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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5FABD2 it is the complementary color #A0542D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5FABD2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5FABD2 shade: #64ABCD, #75BDE0, #86CFF3, #97E1FF and #A8F3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5FABD2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5FABD2 shade: #5FABD2, #4E99BF, #3D87AC, #2C7599 and #1B6386

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5FABD2 shade: #60ABD2, #608DD2, #606ED2, #7160D2 and #9060D2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5FABD2 shade: #60ABD2, #608DD2, #606ED2 and #6060D2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5FABD2 shade matches the following richer shades: #60ABD2, #4FB1E3 and #3FB6F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5FABD2 shade: #60ABD2, #70A6C2, #81A1B1, #919BA1 and #A29690

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5FABD2 shade: #60D2BB, #60CBD2, #60ACD2, #608ED2 and #606FD2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5FABD2 shade: #3184AE, #409AC9, #60ABD2, #80BCDB and #A0CDE4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5FABD2 shade: #5FABD2, #9D60D2 and #D2CB60

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5FABD2 shade: #5FABD2, #D260AC and #ACD260

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5FABD2 shade: #5FABD2, #9D60D2, #D28660 and #95D260

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5FABD2 shade: #5FABD2, #BF60D2, #D28660 and #73D260

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 19 / 0 / 18

HEX #5FABD2

RGB 95 171 210

HSL 200.35, 0.56%, 0.6%

LAB 66.68, -12.53, -26.99

 

Complementary color

CMYK 0 / 48 / 72 / 37

HEX #A0542D

RGB 160 84 45

HSL 20.35, 0.56%, 0.4%

LAB 44.24, 28.23, 36.13

 

CMYK 51 / 17 / 0 / 20

HEX #64ABCD

RGB 100 171 205

HSL 199.43, 0.51%, 0.6%

LAB 66.71, -12.91, -24.17

 

CMYK 48 / 16 / 0 / 12

HEX #75BDE0

RGB 117 189 224

HSL 199.63, 0.63%, 0.67%

LAB 73.26, -13.23, -24.49

 

CMYK 45 / 15 / 0 / 5

HEX #86CFF3

RGB 134 207 243

HSL 199.82, 0.82%, 0.74%

LAB 79.71, -13.47, -24.81

 

CMYK 41 / 12 / 0 / 0

HEX #97E1FF

RGB 151 225 255

HSL 197.31, 1%, 0.8%

LAB 85.83, -15.47, -21.79

 

CMYK 34 / 5 / 0 / 0

HEX #A8F3FF

RGB 168 243 255

HSL 188.28, 1%, 0.83%

LAB 91.53, -20.15, -13.13

 

CMYK 55 / 19 / 0 / 18

HEX #5FABD2

RGB 95 171 210

HSL 200.35, 0.56%, 0.6%

LAB 66.68, -12.53, -26.99

 

CMYK 59 / 20 / 0 / 25

HEX #4E99BF

RGB 78 153 191

HSL 200.18, 0.47%, 0.53%

LAB 60.04, -11.99, -26.69

 

CMYK 65 / 22 / 0 / 33

HEX #3D87AC

RGB 61 135 172

HSL 200, 0.48%, 0.46%

LAB 53.27, -11.28, -26.37

 

CMYK 71 / 24 / 0 / 40

HEX #2C7599

RGB 44 117 153

HSL 199.82, 0.55%, 0.39%

LAB 46.39, -10.32, -26.02

 

CMYK 80 / 26 / 0 / 47

HEX #1B6386

RGB 27 99 134

HSL 199.63, 0.66%, 0.32%

LAB 39.37, -8.97, -25.62

 

CMYK 54 / 19 / 0 / 18

HEX #60ABD2

RGB 96 171 210

HSL 200.53, 0.56%, 0.6%

LAB 66.72, -12.32, -26.92

 

CMYK 54 / 33 / 0 / 18

HEX #608DD2

RGB 96 141 210

HSL 216.32, 0.56%, 0.6%

LAB 58.22, 4.6, -40.15

 

