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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5F2A74 it is the complementary color #A0D58B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5F2A74. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5F2A74 shade: #642A6F, #753C82, #864E95, #9760A8 and #A872BB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5F2A74. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5F2A74 shade: #5F2A74, #4E1861, #3D064E, #2C003B and #1B0028

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5F2A74 shade: #5F2A74, #732A74, #742A61, #742A4D and #742A39

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5F2A74 shade: #5F2A74, #4B2A74, #372A74 and #2A2A74

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5F2A74 shade matches the following richer shades: #5F2A74, #651D81, #6A108E and #70049B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5F2A74 shade: #5F2A74, #5A3767, #54435B, #4F504E and #495D41

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5F2A74 shade: #362A74, #4A2A74, #5E2A74, #722A74 and #742A63

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5F2A74 shade: #2D1438, #461F56, #5F2A74, #783593 and #9140B1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5F2A74 shade: #5F2A74, #742A31 and #2A7440

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5F2A74 shade: #5F2A74, #745E2A and #2A745E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5F2A74 shade: #5F2A74, #742A31, #40742A and #2A746D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5F2A74 shade: #5F2A74, #74392A, #40742A and #2A6574

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 64 / 0 / 55

HEX #5F2A74

RGB 95 42 116

HSL 282.97, 0.47%, 0.31%

LAB 27.71, 36.93, -32.54

 

Complementary color

CMYK 25 / 0 / 35 / 16

HEX #A0D58B

RGB 160 213 139

HSL 102.97, 0.47%, 0.69%

LAB 80.14, -30.7, 31.21

 

CMYK 10 / 62 / 0 / 56

HEX #642A6F

RGB 100 42 111

HSL 290.43, 0.45%, 0.3%

LAB 28.15, 37.2, -28.6

 

CMYK 10 / 54 / 0 / 49

HEX #753C82

RGB 117 60 130

HSL 288.86, 0.37%, 0.37%

LAB 35.25, 36.57, -29.17

 

CMYK 10 / 48 / 0 / 42

HEX #864E95

RGB 134 78 149

HSL 287.32, 0.31%, 0.45%

LAB 42.29, 35.79, -29.55

 

CMYK 10 / 43 / 0 / 34

HEX #9760A8

RGB 151 96 168

HSL 285.83, 0.29%, 0.52%

LAB 49.22, 34.97, -29.85

 

CMYK 10 / 39 / 0 / 27

HEX #A872BB

RGB 168 114 187

HSL 284.38, 0.35%, 0.59%

LAB 56.04, 34.18, -30.1

 

CMYK 18 / 64 / 0 / 55

HEX #5F2A74

RGB 95 42 116

HSL 282.97, 0.47%, 0.31%

LAB 27.71, 36.93, -32.54

 

CMYK 20 / 75 / 0 / 62

HEX #4E1861

RGB 78 24 97

HSL 284.38, 0.6%, 0.24%

LAB 20.58, 37.19, -31.79

 

CMYK 22 / 92 / 0 / 69

HEX #3D064E

RGB 61 6 78

HSL 285.83, 0.86%, 0.16%

LAB 13.66, 36.31, -30.3

 

CMYK 25 / 100 / 0 / 77

HEX #2C003B

RGB 44 0 59

HSL 284.75, 1%, 0.12%

LAB 7.69, 31.86, -26.76

 

CMYK 33 / 100 / 0 / 84

HEX #1B0028

RGB 27 0 40

HSL 280.5, 1%, 0.08%

LAB 3.49, 19.17, -19.5

 

CMYK 18 / 64 / 0 / 55

HEX #5F2A74

RGB 95 42 116

HSL 282.97, 0.47%, 0.31%

LAB 27.71, 36.93, -32.54

 

CMYK 1 / 64 / 0 / 55

HEX #732A74

RGB 115 42 116

HSL 299.19, 0.47%, 0.31%

LAB 30.79, 42.36, -27.46

 

