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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5F8908 it is the complementary color #A076F7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5F8908. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5F8908 shade: #648903, #759B16, #86AD29, #97BF3C and #A8D14F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5F8908. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5F8908 shade: #5F8908, #4E7700, #3D6500, #2C5300 and #1B4100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5F8908 shade: #5E8708, #808708, #876C08, #874908 and #872708

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5F8908 shade: #5E8708, #3B8708, #198708, #088719 and #08873B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5F8908 shade matches the following richer shades: #5E8708

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5F8908 shade: #5E8708, #5A7B13, #56701F, #51642B and #4D5936

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5F8908 shade: #876B08, #818708, #5F8708, #3D8708 and #1B8708

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5F8908 shade: #283903, #436006, #5E8708, #79AE0A and #94D50C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5F8908 shade: #5F8908, #08874A and #7C0887

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5F8908 shade: #5F8908, #085F87 and #87085F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5F8908 shade: #5F8908, #08874A, #300887 and #870845

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5F8908 shade: #5F8908, #088770, #300887 and #87081F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 94 / 46

HEX #5F8908

RGB 95 137 8

HSL 79.53, 0.89%, 0.28%

LAB 52.22, -31.84, 54.44

 

Complementary color

CMYK 35 / 52 / 0 / 3

HEX #A076F7

RGB 160 118 247

HSL 259.53, 0.89%, 0.72%

LAB 59.11, 43.83, -59.06

 

CMYK 27 / 0 / 98 / 46

HEX #648903

RGB 100 137 3

HSL 76.57, 0.96%, 0.27%

LAB 52.52, -29.91, 55.69

 

CMYK 25 / 0 / 86 / 39

HEX #759B16

RGB 117 155 22

HSL 77.14, 0.75%, 0.35%

LAB 59.23, -30.9, 58.03

 

CMYK 23 / 0 / 76 / 32

HEX #86AD29

RGB 134 173 41

HSL 77.73, 0.62%, 0.42%

LAB 65.84, -31.65, 58.94

 

CMYK 21 / 0 / 69 / 25

HEX #97BF3C

RGB 151 191 60

HSL 78.32, 0.52%, 0.49%

LAB 72.34, -32.19, 58.87

 

CMYK 20 / 0 / 62 / 18

HEX #A8D14F

RGB 168 209 79

HSL 78.92, 0.59%, 0.56%

LAB 78.75, -32.58, 58.29

 

CMYK 31 / 0 / 94 / 46

HEX #5F8908

RGB 95 137 8

HSL 79.53, 0.89%, 0.28%

LAB 52.22, -31.84, 54.44

 

CMYK 34 / 0 / 100 / 53

HEX #4E7700

RGB 78 119 0

HSL 80.67, 1%, 0.23%

LAB 45.38, -30.59, 50.17

 

CMYK 40 / 0 / 100 / 60

HEX #3D6500

RGB 61 101 0

HSL 83.76, 1%, 0.2%

LAB 38.37, -29.09, 44.34

 

CMYK 47 / 0 / 100 / 67

HEX #2C5300

RGB 44 83 0

HSL 88.19, 1%, 0.16%

LAB 31.17, -27.49, 38.35

 

CMYK 58 / 0 / 100 / 75

HEX #1B4100

RGB 27 65 0

HSL 95.08, 1%, 0.13%

LAB 23.72, -25.69, 31.58

 

CMYK 30 / 0 / 94 / 47

HEX #5E8708

RGB 94 135 8

HSL 79.37, 0.89%, 0.28%

LAB 51.53, -31.32, 53.85

 

CMYK 5 / 0 / 94 / 47

HEX #808708

RGB 128 135 8

HSL 63.31, 0.89%, 0.28%

LAB 53.96, -16.5, 56.81

 

CMYK 0 / 20 / 94 / 47

HEX #876C08

RGB 135 108 8

HSL 47.24, 0.89%, 0.28%

LAB 46.83, 1.73, 51.6

 

CMYK 0 / 46 / 94 / 47

HEX #874908

RGB 135 73 8

HSL 30.71, 0.89%, 0.28%

LAB 37.72, 22.15, 44.76

 

CMYK 0 / 71 / 94 / 47

HEX #872708

RGB 135 39 8

HSL 14.65, 0.89%, 0.28%

LAB 30.92, 39.62, 39.87

 

CMYK 30 / 0 / 94 / 47

HEX #5E8708

RGB 94 135 8

HSL 79.37, 0.89%, 0.28%

LAB 51.53, -31.32, 53.85

 

CMYK 56 / 0 / 94 / 47

HEX #3B8708

RGB 59 135 8

HSL 95.91, 0.89%, 0.28%

LAB 49.83, -43.74, 51.76

 

CMYK 81 / 0 / 94 / 47

HEX #198708

RGB 25 135 8

HSL 111.97, 0.89%, 0.28%

LAB 48.95, -51.14, 50.66

 

CMYK 94 / 0 / 81 / 47

HEX #088719

RGB 8 135 25

HSL 128.03, 0.89%, 0.28%

LAB 48.82, -52.02, 46.31

 

CMYK 94 / 0 / 56 / 47

HEX #08873B

RGB 8 135 59

HSL 144.09, 0.89%, 0.28%

LAB 49.12, -48.23, 31.97

 

CMYK 30 / 0 / 94 / 47

HEX #5E8708

RGB 94 135 8

HSL 79.37, 0.89%, 0.28%

LAB 51.53, -31.32, 53.85

 

CMYK 30 / 0 / 94 / 47

HEX #5E8708

RGB 94 135 8

HSL 79.37, 0.89%, 0.28%

LAB 51.53, -31.32, 53.85

 

