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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5FADCD it is the complementary color #A05232. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5FADCD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5FADCD shade: #64ADC8, #75BFDB, #86D1EE, #97E3FF and #A8F5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5FADCD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5FADCD shade: #5FADCD, #4E9BBA, #3D89A7, #2C7794 and #1B6581

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5FADCD shade: #60ADCD, #6090CD, #6073CD, #6B60CD and #8860CD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5FADCD shade: #60ADCD, #6090CD, #6073CD and #6060CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5FADCD shade matches the following richer shades: #60ADCD, #4FB4DE and #3EBBEF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5FADCD shade: #60ADCD, #71A6BC, #829FAB, #93989A and #A49189

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5FADCD shade: #60CDB2, #60CBCD, #60AECD, #6091CD and #6074CD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5FADCD shade: #3485A6, #419DC3, #60ADCD, #7FBDD7 and #9FCDE1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5FADCD shade: #5FADCD, #9560CD and #CDC060

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5FADCD shade: #5FADCD, #CD60AE and #AECD60

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5FADCD shade: #5FADCD, #9560CD, #CD7F60 and #98CD60

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5FADCD shade: #5FADCD, #B560CD, #CD7F60 and #78CD60

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 16 / 0 / 20

HEX #5FADCD

RGB 95 173 205

HSL 197.45, 0.52%, 0.59%

LAB 67.07, -15.08, -23.63

 

Complementary color

CMYK 0 / 49 / 69 / 37

HEX #A05232

RGB 160 82 50

HSL 17.45, 0.52%, 0.41%

LAB 43.86, 29.61, 32.96

 

CMYK 50 / 14 / 0 / 22

HEX #64ADC8

RGB 100 173 200

HSL 196.2, 0.48%, 0.59%

LAB 67.1, -15.42, -20.8

 

CMYK 47 / 13 / 0 / 14

HEX #75BFDB

RGB 117 191 219

HSL 196.47, 0.59%, 0.66%

LAB 73.65, -15.65, -21.18

 

CMYK 44 / 12 / 0 / 7

HEX #86D1EE

RGB 134 209 238

HSL 196.73, 0.75%, 0.73%

LAB 80.09, -15.83, -21.55

 

CMYK 41 / 11 / 0 / 0

HEX #97E3FF

RGB 151 227 255

HSL 196.15, 1%, 0.8%

LAB 86.37, -16.48, -20.96

 

CMYK 34 / 4 / 0 / 0

HEX #A8F5FF

RGB 168 245 255

HSL 186.9, 1%, 0.83%

LAB 92.06, -21.14, -12.33

 

CMYK 54 / 16 / 0 / 20

HEX #5FADCD

RGB 95 173 205

HSL 197.45, 0.52%, 0.59%

LAB 67.07, -15.08, -23.63

 

CMYK 58 / 17 / 0 / 27

HEX #4E9BBA

RGB 78 155 186

HSL 197.22, 0.44%, 0.52%

LAB 60.43, -14.63, -23.26

 

CMYK 63 / 18 / 0 / 35

HEX #3D89A7

RGB 61 137 167

HSL 196.98, 0.46%, 0.45%

LAB 53.68, -14.03, -22.87

 

CMYK 70 / 20 / 0 / 42

HEX #2C7794

RGB 44 119 148

HSL 196.73, 0.54%, 0.38%

LAB 46.8, -13.2, -22.44

 

CMYK 79 / 22 / 0 / 49

HEX #1B6581

RGB 27 101 129

HSL 196.47, 0.65%, 0.31%

LAB 39.79, -12.01, -21.94

 

CMYK 53 / 16 / 0 / 20

HEX #60ADCD

RGB 96 173 205

HSL 197.61, 0.52%, 0.59%

LAB 67.11, -14.86, -23.57

 

CMYK 53 / 30 / 0 / 20

HEX #6090CD

RGB 96 144 205

HSL 213.58, 0.52%, 0.59%

LAB 58.83, 1.28, -36.38

 

