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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5F4417 it is the complementary color #A0BBE8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5F4417. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5F4417 shade: #644412, #755625, #866838, #977A4B and #A88C5E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5F4417. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5F4417 shade: #5F4417, #4E3204, #3D2000, #2C0E00 and #1B0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5F4417 shade: #5E4417, #5E3017, #5E1D17 and #5E1717

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5F4417 shade: #5E4417, #5E5717, #535E17, #3F5E17 and #2C5E17

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5F4417 shade matches the following richer shades: #5E4417, #68460D and #714804

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5F4417 shade: #5E4417, #554120, #4B3F2A, #423C33 and #383A3D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5F4417 shade: #5E1D17, #5E3017, #5E4317, #5E5617 and #545E17

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5F4417 shade: #1C1407, #3D2C0F, #5E4417, #805B1F and #A17327

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5F4417 shade: #5F4417, #245E17 and #26175E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5F4417 shade: #5F4417, #175E43 and #43175E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5F4417 shade: #5F4417, #245E17, #17325E and #51175E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5F4417 shade: #5F4417, #175E1F, #17325E and #5E1756

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 76 / 63

HEX #5F4417

RGB 95 68 23

HSL 37.5, 0.61%, 0.23%

LAB 30.95, 6.64, 30.72

 

Complementary color

CMYK 31 / 19 / 0 / 9

HEX #A0BBE8

RGB 160 187 232

HSL 217.5, 0.61%, 0.77%

LAB 75.35, 1.16, -25.42

 

CMYK 0 / 32 / 82 / 61

HEX #644412

RGB 100 68 18

HSL 36.59, 0.69%, 0.23%

LAB 31.55, 8.86, 33.93

 

CMYK 0 / 26 / 68 / 54

HEX #755625

RGB 117 86 37

HSL 36.75, 0.52%, 0.3%

LAB 38.85, 7.23, 32.78

 

CMYK 0 / 22 / 58 / 47

HEX #866838

RGB 134 104 56

HSL 36.92, 0.41%, 0.37%

LAB 45.98, 5.99, 31.31

 

CMYK 0 / 19 / 50 / 41

HEX #977A4B

RGB 151 122 75

HSL 37.11, 0.34%, 0.44%

LAB 52.96, 5.01, 29.86

 

CMYK 0 / 17 / 44 / 34

HEX #A88C5E

RGB 168 140 94

HSL 37.3, 0.3%, 0.51%

LAB 59.79, 4.21, 28.49

 

CMYK 0 / 28 / 76 / 63

HEX #5F4417

RGB 95 68 23

HSL 37.5, 0.61%, 0.23%

LAB 30.95, 6.64, 30.72

 

CMYK 0 / 36 / 95 / 69

HEX #4E3204

RGB 78 50 4

HSL 37.3, 0.9%, 0.16%

LAB 23.37, 8.52, 31.1

 

CMYK 0 / 48 / 100 / 76

HEX #3D2000

RGB 61 32 0

HSL 31.48, 1%, 0.12%

LAB 15.62, 11.23, 23.18

 

CMYK 0 / 68 / 100 / 83

HEX #2C0E00

RGB 44 14 0

HSL 19.09, 1%, 0.09%

LAB 7.67, 14.25, 11.79

 

CMYK 0 / 100 / 100 / 89

HEX #1B0000

RGB 27 0 0

HSL 0, 1%, 0.05%

LAB 2.1, 9.44, 3.33

 

CMYK 0 / 28 / 76 / 63

HEX #5E4417

RGB 94 68 23

HSL 38.03, 0.61%, 0.23%

LAB 30.82, 6.14, 30.55

 

CMYK 0 / 49 / 76 / 63

HEX #5E3017

RGB 94 48 23

HSL 21.13, 0.61%, 0.23%

LAB 25.43, 18.59, 24.77

 

CMYK 0 / 69 / 76 / 63

HEX #5E1D17

RGB 94 29 23

HSL 5.07, 0.61%, 0.23%

LAB 21.28, 29.23, 20.06

 

CMYK 0 / 76 / 76 / 63

HEX #5E1717

RGB 94 23 23

HSL 0, 0.61%, 0.23%

LAB 20.26, 32.01, 18.86

 

CMYK 0 / 28 / 76 / 63

HEX #5E4417

RGB 94 68 23

HSL 38.03, 0.61%, 0.23%

LAB 30.82, 6.14, 30.55

 

CMYK 0 / 7 / 76 / 63

HEX #5E5717

RGB 94 87 23

HSL 54.08, 0.61%, 0.23%

LAB 36.48, -5.45, 36.28

 

CMYK 12 / 0 / 76 / 63

HEX #535E17

RGB 83 94 23

HSL 69.3, 0.61%, 0.23%

LAB 37.67, -14.77, 37.13

 

CMYK 33 / 0 / 76 / 63

HEX #3F5E17

RGB 63 94 23

HSL 86.2, 0.61%, 0.23%

LAB 36.22, -23.74, 35.2

 

CMYK 53 / 0 / 76 / 63

HEX #2C5E17

RGB 44 94 23

HSL 102.25, 0.61%, 0.23%

LAB 35.21, -30.96, 33.84

 

CMYK 0 / 28 / 76 / 63

HEX #5E4417

RGB 94 68 23

HSL 38.03, 0.61%, 0.23%

LAB 30.82, 6.14, 30.55

 

CMYK 0 / 33 / 88 / 59

HEX #68460D

RGB 104 70 13

HSL 37.58, 0.78%, 0.23%

LAB 32.6, 9.4, 37.16

 

CMYK 0 / 36 / 96 / 56

HEX #714804

RGB 113 72 4

HSL 37.43, 0.93%, 0.23%

LAB 34.3, 12.33, 42.14

 

