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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5F333C it is the complementary color #A0CCC3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5F333C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5F333C shade: #643337, #75454A, #86575D, #976970 and #A87B83

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5F333C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5F333C shade: #5F333C, #4E2129, #3D0F16, #2C0003 and #1B0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5F333C shade: #60343D and #603434

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5F333C shade: #60343D, #603449, #603455, #603460 and #543460

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5F333C shade matches the following richer shades: #60343D, #6C2836, #781C2F, #841028 and #900421

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5F333C shade: #60343D, #544044, #484C4B, #3C5852 and #306459

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5F333C shade: #603455, #603449, #60343D, #603634 and #604234

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5F333C shade: #2A171B, #45252C, #60343D, #7B424E and #96515F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5F333C shade: #5F333C, #605F34 and #344F60

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5F333C shade: #5F333C, #3D6034 and #343D60

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5F333C shade: #5F333C, #605F34, #346057 and #343560

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5F333C shade: #5F333C, #546034, #346057 and #403460

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 37 / 63

HEX #5F333C

RGB 95 51 60

HSL 347.73, 0.3%, 0.29%

LAB 27.09, 20.99, 3.11

 

Complementary color

CMYK 22 / 0 / 4 / 20

HEX #A0CCC3

RGB 160 204 195

HSL 167.73, 0.3%, 0.71%

LAB 78.81, -16.27, -0.27

 

CMYK 0 / 49 / 45 / 61

HEX #643337

RGB 100 51 55

HSL 355.1, 0.32%, 0.3%

LAB 27.72, 22.43, 7.41

 

CMYK 0 / 41 / 37 / 54

HEX #75454A

RGB 117 69 74

HSL 353.75, 0.26%, 0.36%

LAB 35.07, 21.31, 5.84

 

CMYK 0 / 35 / 31 / 47

HEX #86575D

RGB 134 87 93

HSL 352.34, 0.21%, 0.43%

LAB 42.27, 20.33, 4.57

 

CMYK 0 / 30 / 26 / 41

HEX #976970

RGB 151 105 112

HSL 350.87, 0.18%, 0.5%

LAB 49.32, 19.48, 3.5

 

CMYK 0 / 27 / 22 / 34

HEX #A87B83

RGB 168 123 131

HSL 349.33, 0.21%, 0.57%

LAB 56.22, 18.73, 2.55

 

CMYK 0 / 46 / 37 / 63

HEX #5F333C

RGB 95 51 60

HSL 347.73, 0.3%, 0.29%

LAB 27.09, 20.99, 3.11

 

CMYK 0 / 58 / 47 / 69

HEX #4E2129

RGB 78 33 41

HSL 349.33, 0.41%, 0.22%

LAB 19.51, 22.12, 4.86

 

CMYK 0 / 75 / 64 / 76

HEX #3D0F16

RGB 61 15 22

HSL 350.87, 0.61%, 0.15%

LAB 11.9, 23.09, 7.51

 

CMYK 0 / 100 / 93 / 83

HEX #2C0003

RGB 44 0 3

HSL 355.91, 1%, 0.09%

LAB 4.9, 21.47, 6.51

 

CMYK 0 / 100 / 100 / 89

HEX #1B0000

RGB 27 0 0

HSL 0, 1%, 0.05%

LAB 2.1, 9.44, 3.33

 

CMYK 0 / 46 / 36 / 62

HEX #60343D

RGB 96 52 61

HSL 347.73, 0.3%, 0.29%

LAB 27.52, 20.95, 3.07

 

CMYK 0 / 46 / 46 / 62

HEX #603434

RGB 96 52 52

HSL 0, 0.3%, 0.29%

LAB 27.27, 19.74, 8.68

 

CMYK 0 / 46 / 36 / 62

HEX #60343D

RGB 96 52 61

HSL 347.73, 0.3%, 0.29%

LAB 27.52, 20.95, 3.07

 

CMYK 0 / 46 / 24 / 62

HEX #603449

RGB 96 52 73

HSL 331.36, 0.3%, 0.29%

LAB 27.91, 22.83, -4.29

 

CMYK 0 / 46 / 11 / 62

HEX #603455

RGB 96 52 85

HSL 315, 0.3%, 0.29%

LAB 28.38, 24.99, -11.47

 

CMYK 0 / 46 / 0 / 62

HEX #603460

RGB 96 52 96

HSL 300, 0.3%, 0.29%

LAB 28.87, 27.2, -17.87

 

CMYK 13 / 46 / 0 / 62

HEX #543460

RGB 84 52 96

HSL 283.64, 0.3%, 0.29%

LAB 27.26, 23.09, -20.5

 

CMYK 0 / 46 / 36 / 62

HEX #60343D

RGB 96 52 61

HSL 347.73, 0.3%, 0.29%

LAB 27.52, 20.95, 3.07

 

CMYK 0 / 63 / 50 / 58

HEX #6C2836

RGB 108 40 54

HSL 347.65, 0.46%, 0.29%

LAB 26.66, 31.63, 6.79

 

CMYK 0 / 77 / 61 / 53

HEX #781C2F

RGB 120 28 47

HSL 347.61, 0.62%, 0.29%

LAB 26.82, 40.56, 12.08

 

CMYK 0 / 88 / 70 / 48

HEX #841028

RGB 132 16 40

HSL 347.59, 0.78%, 0.29%

LAB 27.92, 47.37, 18.71

 

CMYK 0 / 97 / 77 / 44

HEX #900421

RGB 144 4 33

HSL 347.57, 0.95%, 0.29%

LAB 29.73, 52.47, 26.09

 

