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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5F5DA0 it is the complementary color #A0A25F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5F5DA0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5F5DA0 shade: #645D9B, #756FAE, #8681C1, #9793D4 and #A8A5E7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5F5DA0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5F5DA0 shade: #5F5DA0, #4E4B8D, #3D397A, #2C2767 and #1B1554

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5F5DA0 shade: #605EA1, #725EA1, #845EA1, #965EA1 and #A15E99

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5F5DA0 shade: #605EA1 and #5E5EA1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5F5DA0 shade matches the following richer shades: #605EA1, #4D4AB5, #3A35CA, #2620DF and #130CF3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5F5DA0 shade: #605EA1, #74738C, #878877, #9B9C63 and #AEB14E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5F5DA0 shade: #5E81A1, #5E6FA1, #5F5EA1, #715EA1 and #835EA1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5F5DA0 shade: #41406D, #514F87, #605EA1, #7A78B0 and #9492BF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5F5DA0 shade: #5F5DA0, #A15E92 and #78A15E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5F5DA0 shade: #5F5DA0, #A15F5E and #5EA15F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5F5DA0 shade: #5F5DA0, #A15E92, #A0A15E and #5EA16D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5F5DA0 shade: #5F5DA0, #A15E7E, #A0A15E and #5EA181

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 42 / 0 / 37

HEX #5F5DA0

RGB 95 93 160

HSL 241.79, 0.26%, 0.5%

LAB 42.46, 18.09, -36.13

 

Complementary color

CMYK 1 / 0 / 41 / 36

HEX #A0A25F

RGB 160 162 95

HSL 61.79, 0.26%, 0.5%

LAB 65.07, -10.99, 34.55

 

CMYK 35 / 40 / 0 / 39

HEX #645D9B

RGB 100 93 155

HSL 246.77, 0.25%, 0.49%

LAB 42.62, 18.05, -32.88

 

CMYK 33 / 36 / 0 / 32

HEX #756FAE

RGB 117 111 174

HSL 245.71, 0.28%, 0.56%

LAB 49.75, 17.25, -32.77

 

CMYK 31 / 33 / 0 / 24

HEX #8681C1

RGB 134 129 193

HSL 244.69, 0.34%, 0.63%

LAB 56.7, 16.55, -32.73

 

CMYK 29 / 31 / 0 / 17

HEX #9793D4

RGB 151 147 212

HSL 243.69, 0.43%, 0.7%

LAB 63.51, 15.95, -32.74

 

CMYK 27 / 29 / 0 / 9

HEX #A8A5E7

RGB 168 165 231

HSL 242.73, 0.58%, 0.78%

LAB 70.18, 15.41, -32.78

 

CMYK 41 / 42 / 0 / 37

HEX #5F5DA0

RGB 95 93 160

HSL 241.79, 0.26%, 0.5%

LAB 42.46, 18.09, -36.13

 

CMYK 45 / 47 / 0 / 45

HEX #4E4B8D

RGB 78 75 141

HSL 242.73, 0.31%, 0.42%

LAB 35.15, 19.17, -36.37

 

CMYK 50 / 53 / 0 / 52

HEX #3D397A

RGB 61 57 122

HSL 243.69, 0.36%, 0.35%

LAB 27.64, 20.49, -36.67

 

CMYK 57 / 62 / 0 / 60

HEX #2C2767

RGB 44 39 103

HSL 244.69, 0.45%, 0.28%

LAB 19.91, 22.17, -37.03

 

CMYK 68 / 75 / 0 / 67

HEX #1B1554

RGB 27 21 84

HSL 245.71, 0.6%, 0.21%

LAB 12.02, 24.27, -37.29

 

CMYK 40 / 42 / 0 / 37

HEX #605EA1

RGB 96 94 161

HSL 241.79, 0.26%, 0.5%

LAB 42.86, 18.04, -36.08

 

CMYK 29 / 42 / 0 / 37

HEX #725EA1

RGB 114 94 161

HSL 257.91, 0.26%, 0.5%

LAB 44.46, 23.18, -33.46

 

