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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5F8E22 it is the complementary color #A071DD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5F8E22. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5F8E22 shade: #648E1D, #75A030, #86B243, #97C456 and #A8D669

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5F8E22. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5F8E22 shade: #5F8E22, #4E7C0F, #3D6A00, #2C5800 and #1B4600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5F8E22 shade: #609023, #7E9023, #908423, #906723 and #904A23

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5F8E22 shade: #609023, #439023, #269023, #23903D and #23905B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5F8E22 shade matches the following richer shades: #609023, #629E14 and #64AD06

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5F8E22 shade: #609023, #5E8131, #5D7340, #5B644E and #59565D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5F8E22 shade: #908523, #7E9023, #619023, #439023 and #269023

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5F8E22 shade: #344D13, #4A6E1B, #609023, #77B12B and #8CCE37

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5F8E22 shade: #5F8E22, #239068 and #90238C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5F8E22 shade: #5F8E22, #236190 and #902361

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5F8E22 shade: #5F8E22, #239068, #522390 and #90234B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5F8E22 shade: #5F8E22, #239088, #522390 and #90232A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 0 / 76 / 44

HEX #5F8E22

RGB 95 142 34

HSL 86.11, 0.61%, 0.35%

LAB 53.91, -33.08, 49.09

 

Complementary color

CMYK 28 / 49 / 0 / 13

HEX #A071DD

RGB 160 113 221

HSL 266.11, 0.61%, 0.65%

LAB 56.59, 40.14, -48.58

 

CMYK 30 / 0 / 80 / 44

HEX #648E1D

RGB 100 142 29

HSL 82.3, 0.66%, 0.34%

LAB 54.18, -31.4, 51.15

 

CMYK 27 / 0 / 70 / 37

HEX #75A030

RGB 117 160 48

HSL 83.04, 0.54%, 0.41%

LAB 60.9, -31.91, 51.18

 

CMYK 25 / 0 / 62 / 30

HEX #86B243

RGB 134 178 67

HSL 83.78, 0.45%, 0.48%

LAB 67.51, -32.24, 50.55

 

CMYK 23 / 0 / 56 / 23

HEX #97C456

RGB 151 196 86

HSL 84.55, 0.48%, 0.55%

LAB 74.02, -32.44, 49.61

 

CMYK 21 / 0 / 51 / 16

HEX #A8D669

RGB 168 214 105

HSL 85.32, 0.57%, 0.63%

LAB 80.43, -32.55, 48.54

 

CMYK 33 / 0 / 76 / 44

HEX #5F8E22

RGB 95 142 34

HSL 86.11, 0.61%, 0.35%

LAB 53.91, -33.08, 49.09

 

CMYK 37 / 0 / 88 / 51

HEX #4E7C0F

RGB 78 124 15

HSL 85.32, 0.78%, 0.27%

LAB 47.07, -32.41, 48.3

 

CMYK 42 / 0 / 100 / 58

HEX #3D6A00

RGB 61 106 0

HSL 85.47, 1%, 0.21%

LAB 40.08, -31.37, 45.67

 

CMYK 50 / 0 / 100 / 65

HEX #2C5800

RGB 44 88 0

HSL 90, 1%, 0.17%

LAB 32.95, -29.74, 39.75

 

CMYK 61 / 0 / 100 / 73

HEX #1B4600

RGB 27 70 0

HSL 96.86, 1%, 0.14%

LAB 25.6, -27.86, 33.4

 

CMYK 33 / 0 / 76 / 44

HEX #609023

RGB 96 144 35

HSL 86.42, 0.61%, 0.35%

LAB 54.61, -33.55, 49.42

 

CMYK 13 / 0 / 76 / 44

HEX #7E9023

RGB 126 144 35

HSL 69.91, 0.61%, 0.35%

LAB 56.59, -21.14, 52.01

 

