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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5F341A it is the complementary color #A0CBE5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5F341A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5F341A shade: #643415, #754628, #86583B, #976A4E and #A87C61

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5F341A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5F341A shade: #5F341A, #4E2207, #3D1000, #2C0000 and #1B0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5F341A shade: #60351A, #60221A and #601A1A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5F341A shade: #60351A, #60471A, #605A1A, #53601A and #40601A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5F341A shade matches the following richer shades: #60351A, #6A3210 and #743007

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5F341A shade: #60351A, #563724, #4C392E, #423C38 and #383E42

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5F341A shade: #601A26, #60211A, #60341A, #60471A and #60591A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5F341A shade: #1F1109, #402311, #60351A, #804623 and #A1582C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5F341A shade: #5F341A, #39601A and #1A1D60

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5F341A shade: #5F341A, #1A6034 and #341A60

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5F341A shade: #5F341A, #39601A, #1A4760 and #421A60

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5F341A shade: #5F341A, #24601A, #1A4760 and #571A60

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 73 / 63

HEX #5F341A

RGB 95 52 26

HSL 22.61, 0.57%, 0.24%

LAB 26.63, 16.8, 24.39

 

Complementary color

CMYK 30 / 11 / 0 / 10

HEX #A0CBE5

RGB 160 203 229

HSL 202.61, 0.57%, 0.76%

LAB 79.52, -8.13, -17.47

 

CMYK 0 / 48 / 79 / 61

HEX #643415

RGB 100 52 21

HSL 23.54, 0.65%, 0.24%

LAB 27.35, 18.85, 28.25

 

CMYK 0 / 40 / 66 / 54

HEX #754628

RGB 117 70 40

HSL 23.38, 0.49%, 0.31%

LAB 34.63, 17.09, 26.29

 

CMYK 0 / 34 / 56 / 47

HEX #86583B

RGB 134 88 59

HSL 23.2, 0.39%, 0.38%

LAB 41.79, 15.67, 24.47

 

CMYK 0 / 30 / 48 / 41

HEX #976A4E

RGB 151 106 78

HSL 23.01, 0.32%, 0.45%

LAB 48.81, 14.5, 22.85

 

CMYK 0 / 26 / 42 / 34

HEX #A87C61

RGB 168 124 97

HSL 22.82, 0.29%, 0.52%

LAB 55.69, 13.54, 21.42

 

CMYK 0 / 45 / 73 / 63

HEX #5F341A

RGB 95 52 26

HSL 22.61, 0.57%, 0.24%

LAB 26.63, 16.8, 24.39

 

CMYK 0 / 56 / 91 / 69

HEX #4E2207

RGB 78 34 7

HSL 22.82, 0.84%, 0.17%

LAB 19.14, 18.8, 25.27

 

CMYK 0 / 74 / 100 / 76

HEX #3D1000

RGB 61 16 0

HSL 15.74, 1%, 0.12%

LAB 11.71, 21.09, 18.01

 

CMYK 0 / 100 / 100 / 83

HEX #2C0000

RGB 44 0 0

HSL 0, 1%, 0.09%

LAB 4.84, 21.14, 7.64

 

CMYK 0 / 100 / 100 / 89

HEX #1B0000

RGB 27 0 0

HSL 0, 1%, 0.05%

LAB 2.1, 9.44, 3.33

 

CMYK 0 / 45 / 73 / 62

HEX #60351A

RGB 96 53 26

HSL 23.14, 0.57%, 0.24%

LAB 27.04, 16.66, 24.89

 

CMYK 0 / 65 / 73 / 62

HEX #60221A

RGB 96 34 26

HSL 6.86, 0.57%, 0.24%

LAB 22.67, 27.66, 19.84

 

CMYK 0 / 73 / 73 / 62

HEX #601A1A

RGB 96 26 26

HSL 0, 0.57%, 0.24%

LAB 21.21, 31.6, 18.08

 

CMYK 0 / 45 / 73 / 62

HEX #60351A

RGB 96 53 26

HSL 23.14, 0.57%, 0.24%

LAB 27.04, 16.66, 24.89

 

CMYK 0 / 26 / 73 / 62

HEX #60471A

RGB 96 71 26

HSL 38.57, 0.57%, 0.24%

LAB 31.96, 5.45, 30.29

 

CMYK 0 / 6 / 73 / 62

HEX #605A1A

RGB 96 90 26

HSL 54.86, 0.57%, 0.24%

LAB 37.61, -6.05, 36.16

 

CMYK 14 / 0 / 73 / 62

HEX #53601A

RGB 83 96 26

HSL 71.14, 0.57%, 0.24%

LAB 38.34, -15.68, 36.52

 

CMYK 33 / 0 / 73 / 62

HEX #40601A

RGB 64 96 26

HSL 87.43, 0.57%, 0.24%

LAB 36.99, -24.09, 34.7

 

CMYK 0 / 45 / 73 / 62

HEX #60351A

RGB 96 53 26

HSL 23.14, 0.57%, 0.24%

LAB 27.04, 16.66, 24.89

 

CMYK 0 / 53 / 85 / 58

HEX #6A3210

RGB 106 50 16

HSL 22.67, 0.74%, 0.24%

LAB 27.8, 22.56, 31.62

 

CMYK 0 / 59 / 94 / 55

HEX #743007

RGB 116 48 7

HSL 22.57, 0.89%, 0.24%

LAB 29.01, 27.8, 37.27

 

CMYK 0 / 45 / 73 / 62

HEX #60351A

RGB 96 53 26

HSL 23.14, 0.57%, 0.24%

LAB 27.04, 16.66, 24.89

 

