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Color name
HEX #5FA915

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5FA915 it is the complementary color #A056EA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5FA915. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5FA915 shade: #64A910, #75BB23, #86CD36, #97DF49 and #A8F15C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5FA915. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5FA915 shade: #5FA915, #4E9702, #3D8500, #2C7300 and #1B6100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5FA915 shade: #5EA815, #86A815, #A8A215, #A87A15 and #A85315

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5FA915 shade: #5EA815, #37A815, #15A81B, #15A842 and #15A86A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5FA915 shade matches the following richer shades: #5EA815 and #5EB705

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5FA915 shade: #5EA815, #5E9924, #5E8933, #5E7A43 and #5E6B52

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5FA915 shade: #A8A315, #86A815, #5EA815, #37A815 and #15A81A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5FA915 shade: #355F0C, #4A8310, #5EA815, #73CD19 and #88E52A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5FA915 shade: #5FA915, #15A87C and #A81599

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5FA915 shade: #5FA915, #155EA8 and #A8155E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5FA915 shade: #5FA915, #15A87C, #5E15A8 and #A81541

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5FA915 shade: #5FA915, #15A8A8, #5E15A8 and #A81515

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 0 / 88 / 34

HEX #5FA915

RGB 95 169 21

HSL 90, 0.78%, 0.37%

LAB 62.39, -45.32, 60.5

 

Complementary color

CMYK 32 / 63 / 0 / 8

HEX #A056EA

RGB 160 86 234

HSL 270, 0.78%, 0.63%

LAB 51.92, 57.53, -63.37

 

CMYK 41 / 0 / 91 / 34

HEX #64A910

RGB 100 169 16

HSL 87.06, 0.83%, 0.36%

LAB 62.61, -43.76, 61.75

 

CMYK 37 / 0 / 81 / 27

HEX #75BB23

RGB 117 187 35

HSL 87.63, 0.68%, 0.44%

LAB 69.07, -44.59, 63.38

 

CMYK 35 / 0 / 74 / 20

HEX #86CD36

RGB 134 205 54

HSL 88.21, 0.6%, 0.51%

LAB 75.45, -45.16, 63.84

 

CMYK 32 / 0 / 67 / 13

HEX #97DF49

RGB 151 223 73

HSL 88.8, 0.7%, 0.58%

LAB 81.75, -45.54, 63.6

 

CMYK 30 / 0 / 62 / 5

HEX #A8F15C

RGB 168 241 92

HSL 89.4, 0.84%, 0.65%

LAB 87.97, -45.78, 62.96

 

CMYK 44 / 0 / 88 / 34

HEX #5FA915

RGB 95 169 21

HSL 90, 0.78%, 0.37%

LAB 62.39, -45.32, 60.5

 

CMYK 48 / 0 / 99 / 41

HEX #4E9702

RGB 78 151 2

HSL 89.4, 0.97%, 0.3%

LAB 55.84, -44.24, 57.98

 

CMYK 54 / 0 / 100 / 48

HEX #3D8500

RGB 61 133 0

HSL 92.48, 1%, 0.26%

LAB 49.21, -42.62, 52.8

 

CMYK 62 / 0 / 100 / 55

HEX #2C7300

RGB 44 115 0

HSL 97.04, 1%, 0.23%

LAB 42.46, -40.7, 47.22

 

CMYK 72 / 0 / 100 / 62

HEX #1B6100

RGB 27 97 0

HSL 103.3, 1%, 0.19%

LAB 35.56, -38.38, 41.54

 

CMYK 44 / 0 / 88 / 34

HEX #5EA815

RGB 94 168 21

HSL 90.2, 0.78%, 0.37%

LAB 62.03, -45.25, 60.18

 

CMYK 20 / 0 / 88 / 34

HEX #86A815

RGB 134 168 21

HSL 73.88, 0.78%, 0.37%

LAB 64.26, -30.07, 62.96

 