CMYK 53 / 44 / 0 / 20

HEX #6073CD

RGB 96 115 205

HSL 229.54, 0.52%, 0.59%

LAB 50.87, 18.64, -48.95

 

CMYK 48 / 53 / 0 / 20

HEX #6B60CD

RGB 107 96 205

HSL 246.06, 0.52%, 0.59%

LAB 46.84, 32.67, -55.35

 

CMYK 34 / 53 / 0 / 20

HEX #8860CD

RGB 136 96 205

HSL 262.02, 0.52%, 0.59%

LAB 49.51, 39.52, -50.93

 

CMYK 53 / 16 / 0 / 20

HEX #60ADCD

RGB 96 173 205

HSL 197.61, 0.52%, 0.59%

LAB 67.11, -14.86, -23.57

 

CMYK 53 / 30 / 0 / 20

HEX #6090CD

RGB 96 144 205

HSL 213.58, 0.52%, 0.59%

LAB 58.83, 1.28, -36.38

 

CMYK 53 / 44 / 0 / 20

HEX #6073CD

RGB 96 115 205

HSL 229.54, 0.52%, 0.59%

LAB 50.87, 18.64, -48.95

 

CMYK 53 / 53 / 0 / 20

HEX #6060CD

RGB 96 96 205

HSL 240, 0.52%, 0.59%

LAB 45.99, 30.33, -56.77

 

CMYK 53 / 16 / 0 / 20

HEX #60ADCD

RGB 96 173 205

HSL 197.61, 0.52%, 0.59%

LAB 67.11, -14.86, -23.57

 

CMYK 64 / 19 / 0 / 13

HEX #4FB4DE

RGB 79 180 222

HSL 197.62, 0.68%, 0.59%

LAB 69.17, -16.64, -29.8

 

CMYK 74 / 22 / 0 / 6

HEX #3EBBEF

RGB 62 187 239

HSL 197.63, 0.85%, 0.59%

LAB 71.42, -17.27, -35.62

 

CMYK 53 / 16 / 0 / 20

HEX #60ADCD

RGB 96 173 205

HSL 197.61, 0.52%, 0.59%

LAB 67.11, -14.86, -23.57

 

CMYK 40 / 12 / 0 / 26

HEX #71A6BC

RGB 113 166 188

HSL 197.6, 0.36%, 0.59%

LAB 65.29, -11.77, -16.84

 

CMYK 24 / 7 / 0 / 33

HEX #829FAB

RGB 130 159 171

HSL 197.56, 0.2%, 0.59%

LAB 63.74, -7.27, -9.56

 

CMYK 5 / 1 / 0 / 40

HEX #93989A

RGB 147 152 154

HSL 197.14, 0.03%, 0.59%

LAB 62.5, -1.4, -1.68

 

CMYK 0 / 12 / 16 / 36

HEX #A49189

RGB 164 145 137

HSL 17.78, 0.13%, 0.59%

LAB 61.61, 5.72, 6.83

 

CMYK 53 / 0 / 13 / 20

HEX #60CDB2

RGB 96 205 178

HSL 165.14, 0.52%, 0.59%

LAB 75.68, -37.84, 3.95

 

CMYK 53 / 1 / 0 / 20

HEX #60CBCD

RGB 96 203 205

HSL 181.1, 0.52%, 0.59%

LAB 75.83, -30.07, -10.4

 

CMYK 53 / 15 / 0 / 20

HEX #60AECD

RGB 96 174 205

HSL 197.06, 0.52%, 0.59%

LAB 67.4, -15.39, -23.12

 

CMYK 53 / 29 / 0 / 20

HEX #6091CD

RGB 96 145 205

HSL 213.03, 0.52%, 0.59%

LAB 59.11, 0.7, -35.94

 

CMYK 53 / 43 / 0 / 20

HEX #6074CD

RGB 96 116 205

HSL 228.99, 0.52%, 0.59%

LAB 51.14, 18.03, -48.52

 

