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Color name
HEX #5F4F8A

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5F4F8A it is the complementary color #A0B075. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5F4F8A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5F4F8A shade: #644F85, #756198, #8673AB, #9785BE and #A897D1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5F4F8A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5F4F8A shade: #5F4F8A, #4E3D77, #3D2B64, #2C1951 and #1B073E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5F4F8A shade: #60508B, #70508B, #80508B, #8B5087 and #8B5077

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5F4F8A shade: #60508B and #50508B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5F4F8A shade matches the following richer shades: #60508B, #583E9D, #502DAF, #481BC0 and #4009D2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5F4F8A shade: #60508B, #68627A, #707468, #788556 and #819744

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5F4F8A shade: #50608B, #50508B, #60508B, #70508B and #7F508B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5F4F8A shade: #3C3257, #4E4171, #60508B, #7361A4 and #8A7BB3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5F4F8A shade: #5F4F8A, #8B5070 and #588B50

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5F4F8A shade: #5F4F8A, #8B6050 and #508B60

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5F4F8A shade: #5F4F8A, #8B5070, #7B8B50 and #508B6C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5F4F8A shade: #5F4F8A, #8B505E, #7B8B50 and #508B7D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 43 / 0 / 46

HEX #5F4F8A

RGB 95 79 138

HSL 256.27, 0.27%, 0.43%

LAB 37.59, 20.56, -30.58

 

Complementary color

CMYK 9 / 0 / 34 / 31

HEX #A0B075

RGB 160 176 117

HSL 76.27, 0.27%, 0.57%

LAB 69.33, -15.57, 28.43

 

CMYK 25 / 41 / 0 / 48

HEX #644F85

RGB 100 79 133

HSL 263.33, 0.25%, 0.42%

LAB 37.83, 20.77, -27.1

 

CMYK 23 / 36 / 0 / 40

HEX #756198

RGB 117 97 152

HSL 261.82, 0.22%, 0.49%

LAB 45.08, 19.97, -27.12

 

CMYK 22 / 33 / 0 / 33

HEX #8673AB

RGB 134 115 171

HSL 260.36, 0.25%, 0.56%

LAB 52.14, 19.27, -27.19

 

CMYK 21 / 30 / 0 / 25

HEX #9785BE

RGB 151 133 190

HSL 258.95, 0.3%, 0.63%

LAB 59.04, 18.65, -27.29

 

CMYK 20 / 28 / 0 / 18

HEX #A897D1

RGB 168 151 209

HSL 257.59, 0.39%, 0.71%

LAB 65.8, 18.09, -27.42

 

CMYK 31 / 43 / 0 / 46

HEX #5F4F8A

RGB 95 79 138

HSL 256.27, 0.27%, 0.43%

LAB 37.59, 20.56, -30.58

 

CMYK 34 / 49 / 0 / 53

HEX #4E3D77

RGB 78 61 119

HSL 257.59, 0.32%, 0.35%

LAB 30.13, 21.56, -30.71

 

CMYK 39 / 57 / 0 / 61

HEX #3D2B64

RGB 61 43 100

HSL 258.95, 0.4%, 0.28%

LAB 22.44, 22.74, -30.9

 

CMYK 46 / 69 / 0 / 68

HEX #2C1951

RGB 44 25 81

HSL 260.36, 0.53%, 0.21%

LAB 14.54, 24.09, -31.06

 

CMYK 56 / 89 / 0 / 76

HEX #1B073E

RGB 27 7 62

HSL 261.82, 0.8%, 0.14%

LAB 6.62, 25, -30.79

 

CMYK 31 / 42 / 0 / 45

HEX #60508B

RGB 96 80 139

HSL 256.27, 0.27%, 0.43%

LAB 38, 20.51, -30.53

 

CMYK 19 / 42 / 0 / 45

HEX #70508B

RGB 112 80 139

HSL 272.54, 0.27%, 0.43%

LAB 39.66, 25.47, -27.81

 

