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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5FA6DA it is the complementary color #A05925. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5FA6DA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5FA6DA shade: #64A6D5, #75B8E8, #86CAFB, #97DCFF and #A8EEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5FA6DA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5FA6DA shade: #5FA6DA, #4E94C7, #3D82B4, #2C70A1 and #1B5E8E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5FA6DA shade: #5EA5D9, #5E84D9, #5E63D9, #7A5ED9 and #9C5ED9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5FA6DA shade: #5EA5D9, #5E84D9, #5E63D9 and #5E5ED9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5FA6DA shade matches the following richer shades: #5EA5D9, #4EA8E9 and #3EAAF9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5FA6DA shade: #5EA5D9, #6EA3C9, #7EA0B9, #8E9EA9 and #9E9B99

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5FA6DA shade: #5ED9CB, #5EC7D9, #5EA6D9, #5E85D9 and #5E64D9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5FA6DA shade: #2B7DB9, #3C92D1, #5EA5D9, #7FB8E1 and #A1CAE9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5FA6DA shade: #5FA6DA, #AA5ED9 and #D7D95E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5FA6DA shade: #5FA6DA, #D95EA6 and #A6D95E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5FA6DA shade: #5FA6DA, #AA5ED9, #D9915E and #8DD95E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5FA6DA shade: #5FA6DA, #CF5ED9, #D9915E and #68D95E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 24 / 0 / 15

HEX #5FA6DA

RGB 95 166 218

HSL 205.37, 0.62%, 0.61%

LAB 65.57, -7.37, -33.13

 

Complementary color

CMYK 0 / 44 / 77 / 37

HEX #A05925

RGB 160 89 37

HSL 25.37, 0.62%, 0.39%

LAB 45.29, 25.07, 41.32

 

CMYK 53 / 22 / 0 / 16

HEX #64A6D5

RGB 100 166 213

HSL 204.96, 0.57%, 0.61%

LAB 65.58, -7.83, -30.33

 

CMYK 50 / 21 / 0 / 9

HEX #75B8E8

RGB 117 184 232

HSL 205.04, 0.71%, 0.68%

LAB 72.15, -8.3, -30.53

 

CMYK 47 / 20 / 0 / 2

HEX #86CAFB

RGB 134 202 251

HSL 205.13, 0.94%, 0.75%

LAB 78.62, -8.67, -30.74

 

CMYK 41 / 14 / 0 / 0

HEX #97DCFF

RGB 151 220 255

HSL 200.19, 1%, 0.8%

LAB 84.48, -12.91, -23.84

 

CMYK 34 / 7 / 0 / 0

HEX #A8EEFF

RGB 168 238 255

HSL 191.72, 1%, 0.83%

LAB 90.18, -17.67, -15.15

 

CMYK 56 / 24 / 0 / 15

HEX #5FA6DA

RGB 95 166 218

HSL 205.37, 0.62%, 0.61%

LAB 65.57, -7.37, -33.13

 

CMYK 61 / 26 / 0 / 22

HEX #4E94C7

RGB 78 148 199

HSL 205.29, 0.52%, 0.54%

LAB 58.9, -6.65, -32.95

 

CMYK 66 / 28 / 0 / 29

HEX #3D82B4

RGB 61 130 180

HSL 205.21, 0.49%, 0.47%

LAB 52.12, -5.73, -32.76

 

CMYK 73 / 30 / 0 / 37

HEX #2C70A1

RGB 44 112 161

HSL 205.13, 0.57%, 0.4%

LAB 45.22, -4.5, -32.57

 

CMYK 81 / 34 / 0 / 44

HEX #1B5E8E

RGB 27 94 142

HSL 205.04, 0.68%, 0.33%

LAB 38.18, -2.84, -32.33

 

CMYK 57 / 24 / 0 / 15

HEX #5EA5D9

RGB 94 165 217

HSL 205.37, 0.62%, 0.61%

LAB 65.2, -7.33, -33.15

 