CMYK 0 / 8 / 76 / 44

HEX #908423

RGB 144 132 35

HSL 53.39, 0.61%, 0.35%

LAB 54.61, -6.68, 50.67

 

CMYK 0 / 28 / 76 / 44

HEX #906723

RGB 144 103 35

HSL 37.43, 0.61%, 0.35%

LAB 46.65, 9.77, 42.93

 

CMYK 0 / 49 / 76 / 44

HEX #904A23

RGB 144 74 35

HSL 21.47, 0.61%, 0.35%

LAB 39.49, 26.45, 35.59

 

CMYK 33 / 0 / 76 / 44

HEX #609023

RGB 96 144 35

HSL 86.42, 0.61%, 0.35%

LAB 54.61, -33.55, 49.42

 

CMYK 53 / 0 / 76 / 44

HEX #439023

RGB 67 144 35

HSL 102.39, 0.61%, 0.35%

LAB 53.23, -43.54, 47.61

 

CMYK 74 / 0 / 76 / 44

HEX #269023

RGB 38 144 35

HSL 118.35, 0.61%, 0.35%

LAB 52.38, -50.5, 46.46

 

CMYK 76 / 0 / 58 / 44

HEX #23903D

RGB 35 144 61

HSL 134.31, 0.61%, 0.35%

LAB 52.55, -48.13, 35.16

 

CMYK 76 / 0 / 37 / 44

HEX #23905B

RGB 35 144 91

HSL 150.83, 0.61%, 0.35%

LAB 53.01, -42.84, 19.75

 

CMYK 33 / 0 / 76 / 44

HEX #609023

RGB 96 144 35

HSL 86.42, 0.61%, 0.35%

LAB 54.61, -33.55, 49.42

 

CMYK 38 / 0 / 87 / 38

HEX #629E14

RGB 98 158 20

HSL 86.09, 0.78%, 0.35%

LAB 59.07, -39.72, 57.92

 

CMYK 42 / 0 / 97 / 32

HEX #64AD06

RGB 100 173 6

HSL 86.23, 0.93%, 0.35%

LAB 63.84, -45.61, 64.18

 

CMYK 33 / 0 / 76 / 44

HEX #609023

RGB 96 144 35

HSL 86.42, 0.61%, 0.35%

LAB 54.61, -33.55, 49.42

 

CMYK 27 / 0 / 62 / 49

HEX #5E8131

RGB 94 129 49

HSL 86.25, 0.45%, 0.35%

LAB 49.86, -26.13, 38.51

 

CMYK 19 / 0 / 44 / 55

HEX #5D7340

RGB 93 115 64

HSL 85.88, 0.28%, 0.35%

LAB 45.58, -17.62, 25.56

 

CMYK 9 / 0 / 22 / 61

HEX #5B644E

RGB 91 100 78

HSL 84.55, 0.12%, 0.35%

LAB 41.04, -7.89, 11.34

 

CMYK 4 / 8 / 0 / 64

HEX #59565D

RGB 89 86 93

HSL 265.71, 0.04%, 0.35%

LAB 37.06, 2.71, -3.62

 

CMYK 0 / 8 / 76 / 44

HEX #908523

RGB 144 133 35

HSL 53.94, 0.61%, 0.35%

LAB 54.89, -7.22, 50.94

 

CMYK 13 / 0 / 76 / 44

HEX #7E9023

RGB 126 144 35

HSL 69.91, 0.61%, 0.35%

LAB 56.59, -21.14, 52.01

 

CMYK 33 / 0 / 76 / 44

HEX #619023

RGB 97 144 35

HSL 85.87, 0.61%, 0.35%

LAB 54.67, -33.17, 49.5

 

CMYK 53 / 0 / 76 / 44

HEX #439023

RGB 67 144 35

HSL 102.39, 0.61%, 0.35%

LAB 53.23, -43.54, 47.61

 

CMYK 74 / 0 / 76 / 44

HEX #269023

RGB 38 144 35

HSL 118.35, 0.61%, 0.35%

LAB 52.38, -50.5, 46.46

 