CMYK 8 / 42 / 0 / 45

HEX #80508B

RGB 128 80 139

HSL 288.81, 0.27%, 0.43%

LAB 41.52, 30.61, -24.77

 

CMYK 0 / 42 / 3 / 45

HEX #8B5087

RGB 139 80 135

HSL 304.07, 0.27%, 0.43%

LAB 42.73, 33.41, -20.37

 

CMYK 0 / 42 / 14 / 45

HEX #8B5077

RGB 139 80 119

HSL 320.34, 0.27%, 0.43%

LAB 42.09, 30.47, -11.59

 

CMYK 31 / 42 / 0 / 45

HEX #60508B

RGB 96 80 139

HSL 256.27, 0.27%, 0.43%

LAB 38, 20.51, -30.53

 

CMYK 42 / 42 / 0 / 45

HEX #50508B

RGB 80 80 139

HSL 240, 0.27%, 0.43%

LAB 36.57, 15.87, -32.89

 

CMYK 31 / 42 / 0 / 45

HEX #60508B

RGB 96 80 139

HSL 256.27, 0.27%, 0.43%

LAB 38, 20.51, -30.53

 

CMYK 44 / 61 / 0 / 38

HEX #583E9D

RGB 88 62 157

HSL 256.42, 0.43%, 0.43%

LAB 33.89, 34.63, -48.07

 

CMYK 54 / 74 / 0 / 31

HEX #502DAF

RGB 80 45 175

HSL 256.15, 0.59%, 0.43%

LAB 31.06, 47.88, -63.54

 

CMYK 63 / 86 / 0 / 25

HEX #481BC0

RGB 72 27 192

HSL 256.36, 0.75%, 0.43%

LAB 29.33, 59.42, -76.51

 

CMYK 70 / 96 / 0 / 18

HEX #4009D2

RGB 64 9 210

HSL 256.42, 0.92%, 0.43%

LAB 29.26, 68.01, -87.2

 

CMYK 31 / 42 / 0 / 45

HEX #60508B

RGB 96 80 139

HSL 256.27, 0.27%, 0.43%

LAB 38, 20.51, -30.53

 

CMYK 15 / 20 / 0 / 52

HEX #68627A

RGB 104 98 122

HSL 255, 0.11%, 0.43%

LAB 42.89, 7.62, -12.57

 

CMYK 3 / 0 / 10 / 55

HEX #707468

RGB 112 116 104

HSL 80, 0.05%, 0.43%

LAB 48.18, -3.89, 6.11

 

CMYK 10 / 0 / 35 / 48

HEX #788556

RGB 120 133 86

HSL 76.6, 0.21%, 0.43%

LAB 53.43, -13.12, 23.8

 

CMYK 15 / 0 / 55 / 41

HEX #819744

RGB 129 151 68

HSL 75.9, 0.38%, 0.43%

LAB 59.18, -20.98, 40.58

 

CMYK 42 / 31 / 0 / 45

HEX #50608B

RGB 80 96 139

HSL 223.73, 0.27%, 0.43%

LAB 41.11, 5.71, -25.75

 

CMYK 42 / 42 / 0 / 45

HEX #50508B

RGB 80 80 139

HSL 240, 0.27%, 0.43%

LAB 36.57, 15.87, -32.89

 

CMYK 31 / 42 / 0 / 45

HEX #60508B

RGB 96 80 139

HSL 256.27, 0.27%, 0.43%

LAB 38, 20.51, -30.53

 

CMYK 19 / 42 / 0 / 45

HEX #70508B

RGB 112 80 139

HSL 272.54, 0.27%, 0.43%

LAB 39.66, 25.47, -27.81

 

CMYK 9 / 42 / 0 / 45

HEX #7F508B

RGB 127 80 139

HSL 287.8, 0.27%, 0.43%

LAB 41.4, 30.29, -24.97

 

