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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5F84DC it is the complementary color #A07B23. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5F84DC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5F84DC shade: #6484D7, #7596EA, #86A8FD, #97BAFF and #A8CCFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5F84DC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5F84DC shade: #5F84DC, #4E72C9, #3D60B6, #2C4EA3 and #1B3C90

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5F84DC shade: #6084DC, #6063DC, #7E60DC, #9F60DC and #C160DC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5F84DC shade: #6084DC, #6063DC and #6060DC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5F84DC shade matches the following richer shades: #6084DC, #507EEB and #4078FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5F84DC shade: #6084DC, #6F8BCC, #7F91BC, #8F97AD and #9E9E9D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5F84DC shade: #60C7DC, #60A6DC, #6085DC, #6064DC and #7D60DC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5F84DC shade: #2A56BF, #3E6AD4, #6084DC, #819EE3 and #A3B8EA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5F84DC shade: #5F84DC, #CF60DC and #B6DC60

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5F84DC shade: #5F84DC, #DC6085 and #85DC60

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5F84DC shade: #5F84DC, #CF60DC, #DCB660 and #6CDC60

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5F84DC shade: #5F84DC, #DC60C3, #DCB660 and #60DC78

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 40 / 0 / 14

HEX #5F84DC

RGB 95 132 220

HSL 222.24, 0.64%, 0.62%

LAB 56.19, 12.95, -48.96

 

Complementary color

CMYK 0 / 23 / 78 / 37

HEX #A07B23

RGB 160 123 35

HSL 42.24, 0.64%, 0.38%

LAB 53.77, 5.71, 50.45

 

CMYK 53 / 39 / 0 / 16

HEX #6484D7

RGB 100 132 215

HSL 223.3, 0.59%, 0.62%

LAB 56.21, 12.39, -46.11

 

CMYK 50 / 36 / 0 / 8

HEX #7596EA

RGB 117 150 234

HSL 223.08, 0.74%, 0.69%

LAB 62.96, 11.42, -45.97

 

CMYK 47 / 34 / 0 / 1

HEX #86A8FD

RGB 134 168 253

HSL 222.86, 0.97%, 0.76%

LAB 69.59, 10.6, -45.86

 

CMYK 41 / 27 / 0 / 0

HEX #97BAFF

RGB 151 186 255

HSL 219.81, 1%, 0.8%

LAB 75.4, 5.23, -37.79

 

CMYK 34 / 20 / 0 / 0

HEX #A8CCFF

RGB 168 204 255

HSL 215.17, 1%, 0.83%

LAB 81.14, -0.08, -28.84

 

CMYK 57 / 40 / 0 / 14

HEX #5F84DC

RGB 95 132 220

HSL 222.24, 0.64%, 0.62%

LAB 56.19, 12.95, -48.96

 

CMYK 61 / 43 / 0 / 21

HEX #4E72C9

RGB 78 114 201

HSL 222.44, 0.53%, 0.55%

LAB 49.34, 14.27, -49.16

 

CMYK 66 / 47 / 0 / 29

HEX #3D60B6

RGB 61 96 182

HSL 222.64, 0.5%, 0.48%

LAB 42.36, 15.92, -49.39

 

CMYK 73 / 52 / 0 / 36

HEX #2C4EA3

RGB 44 78 163

HSL 222.86, 0.57%, 0.41%

LAB 35.26, 18, -49.62

 

CMYK 81 / 58 / 0 / 44

HEX #1B3C90

RGB 27 60 144

HSL 223.08, 0.68%, 0.34%

LAB 28.06, 20.7, -49.8

 

CMYK 56 / 40 / 0 / 14

HEX #6084DC

RGB 96 132 220

HSL 222.58, 0.64%, 0.62%

LAB 56.24, 13.15, -48.88

 

CMYK 56 / 55 / 0 / 14

HEX #6063DC

RGB 96 99 220

HSL 238.55, 0.64%, 0.62%

LAB 47.72, 33.27, -62.53

 