CMYK 0 / 64 / 16 / 55

HEX #742A61

RGB 116 42 97

HSL 315.41, 0.47%, 0.31%

LAB 29.99, 39.28, -16.53

 

CMYK 0 / 64 / 34 / 55

HEX #742A4D

RGB 116 42 77

HSL 331.62, 0.47%, 0.31%

LAB 29.17, 36.28, -4.71

 

CMYK 0 / 64 / 51 / 55

HEX #742A39

RGB 116 42 57

HSL 347.84, 0.47%, 0.31%

LAB 28.55, 33.91, 7.65

 

CMYK 18 / 64 / 0 / 55

HEX #5F2A74

RGB 95 42 116

HSL 282.97, 0.47%, 0.31%

LAB 27.71, 36.93, -32.54

 

CMYK 35 / 64 / 0 / 55

HEX #4B2A74

RGB 75 42 116

HSL 266.76, 0.47%, 0.31%

LAB 24.99, 31.71, -37.04

 

CMYK 53 / 64 / 0 / 55

HEX #372A74

RGB 55 42 116

HSL 250.54, 0.47%, 0.31%

LAB 22.75, 27, -40.77

 

CMYK 64 / 64 / 0 / 55

HEX #2A2A74

RGB 42 42 116

HSL 240, 0.47%, 0.31%

LAB 21.61, 24.41, -42.68

 

CMYK 18 / 64 / 0 / 55

HEX #5F2A74

RGB 95 42 116

HSL 282.97, 0.47%, 0.31%

LAB 27.71, 36.93, -32.54

 

CMYK 22 / 78 / 0 / 49

HEX #651D81

RGB 101 29 129

HSL 283.2, 0.63%, 0.31%

LAB 27.38, 47.22, -41.24

 

CMYK 25 / 89 / 0 / 44

HEX #6A108E

RGB 106 16 142

HSL 282.86, 0.8%, 0.31%

LAB 27.81, 54.9, -48.62

 

CMYK 28 / 97 / 0 / 39

HEX #70049B

RGB 112 4 155

HSL 282.91, 0.95%, 0.31%

LAB 29.15, 60.6, -54.4

 

CMYK 18 / 64 / 0 / 55

HEX #5F2A74

RGB 95 42 116

HSL 282.97, 0.47%, 0.31%

LAB 27.71, 36.93, -32.54

 

CMYK 13 / 47 / 0 / 60

HEX #5A3767

RGB 90 55 103

HSL 283.75, 0.3%, 0.31%

LAB 29.12, 24.92, -22.04

 

CMYK 8 / 26 / 0 / 64

HEX #54435B

RGB 84 67 91

HSL 282.5, 0.15%, 0.31%

LAB 31.01, 12.33, -11.49

 

CMYK 1 / 0 / 2 / 69

HEX #4F504E

RGB 79 80 78

HSL 90, 0.01%, 0.31%

LAB 33.88, -0.83, 1.03

 

CMYK 22 / 0 / 30 / 64

HEX #495D41

RGB 73 93 65

HSL 102.86, 0.18%, 0.31%

LAB 37.16, -13.6, 13.67

 

CMYK 53 / 64 / 0 / 55

HEX #362A74

RGB 54 42 116

HSL 249.73, 0.47%, 0.31%

LAB 22.66, 26.79, -40.93

 

CMYK 36 / 64 / 0 / 55

HEX #4A2A74

RGB 74 42 116

HSL 265.95, 0.47%, 0.31%

LAB 24.87, 31.46, -37.25

 

CMYK 19 / 64 / 0 / 55

HEX #5E2A74

RGB 94 42 116

HSL 282.16, 0.47%, 0.31%

LAB 27.56, 36.66, -32.78

 

CMYK 2 / 64 / 0 / 55

HEX #722A74

RGB 114 42 116

HSL 298.38, 0.47%, 0.31%

LAB 30.63, 42.09, -27.73

 

CMYK 0 / 64 / 15 / 55

HEX #742A63

RGB 116 42 99

HSL 313.78, 0.47%, 0.31%

LAB 30.08, 39.61, -17.68

 