CMYK 32 / 0 / 75 / 70

HEX #344D13

RGB 52 77 19

HSL 85.86, 0.6%, 0.19%

LAB 29.63, -20.07, 29.99

 

CMYK 33 / 0 / 75 / 57

HEX #4A6E1B

RGB 74 110 27

HSL 86.02, 0.61%, 0.27%

LAB 42.29, -26.79, 39.87

 

CMYK 33 / 0 / 76 / 44

HEX #609023

RGB 96 144 35

HSL 86.42, 0.61%, 0.35%

LAB 54.61, -33.55, 49.42

 

CMYK 33 / 0 / 76 / 31

HEX #77B12B

RGB 119 177 43

HSL 85.97, 0.61%, 0.43%

LAB 66.17, -39.17, 58.28

 

CMYK 32 / 0 / 73 / 19

HEX #8CCE37

RGB 140 206 55

HSL 86.23, 0.61%, 0.51%

LAB 76.07, -43.38, 64.21

 

CMYK 33 / 0 / 76 / 44

HEX #5F8E22

RGB 95 142 34

HSL 86.11, 0.61%, 0.35%

LAB 53.91, -33.08, 49.09

 

CMYK 76 / 0 / 28 / 44

HEX #239068

RGB 35 144 104

HSL 157.98, 0.61%, 0.35%

LAB 53.28, -39.92, 12.79

 

CMYK 0 / 76 / 3 / 44

HEX #90238C

RGB 144 35 140

HSL 302.2, 0.61%, 0.35%

LAB 36.03, 56.53, -33.84

 

CMYK 33 / 0 / 76 / 44

HEX #5F8E22

RGB 95 142 34

HSL 86.11, 0.61%, 0.35%

LAB 53.91, -33.08, 49.09

 

CMYK 76 / 33 / 0 / 44

HEX #236190

RGB 35 97 144

HSL 205.87, 0.61%, 0.35%

LAB 39.45, -2.93, -31.54

 

CMYK 0 / 76 / 33 / 44

HEX #902361

RGB 144 35 97

HSL 325.87, 0.61%, 0.35%

LAB 33.97, 50.29, -10

 

CMYK 33 / 0 / 76 / 44

HEX #5F8E22

RGB 95 142 34

HSL 86.11, 0.61%, 0.35%

LAB 53.91, -33.08, 49.09

 

CMYK 76 / 0 / 28 / 44

HEX #239068

RGB 35 144 104

HSL 157.98, 0.61%, 0.35%

LAB 53.28, -39.92, 12.79

 

CMYK 43 / 76 / 0 / 44

HEX #522390

RGB 82 35 144

HSL 265.87, 0.61%, 0.35%

LAB 26.76, 44.54, -51.72

 

CMYK 0 / 76 / 48 / 44

HEX #90234B

RGB 144 35 75

HSL 337.98, 0.61%, 0.35%

LAB 33.22, 47.9, 3.15

 

CMYK 33 / 0 / 76 / 44

HEX #5F8E22

RGB 95 142 34

HSL 86.11, 0.61%, 0.35%

LAB 53.91, -33.08, 49.09

 

CMYK 76 / 0 / 6 / 44

HEX #239088

RGB 35 144 136

HSL 175.6, 0.61%, 0.35%

LAB 54.11, -31.35, -4.39

 

CMYK 43 / 76 / 0 / 44

HEX #522390

RGB 82 35 144

HSL 265.87, 0.61%, 0.35%

LAB 26.76, 44.54, -51.72

 

CMYK 0 / 76 / 71 / 44

HEX #90232A

RGB 144 35 42

HSL 356.15, 0.61%, 0.35%

LAB 32.48, 45.46, 23.58

 

Description

Color code: HEX #5F8E22 | qconv.com Color code: HEX #5F8E22 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 95 red, 142 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
95 142 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, none magenta, 76 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 0% 76% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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