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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5FA4D9 it is the complementary color #A05B26. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5FA4D9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5FA4D9 shade: #64A4D4, #75B6E7, #86C8FA, #97DAFF and #A8ECFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5FA4D9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5FA4D9 shade: #5FA4D9, #4E92C6, #3D80B3, #2C6EA0 and #1B5C8D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5FA4D9 shade: #5EA4D9, #5E82D9, #5E61D9, #7C5ED9 and #9D5ED9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5FA4D9 shade: #5EA4D9, #5E82D9, #5E61D9 and #5E5ED9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5FA4D9 shade matches the following richer shades: #5EA4D9, #4EA6E9 and #3EA8F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5FA4D9 shade: #5EA4D9, #6EA2C9, #7E9FB9, #8E9DA9 and #9E9B99

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5FA4D9 shade: #5ED9CD, #5EC5D9, #5EA4D9, #5E83D9 and #5E62D9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5FA4D9 shade: #2B7CB9, #3C91D1, #5EA4D9, #7FB7E1 and #A1CAE9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5FA4D9 shade: #5FA4D9, #AC5ED9 and #D5D95E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5FA4D9 shade: #5FA4D9, #D95EA4 and #A4D95E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5FA4D9 shade: #5FA4D9, #AC5ED9, #D9935E and #8BD95E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5FA4D9 shade: #5FA4D9, #D15ED9, #D9935E and #66D95E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 24 / 0 / 15

HEX #5FA4D9

RGB 95 164 217

HSL 206.07, 0.62%, 0.61%

LAB 64.96, -6.57, -33.52

 

Complementary color

CMYK 0 / 43 / 76 / 37

HEX #A05B26

RGB 160 91 38

HSL 26.07, 0.62%, 0.39%

LAB 45.76, 24, 41.32

 

CMYK 53 / 23 / 0 / 17

HEX #64A4D4

RGB 100 164 212

HSL 205.71, 0.57%, 0.61%

LAB 64.97, -7.03, -30.71

 

CMYK 49 / 21 / 0 / 9

HEX #75B6E7

RGB 117 182 231

HSL 205.79, 0.7%, 0.68%

LAB 71.56, -7.5, -30.9

 

CMYK 46 / 20 / 0 / 2

HEX #86C8FA

RGB 134 200 250

HSL 205.86, 0.92%, 0.75%

LAB 78.04, -7.89, -31.1

 

CMYK 41 / 15 / 0 / 0

HEX #97DAFF

RGB 151 218 255

HSL 201.35, 1%, 0.8%

LAB 83.94, -11.88, -24.66

 

CMYK 34 / 7 / 0 / 0

HEX #A8ECFF

RGB 168 236 255

HSL 193.1, 1%, 0.83%

LAB 89.64, -16.67, -15.95

 

CMYK 56 / 24 / 0 / 15

HEX #5FA4D9

RGB 95 164 217

HSL 206.07, 0.62%, 0.61%

LAB 64.96, -6.57, -33.52

 

CMYK 61 / 26 / 0 / 22

HEX #4E92C6

RGB 78 146 198

HSL 206, 0.51%, 0.54%

LAB 58.28, -5.84, -33.36

 

CMYK 66 / 28 / 0 / 30

HEX #3D80B3

RGB 61 128 179

HSL 205.93, 0.49%, 0.47%

LAB 51.48, -4.9, -33.19

 

CMYK 73 / 31 / 0 / 37

HEX #2C6EA0

RGB 44 110 160

HSL 205.86, 0.57%, 0.4%

LAB 44.55, -3.66, -33.02

 

CMYK 81 / 35 / 0 / 45

HEX #1B5C8D

RGB 27 92 141

HSL 205.79, 0.68%, 0.33%

LAB 37.5, -1.98, -32.81

 

CMYK 57 / 24 / 0 / 15

HEX #5EA4D9

RGB 94 164 217

HSL 205.85, 0.62%, 0.61%

LAB 64.92, -6.77, -33.59

 