CMYK 0 / 28 / 76 / 63

HEX #5E4417

RGB 94 68 23

HSL 38.03, 0.61%, 0.23%

LAB 30.82, 6.14, 30.55

 

CMYK 0 / 24 / 62 / 67

HEX #554120

RGB 85 65 32

HSL 37.36, 0.45%, 0.23%

LAB 28.94, 4.22, 23.2

 

CMYK 0 / 16 / 44 / 71

HEX #4B3F2A

RGB 75 63 42

HSL 38.18, 0.28%, 0.23%

LAB 27.35, 1.71, 14.81

 

CMYK 0 / 9 / 23 / 74

HEX #423C33

RGB 66 60 51

HSL 36, 0.13%, 0.23%

LAB 25.65, 0.82, 6.51

 

CMYK 8 / 5 / 0 / 76

HEX #383A3D

RGB 56 58 61

HSL 216, 0.04%, 0.23%

LAB 24.33, -0.14, -2.16

 

CMYK 0 / 69 / 76 / 63

HEX #5E1D17

RGB 94 29 23

HSL 5.07, 0.61%, 0.23%

LAB 21.28, 29.23, 20.06

 

CMYK 0 / 49 / 76 / 63

HEX #5E3017

RGB 94 48 23

HSL 21.13, 0.61%, 0.23%

LAB 25.43, 18.59, 24.77

 

CMYK 0 / 29 / 76 / 63

HEX #5E4317

RGB 94 67 23

HSL 37.18, 0.61%, 0.23%

LAB 30.53, 6.76, 30.25

 

CMYK 0 / 9 / 76 / 63

HEX #5E5617

RGB 94 86 23

HSL 53.24, 0.61%, 0.23%

LAB 36.17, -4.85, 35.98

 

CMYK 11 / 0 / 76 / 63

HEX #545E17

RGB 84 94 23

HSL 68.45, 0.61%, 0.23%

LAB 37.76, -14.3, 37.24

 

CMYK 0 / 29 / 75 / 89

HEX #1C1407

RGB 28 20 7

HSL 37.14, 0.6%, 0.07%

LAB 6.89, 1.75, 7.47

 

CMYK 0 / 28 / 75 / 76

HEX #3D2C0F

RGB 61 44 15

HSL 37.83, 0.61%, 0.15%

LAB 19.34, 4.11, 21.27

 

CMYK 0 / 28 / 76 / 63

HEX #5E4417

RGB 94 68 23

HSL 38.03, 0.61%, 0.23%

LAB 30.82, 6.14, 30.55

 

CMYK 0 / 29 / 76 / 50

HEX #805B1F

RGB 128 91 31

HSL 37.11, 0.61%, 0.31%

LAB 41.49, 9.11, 38.94

 

CMYK 0 / 29 / 76 / 37

HEX #A17327

RGB 161 115 39

HSL 37.38, 0.61%, 0.39%

LAB 51.82, 10.87, 46.97

 

CMYK 0 / 28 / 76 / 63

HEX #5F4417

RGB 95 68 23

HSL 37.5, 0.61%, 0.23%

LAB 30.95, 6.64, 30.72

 

CMYK 62 / 0 / 76 / 63

HEX #245E17

RGB 36 94 23

HSL 109.01, 0.61%, 0.23%

LAB 34.89, -33.44, 33.41

 

CMYK 60 / 76 / 0 / 63

HEX #26175E

RGB 38 23 94

HSL 252.68, 0.61%, 0.23%

LAB 14.59, 28.37, -39.79

 

CMYK 0 / 28 / 76 / 63

HEX #5F4417

RGB 95 68 23

HSL 37.5, 0.61%, 0.23%

LAB 30.95, 6.64, 30.72

 

CMYK 76 / 0 / 29 / 63

HEX #175E43

RGB 23 94 67

HSL 157.18, 0.61%, 0.23%

LAB 35.19, -28.79, 9.35

 

CMYK 29 / 76 / 0 / 63

HEX #43175E

RGB 67 23 94

HSL 277.18, 0.61%, 0.23%

LAB 18.43, 34.36, -33.36

 

CMYK 0 / 28 / 76 / 63

HEX #5F4417

RGB 95 68 23

HSL 37.5, 0.61%, 0.23%

LAB 30.95, 6.64, 30.72

 

CMYK 62 / 0 / 76 / 63

HEX #245E17

RGB 36 94 23

HSL 109.01, 0.61%, 0.23%

LAB 34.89, -33.44, 33.41

 

CMYK 76 / 47 / 0 / 63

HEX #17325E

RGB 23 50 94

HSL 217.18, 0.61%, 0.23%

LAB 21.1, 6.66, -29.28

 

CMYK 14 / 76 / 0 / 63

HEX #51175E

RGB 81 23 94

HSL 289.01, 0.61%, 0.23%

LAB 20.71, 37.69, -29.57

 

CMYK 0 / 28 / 76 / 63

HEX #5F4417

RGB 95 68 23

HSL 37.5, 0.61%, 0.23%

LAB 30.95, 6.64, 30.72

 

CMYK 76 / 0 / 67 / 63

HEX #175E1F

RGB 23 94 31

HSL 126.76, 0.61%, 0.23%

LAB 34.57, -35.73, 29.21

 

CMYK 76 / 47 / 0 / 63

HEX #17325E

RGB 23 50 94

HSL 217.18, 0.61%, 0.23%

LAB 21.1, 6.66, -29.28

 

CMYK 0 / 76 / 9 / 63

HEX #5E1756

RGB 94 23 86

HSL 306.76, 0.61%, 0.23%

LAB 22.53, 39.46, -21.22

 

Description

Color code: HEX #5F4417 | qconv.com Color code: HEX #5F4417 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 95 red, 68 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
95 68 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 76 yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 76% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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