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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5F7CCC it is the complementary color #A08333. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5F7CCC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5F7CCC shade: #647CC7, #758EDA, #86A0ED, #97B2FF and #A8C4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5F7CCC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5F7CCC shade: #5F7CCC, #4E6AB9, #3D58A6, #2C4693 and #1B3480

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5F7CCC shade: #607DCD, #6060CD, #7E60CD, #9B60CD and #B860CD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5F7CCC shade: #607DCD and #6060CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5F7CCC shade matches the following richer shades: #607DCD, #4F75DE and #3E6DEF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5F7CCC shade: #607DCD, #7185BC, #828DAB, #93959A and #A49D89

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5F7CCC shade: #60B7CD, #609ACD, #607DCD, #6060CD and #7D60CD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5F7CCC shade: #3453A6, #4163C3, #607DCD, #7F97D7 and #9FB0E1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5F7CCC shade: #5F7CCC, #C660CD and #A9CD60

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5F7CCC shade: #5F7CCC, #CD607D and #7DCD60

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5F7CCC shade: #5F7CCC, #C660CD, #CDB060 and #67CD60

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5F7CCC shade: #5F7CCC, #CD60B3, #CDB060 and #60CD79

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 39 / 0 / 20

HEX #5F7CCC

RGB 95 124 204

HSL 224.04, 0.52%, 0.59%

LAB 53.18, 12.62, -44.71

 

Complementary color

CMYK 0 / 18 / 68 / 37

HEX #A08333

RGB 160 131 51

HSL 44.04, 0.52%, 0.41%

LAB 56.03, 2.04, 45.91

 

CMYK 50 / 38 / 0 / 22

HEX #647CC7

RGB 100 124 199

HSL 225.45, 0.47%, 0.59%

LAB 53.22, 12.18, -41.78

 

CMYK 46 / 35 / 0 / 15

HEX #758EDA

RGB 117 142 218

HSL 225.15, 0.58%, 0.66%

LAB 60.06, 11.31, -41.65

 

CMYK 43 / 32 / 0 / 7

HEX #86A0ED

RGB 134 160 237

HSL 224.85, 0.74%, 0.73%

LAB 66.77, 10.58, -41.56

 

CMYK 41 / 30 / 0 / 0

HEX #97B2FF

RGB 151 178 255

HSL 224.42, 1%, 0.8%

LAB 73.31, 9.67, -41.04

 

CMYK 34 / 23 / 0 / 0

HEX #A8C4FF

RGB 168 196 255

HSL 220.69, 1%, 0.83%

LAB 79.06, 4.24, -32.05

 

CMYK 53 / 39 / 0 / 20

HEX #5F7CCC

RGB 95 124 204

HSL 224.04, 0.52%, 0.59%

LAB 53.18, 12.62, -44.71

 

CMYK 58 / 43 / 0 / 27

HEX #4E6AB9

RGB 78 106 185

HSL 224.3, 0.43%, 0.52%

LAB 46.22, 13.82, -44.92

 

CMYK 63 / 47 / 0 / 35

HEX #3D58A6

RGB 61 88 166

HSL 224.57, 0.46%, 0.45%

LAB 39.11, 15.33, -45.17

 

CMYK 70 / 52 / 0 / 42

HEX #2C4693

RGB 44 70 147

HSL 224.85, 0.54%, 0.37%

LAB 31.86, 17.27, -45.44

 

CMYK 79 / 59 / 0 / 50

HEX #1B3480

RGB 27 52 128

HSL 225.15, 0.65%, 0.3%

LAB 24.47, 19.83, -45.68

 

CMYK 53 / 39 / 0 / 20

HEX #607DCD

RGB 96 125 205

HSL 224.04, 0.52%, 0.59%

LAB 53.56, 12.55, -44.67

 

CMYK 53 / 53 / 0 / 20

HEX #6060CD

RGB 96 96 205

HSL 240, 0.52%, 0.59%

LAB 45.99, 30.33, -56.77

 

CMYK 39 / 53 / 0 / 20

HEX #7E60CD

RGB 126 96 205

HSL 256.51, 0.52%, 0.59%

LAB 48.52, 37.06, -52.56

 

CMYK 24 / 53 / 0 / 20

HEX #9B60CD

RGB 155 96 205

HSL 272.48, 0.52%, 0.59%

LAB 51.54, 44.38, -47.56

 

CMYK 10 / 53 / 0 / 20

HEX #B860CD

RGB 184 96 205

HSL 288.44, 0.52%, 0.59%

LAB 55.04, 52.09, -41.81

 

CMYK 53 / 39 / 0 / 20

HEX #607DCD

RGB 96 125 205

HSL 224.04, 0.52%, 0.59%

LAB 53.56, 12.55, -44.67

 

CMYK 53 / 53 / 0 / 20

HEX #6060CD

RGB 96 96 205

HSL 240, 0.52%, 0.59%

LAB 45.99, 30.33, -56.77

 

CMYK 53 / 39 / 0 / 20

HEX #607DCD

RGB 96 125 205

HSL 224.04, 0.52%, 0.59%

LAB 53.56, 12.55, -44.67

 

CMYK 64 / 47 / 0 / 13

HEX #4F75DE

RGB 79 117 222

HSL 224.06, 0.68%, 0.59%

LAB 51.45, 19.81, -57.71

 

CMYK 74 / 54 / 0 / 6

HEX #3E6DEF

RGB 62 109 239

HSL 224.07, 0.85%, 0.59%

LAB 49.73, 28.42, -70.07

 

CMYK 53 / 39 / 0 / 20

HEX #607DCD

RGB 96 125 205

HSL 224.04, 0.52%, 0.59%

LAB 53.56, 12.55, -44.67

 

