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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5F75FB it is the complementary color #A08A04. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5F75FB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5F75FB shade: #6475F6, #7587FF, #8699FF, #97ABFF and #A8BDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5F75FB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5F75FB shade: #5F75FB, #4E63E8, #3D51D5, #2C3FC2 and #1B2DAF

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5F75FB shade: #6076FB, #7460FB, #9E60FB, #C760FB and #F160FB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5F75FB shade: #6076FB and #6060FB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5F75FB shade matches the following richer shades: #6076FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5F75FB shade: #6076FB, #6D7FEE, #7A89E1, #8792D3 and #959CC6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5F75FB shade: #60CAFB, #60A0FB, #6077FB, #7260FB and #9B60FB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5F75FB shade: #0F30F9, #3853FA, #6076FB, #8898FC and #B0BBFD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5F75FB shade: #5F75FB, #FB60F3 and #B5FB60

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5F75FB shade: #5F75FB, #FB6077 and #77FB60

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5F75FB shade: #5F75FB, #FB60F3, #FBE460 and #60FB68

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5F75FB shade: #5F75FB, #FB60C5, #FBE460 and #60FB96

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 53 / 0 / 2

HEX #5F75FB

RGB 95 117 251

HSL 231.54, 0.95%, 0.68%

LAB 54.15, 32.24, -69.5

 

Complementary color

CMYK 0 / 14 / 98 / 37

HEX #A08A04

RGB 160 138 4

HSL 51.54, 0.95%, 0.32%

LAB 57.71, -3.43, 61.6

 

CMYK 59 / 52 / 0 / 4

HEX #6475F6

RGB 100 117 246

HSL 233.01, 0.89%, 0.68%

LAB 54.12, 31.45, -66.78

 

CMYK 54 / 47 / 0 / 0

HEX #7587FF

RGB 117 135 255

HSL 232.17, 1%, 0.73%

LAB 60.19, 26.72, -61.93

 

CMYK 47 / 40 / 0 / 0

HEX #8699FF

RGB 134 153 255

HSL 230.58, 1%, 0.76%

LAB 65.8, 19.81, -52.92

 

CMYK 41 / 33 / 0 / 0

HEX #97ABFF

RGB 151 171 255

HSL 228.46, 1%, 0.8%

LAB 71.5, 13.61, -43.86

 

CMYK 34 / 26 / 0 / 0

HEX #A8BDFF

RGB 168 189 255

HSL 225.52, 1%, 0.83%

LAB 77.24, 8.06, -34.84

 

CMYK 62 / 53 / 0 / 2

HEX #5F75FB

RGB 95 117 251

HSL 231.54, 0.95%, 0.68%

LAB 54.15, 32.24, -69.5

 

CMYK 66 / 57 / 0 / 9

HEX #4E63E8

RGB 78 99 232

HSL 231.82, 0.77%, 0.61%

LAB 47.46, 34.26, -69.8

 

CMYK 71 / 62 / 0 / 16

HEX #3D51D5

RGB 61 81 213

HSL 232.11, 0.64%, 0.54%

LAB 40.7, 36.62, -70.04

 

CMYK 77 / 68 / 0 / 24

HEX #2C3FC2

RGB 44 63 194

HSL 232.4, 0.63%, 0.47%

LAB 33.95, 39.32, -70.12

 

CMYK 85 / 74 / 0 / 31

HEX #1B2DAF

RGB 27 45 175

HSL 232.7, 0.73%, 0.4%

LAB 27.31, 42.29, -69.84

 

CMYK 62 / 53 / 0 / 2

HEX #6076FB

RGB 96 118 251

HSL 231.48, 0.95%, 0.68%

LAB 54.46, 31.8, -69.01

 

CMYK 54 / 62 / 0 / 2

HEX #7460FB

RGB 116 96 251

HSL 247.74, 0.95%, 0.68%

LAB 50.74, 48.16, -74.98

 

CMYK 37 / 62 / 0 / 2

HEX #9E60FB

RGB 158 96 251

HSL 264, 0.95%, 0.68%

LAB 54.66, 56.18, -68.44

 

CMYK 21 / 62 / 0 / 2

HEX #C760FB

RGB 199 96 251

HSL 279.87, 0.95%, 0.68%

LAB 59.41, 65.09, -60.55

 

CMYK 4 / 62 / 0 / 2

HEX #F160FB

RGB 241 96 251

HSL 296.13, 0.95%, 0.68%

LAB 64.99, 74.7, -51.33

 

CMYK 62 / 53 / 0 / 2

HEX #6076FB

RGB 96 118 251

HSL 231.48, 0.95%, 0.68%

LAB 54.46, 31.8, -69.01

 

CMYK 62 / 62 / 0 / 2

HEX #6060FB

RGB 96 96 251

HSL 240, 0.95%, 0.68%

LAB 49.27, 44.96, -77.43

 

CMYK 62 / 53 / 0 / 2

HEX #6076FB

RGB 96 118 251

HSL 231.48, 0.95%, 0.68%

LAB 54.46, 31.8, -69.01

 

CMYK 62 / 53 / 0 / 2

HEX #6076FB

RGB 96 118 251

HSL 231.48, 0.95%, 0.68%

LAB 54.46, 31.8, -69.01

 

CMYK 54 / 47 / 0 / 7

HEX #6D7FEE

RGB 109 127 238

HSL 231.63, 0.79%, 0.68%

LAB 56.69, 24.57, -58.18

 