CMYK 18 / 42 / 0 / 37

HEX #845EA1

RGB 132 94 161

HSL 274.03, 0.26%, 0.5%

LAB 46.29, 28.66, -30.46

 

CMYK 7 / 42 / 0 / 37

HEX #965EA1

RGB 150 94 161

HSL 290.15, 0.26%, 0.5%

LAB 48.34, 34.32, -27.11

 

CMYK 0 / 42 / 5 / 37

HEX #A15E99

RGB 161 94 153

HSL 307.16, 0.26%, 0.5%

LAB 49.35, 36.3, -20.71

 

CMYK 40 / 42 / 0 / 37

HEX #605EA1

RGB 96 94 161

HSL 241.79, 0.26%, 0.5%

LAB 42.86, 18.04, -36.08

 

CMYK 42 / 42 / 0 / 37

HEX #5E5EA1

RGB 94 94 161

HSL 240, 0.26%, 0.5%

LAB 42.7, 17.49, -36.35

 

CMYK 40 / 42 / 0 / 37

HEX #605EA1

RGB 96 94 161

HSL 241.79, 0.26%, 0.5%

LAB 42.86, 18.04, -36.08

 

CMYK 57 / 59 / 0 / 29

HEX #4D4AB5

RGB 77 74 181

HSL 241.68, 0.42%, 0.5%

LAB 37.5, 32.5, -56.6

 

CMYK 71 / 74 / 0 / 21

HEX #3A35CA

RGB 58 53 202

HSL 242.01, 0.58%, 0.5%

LAB 33.37, 49.21, -75.73

 

CMYK 83 / 86 / 0 / 13

HEX #2620DF

RGB 38 32 223

HSL 241.88, 0.75%, 0.5%

LAB 31.28, 64.18, -91.38

 

CMYK 92 / 95 / 0 / 5

HEX #130CF3

RGB 19 12 243

HSL 241.82, 0.91%, 0.5%

LAB 31.51, 74.56, -102.41

 

CMYK 40 / 42 / 0 / 37

HEX #605EA1

RGB 96 94 161

HSL 241.79, 0.26%, 0.5%

LAB 42.86, 18.04, -36.08

 

CMYK 17 / 18 / 0 / 45

HEX #74738C

RGB 116 115 140

HSL 242.4, 0.1%, 0.5%

LAB 49.34, 5.87, -13.48

 

CMYK 1 / 0 / 13 / 47

HEX #878877

RGB 135 136 119

HSL 63.53, 0.07%, 0.5%

LAB 56.18, -3.54, 9.01

 

CMYK 1 / 0 / 37 / 39

HEX #9B9C63

RGB 155 156 99

HSL 61.05, 0.22%, 0.5%

LAB 63.05, -9.4, 29.76

 

CMYK 2 / 0 / 56 / 31

HEX #AEB14E

RGB 174 177 78

HSL 61.82, 0.39%, 0.5%

LAB 70.17, -14.58, 49.34

 

CMYK 42 / 20 / 0 / 37

HEX #5E81A1

RGB 94 129 161

HSL 208.66, 0.26%, 0.5%

LAB 52.57, -3.72, -20.98

 

CMYK 42 / 31 / 0 / 37

HEX #5E6FA1

RGB 94 111 161

HSL 224.78, 0.26%, 0.5%

LAB 47.39, 6.98, -28.98

 

CMYK 41 / 42 / 0 / 37

HEX #5F5EA1

RGB 95 94 161

HSL 240.9, 0.26%, 0.5%

LAB 42.78, 17.76, -36.22

 

CMYK 30 / 42 / 0 / 37

HEX #715EA1

RGB 113 94 161

HSL 257.01, 0.26%, 0.5%

LAB 44.36, 22.89, -33.62

 

CMYK 19 / 42 / 0 / 37

HEX #835EA1

RGB 131 94 161

HSL 273.13, 0.26%, 0.5%

LAB 46.18, 28.35, -30.63

 