CMYK 57 / 40 / 0 / 15

HEX #5E82D9

RGB 94 130 217

HSL 222.44, 0.62%, 0.61%

LAB 55.44, 12.97, -48.48

 

CMYK 57 / 55 / 0 / 15

HEX #5E61D9

RGB 94 97 217

HSL 238.54, 0.62%, 0.61%

LAB 46.89, 33.15, -62.17

 

CMYK 43 / 57 / 0 / 15

HEX #7C5ED9

RGB 124 94 217

HSL 254.63, 0.62%, 0.61%

LAB 48.64, 41.07, -59.24

 

CMYK 28 / 57 / 0 / 15

HEX #9D5ED9

RGB 157 94 217

HSL 270.73, 0.62%, 0.61%

LAB 52.04, 48.77, -53.58

 

CMYK 57 / 24 / 0 / 15

HEX #5EA4D9

RGB 94 164 217

HSL 205.85, 0.62%, 0.61%

LAB 64.92, -6.77, -33.59

 

CMYK 57 / 40 / 0 / 15

HEX #5E82D9

RGB 94 130 217

HSL 222.44, 0.62%, 0.61%

LAB 55.44, 12.97, -48.48

 

CMYK 57 / 55 / 0 / 15

HEX #5E61D9

RGB 94 97 217

HSL 238.54, 0.62%, 0.61%

LAB 46.89, 33.15, -62.17

 

CMYK 57 / 57 / 0 / 15

HEX #5E5ED9

RGB 94 94 217

HSL 240, 0.62%, 0.61%

LAB 46.17, 34.98, -63.35

 

CMYK 57 / 24 / 0 / 15

HEX #5EA4D9

RGB 94 164 217

HSL 205.85, 0.62%, 0.61%

LAB 64.92, -6.77, -33.59

 

CMYK 67 / 29 / 0 / 9

HEX #4EA6E9

RGB 78 166 233

HSL 205.94, 0.78%, 0.61%

LAB 65.57, -5.65, -41.42

 

CMYK 75 / 33 / 0 / 2

HEX #3EA8F9

RGB 62 168 249

HSL 205.99, 0.94%, 0.61%

LAB 66.42, -3.52, -48.87

 

CMYK 57 / 24 / 0 / 15

HEX #5EA4D9

RGB 94 164 217

HSL 205.85, 0.62%, 0.61%

LAB 64.92, -6.77, -33.59

 

CMYK 45 / 19 / 0 / 21

HEX #6EA2C9

RGB 110 162 201

HSL 205.71, 0.46%, 0.61%

LAB 64.46, -6.79, -25.35

 

CMYK 32 / 14 / 0 / 27

HEX #7E9FB9

RGB 126 159 185

HSL 206.44, 0.3%, 0.61%

LAB 63.95, -5.07, -17.13

 

CMYK 16 / 7 / 0 / 34

HEX #8E9DA9

RGB 142 157 169

HSL 206.67, 0.14%, 0.61%

LAB 63.94, -2.73, -8.05

 

CMYK 0 / 2 / 3 / 38

HEX #9E9B99

RGB 158 155 153

HSL 24, 0.03%, 0.61%

LAB 64.17, 0.71, 1.42

 

CMYK 57 / 0 / 6 / 15

HEX #5ED9CD

RGB 94 217 205

HSL 174.15, 0.62%, 0.61%

LAB 79.85, -37.05, -4.44

 

CMYK 57 / 9 / 0 / 15

HEX #5EC5D9

RGB 94 197 217

HSL 189.76, 0.62%, 0.61%

LAB 74.4, -24.2, -19.05

 

CMYK 57 / 24 / 0 / 15

HEX #5EA4D9

RGB 94 164 217

HSL 205.85, 0.62%, 0.61%

LAB 64.92, -6.77, -33.59

 

CMYK 57 / 40 / 0 / 15

HEX #5E83D9

RGB 94 131 217

HSL 221.95, 0.62%, 0.61%

LAB 55.71, 12.37, -48.05

 

CMYK 57 / 55 / 0 / 15

HEX #5E62D9

RGB 94 98 217

HSL 238.05, 0.62%, 0.61%

LAB 47.14, 32.54, -61.78

 