CMYK 0 / 46 / 36 / 62

HEX #60343D

RGB 96 52 61

HSL 347.73, 0.3%, 0.29%

LAB 27.52, 20.95, 3.07

 

CMYK 0 / 24 / 19 / 67

HEX #544044

RGB 84 64 68

HSL 348, 0.14%, 0.29%

LAB 29.33, 9.41, 0.9

 

CMYK 5 / 0 / 1 / 70

HEX #484C4B

RGB 72 76 75

HSL 165, 0.03%, 0.29%

LAB 31.93, -1.85, 0.03

 

CMYK 32 / 0 / 7 / 65

HEX #3C5852

RGB 60 88 82

HSL 167.14, 0.19%, 0.29%

LAB 35.1, -11.93, 0.12

 

CMYK 52 / 0 / 11 / 61

HEX #306459

RGB 48 100 89

HSL 167.31, 0.35%, 0.29%

LAB 38.66, -20.4, 0.9

 

CMYK 0 / 46 / 11 / 62

HEX #603455

RGB 96 52 85

HSL 315, 0.3%, 0.29%

LAB 28.38, 24.99, -11.47

 

CMYK 0 / 46 / 24 / 62

HEX #603449

RGB 96 52 73

HSL 331.36, 0.3%, 0.29%

LAB 27.91, 22.83, -4.29

 

CMYK 0 / 46 / 36 / 62

HEX #60343D

RGB 96 52 61

HSL 347.73, 0.3%, 0.29%

LAB 27.52, 20.95, 3.07

 

CMYK 0 / 44 / 46 / 62

HEX #603634

RGB 96 54 52

HSL 2.73, 0.3%, 0.29%

LAB 27.77, 18.52, 9.38

 

CMYK 0 / 31 / 46 / 62

HEX #604234

RGB 96 66 52

HSL 19.09, 0.3%, 0.29%

LAB 30.95, 11.04, 13.7

 

CMYK 0 / 45 / 36 / 84

HEX #2A171B

RGB 42 23 27

HSL 347.37, 0.29%, 0.13%

LAB 10.44, 10.3, 1.22

 

CMYK 0 / 46 / 36 / 73

HEX #45252C

RGB 69 37 44

HSL 346.88, 0.3%, 0.21%

LAB 19.1, 16.17, 1.98

 

CMYK 0 / 46 / 36 / 62

HEX #60343D

RGB 96 52 61

HSL 347.73, 0.3%, 0.29%

LAB 27.52, 20.95, 3.07

 

CMYK 0 / 46 / 37 / 52

HEX #7B424E

RGB 123 66 78

HSL 347.37, 0.3%, 0.37%

LAB 35.32, 26.05, 3.77

 

CMYK 0 / 46 / 37 / 41

HEX #96515F

RGB 150 81 95

HSL 347.83, 0.3%, 0.45%

LAB 43.06, 30.36, 4.76

 

CMYK 0 / 46 / 37 / 63

HEX #5F333C

RGB 95 51 60

HSL 347.73, 0.3%, 0.29%

LAB 27.09, 20.99, 3.11

 

CMYK 0 / 1 / 46 / 62

HEX #605F34

RGB 96 95 52

HSL 58.64, 0.3%, 0.29%

LAB 39.44, -6.65, 24.68

 

CMYK 46 / 18 / 0 / 62

HEX #344F60

RGB 52 79 96

HSL 203.18, 0.3%, 0.29%

LAB 32.18, -5.08, -13.12

 

CMYK 0 / 46 / 37 / 63

HEX #5F333C

RGB 95 51 60

HSL 347.73, 0.3%, 0.29%

LAB 27.09, 20.99, 3.11

 

CMYK 36 / 0 / 46 / 62

HEX #3D6034

RGB 61 96 52

HSL 107.73, 0.3%, 0.29%

LAB 37.13, -22.16, 21.2

 

CMYK 46 / 36 / 0 / 62

HEX #343D60

RGB 52 61 96

HSL 227.73, 0.3%, 0.29%

LAB 26.48, 6.65, -21.95

 

CMYK 0 / 46 / 37 / 63

HEX #5F333C

RGB 95 51 60

HSL 347.73, 0.3%, 0.29%

LAB 27.09, 20.99, 3.11

 

CMYK 0 / 1 / 46 / 62

HEX #605F34

RGB 96 95 52

HSL 58.64, 0.3%, 0.29%

LAB 39.44, -6.65, 24.68

 

CMYK 46 / 0 / 9 / 62

HEX #346057

RGB 52 96 87

HSL 167.73, 0.3%, 0.29%

LAB 37.45, -17.67, 0.39

 

CMYK 46 / 45 / 0 / 62

HEX #343560

RGB 52 53 96

HSL 238.64, 0.3%, 0.29%

LAB 24.07, 12.12, -25.75

 

CMYK 0 / 46 / 37 / 63

HEX #5F333C

RGB 95 51 60

HSL 347.73, 0.3%, 0.29%

LAB 27.09, 20.99, 3.11

 

CMYK 13 / 0 / 46 / 62

HEX #546034

RGB 84 96 52

HSL 76.36, 0.3%, 0.29%

LAB 38.72, -12.64, 23.55

 

CMYK 46 / 0 / 9 / 62

HEX #346057

RGB 52 96 87

HSL 167.73, 0.3%, 0.29%

LAB 37.45, -17.67, 0.39

 

CMYK 33 / 46 / 0 / 62

HEX #403460

RGB 64 52 96

HSL 256.36, 0.3%, 0.29%

LAB 24.92, 16.46, -24.33

 

Description

Color code: HEX #5F333C | qconv.com Color code: HEX #5F333C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 95 red, 51 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
95 51 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 37 yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 37% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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