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Color name
HEX #5F4EB9

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5F4EB9 it is the complementary color #A0B146. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5F4EB9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5F4EB9 shade: #644EB4, #7560C7, #8672DA, #9784ED and #A896FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5F4EB9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5F4EB9 shade: #5F4EB9, #4E3CA6, #3D2A93, #2C1880 and #1B066D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5F4EB9 shade: #6150B9, #7D50B9, #9950B9, #B650B9 and #B950A0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5F4EB9 shade: #6150B9 and #5050B9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5F4EB9 shade matches the following richer shades: #6150B9, #533CCD, #4628E1 and #3815F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5F4EB9 shade: #6150B9, #6E64A5, #7C7892, #898B7E and #979F6A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5F4EB9 shade: #5078B9, #505CB9, #6050B9, #7C50B9 and #9850B9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5F4EB9 shade: #413483, #4F40A0, #6150B9, #7B6DC5 and #968BD1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5F4EB9 shade: #5F4EB9, #B95094 and #6AB950

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5F4EB9 shade: #5F4EB9, #B96050 and #50B960

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5F4EB9 shade: #5F4EB9, #B95094, #A9B950 and #50B975

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5F4EB9 shade: #5F4EB9, #B95075, #A9B950 and #50B994

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 58 / 0 / 27

HEX #5F4EB9

RGB 95 78 185

HSL 249.53, 0.43%, 0.52%

LAB 40.22, 34.9, -54.48

 

Complementary color

CMYK 10 / 0 / 60 / 31

HEX #A0B146

RGB 160 177 70

HSL 69.53, 0.43%, 0.48%

LAB 69.01, -21.06, 51.38

 

CMYK 44 / 57 / 0 / 29

HEX #644EB4

RGB 100 78 180

HSL 252.94, 0.4%, 0.51%

LAB 40.33, 34.51, -51.33

 

CMYK 41 / 52 / 0 / 22

HEX #7560C7

RGB 117 96 199

HSL 252.23, 0.48%, 0.58%

LAB 47.33, 33.23, -51.08

 

CMYK 39 / 48 / 0 / 15

HEX #8672DA

RGB 134 114 218

HSL 251.54, 0.58%, 0.65%

LAB 54.2, 32.08, -50.84

 

CMYK 36 / 44 / 0 / 7

HEX #9784ED

RGB 151 132 237

HSL 250.86, 0.74%, 0.72%

LAB 60.95, 31.06, -50.64

 

CMYK 34 / 41 / 0 / 0

HEX #A896FF

RGB 168 150 255

HSL 250.29, 1%, 0.79%

LAB 67.54, 29.89, -50

 

CMYK 49 / 58 / 0 / 27

HEX #5F4EB9

RGB 95 78 185

HSL 249.53, 0.43%, 0.52%

LAB 40.22, 34.9, -54.48

 

CMYK 53 / 64 / 0 / 35

HEX #4E3CA6

RGB 78 60 166

HSL 250.19, 0.47%, 0.44%

LAB 33.15, 36.47, -54.74

 

CMYK 59 / 71 / 0 / 42

HEX #3D2A93

RGB 61 42 147

HSL 250.86, 0.56%, 0.37%

LAB 26.02, 38.16, -54.88

 

CMYK 66 / 81 / 0 / 50

HEX #2C1880

RGB 44 24 128

HSL 251.54, 0.68%, 0.3%

LAB 19, 39.69, -54.61

 

CMYK 75 / 94 / 0 / 57

HEX #1B066D

RGB 27 6 109

HSL 252.23, 0.9%, 0.23%

LAB 12.4, 40.33, -53.35

 

CMYK 48 / 57 / 0 / 27

HEX #6150B9

RGB 97 80 185

HSL 249.71, 0.43%, 0.52%

LAB 40.87, 34.12, -53.43

 