CMYK 31 / 43 / 0 / 66

HEX #3C3257

RGB 60 50 87

HSL 256.22, 0.27%, 0.27%

LAB 23.44, 13.85, -20.79

 

CMYK 31 / 42 / 0 / 56

HEX #4E4171

RGB 78 65 113

HSL 256.25, 0.27%, 0.35%

LAB 30.86, 17.25, -25.78

 

CMYK 31 / 42 / 0 / 45

HEX #60508B

RGB 96 80 139

HSL 256.27, 0.27%, 0.43%

LAB 38, 20.51, -30.53

 

CMYK 30 / 41 / 0 / 36

HEX #7361A4

RGB 115 97 164

HSL 256.12, 0.27%, 0.51%

LAB 45.46, 22.45, -33.65

 

CMYK 23 / 31 / 0 / 30

HEX #8A7BB3

RGB 138 123 179

HSL 256.07, 0.27%, 0.59%

LAB 54.89, 17.76, -27.52

 

CMYK 31 / 43 / 0 / 46

HEX #5F4F8A

RGB 95 79 138

HSL 256.27, 0.27%, 0.43%

LAB 37.59, 20.56, -30.58

 

CMYK 0 / 42 / 19 / 45

HEX #8B5070

RGB 139 80 112

HSL 327.46, 0.27%, 0.43%

LAB 41.84, 29.28, -7.67

 

CMYK 37 / 0 / 42 / 45

HEX #588B50

RGB 88 139 80

HSL 111.86, 0.27%, 0.43%

LAB 53.08, -29.34, 26.26

 

CMYK 31 / 43 / 0 / 46

HEX #5F4F8A

RGB 95 79 138

HSL 256.27, 0.27%, 0.43%

LAB 37.59, 20.56, -30.58

 

CMYK 0 / 31 / 42 / 45

HEX #8B6050

RGB 139 96 80

HSL 16.27, 0.27%, 0.43%

LAB 44.85, 15.39, 16.15

 

CMYK 42 / 0 / 31 / 45

HEX #508B60

RGB 80 139 96

HSL 136.27, 0.27%, 0.43%

LAB 52.97, -29.17, 17.13

 

CMYK 31 / 43 / 0 / 46

HEX #5F4F8A

RGB 95 79 138

HSL 256.27, 0.27%, 0.43%

LAB 37.59, 20.56, -30.58

 

CMYK 0 / 42 / 19 / 45

HEX #8B5070

RGB 139 80 112

HSL 327.46, 0.27%, 0.43%

LAB 41.84, 29.28, -7.67

 

CMYK 12 / 0 / 42 / 45

HEX #7B8B50

RGB 123 139 80

HSL 76.27, 0.27%, 0.43%

LAB 55.33, -15.9, 29.6

 

CMYK 42 / 0 / 22 / 45

HEX #508B6C

RGB 80 139 108

HSL 148.47, 0.27%, 0.43%

LAB 53.23, -26.71, 10.64

 

CMYK 31 / 43 / 0 / 46

HEX #5F4F8A

RGB 95 79 138

HSL 256.27, 0.27%, 0.43%

LAB 37.59, 20.56, -30.58

 

CMYK 0 / 42 / 32 / 45

HEX #8B505E

RGB 139 80 94

HSL 345.76, 0.27%, 0.43%

LAB 41.27, 26.53, 2.6

 

CMYK 12 / 0 / 42 / 45

HEX #7B8B50

RGB 123 139 80

HSL 76.27, 0.27%, 0.43%

LAB 55.33, -15.9, 29.6

 

CMYK 42 / 0 / 10 / 45

HEX #508B7D

RGB 80 139 125

HSL 165.76, 0.27%, 0.43%

LAB 53.66, -22.77, 1.46

 

Description

Color code: HEX #5F4F8A | qconv.com Color code: HEX #5F4F8A | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 95 red, 79 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
95 79 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 43 magenta, none yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 43% 0% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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