CMYK 20 / 64 / 0 / 78

HEX #2D1438

RGB 45 20 56

HSL 281.67, 0.47%, 0.15%

LAB 11.58, 20.22, -18.34

 

CMYK 19 / 64 / 0 / 66

HEX #461F56

RGB 70 31 86

HSL 282.55, 0.47%, 0.23%

LAB 19.86, 28.9, -25.7

 

CMYK 18 / 64 / 0 / 55

HEX #5F2A74

RGB 95 42 116

HSL 282.97, 0.47%, 0.31%

LAB 27.71, 36.93, -32.54

 

CMYK 18 / 64 / 0 / 42

HEX #783593

RGB 120 53 147

HSL 282.77, 0.47%, 0.39%

LAB 35.29, 44.75, -39.53

 

CMYK 18 / 64 / 0 / 31

HEX #9140B1

RGB 145 64 177

HSL 283.01, 0.47%, 0.47%

LAB 42.55, 52.01, -45.72

 

CMYK 18 / 64 / 0 / 55

HEX #5F2A74

RGB 95 42 116

HSL 282.97, 0.47%, 0.31%

LAB 27.71, 36.93, -32.54

 

CMYK 0 / 64 / 58 / 55

HEX #742A31

RGB 116 42 49

HSL 354.32, 0.47%, 0.31%

LAB 28.36, 33.15, 12.69

 

CMYK 64 / 0 / 45 / 55

HEX #2A7440

RGB 42 116 64

HSL 137.84, 0.47%, 0.31%

LAB 43.29, -35.3, 22.11

 

CMYK 18 / 64 / 0 / 55

HEX #5F2A74

RGB 95 42 116

HSL 282.97, 0.47%, 0.31%

LAB 27.71, 36.93, -32.54

 

CMYK 0 / 19 / 64 / 55

HEX #745E2A

RGB 116 94 42

HSL 42.16, 0.47%, 0.31%

LAB 41.03, 2.34, 32.56

 

CMYK 64 / 0 / 19 / 55

HEX #2A745E

RGB 42 116 94

HSL 162.16, 0.47%, 0.31%

LAB 43.93, -28.58, 5.44

 

CMYK 18 / 64 / 0 / 55

HEX #5F2A74

RGB 95 42 116

HSL 282.97, 0.47%, 0.31%

LAB 27.71, 36.93, -32.54

 

CMYK 0 / 64 / 58 / 55

HEX #742A31

RGB 116 42 49

HSL 354.32, 0.47%, 0.31%

LAB 28.36, 33.15, 12.69

 

CMYK 45 / 0 / 64 / 55

HEX #40742A

RGB 64 116 42

HSL 102.16, 0.47%, 0.31%

LAB 43.87, -32.05, 34.69

 

CMYK 64 / 0 / 6 / 55

HEX #2A746D

RGB 42 116 109

HSL 174.32, 0.47%, 0.31%

LAB 44.36, -24.43, -2.91

 

CMYK 18 / 64 / 0 / 55

HEX #5F2A74

RGB 95 42 116

HSL 282.97, 0.47%, 0.31%

LAB 27.71, 36.93, -32.54

 

CMYK 0 / 51 / 64 / 55

HEX #74392A

RGB 116 57 42

HSL 12.16, 0.47%, 0.31%

LAB 31.36, 24.45, 21.08

 

CMYK 45 / 0 / 64 / 55

HEX #40742A

RGB 64 116 42

HSL 102.16, 0.47%, 0.31%

LAB 43.87, -32.05, 34.69

 

CMYK 64 / 13 / 0 / 55

HEX #2A6574

RGB 42 101 116

HSL 192.16, 0.47%, 0.31%

LAB 39.68, -14.15, -14.16

 

Description

Color code: HEX #5F2A74 | qconv.com Color code: HEX #5F2A74 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 95 red, 42 green and 116 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
95 42 116 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 64 magenta, none yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 64% 0% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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