CMYK 32 / 57 / 0 / 27

HEX #7D50B9

RGB 125 80 185

HSL 265.71, 0.43%, 0.52%

LAB 43.65, 40.68, -48.8

 

CMYK 17 / 57 / 0 / 27

HEX #9950B9

RGB 153 80 185

HSL 281.71, 0.43%, 0.52%

LAB 46.99, 47.83, -43.28

 

CMYK 2 / 57 / 0 / 27

HEX #B650B9

RGB 182 80 185

HSL 298.29, 0.43%, 0.52%

LAB 50.9, 55.49, -36.84

 

CMYK 0 / 57 / 14 / 27

HEX #B950A0

RGB 185 80 160

HSL 314.29, 0.43%, 0.52%

LAB 50.2, 52.1, -23.26

 

CMYK 48 / 57 / 0 / 27

HEX #6150B9

RGB 97 80 185

HSL 249.71, 0.43%, 0.52%

LAB 40.87, 34.12, -53.43

 

CMYK 57 / 57 / 0 / 27

HEX #5050B9

RGB 80 80 185

HSL 240, 0.43%, 0.52%

LAB 39.49, 30.63, -55.72

 

CMYK 48 / 57 / 0 / 27

HEX #6150B9

RGB 97 80 185

HSL 249.71, 0.43%, 0.52%

LAB 40.87, 34.12, -53.43

 

CMYK 60 / 71 / 0 / 20

HEX #533CCD

RGB 83 60 205

HSL 249.52, 0.59%, 0.52%

LAB 36.89, 49.26, -71.62

 

CMYK 69 / 82 / 0 / 12

HEX #4628E1

RGB 70 40 225

HSL 249.73, 0.76%, 0.52%

LAB 34.51, 63.31, -87.11

 

CMYK 77 / 91 / 0 / 4

HEX #3815F5

RGB 56 21 245

HSL 249.38, 0.92%, 0.52%

LAB 33.92, 73.97, -99.49

 

CMYK 48 / 57 / 0 / 27

HEX #6150B9

RGB 97 80 185

HSL 249.71, 0.43%, 0.52%

LAB 40.87, 34.12, -53.43

 

CMYK 33 / 39 / 0 / 35

HEX #6E64A5

RGB 110 100 165

HSL 249.23, 0.27%, 0.52%

LAB 45.83, 19.43, -33.69

 

CMYK 15 / 18 / 0 / 43

HEX #7C7892

RGB 124 120 146

HSL 249.23, 0.11%, 0.52%

LAB 51.6, 7.08, -13.51

 

CMYK 1 / 0 / 9 / 45

HEX #898B7E

RGB 137 139 126

HSL 69.23, 0.05%, 0.52%

LAB 57.36, -3.2, 6.69

 

CMYK 5 / 0 / 33 / 38

HEX #979F6A

RGB 151 159 106

HSL 69.06, 0.22%, 0.52%

LAB 63.69, -11.72, 26.76

 

CMYK 57 / 35 / 0 / 27

HEX #5078B9

RGB 80 120 185

HSL 217.14, 0.43%, 0.52%

LAB 50.26, 5.61, -38.5

 

CMYK 57 / 50 / 0 / 27

HEX #505CB9

RGB 80 92 185

HSL 233.14, 0.43%, 0.52%

LAB 42.56, 23.06, -50.77

 

CMYK 48 / 57 / 0 / 27

HEX #6050B9

RGB 96 80 185

HSL 249.14, 0.43%, 0.52%

LAB 40.78, 33.9, -53.57

 

CMYK 33 / 57 / 0 / 27

HEX #7C50B9

RGB 124 80 185

HSL 265.14, 0.43%, 0.52%

LAB 43.54, 40.43, -48.98

 

CMYK 18 / 57 / 0 / 27

HEX #9850B9

RGB 152 80 185

HSL 281.14, 0.43%, 0.52%

LAB 46.86, 47.57, -43.49

 

