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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5F8E2F it is the complementary color #A071D0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5F8E2F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5F8E2F shade: #648E2A, #75A03D, #86B250, #97C463 and #A8D676

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5F8E2F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5F8E2F shade: #5F8E2F, #4E7C1C, #3D6A09, #2C5800 and #1B4600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5F8E2F shade: #5F8E2F, #788E2F, #8E892F, #8E702F and #8E562F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5F8E2F shade: #5F8E2F, #458E2F, #2F8E32, #2F8E4C and #2F8E65

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5F8E2F shade matches the following richer shades: #5F8E2F, #5F9D20, #5FAC11 and #5FBB01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5F8E2F shade: #5F8E2F, #5F7E3E, #5F6F4E, #5E605D and #5E506C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5F8E2F shade: #8E892F, #798E2F, #608E2F, #478E2F and #2F8E31

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5F8E2F shade: #35501B, #4A6F25, #5F8E2F, #74AC39 and #88C34C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5F8E2F shade: #5F8E2F, #2F8E70 and #8E2F86

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5F8E2F shade: #5F8E2F, #2F608E and #8E2F60

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5F8E2F shade: #5F8E2F, #2F8E70, #5D2F8E and #8E2F4D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5F8E2F shade: #5F8E2F, #2F8E8C, #5D2F8E and #8E2F31

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 0 / 67 / 44

HEX #5F8E2F

RGB 95 142 47

HSL 89.68, 0.5%, 0.37%

LAB 54.01, -32.14, 43.98

 

Complementary color

CMYK 23 / 46 / 0 / 18

HEX #A071D0

RGB 160 113 208

HSL 269.68, 0.5%, 0.63%

LAB 55.93, 37.04, -42.29

 

CMYK 30 / 0 / 70 / 44

HEX #648E2A

RGB 100 142 42

HSL 85.2, 0.54%, 0.36%

LAB 54.26, -30.59, 46.45

 

CMYK 27 / 0 / 62 / 37

HEX #75A03D

RGB 117 160 61

HSL 86.06, 0.45%, 0.43%

LAB 61.01, -30.88, 45.76

 

CMYK 25 / 0 / 55 / 30

HEX #86B250

RGB 134 178 80

HSL 86.94, 0.39%, 0.51%

LAB 67.64, -31.03, 44.75

 

CMYK 23 / 0 / 49 / 23

HEX #97C463

RGB 151 196 99

HSL 87.84, 0.45%, 0.58%

LAB 74.16, -31.1, 43.62

 

CMYK 21 / 0 / 45 / 16

HEX #A8D676

RGB 168 214 118

HSL 88.75, 0.54%, 0.65%

LAB 80.59, -31.1, 42.46

 

CMYK 33 / 0 / 67 / 44

HEX #5F8E2F

RGB 95 142 47

HSL 89.68, 0.5%, 0.37%

LAB 54.01, -32.14, 43.98

 

CMYK 37 / 0 / 77 / 51

HEX #4E7C1C

RGB 78 124 28

HSL 88.75, 0.63%, 0.3%

LAB 47.13, -31.75, 44.34

 

CMYK 42 / 0 / 92 / 58

HEX #3D6A09

RGB 61 106 9

HSL 87.84, 0.84%, 0.23%

LAB 40.11, -31.02, 43.39

 

CMYK 50 / 0 / 100 / 65

HEX #2C5800

RGB 44 88 0

HSL 90, 1%, 0.17%

LAB 32.95, -29.74, 39.75

 

CMYK 61 / 0 / 100 / 73

HEX #1B4600

RGB 27 70 0

HSL 96.86, 1%, 0.14%

LAB 25.6, -27.86, 33.4

 

CMYK 33 / 0 / 67 / 44

HEX #5F8E2F

RGB 95 142 47

HSL 89.68, 0.5%, 0.37%

LAB 54.01, -32.14, 43.98

 

CMYK 15 / 0 / 67 / 44

HEX #788E2F

RGB 120 142 47

HSL 73.89, 0.5%, 0.37%

LAB 55.63, -21.98, 46.19

 