CMYK 43 / 56 / 0 / 14

HEX #7E60DC

RGB 126 96 220

HSL 254.52, 0.64%, 0.62%

LAB 49.46, 41.2, -59.61

 

CMYK 28 / 56 / 0 / 14

HEX #9F60DC

RGB 159 96 220

HSL 270.48, 0.64%, 0.62%

LAB 52.84, 48.9, -53.99

 

CMYK 12 / 56 / 0 / 14

HEX #C160DC

RGB 193 96 220

HSL 286.94, 0.64%, 0.62%

LAB 56.95, 57.41, -47.21

 

CMYK 56 / 40 / 0 / 14

HEX #6084DC

RGB 96 132 220

HSL 222.58, 0.64%, 0.62%

LAB 56.24, 13.15, -48.88

 

CMYK 56 / 55 / 0 / 14

HEX #6063DC

RGB 96 99 220

HSL 238.55, 0.64%, 0.62%

LAB 47.72, 33.27, -62.53

 

CMYK 56 / 56 / 0 / 14

HEX #6060DC

RGB 96 96 220

HSL 240, 0.64%, 0.62%

LAB 47, 35.09, -63.7

 

CMYK 56 / 40 / 0 / 14

HEX #6084DC

RGB 96 132 220

HSL 222.58, 0.64%, 0.62%

LAB 56.24, 13.15, -48.88

 

CMYK 66 / 46 / 0 / 8

HEX #507EEB

RGB 80 126 235

HSL 222.19, 0.79%, 0.62%

LAB 54.68, 18.92, -59.8

 

CMYK 75 / 52 / 0 / 2

HEX #4078FB

RGB 64 120 251

HSL 222.03, 0.96%, 0.62%

LAB 53.48, 26.1, -70.67

 

CMYK 56 / 40 / 0 / 14

HEX #6084DC

RGB 96 132 220

HSL 222.58, 0.64%, 0.62%

LAB 56.24, 13.15, -48.88

 

CMYK 46 / 32 / 0 / 20

HEX #6F8BCC

RGB 111 139 204

HSL 221.94, 0.48%, 0.62%

LAB 58.23, 7.45, -36.69

 

CMYK 32 / 23 / 0 / 26

HEX #7F91BC

RGB 127 145 188

HSL 222.3, 0.31%, 0.62%

LAB 60.24, 3.88, -24.46

 

CMYK 17 / 13 / 0 / 32

HEX #8F97AD

RGB 143 151 173

HSL 224, 0.15%, 0.62%

LAB 62.5, 1.84, -12.45

 

CMYK 0 / 0 / 1 / 38

HEX #9E9E9D

RGB 158 158 157

HSL 60, 0.01%, 0.62%

LAB 65.09, -0.19, 0.51

 

CMYK 56 / 10 / 0 / 14

HEX #60C7DC

RGB 96 199 220

HSL 190.16, 0.64%, 0.62%

LAB 75.14, -23.97, -19.54

 

CMYK 56 / 25 / 0 / 14

HEX #60A6DC

RGB 96 166 220

HSL 206.13, 0.64%, 0.62%

LAB 65.69, -6.55, -34.04

 

CMYK 56 / 40 / 0 / 14

HEX #6085DC

RGB 96 133 220

HSL 222.1, 0.64%, 0.62%

LAB 56.51, 12.55, -48.45

 

CMYK 56 / 55 / 0 / 14

HEX #6064DC

RGB 96 100 220

HSL 238.06, 0.64%, 0.62%

LAB 47.97, 32.66, -62.14

 

CMYK 43 / 56 / 0 / 14

HEX #7D60DC

RGB 125 96 220

HSL 254.03, 0.64%, 0.62%

LAB 49.37, 40.98, -59.76

 