CMYK 50 / 60 / 0 / 49

HEX #413483

RGB 65 52 131

HSL 249.87, 0.43%, 0.36%

LAB 27.35, 27.66, -42.77

 

CMYK 51 / 60 / 0 / 37

HEX #4F40A0

RGB 79 64 160

HSL 249.38, 0.43%, 0.44%

LAB 33.7, 32.36, -50.22

 

CMYK 48 / 57 / 0 / 27

HEX #6150B9

RGB 97 80 185

HSL 249.71, 0.43%, 0.52%

LAB 40.87, 34.12, -53.43

 

CMYK 38 / 45 / 0 / 23

HEX #7B6DC5

RGB 123 109 197

HSL 249.55, 0.43%, 0.6%

LAB 50.9, 26.43, -44.21

 

CMYK 28 / 33 / 0 / 18

HEX #968BD1

RGB 150 139 209

HSL 249.43, 0.43%, 0.68%

LAB 61.27, 19.51, -34.55

 

CMYK 49 / 58 / 0 / 27

HEX #5F4EB9

RGB 95 78 185

HSL 249.53, 0.43%, 0.52%

LAB 40.22, 34.9, -54.48

 

CMYK 0 / 57 / 20 / 27

HEX #B95094

RGB 185 80 148

HSL 321.14, 0.43%, 0.52%

LAB 49.73, 50.27, -16.88

 

CMYK 43 / 0 / 57 / 27

HEX #6AB950

RGB 106 185 80

HSL 105.14, 0.43%, 0.52%

LAB 68.27, -43.99, 45.11

 

CMYK 49 / 58 / 0 / 27

HEX #5F4EB9

RGB 95 78 185

HSL 249.53, 0.43%, 0.52%

LAB 40.22, 34.9, -54.48

 

CMYK 0 / 48 / 57 / 27

HEX #B96050

RGB 185 96 80

HSL 9.14, 0.43%, 0.52%

LAB 50.99, 34.32, 25.4

 

CMYK 57 / 0 / 48 / 27

HEX #50B960

RGB 80 185 96

HSL 129.14, 0.43%, 0.52%

LAB 67.46, -49.22, 36.09

 

CMYK 49 / 58 / 0 / 27

HEX #5F4EB9

RGB 95 78 185

HSL 249.53, 0.43%, 0.52%

LAB 40.22, 34.9, -54.48

 

CMYK 0 / 57 / 20 / 27

HEX #B95094

RGB 185 80 148

HSL 321.14, 0.43%, 0.52%

LAB 49.73, 50.27, -16.88

 

CMYK 9 / 0 / 57 / 27

HEX #A9B950

RGB 169 185 80

HSL 69.14, 0.43%, 0.52%

LAB 72.04, -20.54, 50.42

 

CMYK 57 / 0 / 37 / 27

HEX #50B975

RGB 80 185 117

HSL 141.14, 0.43%, 0.52%

LAB 67.79, -45.71, 25.62

 

CMYK 49 / 58 / 0 / 27

HEX #5F4EB9

RGB 95 78 185

HSL 249.53, 0.43%, 0.52%

LAB 40.22, 34.9, -54.48

 

CMYK 0 / 57 / 37 / 27

HEX #B95075

RGB 185 80 117

HSL 338.86, 0.43%, 0.52%

LAB 48.68, 46.14, 0.15

 

CMYK 9 / 0 / 57 / 27

HEX #A9B950

RGB 169 185 80

HSL 69.14, 0.43%, 0.52%

LAB 72.04, -20.54, 50.42

 

CMYK 57 / 0 / 20 / 27

HEX #50B994

RGB 80 185 148

HSL 158.86, 0.43%, 0.52%

LAB 68.42, -39.28, 9.75

 

Description

Color code: HEX #5F4EB9 | qconv.com Color code: HEX #5F4EB9 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 95 red, 78 green and 185 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
95 78 185 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, 58 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 58% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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