CMYK 0 / 4 / 67 / 44

HEX #8E892F

RGB 142 137 47

HSL 56.84, 0.5%, 0.37%

LAB 55.93, -9.65, 47.06

 

CMYK 0 / 21 / 67 / 44

HEX #8E702F

RGB 142 112 47

HSL 41.05, 0.5%, 0.37%

LAB 48.94, 4.34, 39.61

 

CMYK 0 / 39 / 67 / 44

HEX #8E562F

RGB 142 86 47

HSL 24.63, 0.5%, 0.37%

LAB 42.17, 19.44, 32.01

 

CMYK 33 / 0 / 67 / 44

HEX #5F8E2F

RGB 95 142 47

HSL 89.68, 0.5%, 0.37%

LAB 54.01, -32.14, 43.98

 

CMYK 51 / 0 / 67 / 44

HEX #458E2F

RGB 69 142 47

HSL 106.11, 0.5%, 0.37%

LAB 52.75, -41.11, 42.25

 

CMYK 67 / 0 / 65 / 44

HEX #2F8E32

RGB 47 142 50

HSL 121.89, 0.5%, 0.37%

LAB 52.04, -46.55, 39.91

 

CMYK 67 / 0 / 46 / 44

HEX #2F8E4C

RGB 47 142 76

HSL 138.32, 0.5%, 0.37%

LAB 52.37, -42.81, 27.19

 

CMYK 67 / 0 / 29 / 44

HEX #2F8E65

RGB 47 142 101

HSL 154.11, 0.5%, 0.37%

LAB 52.83, -37.78, 13.91

 

CMYK 33 / 0 / 67 / 44

HEX #5F8E2F

RGB 95 142 47

HSL 89.68, 0.5%, 0.37%

LAB 54.01, -32.14, 43.98

 

CMYK 39 / 0 / 80 / 38

HEX #5F9D20

RGB 95 157 32

HSL 89.76, 0.66%, 0.37%

LAB 58.65, -39.85, 54.27

 

CMYK 45 / 0 / 90 / 33

HEX #5FAC11

RGB 95 172 17

HSL 89.81, 0.82%, 0.37%

LAB 63.33, -46.65, 62.08

 

CMYK 49 / 0 / 99 / 27

HEX #5FBB01

RGB 95 187 1

HSL 89.68, 0.99%, 0.37%

LAB 68, -52.8, 68

 

CMYK 33 / 0 / 67 / 44

HEX #5F8E2F

RGB 95 142 47

HSL 89.68, 0.5%, 0.37%

LAB 54.01, -32.14, 43.98

 

CMYK 25 / 0 / 51 / 51

HEX #5F7E3E

RGB 95 126 62

HSL 89.06, 0.34%, 0.37%

LAB 49.13, -22.8, 31.1

 

CMYK 14 / 0 / 30 / 56

HEX #5F6F4E

RGB 95 111 78

HSL 89.09, 0.17%, 0.37%

LAB 44.73, -12.5, 16.45

 

CMYK 2 / 0 / 3 / 62

HEX #5E605D

RGB 94 96 93

HSL 100, 0.02%, 0.37%

LAB 40.47, -1.41, 1.43

 

CMYK 13 / 26 / 0 / 58

HEX #5E506C

RGB 94 80 108

HSL 270, 0.15%, 0.37%

LAB 36.37, 11.82, -13.98

 

CMYK 0 / 4 / 67 / 44

HEX #8E892F

RGB 142 137 47

HSL 56.84, 0.5%, 0.37%

LAB 55.93, -9.65, 47.06

 

CMYK 15 / 0 / 67 / 44

HEX #798E2F

RGB 121 142 47

HSL 73.26, 0.5%, 0.37%

LAB 55.7, -21.55, 46.29

 

CMYK 32 / 0 / 67 / 44

HEX #608E2F

RGB 96 142 47

HSL 89.05, 0.5%, 0.37%

LAB 54.07, -31.75, 44.06

 

CMYK 50 / 0 / 67 / 44

HEX #478E2F

RGB 71 142 47

HSL 104.84, 0.5%, 0.37%

LAB 52.83, -40.5, 42.36

 

