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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5F8219 it is the complementary color #A07DE6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5F8219. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5F8219 shade: #648214, #759427, #86A63A, #97B84D and #A8CA60

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5F8219. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5F8219 shade: #5F8219, #4E7006, #3D5E00, #2C4C00 and #1B3A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5F8219 shade: #5E8118, #7A8118, #816B18, #814F18 and #813318

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5F8219 shade: #5E8118, #428118, #268118, #188127 and #188143

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5F8219 shade matches the following richer shades: #5E8118 and #628D0C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5F8219 shade: #5E8118, #5A7425, #566831, #515B3E and #4D4F4A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5F8219 shade: #816C18, #7A8118, #5E8118, #428118 and #268118

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5F8219 shade: #2B3B0B, #455E12, #5E8118, #77A31F and #90C626

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5F8219 shade: #5F8219, #188150 and #7A1881

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5F8219 shade: #5F8219, #185E81 and #81185E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5F8219 shade: #5F8219, #188150, #3B1881 and #811849

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5F8219 shade: #5F8219, #18816F, #3B1881 and #81182A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 0 / 81 / 49

HEX #5F8219

RGB 95 130 25

HSL 80, 0.68%, 0.3%

LAB 50.06, -27.94, 48.5

 

Complementary color

CMYK 30 / 46 / 0 / 10

HEX #A07DE6

RGB 160 125 230

HSL 260, 0.68%, 0.7%

LAB 59.76, 35.61, -48.6

 

CMYK 23 / 0 / 85 / 49

HEX #648214

RGB 100 130 20

HSL 76.36, 0.73%, 0.29%

LAB 50.36, -26.05, 50.4

 

CMYK 21 / 0 / 74 / 42

HEX #759427

RGB 117 148 39

HSL 77.06, 0.58%, 0.37%

LAB 57.18, -26.76, 50.91

 

CMYK 19 / 0 / 65 / 35

HEX #86A63A

RGB 134 166 58

HSL 77.78, 0.48%, 0.44%

LAB 63.87, -27.24, 50.5

 

CMYK 18 / 0 / 58 / 28

HEX #97B84D

RGB 151 184 77

HSL 78.5, 0.43%, 0.51%

LAB 70.45, -27.57, 49.66

 

CMYK 17 / 0 / 52 / 21

HEX #A8CA60

RGB 168 202 96

HSL 79.25, 0.5%, 0.58%

LAB 76.93, -27.8, 48.63

 

CMYK 27 / 0 / 81 / 49

HEX #5F8219

RGB 95 130 25

HSL 80, 0.68%, 0.3%

LAB 50.06, -27.94, 48.5

 

CMYK 30 / 0 / 95 / 56

HEX #4E7006

RGB 78 112 6

HSL 79.25, 0.9%, 0.23%

LAB 43.09, -27.08, 46.99

 

CMYK 35 / 0 / 100 / 63

HEX #3D5E00

RGB 61 94 0

HSL 81.06, 1%, 0.18%

LAB 35.98, -25.77, 42.5

 

CMYK 42 / 0 / 100 / 70

HEX #2C4C00

RGB 44 76 0

HSL 85.26, 1%, 0.15%

LAB 28.65, -24.2, 36.39

 

CMYK 53 / 0 / 100 / 77

HEX #1B3A00

RGB 27 58 0

HSL 92.07, 1%, 0.11%

LAB 21.05, -22.48, 28.78

 

CMYK 27 / 0 / 81 / 49

HEX #5E8118

RGB 94 129 24

HSL 80, 0.69%, 0.3%

LAB 49.67, -27.92, 48.44

 

CMYK 5 / 0 / 81 / 49

HEX #7A8118

RGB 122 129 24

HSL 64, 0.69%, 0.3%

LAB 51.73, -15.62, 51.07

 

CMYK 0 / 17 / 81 / 49

HEX #816B18

RGB 129 107 24

HSL 47.43, 0.69%, 0.3%

LAB 45.97, -0.11, 46.15

 

CMYK 0 / 39 / 81 / 49

HEX #814F18

RGB 129 79 24

HSL 31.43, 0.69%, 0.3%

LAB 38.42, 16.36, 39.16

 

CMYK 0 / 60 / 81 / 49

HEX #813318

RGB 129 51 24

HSL 15.43, 0.69%, 0.3%

LAB 32.04, 32.12, 32.96

 

CMYK 27 / 0 / 81 / 49

HEX #5E8118

RGB 94 129 24

HSL 80, 0.69%, 0.3%

LAB 49.67, -27.92, 48.44

 

CMYK 49 / 0 / 81 / 49

HEX #428118

RGB 66 129 24

HSL 96, 0.69%, 0.3%

LAB 48.17, -38.49, 46.5

 

CMYK 71 / 0 / 81 / 49

HEX #268118

RGB 38 129 24

HSL 112, 0.69%, 0.3%

LAB 47.21, -46.13, 45.25

 

CMYK 81 / 0 / 70 / 49

HEX #188127

RGB 24 129 39

HSL 128.57, 0.69%, 0.3%

LAB 47.03, -47.26, 39.2

 

CMYK 81 / 0 / 48 / 49

HEX #188143

RGB 24 129 67

HSL 144.57, 0.69%, 0.3%

LAB 47.37, -43.22, 25.59

 

CMYK 27 / 0 / 81 / 49

HEX #5E8118

RGB 94 129 24

HSL 80, 0.69%, 0.3%

LAB 49.67, -27.92, 48.44

 

CMYK 30 / 0 / 91 / 45

HEX #628D0C

RGB 98 141 12

HSL 80, 0.84%, 0.3%

LAB 53.68, -32.39, 55.01

 