CMYK 54 / 48 / 0 / 18

HEX #606ED2

RGB 96 110 210

HSL 232.63, 0.56%, 0.6%

LAB 49.85, 23.32, -53.43

 

CMYK 46 / 54 / 0 / 18

HEX #7160D2

RGB 113 96 210

HSL 248.95, 0.56%, 0.6%

LAB 47.66, 35.47, -56.87

 

CMYK 31 / 54 / 0 / 18

HEX #9060D2

RGB 144 96 210

HSL 265.26, 0.56%, 0.6%

LAB 50.63, 42.78, -51.95

 

CMYK 54 / 19 / 0 / 18

HEX #60ABD2

RGB 96 171 210

HSL 200.53, 0.56%, 0.6%

LAB 66.72, -12.32, -26.92

 

CMYK 54 / 33 / 0 / 18

HEX #608DD2

RGB 96 141 210

HSL 216.32, 0.56%, 0.6%

LAB 58.22, 4.6, -40.15

 

CMYK 54 / 48 / 0 / 18

HEX #606ED2

RGB 96 110 210

HSL 232.63, 0.56%, 0.6%

LAB 49.85, 23.32, -53.43

 

CMYK 54 / 54 / 0 / 18

HEX #6060D2

RGB 96 96 210

HSL 240, 0.56%, 0.6%

LAB 46.32, 31.92, -59.1

 

CMYK 54 / 19 / 0 / 18

HEX #60ABD2

RGB 96 171 210

HSL 200.53, 0.56%, 0.6%

LAB 66.72, -12.32, -26.92

 

CMYK 65 / 22 / 0 / 11

HEX #4FB1E3

RGB 79 177 227

HSL 200.27, 0.73%, 0.6%

LAB 68.5, -13.47, -33.58

 

CMYK 74 / 25 / 0 / 5

HEX #3FB6F3

RGB 63 182 243

HSL 200.33, 0.88%, 0.6%

LAB 70.16, -13.17, -39.74

 

CMYK 54 / 19 / 0 / 18

HEX #60ABD2

RGB 96 171 210

HSL 200.53, 0.56%, 0.6%

LAB 66.72, -12.32, -26.92

 

CMYK 42 / 14 / 0 / 24

HEX #70A6C2

RGB 112 166 194

HSL 200.49, 0.4%, 0.6%

LAB 65.45, -10.41, -19.95

 

CMYK 27 / 9 / 0 / 31

HEX #81A1B1

RGB 129 161 177

HSL 200, 0.24%, 0.6%

LAB 64.43, -7.25, -11.9

 

CMYK 10 / 4 / 0 / 37

HEX #919BA1

RGB 145 155 161

HSL 202.5, 0.08%, 0.6%

LAB 63.37, -2.33, -4.37

 

CMYK 0 / 7 / 11 / 36

HEX #A29690

RGB 162 150 144

HSL 20, 0.09%, 0.6%

LAB 62.93, 3.35, 4.75

 

CMYK 54 / 0 / 11 / 18

HEX #60D2BB

RGB 96 210 187

HSL 167.89, 0.56%, 0.6%

LAB 77.38, -37.95, 1.58

 

CMYK 54 / 3 / 0 / 18

HEX #60CBD2

RGB 96 203 210

HSL 183.68, 0.56%, 0.6%

LAB 75.98, -28.72, -12.87

 

CMYK 54 / 18 / 0 / 18

HEX #60ACD2

RGB 96 172 210

HSL 200, 0.56%, 0.6%

LAB 67.01, -12.85, -26.48

 

CMYK 54 / 32 / 0 / 18

HEX #608ED2

RGB 96 142 210

HSL 215.79, 0.56%, 0.6%

LAB 58.5, 4.01, -39.71

 

CMYK 54 / 47 / 0 / 18

HEX #606FD2

RGB 96 111 210

HSL 232.11, 0.56%, 0.6%

LAB 50.11, 22.7, -53.01

 

