LAB 75.83, -30.07, -10.4

 

CMYK 53 / 15 / 0 / 20

HEX #60AECD

RGB 96 174 205

HSL 197.06, 0.52%, 0.59%

LAB 67.4, -15.39, -23.12

 

CMYK 69 / 0 / 17 / 35

HEX #34A68A

RGB 52 166 138

HSL 165.26, 0.52%, 0.43%

LAB 61.51, -38.51, 5.31

 

CMYK 67 / 0 / 16 / 24

HEX #41C3A3

RGB 65 195 163

HSL 165.23, 0.52%, 0.51%

LAB 71.42, -42.9, 5.81

 

CMYK 53 / 0 / 13 / 20

HEX #60CDB2

RGB 96 205 178

HSL 165.14, 0.52%, 0.59%

LAB 75.68, -37.84, 3.95

 

CMYK 41 / 0 / 10 / 16

HEX #7FD7C1

RGB 127 215 193

HSL 165, 0.52%, 0.67%

LAB 80.16, -31.6, 2.56

 

CMYK 29 / 0 / 8 / 12

HEX #9FE1D0

RGB 159 225 208

HSL 164.55, 0.52%, 0.75%

LAB 84.88, -24.31, 1.65

 

CMYK 53 / 0 / 13 / 20

HEX #5FCCB1

RGB 95 204 177

HSL 165.14, 0.52%, 0.59%

LAB 75.32, -37.83, 3.97

 

CMYK 53 / 50 / 0 / 20

HEX #6066CD

RGB 96 102 205

HSL 236.7, 0.52%, 0.59%

LAB 47.49, 26.64, -54.35

 

CMYK 0 / 35 / 53 / 20

HEX #CD8660

RGB 205 134 96

HSL 20.92, 0.52%, 0.59%

LAB 62.4, 23.2, 31.56

 

CMYK 53 / 0 / 13 / 20

HEX #5FCCB1

RGB 95 204 177

HSL 165.14, 0.52%, 0.59%

LAB 75.32, -37.83, 3.97

 

CMYK 13 / 53 / 0 / 20

HEX #B260CD

RGB 178 96 205

HSL 285.14, 0.52%, 0.59%

LAB 54.28, 50.48, -43.05

 

CMYK 0 / 13 / 53 / 20

HEX #CDB260

RGB 205 178 96

HSL 45.14, 0.52%, 0.59%

LAB 73.33, -0.57, 45.06

 

CMYK 53 / 0 / 13 / 20

HEX #5FCCB1

RGB 95 204 177

HSL 165.14, 0.52%, 0.59%

LAB 75.32, -37.83, 3.97

 

CMYK 53 / 50 / 0 / 20

HEX #6066CD

RGB 96 102 205

HSL 236.7, 0.52%, 0.59%

LAB 47.49, 26.64, -54.35

 

CMYK 0 / 53 / 40 / 20

HEX #CD607B

RGB 205 96 123

HSL 345.14, 0.52%, 0.59%

LAB 54.84, 45.85, 5.86

 

CMYK 0 / 3 / 53 / 20

HEX #CDC760

RGB 205 199 96

HSL 56.7, 0.52%, 0.59%

LAB 78.85, -11.47, 51.57

 

CMYK 53 / 0 / 13 / 20

HEX #5FCCB1

RGB 95 204 177

HSL 165.14, 0.52%, 0.59%

LAB 75.32, -37.83, 3.97

 

CMYK 40 / 53 / 0 / 20

HEX #7B60CD

RGB 123 96 205

HSL 254.86, 0.52%, 0.59%

LAB 48.24, 36.34, -53.03

 

CMYK 0 / 53 / 40 / 20

HEX #CD607B

RGB 205 96 123

HSL 345.14, 0.52%, 0.59%

LAB 54.84, 45.85, 5.86

 

CMYK 13 / 0 / 53 / 20

HEX #B2CD60

RGB 178 205 96

HSL 74.86, 0.52%, 0.59%

LAB 78.45, -25.34, 50.58

 

Description

Color code: HEX #5FCCB1 | qconv.com Color code: HEX #5FCCB1 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 95 red, 204 green and 177 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
95 204 177 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, none magenta, 13 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 0% 13% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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