CMYK 57 / 39 / 0 / 15

HEX #5E84D9

RGB 94 132 217

HSL 221.46, 0.62%, 0.61%

LAB 55.98, 11.77, -47.62

 

CMYK 57 / 54 / 0 / 15

HEX #5E63D9

RGB 94 99 217

HSL 237.56, 0.62%, 0.61%

LAB 47.38, 31.93, -61.38

 

CMYK 44 / 57 / 0 / 15

HEX #7A5ED9

RGB 122 94 217

HSL 253.66, 0.62%, 0.61%

LAB 48.45, 40.63, -59.55

 

CMYK 28 / 57 / 0 / 15

HEX #9C5ED9

RGB 156 94 217

HSL 270.24, 0.62%, 0.61%

LAB 51.93, 48.52, -53.77

 

CMYK 57 / 24 / 0 / 15

HEX #5EA5D9

RGB 94 165 217

HSL 205.37, 0.62%, 0.61%

LAB 65.2, -7.33, -33.15

 

CMYK 57 / 39 / 0 / 15

HEX #5E84D9

RGB 94 132 217

HSL 221.46, 0.62%, 0.61%

LAB 55.98, 11.77, -47.62

 

CMYK 57 / 54 / 0 / 15

HEX #5E63D9

RGB 94 99 217

HSL 237.56, 0.62%, 0.61%

LAB 47.38, 31.93, -61.38

 

CMYK 57 / 57 / 0 / 15

HEX #5E5ED9

RGB 94 94 217

HSL 240, 0.62%, 0.61%

LAB 46.17, 34.98, -63.35

 

CMYK 57 / 24 / 0 / 15

HEX #5EA5D9

RGB 94 165 217

HSL 205.37, 0.62%, 0.61%

LAB 65.2, -7.33, -33.15

 

CMYK 67 / 28 / 0 / 9

HEX #4EA8E9

RGB 78 168 233

HSL 205.16, 0.78%, 0.61%

LAB 66.14, -6.76, -40.53

 

CMYK 75 / 32 / 0 / 2

HEX #3EAAF9

RGB 62 170 249

HSL 205.35, 0.94%, 0.61%

LAB 66.99, -4.65, -47.98

 

CMYK 57 / 24 / 0 / 15

HEX #5EA5D9

RGB 94 165 217

HSL 205.37, 0.62%, 0.61%

LAB 65.2, -7.33, -33.15

 

CMYK 45 / 19 / 0 / 21

HEX #6EA3C9

RGB 110 163 201

HSL 205.05, 0.46%, 0.61%

LAB 64.74, -7.34, -24.92

 

CMYK 32 / 14 / 0 / 27

HEX #7EA0B9

RGB 126 160 185

HSL 205.42, 0.3%, 0.61%

LAB 64.23, -5.63, -16.7

 

CMYK 16 / 7 / 0 / 34

HEX #8E9EA9

RGB 142 158 169

HSL 204.44, 0.14%, 0.61%

LAB 64.22, -3.29, -7.64

 

CMYK 0 / 2 / 3 / 38

HEX #9E9B99

RGB 158 155 153

HSL 24, 0.03%, 0.61%

LAB 64.17, 0.71, 1.42

 

CMYK 57 / 0 / 6 / 15

HEX #5ED9CB

RGB 94 217 203

HSL 173.17, 0.62%, 0.61%

LAB 79.79, -37.56, -3.46

 

CMYK 57 / 8 / 0 / 15

HEX #5EC7D9

RGB 94 199 217

HSL 188.78, 0.62%, 0.61%

LAB 74.97, -25.2, -18.18

 

CMYK 57 / 24 / 0 / 15

HEX #5EA6D9

RGB 94 166 217

HSL 204.88, 0.62%, 0.61%

LAB 65.48, -7.88, -32.71

 

CMYK 57 / 39 / 0 / 15

HEX #5E85D9

RGB 94 133 217

HSL 220.98, 0.62%, 0.61%

LAB 56.25, 11.17, -47.19

 

CMYK 57 / 54 / 0 / 15

HEX #5E64D9

RGB 94 100 217

HSL 237.07, 0.62%, 0.61%

LAB 47.63, 31.32, -60.99

 