CMYK 27 / 0 / 85 / 52

HEX #5A7B13

RGB 90 123 19

HSL 79.04, 0.73%, 0.28%

LAB 47.48, -26.91, 47.87

 

CMYK 23 / 0 / 72 / 56

HEX #56701F

RGB 86 112 31

HSL 79.26, 0.57%, 0.28%

LAB 43.75, -22.45, 39.95

 

CMYK 19 / 0 / 57 / 61

HEX #51642B

RGB 81 100 43

HSL 80, 0.4%, 0.28%

LAB 39.64, -17.25, 29.6

 

CMYK 13 / 0 / 39 / 65

HEX #4D5936

RGB 77 89 54

HSL 80.57, 0.24%, 0.28%

LAB 35.96, -11.45, 18.74

 

CMYK 0 / 21 / 94 / 47

HEX #876B08

RGB 135 107 8

HSL 46.77, 0.89%, 0.28%

LAB 46.56, 2.31, 51.39

 

CMYK 4 / 0 / 94 / 47

HEX #818708

RGB 129 135 8

HSL 62.83, 0.89%, 0.28%

LAB 54.04, -16.04, 56.91

 

CMYK 30 / 0 / 94 / 47

HEX #5F8708

RGB 95 135 8

HSL 78.9, 0.89%, 0.28%

LAB 51.59, -30.91, 53.92

 

CMYK 55 / 0 / 94 / 47

HEX #3D8708

RGB 61 135 8

HSL 94.96, 0.89%, 0.28%

LAB 49.9, -43.15, 51.85

 

CMYK 80 / 0 / 94 / 47

HEX #1B8708

RGB 27 135 8

HSL 111.02, 0.89%, 0.28%

LAB 48.98, -50.85, 50.7

 

CMYK 30 / 0 / 95 / 78

HEX #283903

RGB 40 57 3

HSL 78.89, 0.9%, 0.12%

LAB 21.52, -15.97, 28.3

 

CMYK 30 / 0 / 94 / 62

HEX #436006

RGB 67 96 6

HSL 79.33, 0.88%, 0.2%

LAB 37.06, -23.93, 41.74

 

CMYK 30 / 0 / 94 / 47

HEX #5E8708

RGB 94 135 8

HSL 79.37, 0.89%, 0.28%

LAB 51.53, -31.32, 53.85

 

CMYK 30 / 0 / 94 / 32

HEX #79AE0A

RGB 121 174 10

HSL 79.39, 0.89%, 0.36%

LAB 65.25, -38.28, 65.25

 

CMYK 31 / 0 / 94 / 16

HEX #94D50C

RGB 148 213 12

HSL 79.4, 0.89%, 0.44%

LAB 78.41, -44.93, 76.13

 

CMYK 31 / 0 / 94 / 46

HEX #5F8908

RGB 95 137 8

HSL 79.53, 0.89%, 0.28%

LAB 52.22, -31.84, 54.44

 

CMYK 94 / 0 / 45 / 47

HEX #08874A

RGB 8 135 74

HSL 151.18, 0.89%, 0.28%

LAB 49.34, -45.61, 24.26

 

CMYK 8 / 94 / 0 / 47

HEX #7C0887

RGB 124 8 135

HSL 294.8, 0.89%, 0.28%

LAB 29.93, 58.12, -40.69

 

CMYK 31 / 0 / 94 / 46

HEX #5F8908

RGB 95 137 8

HSL 79.53, 0.89%, 0.28%

LAB 52.22, -31.84, 54.44

 

CMYK 94 / 30 / 0 / 47

HEX #085F87

RGB 8 95 135

HSL 198.9, 0.89%, 0.28%

LAB 37.82, -7.8, -28.69

 

CMYK 0 / 94 / 30 / 47

HEX #87085F

RGB 135 8 95

HSL 318.9, 0.89%, 0.28%

LAB 29.79, 54.46, -15.24

 

CMYK 31 / 0 / 94 / 46

HEX #5F8908

RGB 95 137 8

HSL 79.53, 0.89%, 0.28%

LAB 52.22, -31.84, 54.44

 

CMYK 94 / 0 / 45 / 47

HEX #08874A

RGB 8 135 74

HSL 151.18, 0.89%, 0.28%

LAB 49.34, -45.61, 24.26

 

CMYK 64 / 94 / 0 / 47

HEX #300887

RGB 48 8 135

HSL 258.9, 0.89%, 0.28%

LAB 18.15, 48.28, -60.43

 

CMYK 0 / 94 / 49 / 47

HEX #870845

RGB 135 8 69

HSL 331.18, 0.89%, 0.28%

LAB 28.78, 51.75, 0.46

 

CMYK 31 / 0 / 94 / 46

HEX #5F8908

RGB 95 137 8

HSL 79.53, 0.89%, 0.28%

LAB 52.22, -31.84, 54.44

 

CMYK 94 / 0 / 17 / 47

HEX #088770

RGB 8 135 112

HSL 169.13, 0.89%, 0.28%

LAB 50.16, -36.51, 3.7

 

CMYK 64 / 94 / 0 / 47

HEX #300887

RGB 48 8 135

HSL 258.9, 0.89%, 0.28%

LAB 18.15, 48.28, -60.43

 

CMYK 0 / 94 / 77 / 47

HEX #87081F

RGB 135 8 31

HSL 349.13, 0.89%, 0.28%

LAB 27.91, 49.32, 24.77

 

Description

Color code: HEX #5F8908 | qconv.com Color code: HEX #5F8908 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 95 red, 137 green and 8 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
95 137 8 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 94 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 94% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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