CMYK 67 / 0 / 65 / 44

HEX #2F8E31

RGB 47 142 49

HSL 121.26, 0.5%, 0.37%

LAB 52.03, -46.66, 40.36

 

CMYK 34 / 0 / 66 / 69

HEX #35501B

RGB 53 80 27

HSL 90.57, 0.5%, 0.21%

LAB 30.82, -20.44, 27.37

 

CMYK 33 / 0 / 67 / 56

HEX #4A6F25

RGB 74 111 37

HSL 90, 0.5%, 0.29%

LAB 42.7, -26.46, 35.93

 

CMYK 33 / 0 / 67 / 44

HEX #5F8E2F

RGB 95 142 47

HSL 89.68, 0.5%, 0.37%

LAB 54.01, -32.14, 43.98

 

CMYK 33 / 0 / 67 / 33

HEX #74AC39

RGB 116 172 57

HSL 89.22, 0.5%, 0.45%

LAB 64.57, -37.12, 51.34

 

CMYK 30 / 0 / 61 / 24

HEX #88C34C

RGB 136 195 76

HSL 89.75, 0.5%, 0.53%

LAB 72.75, -38.47, 52.44

 

CMYK 33 / 0 / 67 / 44

HEX #5F8E2F

RGB 95 142 47

HSL 89.68, 0.5%, 0.37%

LAB 54.01, -32.14, 43.98

 

CMYK 67 / 0 / 21 / 44

HEX #2F8E70

RGB 47 142 112

HSL 161.05, 0.5%, 0.37%

LAB 53.08, -35.16, 7.97

 

CMYK 0 / 67 / 6 / 44

HEX #8E2F86

RGB 142 47 134

HSL 305.05, 0.5%, 0.37%

LAB 36.94, 50.6, -28.73

 

CMYK 33 / 0 / 67 / 44

HEX #5F8E2F

RGB 95 142 47

HSL 89.68, 0.5%, 0.37%

LAB 54.01, -32.14, 43.98

 

CMYK 67 / 32 / 0 / 44

HEX #2F608E

RGB 47 96 142

HSL 209.05, 0.5%, 0.37%

LAB 39.45, -1.11, -30.29

 

CMYK 0 / 67 / 32 / 44

HEX #8E2F60

RGB 142 47 96

HSL 329.05, 0.5%, 0.37%

LAB 35.26, 44.88, -7.46

 

CMYK 33 / 0 / 67 / 44

HEX #5F8E2F

RGB 95 142 47

HSL 89.68, 0.5%, 0.37%

LAB 54.01, -32.14, 43.98

 

CMYK 67 / 0 / 21 / 44

HEX #2F8E70

RGB 47 142 112

HSL 161.05, 0.5%, 0.37%

LAB 53.08, -35.16, 7.97

 

CMYK 35 / 67 / 0 / 44

HEX #5D2F8E

RGB 93 47 142

HSL 269.05, 0.5%, 0.37%

LAB 30.19, 40.16, -44.86

 

CMYK 0 / 67 / 46 / 44

HEX #8E2F4D

RGB 142 47 77

HSL 341.05, 0.5%, 0.37%

LAB 34.64, 42.67, 3.84

 

CMYK 33 / 0 / 67 / 44

HEX #5F8E2F

RGB 95 142 47

HSL 89.68, 0.5%, 0.37%

LAB 54.01, -32.14, 43.98

 

CMYK 67 / 0 / 1 / 44

HEX #2F8E8C

RGB 47 142 140

HSL 178.74, 0.5%, 0.37%

LAB 53.86, -27.49, -7.04

 

CMYK 35 / 67 / 0 / 44

HEX #5D2F8E

RGB 93 47 142

HSL 269.05, 0.5%, 0.37%

LAB 30.19, 40.16, -44.86

 

CMYK 0 / 67 / 65 / 44

HEX #8E2F31

RGB 142 47 49

HSL 358.74, 0.5%, 0.37%

LAB 33.99, 40.3, 20.95

 

Description

Color code: HEX #5F8E2F | qconv.com Color code: HEX #5F8E2F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 95 red, 142 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
95 142 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, none magenta, 67 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 0% 67% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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