CMYK 77 / 32 / 0 / 27

HEX #2B7DB9

RGB 43 125 185

HSL 205.35, 0.62%, 0.45%

LAB 50.31, -3.65, -38.52

 

CMYK 71 / 30 / 0 / 18

HEX #3C92D1

RGB 60 146 209

HSL 205.37, 0.62%, 0.53%

LAB 58.15, -5.13, -39.79

 

CMYK 57 / 24 / 0 / 15

HEX #5EA5D9

RGB 94 165 217

HSL 205.37, 0.62%, 0.61%

LAB 65.2, -7.33, -33.15

 

CMYK 44 / 18 / 0 / 12

HEX #7FB8E1

RGB 127 184 225

HSL 205.1, 0.62%, 0.69%

LAB 72.38, -7.88, -26.34

 

CMYK 31 / 13 / 0 / 9

HEX #A1CAE9

RGB 161 202 233

HSL 205.83, 0.62%, 0.77%

LAB 79.44, -6.36, -19.73

 

CMYK 56 / 24 / 0 / 15

HEX #5FA6DA

RGB 95 166 218

HSL 205.37, 0.62%, 0.61%

LAB 65.57, -7.37, -33.13

 

CMYK 22 / 57 / 0 / 15

HEX #AA5ED9

RGB 170 94 217

HSL 277.07, 0.62%, 0.61%

LAB 53.56, 51.97, -51.08

 

CMYK 1 / 0 / 57 / 15

HEX #D7D95E

RGB 215 217 94

HSL 60.98, 0.62%, 0.61%

LAB 84.42, -16.56, 59.03

 

CMYK 56 / 24 / 0 / 15

HEX #5FA6DA

RGB 95 166 218

HSL 205.37, 0.62%, 0.61%

LAB 65.57, -7.37, -33.13

 

CMYK 0 / 57 / 24 / 15

HEX #D95EA6

RGB 217 94 166

HSL 324.88, 0.62%, 0.61%

LAB 57.57, 56.02, -15.09

 

CMYK 24 / 0 / 57 / 15

HEX #A6D95E

RGB 166 217 94

HSL 84.88, 0.62%, 0.61%

LAB 81.04, -35.75, 54.29

 

CMYK 56 / 24 / 0 / 15

HEX #5FA6DA

RGB 95 166 218

HSL 205.37, 0.62%, 0.61%

LAB 65.57, -7.37, -33.13

 

CMYK 22 / 57 / 0 / 15

HEX #AA5ED9

RGB 170 94 217

HSL 277.07, 0.62%, 0.61%

LAB 53.56, 51.97, -51.08

 

CMYK 0 / 33 / 57 / 15

HEX #D9915E

RGB 217 145 94

HSL 24.88, 0.62%, 0.61%

LAB 66.38, 21.99, 37.93

 

CMYK 35 / 0 / 57 / 15

HEX #8DD95E

RGB 141 217 94

HSL 97.07, 0.62%, 0.61%

LAB 79.67, -44.61, 52.36

 

CMYK 56 / 24 / 0 / 15

HEX #5FA6DA

RGB 95 166 218

HSL 205.37, 0.62%, 0.61%

LAB 65.57, -7.37, -33.13

 

CMYK 5 / 57 / 0 / 15

HEX #CF5ED9

RGB 207 94 217

HSL 295.12, 0.62%, 0.61%

LAB 58.3, 61.35, -43.26

 

CMYK 0 / 33 / 57 / 15

HEX #D9915E

RGB 217 145 94

HSL 24.88, 0.62%, 0.61%

LAB 66.38, 21.99, 37.93

 

CMYK 52 / 0 / 57 / 15

HEX #68D95E

RGB 104 217 94

HSL 115.12, 0.62%, 0.61%

LAB 78.1, -55.8, 50.13

 

Description

Color code: HEX #5FA6DA | qconv.com Color code: HEX #5FA6DA | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 95 red, 166 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
95 166 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, 24 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 24% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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