CMYK 40 / 29 / 0 / 26

HEX #7185BC

RGB 113 133 188

HSL 224, 0.36%, 0.59%

LAB 56, 6.87, -31.09

 

CMYK 24 / 18 / 0 / 33

HEX #828DAB

RGB 130 141 171

HSL 223.9, 0.2%, 0.59%

LAB 58.73, 2.81, -17.11

 

CMYK 5 / 3 / 0 / 40

HEX #93959A

RGB 147 149 154

HSL 222.86, 0.03%, 0.59%

LAB 61.68, 0.27, -2.89

 

CMYK 0 / 4 / 16 / 36

HEX #A49D89

RGB 164 157 137

HSL 44.44, 0.13%, 0.59%

LAB 64.81, -0.93, 11.38

 

CMYK 53 / 11 / 0 / 20

HEX #60B7CD

RGB 96 183 205

HSL 192.11, 0.52%, 0.59%

LAB 70.01, -20.1, -19.15

 

CMYK 53 / 25 / 0 / 20

HEX #609ACD

RGB 96 154 205

HSL 208.07, 0.52%, 0.59%

LAB 61.66, -4.44, -31.97

 

CMYK 53 / 39 / 0 / 20

HEX #607DCD

RGB 96 125 205

HSL 224.04, 0.52%, 0.59%

LAB 53.56, 12.55, -44.67

 

CMYK 53 / 53 / 0 / 20

HEX #6060CD

RGB 96 96 205

HSL 240, 0.52%, 0.59%

LAB 45.99, 30.33, -56.77

 

CMYK 39 / 53 / 0 / 20

HEX #7D60CD

RGB 125 96 205

HSL 255.96, 0.52%, 0.59%

LAB 48.43, 36.82, -52.72

 

CMYK 69 / 50 / 0 / 35

HEX #3453A6

RGB 52 83 166

HSL 223.68, 0.52%, 0.43%

LAB 37.24, 17.03, -48.2

 

CMYK 67 / 49 / 0 / 24

HEX #4163C3

RGB 65 99 195

HSL 224.31, 0.52%, 0.51%

LAB 44.22, 19.33, -53.96

 

CMYK 53 / 39 / 0 / 20

HEX #607DCD

RGB 96 125 205

HSL 224.04, 0.52%, 0.59%

LAB 53.56, 12.55, -44.67

 

CMYK 41 / 30 / 0 / 16

HEX #7F97D7

RGB 127 151 215

HSL 223.64, 0.52%, 0.67%

LAB 62.97, 7.75, -35.37

 

CMYK 29 / 22 / 0 / 12

HEX #9FB0E1

RGB 159 176 225

HSL 224.55, 0.52%, 0.75%

LAB 72.13, 5.18, -26.55

 

CMYK 53 / 39 / 0 / 20

HEX #5F7CCC

RGB 95 124 204

HSL 224.04, 0.52%, 0.59%

LAB 53.18, 12.62, -44.71

 

CMYK 3 / 53 / 0 / 20

HEX #C660CD

RGB 198 96 205

HSL 296.15, 0.52%, 0.59%

LAB 56.86, 55.87, -38.81

 

CMYK 18 / 0 / 53 / 20

HEX #A9CD60

RGB 169 205 96

HSL 79.82, 0.52%, 0.59%

LAB 77.84, -28.84, 49.72

 

CMYK 53 / 39 / 0 / 20

HEX #5F7CCC

RGB 95 124 204

HSL 224.04, 0.52%, 0.59%

LAB 53.18, 12.62, -44.71

 

CMYK 0 / 53 / 39 / 20

HEX #CD607D

RGB 205 96 125

HSL 344.04, 0.52%, 0.59%

LAB 54.89, 46.07, 4.75

 

CMYK 39 / 0 / 53 / 20

HEX #7DCD60

RGB 125 205 96

HSL 104.04, 0.52%, 0.59%

LAB 75.37, -44.55, 46.18

 

CMYK 53 / 39 / 0 / 20

HEX #5F7CCC

RGB 95 124 204

HSL 224.04, 0.52%, 0.59%

LAB 53.18, 12.62, -44.71

 

CMYK 3 / 53 / 0 / 20

HEX #C660CD

RGB 198 96 205

HSL 296.15, 0.52%, 0.59%

LAB 56.86, 55.87, -38.81

 

CMYK 0 / 14 / 53 / 20

HEX #CDB060

RGB 205 176 96

HSL 44.04, 0.52%, 0.59%

LAB 72.81, 0.48, 44.44

 

CMYK 50 / 0 / 53 / 20

HEX #67CD60

RGB 103 205 96

HSL 116.15, 0.52%, 0.59%

LAB 74.44, -51.15, 44.84

 

CMYK 53 / 39 / 0 / 20

HEX #5F7CCC

RGB 95 124 204

HSL 224.04, 0.52%, 0.59%

LAB 53.18, 12.62, -44.71

 

CMYK 0 / 53 / 13 / 20

HEX #CD60B3

RGB 205 96 179

HSL 314.31, 0.52%, 0.59%

LAB 56.68, 53.42, -24.12

 

CMYK 0 / 14 / 53 / 20

HEX #CDB060

RGB 205 176 96

HSL 44.04, 0.52%, 0.59%

LAB 72.81, 0.48, 44.44

 

CMYK 53 / 0 / 41 / 20

HEX #60CD79

RGB 96 205 121

HSL 133.76, 0.52%, 0.59%

LAB 74.53, -49.37, 32.52

 

Description

Color code: HEX #5F7CCC | qconv.com Color code: HEX #5F7CCC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 95 red, 124 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
95 124 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, 39 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 39% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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