CMYK 78 / 55 / 0 / 25

HEX #2A56BF

RGB 42 86 191

HSL 222.28, 0.64%, 0.46%

LAB 39.43, 23.16, -59.43

 

CMYK 71 / 50 / 0 / 17

HEX #3E6AD4

RGB 62 106 212

HSL 222.4, 0.64%, 0.54%

LAB 47.09, 20.55, -59.1

 

CMYK 56 / 40 / 0 / 14

HEX #6084DC

RGB 96 132 220

HSL 222.58, 0.64%, 0.62%

LAB 56.24, 13.15, -48.88

 

CMYK 43 / 30 / 0 / 11

HEX #819EE3

RGB 129 158 227

HSL 222.24, 0.64%, 0.7%

LAB 65.49, 7.63, -38.08

 

CMYK 30 / 21 / 0 / 8

HEX #A3B8EA

RGB 163 184 234

HSL 222.25, 0.63%, 0.78%

LAB 74.83, 4.15, -27.28

 

CMYK 57 / 40 / 0 / 14

HEX #5F84DC

RGB 95 132 220

HSL 222.24, 0.64%, 0.62%

LAB 56.19, 12.95, -48.96

 

CMYK 6 / 56 / 0 / 14

HEX #CF60DC

RGB 207 96 220

HSL 293.71, 0.64%, 0.62%

LAB 58.79, 60.98, -44.18

 

CMYK 17 / 0 / 56 / 14

HEX #B6DC60

RGB 182 220 96

HSL 78.39, 0.64%, 0.62%

LAB 82.9, -30.92, 55.79

 

CMYK 57 / 40 / 0 / 14

HEX #5F84DC

RGB 95 132 220

HSL 222.24, 0.64%, 0.62%

LAB 56.19, 12.95, -48.96

 

CMYK 0 / 56 / 40 / 14

HEX #DC6085

RGB 220 96 133

HSL 342.1, 0.64%, 0.62%

LAB 57.34, 51.99, 3.87

 

CMYK 40 / 0 / 56 / 14

HEX #85DC60

RGB 133 220 96

HSL 102.1, 0.64%, 0.62%

LAB 80.19, -48.29, 51.96

 

CMYK 57 / 40 / 0 / 14

HEX #5F84DC

RGB 95 132 220

HSL 222.24, 0.64%, 0.62%

LAB 56.19, 12.95, -48.96

 

CMYK 6 / 56 / 0 / 14

HEX #CF60DC

RGB 207 96 220

HSL 293.71, 0.64%, 0.62%

LAB 58.79, 60.98, -44.18

 

CMYK 0 / 17 / 56 / 14

HEX #DCB660

RGB 220 182 96

HSL 41.61, 0.64%, 0.62%

LAB 75.77, 3.58, 48.31

 

CMYK 51 / 0 / 56 / 14

HEX #6CDC60

RGB 108 220 96

HSL 114.19, 0.64%, 0.62%

LAB 79.17, -55.65, 50.51

 

CMYK 57 / 40 / 0 / 14

HEX #5F84DC

RGB 95 132 220

HSL 222.24, 0.64%, 0.62%

LAB 56.19, 12.95, -48.96

 

CMYK 0 / 56 / 11 / 14

HEX #DC60C3

RGB 220 96 195

HSL 312.1, 0.64%, 0.62%

LAB 59.45, 60.23, -28.85

 

CMYK 0 / 17 / 56 / 14

HEX #DCB660

RGB 220 182 96

HSL 41.61, 0.64%, 0.62%

LAB 75.77, 3.58, 48.31

 

CMYK 56 / 0 / 45 / 14

HEX #60DC78

RGB 96 220 120

HSL 131.61, 0.64%, 0.62%

LAB 79.06, -55.47, 38.85

 

Description

Color code: HEX #5F84DC | qconv.com Color code: HEX #5F84DC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 95 red, 132 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
95 132 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, 40 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 40% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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