CMYK 69 / 20 / 0 / 35

HEX #3485A6

RGB 52 133 166

HSL 197.37, 0.52%, 0.43%

LAB 52.13, -13.68, -24.7

 

CMYK 67 / 19 / 0 / 24

HEX #419DC3

RGB 65 157 195

HSL 197.54, 0.52%, 0.51%

LAB 60.94, -15.22, -27.58

 

CMYK 53 / 16 / 0 / 20

HEX #60ADCD

RGB 96 173 205

HSL 197.61, 0.52%, 0.59%

LAB 67.11, -14.86, -23.57

 

CMYK 41 / 12 / 0 / 16

HEX #7FBDD7

RGB 127 189 215

HSL 197.73, 0.52%, 0.67%

LAB 73.42, -13.22, -19.31

 

CMYK 29 / 9 / 0 / 12

HEX #9FCDE1

RGB 159 205 225

HSL 198.18, 0.52%, 0.75%

LAB 79.88, -10.41, -14.79

 

CMYK 54 / 16 / 0 / 20

HEX #5FADCD

RGB 95 173 205

HSL 197.45, 0.52%, 0.59%

LAB 67.07, -15.08, -23.63

 

CMYK 27 / 53 / 0 / 20

HEX #9560CD

RGB 149 96 205

HSL 269.17, 0.52%, 0.59%

LAB 50.88, 42.82, -48.66

 

CMYK 0 / 6 / 53 / 20

HEX #CDC060

RGB 205 192 96

HSL 52.84, 0.52%, 0.59%

LAB 76.99, -7.88, 49.4

 

CMYK 54 / 16 / 0 / 20

HEX #5FADCD

RGB 95 173 205

HSL 197.45, 0.52%, 0.59%

LAB 67.07, -15.08, -23.63

 

CMYK 0 / 53 / 15 / 20

HEX #CD60AE

RGB 205 96 174

HSL 317.06, 0.52%, 0.59%

LAB 56.49, 52.64, -21.53

 

CMYK 15 / 0 / 53 / 20

HEX #AECD60

RGB 174 205 96

HSL 77.06, 0.52%, 0.59%

LAB 78.17, -26.91, 50.19

 

CMYK 54 / 16 / 0 / 20

HEX #5FADCD

RGB 95 173 205

HSL 197.45, 0.52%, 0.59%

LAB 67.07, -15.08, -23.63

 

CMYK 27 / 53 / 0 / 20

HEX #9560CD

RGB 149 96 205

HSL 269.17, 0.52%, 0.59%

LAB 50.88, 42.82, -48.66

 

CMYK 0 / 38 / 53 / 20

HEX #CD7F60

RGB 205 127 96

HSL 17.06, 0.52%, 0.59%

LAB 60.78, 27, 29.49

 

CMYK 26 / 0 / 53 / 20

HEX #98CD60

RGB 152 205 96

HSL 89.17, 0.52%, 0.59%

LAB 76.79, -35.23, 48.22

 

CMYK 54 / 16 / 0 / 20

HEX #5FADCD

RGB 95 173 205

HSL 197.45, 0.52%, 0.59%

LAB 67.07, -15.08, -23.63

 

CMYK 12 / 53 / 0 / 20

HEX #B560CD

RGB 181 96 205

HSL 286.79, 0.52%, 0.59%

LAB 54.66, 51.29, -42.43

 

CMYK 0 / 38 / 53 / 20

HEX #CD7F60

RGB 205 127 96

HSL 17.06, 0.52%, 0.59%

LAB 60.78, 27, 29.49

 

CMYK 41 / 0 / 53 / 20

HEX #78CD60

RGB 120 205 96

HSL 106.79, 0.52%, 0.59%

LAB 75.14, -46.14, 45.85

 

Description

Color code: HEX #5FADCD | qconv.com Color code: HEX #5FADCD | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 95 red, 173 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
95 173 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, 16 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 16% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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