CMYK 0 / 4 / 88 / 34

HEX #A8A215

RGB 168 162 21

HSL 57.55, 0.78%, 0.37%

LAB 65.14, -12.33, 64.75

 

CMYK 0 / 27 / 88 / 34

HEX #A87A15

RGB 168 122 21

HSL 41.22, 0.78%, 0.37%

LAB 54.34, 9.48, 55.99

 

CMYK 0 / 51 / 88 / 34

HEX #A85315

RGB 168 83 21

HSL 25.31, 0.78%, 0.37%

LAB 45.03, 31.2, 48.39

 

CMYK 44 / 0 / 88 / 34

HEX #5EA815

RGB 94 168 21

HSL 90.2, 0.78%, 0.37%

LAB 62.03, -45.25, 60.18

 

CMYK 67 / 0 / 88 / 34

HEX #37A815

RGB 55 168 21

HSL 106.12, 0.78%, 0.37%

LAB 60.67, -56.05, 58.46

 

CMYK 88 / 0 / 84 / 34

HEX #15A81B

RGB 21 168 27

HSL 122.45, 0.78%, 0.37%

LAB 60.11, -60.83, 56.3

 

CMYK 88 / 0 / 61 / 34

HEX #15A842

RGB 21 168 66

HSL 138.37, 0.78%, 0.37%

LAB 60.39, -57.3, 41.89

 

CMYK 88 / 0 / 37 / 34

HEX #15A86A

RGB 21 168 106

HSL 154.69, 0.78%, 0.37%

LAB 60.96, -50.5, 22.16

 

CMYK 44 / 0 / 88 / 34

HEX #5EA815

RGB 94 168 21

HSL 90.2, 0.78%, 0.37%

LAB 62.03, -45.25, 60.18

 

CMYK 49 / 0 / 97 / 28

HEX #5EB705

RGB 94 183 5

HSL 90, 0.95%, 0.37%

LAB 66.72, -51.52, 66.49

 

CMYK 44 / 0 / 88 / 34

HEX #5EA815

RGB 94 168 21

HSL 90.2, 0.78%, 0.37%

LAB 62.03, -45.25, 60.18

 

CMYK 39 / 0 / 76 / 40

HEX #5E9924

RGB 94 153 36

HSL 90.26, 0.62%, 0.37%

LAB 57.36, -38.25, 51.7

 

CMYK 31 / 0 / 63 / 46

HEX #5E8933

RGB 94 137 51

HSL 90, 0.46%, 0.37%

LAB 52.41, -29.81, 40.41

 

CMYK 23 / 0 / 45 / 52

HEX #5E7A43

RGB 94 122 67

HSL 90.55, 0.29%, 0.37%

LAB 47.88, -20.5, 26.83

 

CMYK 12 / 0 / 23 / 58

HEX #5E6B52

RGB 94 107 82

HSL 91.2, 0.13%, 0.37%

LAB 43.51, -9.97, 12.41

 

CMYK 0 / 3 / 88 / 34

HEX #A8A315

RGB 168 163 21

HSL 57.96, 0.78%, 0.37%

LAB 65.42, -12.85, 64.97

 

CMYK 20 / 0 / 88 / 34

HEX #86A815

RGB 134 168 21

HSL 73.88, 0.78%, 0.37%

LAB 64.26, -30.07, 62.96

 

CMYK 44 / 0 / 88 / 34

HEX #5EA815

RGB 94 168 21

HSL 90.2, 0.78%, 0.37%

LAB 62.03, -45.25, 60.18

 

CMYK 67 / 0 / 88 / 34

HEX #37A815

RGB 55 168 21

HSL 106.12, 0.78%, 0.37%

LAB 60.67, -56.05, 58.46

 

CMYK 88 / 0 / 85 / 34

HEX #15A81A

RGB 21 168 26

HSL 122.04, 0.78%, 0.37%

LAB 60.1, -60.88, 56.56

 