CMYK 46 / 39 / 0 / 12

HEX #7A89E1

RGB 122 137 225

HSL 231.26, 0.63%, 0.68%

LAB 59.4, 17.54, -46.57

 

CMYK 36 / 31 / 0 / 17

HEX #8792D3

RGB 135 146 211

HSL 231.32, 0.46%, 0.68%

LAB 62.01, 11.7, -34.6

 

CMYK 25 / 21 / 0 / 22

HEX #959CC6

RGB 149 156 198

HSL 231.43, 0.3%, 0.68%

LAB 65.16, 6.78, -22.41

 

CMYK 62 / 20 / 0 / 2

HEX #60CAFB

RGB 96 202 251

HSL 198.97, 0.95%, 0.68%

LAB 77.1, -16.38, -33.22

 

CMYK 62 / 36 / 0 / 2

HEX #60A0FB

RGB 96 160 251

HSL 215.23, 0.95%, 0.68%

LAB 65.43, 6.73, -51.45

 

CMYK 62 / 53 / 0 / 2

HEX #6077FB

RGB 96 119 251

HSL 231.1, 0.95%, 0.68%

LAB 54.71, 31.2, -68.61

 

CMYK 55 / 62 / 0 / 2

HEX #7260FB

RGB 114 96 251

HSL 246.97, 0.95%, 0.68%

LAB 50.58, 47.82, -75.25

 

CMYK 38 / 62 / 0 / 2

HEX #9B60FB

RGB 155 96 251

HSL 262.84, 0.95%, 0.68%

LAB 54.34, 55.56, -68.97

 

CMYK 94 / 81 / 0 / 2

HEX #0F30F9

RGB 15 48 249

HSL 231.54, 0.95%, 0.52%

LAB 36.09, 64.47, -98.17

 

CMYK 78 / 67 / 0 / 2

HEX #3853FA

RGB 56 83 250

HSL 231.65, 0.95%, 0.6%

LAB 44.13, 47.71, -85.38

 

CMYK 62 / 53 / 0 / 2

HEX #6076FB

RGB 96 118 251

HSL 231.48, 0.95%, 0.68%

LAB 54.46, 31.8, -69.01

 

CMYK 46 / 40 / 0 / 1

HEX #8898FC

RGB 136 152 252

HSL 231.72, 0.95%, 0.76%

LAB 65.53, 19.97, -51.71

 

CMYK 30 / 26 / 0 / 1

HEX #B0BBFD

RGB 176 187 253

HSL 231.43, 0.95%, 0.84%

LAB 77.2, 10.87, -33.8

 

CMYK 62 / 53 / 0 / 2

HEX #5F75FB

RGB 95 117 251

HSL 231.54, 0.95%, 0.68%

LAB 54.15, 32.24, -69.5

 

CMYK 0 / 62 / 3 / 2

HEX #FB60F3

RGB 251 96 243

HSL 303.1, 0.95%, 0.68%

LAB 66.02, 75.74, -45.2

 

CMYK 28 / 0 / 62 / 2

HEX #B5FB60

RGB 181 251 96

HSL 87.1, 0.95%, 0.68%

LAB 91.53, -45.18, 65.42

 

CMYK 62 / 53 / 0 / 2

HEX #5F75FB

RGB 95 117 251

HSL 231.54, 0.95%, 0.68%

LAB 54.15, 32.24, -69.5

 

CMYK 0 / 62 / 53 / 2

HEX #FB6077

RGB 251 96 119

HSL 351.1, 0.95%, 0.68%

LAB 61.83, 60.73, 19.03

 

CMYK 53 / 0 / 62 / 2

HEX #77FB60

RGB 119 251 96

HSL 111.1, 0.95%, 0.68%

LAB 88.81, -64.34, 61.64

 

CMYK 62 / 53 / 0 / 2

HEX #5F75FB

RGB 95 117 251

HSL 231.54, 0.95%, 0.68%

LAB 54.15, 32.24, -69.5

 

CMYK 0 / 62 / 3 / 2

HEX #FB60F3

RGB 251 96 243

HSL 303.1, 0.95%, 0.68%

LAB 66.02, 75.74, -45.2

 

CMYK 0 / 9 / 62 / 2

HEX #FBE460

RGB 251 228 96

HSL 51.1, 0.95%, 0.68%

LAB 90.25, -7.21, 65.42

 

CMYK 62 / 0 / 59 / 2

HEX #60FB68

RGB 96 251 104

HSL 123.1, 0.95%, 0.68%

LAB 88.2, -68.84, 57.38

 

CMYK 62 / 53 / 0 / 2

HEX #5F75FB

RGB 95 117 251

HSL 231.54, 0.95%, 0.68%

LAB 54.15, 32.24, -69.5

 

CMYK 0 / 62 / 22 / 2

HEX #FB60C5

RGB 251 96 197

HSL 320.9, 0.95%, 0.68%

LAB 64.08, 69.04, -22.47

 

CMYK 0 / 9 / 62 / 2

HEX #FBE460

RGB 251 228 96

HSL 51.1, 0.95%, 0.68%

LAB 90.25, -7.21, 65.42

 

CMYK 62 / 0 / 40 / 2

HEX #60FB96

RGB 96 251 150

HSL 140.9, 0.95%, 0.68%

LAB 88.77, -62.41, 36.56

 

Description

Color code: HEX #5F75FB | qconv.com Color code: HEX #5F75FB | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 95 red, 117 green and 251 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
95 117 251 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, 53 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 53% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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