CMYK 40 / 41 / 0 / 57

HEX #41406D

RGB 65 64 109

HSL 241.33, 0.26%, 0.34%

LAB 29.15, 12.71, -26.02

 

CMYK 40 / 41 / 0 / 47

HEX #514F87

RGB 81 79 135

HSL 242.14, 0.26%, 0.42%

LAB 36.16, 15.57, -31.09

 

CMYK 40 / 42 / 0 / 37

HEX #605EA1

RGB 96 94 161

HSL 241.79, 0.26%, 0.5%

LAB 42.86, 18.04, -36.08

 

CMYK 31 / 32 / 0 / 31

HEX #7A78B0

RGB 122 120 176

HSL 242.14, 0.26%, 0.58%

LAB 52.63, 13.87, -29.41

 

CMYK 23 / 24 / 0 / 25

HEX #9492BF

RGB 148 146 191

HSL 242.67, 0.26%, 0.66%

LAB 62.18, 10.47, -23.04

 

CMYK 41 / 42 / 0 / 37

HEX #5F5DA0

RGB 95 93 160

HSL 241.79, 0.26%, 0.5%

LAB 42.46, 18.09, -36.13

 

CMYK 0 / 42 / 9 / 37

HEX #A15E92

RGB 161 94 146

HSL 313.43, 0.26%, 0.5%

LAB 49.08, 35.03, -16.98

 

CMYK 25 / 0 / 42 / 37

HEX #78A15E

RGB 120 161 94

HSL 96.72, 0.26%, 0.5%

LAB 61.9, -26.44, 30.45

 

CMYK 41 / 42 / 0 / 37

HEX #5F5DA0

RGB 95 93 160

HSL 241.79, 0.26%, 0.5%

LAB 42.46, 18.09, -36.13

 

CMYK 0 / 41 / 42 / 37

HEX #A15F5E

RGB 161 95 94

HSL 0.9, 0.26%, 0.5%

LAB 47.71, 26.73, 12.15

 

CMYK 42 / 0 / 41 / 37

HEX #5EA15F

RGB 94 161 95

HSL 120.9, 0.26%, 0.5%

LAB 60.51, -35.27, 27.85

 

CMYK 41 / 42 / 0 / 37

HEX #5F5DA0

RGB 95 93 160

HSL 241.79, 0.26%, 0.5%

LAB 42.46, 18.09, -36.13

 

CMYK 0 / 42 / 9 / 37

HEX #A15E92

RGB 161 94 146

HSL 313.43, 0.26%, 0.5%

LAB 49.08, 35.03, -16.98

 

CMYK 1 / 0 / 42 / 37

HEX #A0A15E

RGB 160 161 94

HSL 60.9, 0.26%, 0.5%

LAB 64.78, -10.57, 34.7

 

CMYK 42 / 0 / 32 / 37

HEX #5EA16D

RGB 94 161 109

HSL 133.43, 0.26%, 0.5%

LAB 60.76, -32.86, 20.58

 

CMYK 41 / 42 / 0 / 37

HEX #5F5DA0

RGB 95 93 160

HSL 241.79, 0.26%, 0.5%

LAB 42.46, 18.09, -36.13

 

CMYK 0 / 42 / 22 / 37

HEX #A15E7E

RGB 161 94 126

HSL 331.34, 0.26%, 0.5%

LAB 48.37, 31.69, -6.11

 

CMYK 1 / 0 / 42 / 37

HEX #A0A15E

RGB 160 161 94

HSL 60.9, 0.26%, 0.5%

LAB 64.78, -10.57, 34.7

 

CMYK 42 / 0 / 20 / 37

HEX #5EA181

RGB 94 161 129

HSL 151.34, 0.26%, 0.5%

LAB 61.18, -28.86, 10.06

 

Description

Color code: HEX #5F5DA0 | qconv.com Color code: HEX #5F5DA0 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 95 red, 93 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
95 93 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, 42 magenta, none yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 42% 0% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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