CMYK 27 / 0 / 81 / 49

HEX #5E8118

RGB 94 129 24

HSL 80, 0.69%, 0.3%

LAB 49.67, -27.92, 48.44

 

CMYK 22 / 0 / 68 / 55

HEX #5A7425

RGB 90 116 37

HSL 79.75, 0.52%, 0.3%

LAB 45.36, -22.32, 39.09

 

CMYK 17 / 0 / 53 / 59

HEX #566831

RGB 86 104 49

HSL 79.64, 0.36%, 0.3%

LAB 41.38, -16.56, 28.52

 

CMYK 11 / 0 / 32 / 64

HEX #515B3E

RGB 81 91 62

HSL 80.69, 0.19%, 0.3%

LAB 37.08, -9.62, 15.47

 

CMYK 3 / 0 / 6 / 69

HEX #4D4F4A

RGB 77 79 74

HSL 84, 0.03%, 0.3%

LAB 33.27, -1.88, 2.66

 

CMYK 0 / 16 / 81 / 49

HEX #816C18

RGB 129 108 24

HSL 48, 0.69%, 0.3%

LAB 46.26, -0.68, 46.4

 

CMYK 5 / 0 / 81 / 49

HEX #7A8118

RGB 122 129 24

HSL 64, 0.69%, 0.3%

LAB 51.73, -15.62, 51.07

 

CMYK 27 / 0 / 81 / 49

HEX #5E8118

RGB 94 129 24

HSL 80, 0.69%, 0.3%

LAB 49.67, -27.92, 48.44

 

CMYK 49 / 0 / 81 / 49

HEX #428118

RGB 66 129 24

HSL 96, 0.69%, 0.3%

LAB 48.17, -38.49, 46.5

 

CMYK 71 / 0 / 81 / 49

HEX #268118

RGB 38 129 24

HSL 112, 0.69%, 0.3%

LAB 47.21, -46.13, 45.25

 

CMYK 27 / 0 / 81 / 77

HEX #2B3B0B

RGB 43 59 11

HSL 80, 0.69%, 0.14%

LAB 22.53, -15.04, 26.18

 

CMYK 27 / 0 / 81 / 63

HEX #455E12

RGB 69 94 18

HSL 79.74, 0.68%, 0.22%

LAB 36.58, -21.49, 37.68

 

CMYK 27 / 0 / 81 / 49

HEX #5E8118

RGB 94 129 24

HSL 80, 0.69%, 0.3%

LAB 49.67, -27.92, 48.44

 

CMYK 27 / 0 / 81 / 36

HEX #77A31F

RGB 119 163 31

HSL 80, 0.68%, 0.38%

LAB 61.84, -33.47, 58

 

CMYK 27 / 0 / 81 / 22

HEX #90C626

RGB 144 198 38

HSL 80.25, 0.68%, 0.46%

LAB 73.84, -39.25, 67.42

 

CMYK 27 / 0 / 81 / 49

HEX #5F8219

RGB 95 130 25

HSL 80, 0.68%, 0.3%

LAB 50.06, -27.94, 48.5

 

CMYK 81 / 0 / 38 / 49

HEX #188150

RGB 24 129 80

HSL 152, 0.69%, 0.3%

LAB 47.59, -40.64, 18.63

 

CMYK 5 / 81 / 0 / 49

HEX #7A1881

RGB 122 24 129

HSL 296, 0.69%, 0.3%

LAB 30.34, 53.26, -36.29

 

CMYK 27 / 0 / 81 / 49

HEX #5F8219

RGB 95 130 25

HSL 80, 0.68%, 0.3%

LAB 50.06, -27.94, 48.5

 

CMYK 81 / 27 / 0 / 49

HEX #185E81

RGB 24 94 129

HSL 200, 0.69%, 0.3%

LAB 37.45, -8.2, -25.59

 

CMYK 0 / 81 / 27 / 49

HEX #81185E

RGB 129 24 94

HSL 320, 0.69%, 0.3%

LAB 29.73, 49.45, -14.78

 

CMYK 27 / 0 / 81 / 49

HEX #5F8219

RGB 95 130 25

HSL 80, 0.68%, 0.3%

LAB 50.06, -27.94, 48.5

 

CMYK 81 / 0 / 38 / 49

HEX #188150

RGB 24 129 80

HSL 152, 0.69%, 0.3%

LAB 47.59, -40.64, 18.63

 

CMYK 54 / 81 / 0 / 49

HEX #3B1881

RGB 59 24 129

HSL 260, 0.69%, 0.3%

LAB 20.7, 41.9, -52.38

 

CMYK 0 / 81 / 43 / 49

HEX #811849

RGB 129 24 73

HSL 332, 0.69%, 0.3%

LAB 28.91, 46.98, -2.18

 

CMYK 27 / 0 / 81 / 49

HEX #5F8219

RGB 95 130 25

HSL 80, 0.68%, 0.3%

LAB 50.06, -27.94, 48.5

 

CMYK 81 / 0 / 14 / 49

HEX #18816F

RGB 24 129 111

HSL 169.71, 0.69%, 0.3%

LAB 48.31, -32.84, 1.64

 

CMYK 54 / 81 / 0 / 49

HEX #3B1881

RGB 59 24 129

HSL 260, 0.69%, 0.3%

LAB 20.7, 41.9, -52.38

 

CMYK 0 / 81 / 67 / 49

HEX #81182A

RGB 129 24 42

HSL 349.71, 0.69%, 0.3%

LAB 28.08, 44.44, 17.44

 

Description

Color code: HEX #5F8219 | qconv.com Color code: HEX #5F8219 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 95 red, 130 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
95 130 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, none magenta, 81 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 0% 81% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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