CMYK 44 / 0 / 87 / 63

HEX #355F0C

RGB 53 95 12

HSL 90.36, 0.78%, 0.21%

LAB 35.92, -28.93, 38.74

 

CMYK 44 / 0 / 88 / 49

HEX #4A8310

RGB 74 131 16

HSL 89.74, 0.78%, 0.29%

LAB 49.16, -36.96, 49.8

 

CMYK 44 / 0 / 88 / 34

HEX #5EA815

RGB 94 168 21

HSL 90.2, 0.78%, 0.37%

LAB 62.03, -45.25, 60.18

 

CMYK 44 / 0 / 88 / 20

HEX #73CD19

RGB 115 205 25

HSL 90, 0.78%, 0.45%

LAB 74.43, -52.88, 70.33

 

CMYK 41 / 0 / 82 / 10

HEX #88E52A

RGB 136 229 42

HSL 89.84, 0.78%, 0.53%

LAB 82.61, -54.82, 74.09

 

CMYK 44 / 0 / 88 / 34

HEX #5FA915

RGB 95 169 21

HSL 90, 0.78%, 0.37%

LAB 62.39, -45.32, 60.5

 

CMYK 88 / 0 / 26 / 34

HEX #15A87C

RGB 21 168 124

HSL 162.04, 0.78%, 0.37%

LAB 61.32, -46.43, 12.77

 

CMYK 0 / 88 / 9 / 34

HEX #A81599

RGB 168 21 153

HSL 306.12, 0.78%, 0.37%

LAB 39.85, 67.03, -35.45

 

CMYK 44 / 0 / 88 / 34

HEX #5FA915

RGB 95 169 21

HSL 90, 0.78%, 0.37%

LAB 62.39, -45.32, 60.5

 

CMYK 88 / 44 / 0 / 34

HEX #155EA8

RGB 21 94 168

HSL 210.2, 0.78%, 0.37%

LAB 39.57, 6.92, -45.7

 

CMYK 0 / 88 / 44 / 34

HEX #A8155E

RGB 168 21 94

HSL 330.2, 0.78%, 0.37%

LAB 37.24, 59.94, -2.7

 

CMYK 44 / 0 / 88 / 34

HEX #5FA915

RGB 95 169 21

HSL 90, 0.78%, 0.37%

LAB 62.39, -45.32, 60.5

 

CMYK 88 / 0 / 26 / 34

HEX #15A87C

RGB 21 168 124

HSL 162.04, 0.78%, 0.37%

LAB 61.32, -46.43, 12.77

 

CMYK 44 / 88 / 0 / 34

HEX #5E15A8

RGB 94 21 168

HSL 269.8, 0.78%, 0.37%

LAB 28.76, 57.59, -63.06

 

CMYK 0 / 88 / 61 / 34

HEX #A81541

RGB 168 21 65

HSL 342.04, 0.78%, 0.37%

LAB 36.45, 57.68, 14.88

 

CMYK 44 / 0 / 88 / 34

HEX #5FA915

RGB 95 169 21

HSL 90, 0.78%, 0.37%

LAB 62.39, -45.32, 60.5

 

CMYK 88 / 0 / 0 / 34

HEX #15A8A8

RGB 21 168 168

HSL 180, 0.78%, 0.37%

LAB 62.5, -34.28, -10.13

 

CMYK 44 / 88 / 0 / 34

HEX #5E15A8

RGB 94 21 168

HSL 269.8, 0.78%, 0.37%

LAB 28.76, 57.59, -63.06

 

CMYK 0 / 88 / 88 / 34

HEX #A81515

RGB 168 21 21

HSL 0, 0.78%, 0.37%

LAB 35.82, 55.85, 40.79

 

Description

Color code: HEX #5FA915 | qconv.com Color code: HEX #5FA915 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 95 red, 169 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
95 169 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, none magenta, 88 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 0% 88% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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