CMYK 0 / 36 / 58 / 66

HEX #563724

RGB 86 55 36

HSL 22.8, 0.41%, 0.24%

LAB 26.27, 11.46, 17.5

 

CMYK 0 / 25 / 39 / 70

HEX #4C392E

RGB 76 57 46

HSL 22, 0.25%, 0.24%

LAB 25.74, 6.63, 10.1

 

CMYK 0 / 9 / 15 / 74

HEX #423C38

RGB 66 60 56

HSL 24, 0.08%, 0.24%

LAB 25.79, 1.77, 3.41

 

CMYK 15 / 6 / 0 / 74

HEX #383E42

RGB 56 62 66

HSL 204, 0.08%, 0.24%

LAB 25.8, -1.51, -3.31

HEX #383E42

CMYK 0 / 73 / 60 / 62

HEX #601A26

RGB 96 26 38

HSL 349.71, 0.57%, 0.24%

LAB 21.45, 32.47, 10.17

 

CMYK 0 / 66 / 73 / 62

HEX #60211A

RGB 96 33 26

HSL 6, 0.57%, 0.24%

LAB 22.48, 28.18, 19.61

 

CMYK 0 / 46 / 73 / 62

HEX #60341A

RGB 96 52 26

HSL 22.29, 0.57%, 0.24%

LAB 26.78, 17.27, 24.61

 

CMYK 0 / 26 / 73 / 62

HEX #60471A

RGB 96 71 26

HSL 38.57, 0.57%, 0.24%

LAB 31.96, 5.45, 30.29

 

CMYK 0 / 7 / 73 / 62

HEX #60591A

RGB 96 89 26

HSL 54, 0.57%, 0.24%

LAB 37.31, -5.46, 35.85

 

CMYK 0 / 45 / 71 / 88

HEX #1F1109

RGB 31 17 9

HSL 21.82, 0.55%, 0.08%

LAB 6.43, 5.66, 6.04

 

CMYK 0 / 45 / 73 / 75

HEX #402311

RGB 64 35 17

HSL 22.98, 0.58%, 0.16%

LAB 17.14, 11.87, 17.66

 

CMYK 0 / 45 / 73 / 62

HEX #60351A

RGB 96 53 26

HSL 23.14, 0.57%, 0.24%

LAB 27.04, 16.66, 24.89

 

CMYK 0 / 45 / 73 / 50

HEX #804623

RGB 128 70 35

HSL 22.58, 0.57%, 0.32%

LAB 36.16, 21.73, 31.29

 

CMYK 0 / 45 / 73 / 37

HEX #A1582C

RGB 161 88 44

HSL 22.56, 0.57%, 0.4%

LAB 45.27, 26.4, 37.83

 

CMYK 0 / 45 / 73 / 63

HEX #5F341A

RGB 95 52 26

HSL 22.61, 0.57%, 0.24%

LAB 26.63, 16.8, 24.39

 

CMYK 41 / 0 / 73 / 62

HEX #39601A

RGB 57 96 26

HSL 93.43, 0.57%, 0.24%

LAB 36.57, -26.9, 34.14

 

CMYK 73 / 70 / 0 / 62

HEX #1A1D60

RGB 26 29 96

HSL 237.43, 0.57%, 0.24%

LAB 15.18, 23.19, -40.18

 

CMYK 0 / 45 / 73 / 63

HEX #5F341A

RGB 95 52 26

HSL 22.61, 0.57%, 0.24%

LAB 26.63, 16.8, 24.39

 

CMYK 73 / 0 / 46 / 62

HEX #1A6034

RGB 26 96 52

HSL 142.29, 0.57%, 0.24%

LAB 35.66, -32.52, 19.02

 

CMYK 46 / 73 / 0 / 62

HEX #341A60

RGB 52 26 96

HSL 262.29, 0.57%, 0.24%

LAB 17.05, 29.94, -37.02

 

CMYK 0 / 45 / 73 / 63

HEX #5F341A

RGB 95 52 26

HSL 22.61, 0.57%, 0.24%

LAB 26.63, 16.8, 24.39

 

CMYK 41 / 0 / 73 / 62

HEX #39601A

RGB 57 96 26

HSL 93.43, 0.57%, 0.24%

LAB 36.57, -26.9, 34.14

 

CMYK 73 / 26 / 0 / 62

HEX #1A4760

RGB 26 71 96

HSL 201.43, 0.57%, 0.24%

LAB 28.3, -6.26, -19.21

 

CMYK 31 / 73 / 0 / 62

HEX #421A60

RGB 66 26 96

HSL 274.29, 0.57%, 0.24%

LAB 18.98, 33.11, -33.81

 

CMYK 0 / 45 / 73 / 63

HEX #5F341A

RGB 95 52 26

HSL 22.61, 0.57%, 0.24%

LAB 26.63, 16.8, 24.39

 

CMYK 63 / 0 / 73 / 62

HEX #24601A

RGB 36 96 26

HSL 111.43, 0.57%, 0.24%

LAB 35.63, -33.98, 32.86

 

CMYK 73 / 26 / 0 / 62

HEX #1A4760

RGB 26 71 96

HSL 201.43, 0.57%, 0.24%

LAB 28.3, -6.26, -19.21

 

CMYK 9 / 73 / 0 / 62

HEX #571A60

RGB 87 26 96

HSL 292.29, 0.57%, 0.24%

LAB 22.34, 38.29, -28.24

 

Description

Color code: HEX #5F341A | qconv.com Color code: HEX #5F341A | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 95 red, 52 green and 26 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
95 52 26 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 73 yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 73% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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