CMYK 77 / 33 / 0 / 27

HEX #2B7CB9

RGB 43 124 185

HSL 205.77, 0.62%, 0.45%

LAB 50.02, -3.05, -38.99

 

CMYK 71 / 31 / 0 / 18

HEX #3C91D1

RGB 60 145 209

HSL 205.77, 0.62%, 0.53%

LAB 57.86, -4.56, -40.25

 

CMYK 57 / 24 / 0 / 15

HEX #5EA4D9

RGB 94 164 217

HSL 205.85, 0.62%, 0.61%

LAB 64.92, -6.77, -33.59

 

CMYK 44 / 19 / 0 / 12

HEX #7FB7E1

RGB 127 183 225

HSL 205.71, 0.62%, 0.69%

LAB 72.1, -7.34, -26.76

 

CMYK 31 / 13 / 0 / 9

HEX #A1CAE9

RGB 161 202 233

HSL 205.83, 0.62%, 0.77%

LAB 79.44, -6.36, -19.73

 

CMYK 56 / 24 / 0 / 15

HEX #5FA4D9

RGB 95 164 217

HSL 206.07, 0.62%, 0.61%

LAB 64.96, -6.57, -33.52

 

CMYK 21 / 57 / 0 / 15

HEX #AC5ED9

RGB 172 94 217

HSL 278.05, 0.62%, 0.61%

LAB 53.8, 52.47, -50.68

 

CMYK 2 / 0 / 57 / 15

HEX #D5D95E

RGB 213 217 94

HSL 61.95, 0.62%, 0.61%

LAB 84.27, -17.37, 58.82

 

CMYK 56 / 24 / 0 / 15

HEX #5FA4D9

RGB 95 164 217

HSL 206.07, 0.62%, 0.61%

LAB 64.96, -6.57, -33.52

 

CMYK 0 / 57 / 24 / 15

HEX #D95EA4

RGB 217 94 164

HSL 325.85, 0.62%, 0.61%

LAB 57.5, 55.75, -14.04

 

CMYK 24 / 0 / 57 / 15

HEX #A4D95E

RGB 164 217 94

HSL 85.85, 0.62%, 0.61%

LAB 80.92, -36.49, 54.13

 

CMYK 56 / 24 / 0 / 15

HEX #5FA4D9

RGB 95 164 217

HSL 206.07, 0.62%, 0.61%

LAB 64.96, -6.57, -33.52

 

CMYK 21 / 57 / 0 / 15

HEX #AC5ED9

RGB 172 94 217

HSL 278.05, 0.62%, 0.61%

LAB 53.8, 52.47, -50.68

 

CMYK 0 / 32 / 57 / 15

HEX #D9935E

RGB 217 147 94

HSL 25.85, 0.62%, 0.61%

LAB 66.85, 20.91, 38.51

 

CMYK 36 / 0 / 57 / 15

HEX #8BD95E

RGB 139 217 94

HSL 98.05, 0.62%, 0.61%

LAB 79.57, -45.28, 52.22

 

CMYK 56 / 24 / 0 / 15

HEX #5FA4D9

RGB 95 164 217

HSL 206.07, 0.62%, 0.61%

LAB 64.96, -6.57, -33.52

 

CMYK 4 / 57 / 0 / 15

HEX #D15ED9

RGB 209 94 217

HSL 296.1, 0.62%, 0.61%

LAB 58.57, 61.86, -42.81

 

CMYK 0 / 32 / 57 / 15

HEX #D9935E

RGB 217 147 94

HSL 25.85, 0.62%, 0.61%

LAB 66.85, 20.91, 38.51

 

CMYK 53 / 0 / 57 / 15

HEX #66D95E

RGB 102 217 94

HSL 116.1, 0.62%, 0.61%

LAB 78.03, -56.33, 50.03

 

Description

Color code: HEX #5FA4D9 | qconv.com Color code: HEX #5FA4D9 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 95 red, 164 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
95 164 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, 24 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 24% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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