CMYK 72 / 24 / 0 / 32

HEX #3184AE

RGB 49 132 174

HSL 200.16, 0.56%, 0.44%

LAB 52.08, -10.85, -29.41

 

CMYK 68 / 23 / 0 / 21

HEX #409AC9

RGB 64 154 201

HSL 200.58, 0.56%, 0.52%

LAB 60.26, -11.77, -31.99

 

CMYK 54 / 19 / 0 / 18

HEX #60ABD2

RGB 96 171 210

HSL 200.53, 0.56%, 0.6%

LAB 66.72, -12.32, -26.92

 

CMYK 42 / 14 / 0 / 14

HEX #80BCDB

RGB 128 188 219

HSL 200.44, 0.56%, 0.68%

LAB 73.33, -11.38, -21.62

 

CMYK 30 / 10 / 0 / 11

HEX #A0CDE4

RGB 160 205 228

HSL 200.29, 0.56%, 0.76%

LAB 80.03, -9.41, -16.17

 

CMYK 55 / 19 / 0 / 18

HEX #5FABD2

RGB 95 171 210

HSL 200.35, 0.56%, 0.6%

LAB 66.68, -12.53, -26.99

 

CMYK 25 / 54 / 0 / 18

HEX #9D60D2

RGB 157 96 210

HSL 272.11, 0.56%, 0.6%

LAB 52.05, 46.06, -49.6

 

CMYK 0 / 3 / 54 / 18

HEX #D2CB60

RGB 210 203 96

HSL 56.32, 0.56%, 0.6%

LAB 80.32, -11.44, 53.38

 

CMYK 55 / 19 / 0 / 18

HEX #5FABD2

RGB 95 171 210

HSL 200.35, 0.56%, 0.6%

LAB 66.68, -12.53, -26.99

 

CMYK 0 / 54 / 18 / 18

HEX #D260AC

RGB 210 96 172

HSL 320, 0.56%, 0.6%

LAB 57.12, 53.84, -19.35

 

CMYK 18 / 0 / 54 / 18

HEX #ACD260

RGB 172 210 96

HSL 80, 0.56%, 0.6%

LAB 79.45, -30.06, 51.65

 

CMYK 55 / 19 / 0 / 18

HEX #5FABD2

RGB 95 171 210

HSL 200.35, 0.56%, 0.6%

LAB 66.68, -12.53, -26.99

 

CMYK 25 / 54 / 0 / 18

HEX #9D60D2

RGB 157 96 210

HSL 272.11, 0.56%, 0.6%

LAB 52.05, 46.06, -49.6

 

CMYK 0 / 36 / 54 / 18

HEX #D28660

RGB 210 134 96

HSL 20, 0.56%, 0.6%

LAB 63.01, 25.24, 32.46

 

CMYK 29 / 0 / 54 / 18

HEX #95D260

RGB 149 210 96

HSL 92.11, 0.56%, 0.6%

LAB 78.07, -38.57, 49.68

 

CMYK 55 / 19 / 0 / 18

HEX #5FABD2

RGB 95 171 210

HSL 200.35, 0.56%, 0.6%

LAB 66.68, -12.53, -26.99

 

CMYK 9 / 54 / 0 / 18

HEX #BF60D2

RGB 191 96 210

HSL 290, 0.56%, 0.6%

LAB 56.18, 54.94, -42.78

 

CMYK 0 / 36 / 54 / 18

HEX #D28660

RGB 210 134 96

HSL 20, 0.56%, 0.6%

LAB 63.01, 25.24, 32.46

 

CMYK 45 / 0 / 54 / 18

HEX #73D260

RGB 115 210 96

HSL 110, 0.56%, 0.6%

LAB 76.43, -49.73, 47.34

 

Description

Color code: HEX #5FABD2 | qconv.com Color code: HEX #5FABD2 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 95 red, 171 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
95 171 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, 19 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 19% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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