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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5EFE3E it is the complementary color #A101C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5EFE3E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5EFE3E shade: #63FE39, #74FF4C, #85FF5F, #96FF72 and #A7FF85

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5EFE3E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5EFE3E shade: #5EFE3E, #4DEC2B, #3CDA18, #2BC805 and #1AB600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5EFE3E shade: #5EFE3E, #91FE3E, #C5FE3E, #F9FE3E and #FECE3E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5EFE3E shade: #5EFE3E, #3EFE51, #3EFE85, #3EFEB9 and #3EFEED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5EFE3E shade matches the following richer shades: #5EFE3E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5EFE3E shade: #5EFE3E, #68EE4D, #73DE5D, #7DCE6D and #87BF7C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5EFE3E shade: #C4FE3E, #91FE3E, #5EFE3E, #3EFE51 and #3EFE84

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5EFE3E shade: #27E801, #3BFD15, #5EFE3E, #80FE67 and #A2FE90

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5EFE3E shade: #5EFE3E, #3EF7FE and #FE3EAA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5EFE3E shade: #5EFE3E, #3E5EFE and #FE3E5E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5EFE3E shade: #5EFE3E, #3EF7FE, #DE3EFE and #FE443E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5EFE3E shade: #5EFE3E, #3EBEFE, #DE3EFE and #FE7E3E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 76 / 0

HEX #5EFE3E

RGB 94 254 62

HSL 110, 0.99%, 0.62%

LAB 88.74, -73.89, 73.72

 

Complementary color

CMYK 17 / 99 / 0 / 24

HEX #A101C1

RGB 161 1 193

HSL 290, 0.99%, 0.38%

LAB 40.33, 74.7, -58.59

 

CMYK 61 / 0 / 78 / 0

HEX #63FE39

RGB 99 254 57

HSL 107.21, 0.99%, 0.61%

LAB 88.84, -73.12, 75.35

 

CMYK 55 / 0 / 70 / 0

HEX #74FF4C

RGB 116 255 76

HSL 106.59, 1%, 0.65%

LAB 89.75, -68.23, 70.31

 

CMYK 48 / 0 / 63 / 0

HEX #85FF5F

RGB 133 255 95

HSL 105.75, 1%, 0.69%

LAB 90.47, -62.16, 64.04

 

CMYK 41 / 0 / 55 / 0

HEX #96FF72

RGB 150 255 114

HSL 104.68, 1%, 0.72%

LAB 91.33, -55.35, 57.12

 

CMYK 35 / 0 / 48 / 0

HEX #A7FF85

RGB 167 255 133

HSL 103.28, 1%, 0.76%

LAB 92.32, -47.91, 49.81

 

CMYK 63 / 0 / 76 / 0

HEX #5EFE3E

RGB 94 254 62

HSL 110, 0.99%, 0.62%

LAB 88.74, -73.89, 73.72

 

CMYK 67 / 0 / 82 / 7

HEX #4DEC2B

RGB 77 236 43

HSL 109.43, 0.84%, 0.55%

LAB 82.78, -72.6, 73.26

 

CMYK 72 / 0 / 89 / 15

HEX #3CDA18

RGB 60 218 24

HSL 108.87, 0.8%, 0.47%

LAB 76.78, -70.83, 71.85

 

CMYK 79 / 0 / 98 / 22

HEX #2BC805

RGB 43 200 5

HSL 108.31, 0.95%, 0.4%

LAB 70.76, -68.46, 69.17

 

CMYK 86 / 0 / 100 / 29

HEX #1AB600

RGB 26 182 0

HSL 111.43, 1%, 0.36%

LAB 64.7, -65.3, 64.79

 

CMYK 63 / 0 / 76 / 0

HEX #5EFE3E

RGB 94 254 62

HSL 110, 0.99%, 0.62%

LAB 88.74, -73.89, 73.72

 

CMYK 43 / 0 / 76 / 0

HEX #91FE3E

RGB 145 254 62

HSL 94.06, 0.99%, 0.62%

LAB 90.44, -60.64, 75.95

 

CMYK 22 / 0 / 76 / 0

HEX #C5FE3E

RGB 197 254 62

HSL 77.81, 0.99%, 0.62%

LAB 93.06, -42.75, 79.35

 

CMYK 2 / 0 / 76 / 0

HEX #F9FE3E

RGB 249 254 62

HSL 61.56, 0.99%, 0.62%

LAB 96.56, -22.37, 83.86

 

CMYK 0 / 19 / 76 / 0

HEX #FECE3E

RGB 254 206 62

HSL 45, 0.99%, 0.62%

LAB 84.77, 3.46, 73.16

 

CMYK 63 / 0 / 76 / 0

HEX #5EFE3E

RGB 94 254 62

HSL 110, 0.99%, 0.62%

LAB 88.74, -73.89, 73.72

 

CMYK 76 / 0 / 68 / 0

HEX #3EFE51

RGB 62 254 81

HSL 125.94, 0.99%, 0.62%

LAB 88.21, -77.91, 66.5

 

CMYK 76 / 0 / 48 / 0

HEX #3EFE85

RGB 62 254 133

HSL 142.19, 0.99%, 0.62%

LAB 88.73, -71.62, 44.62

 

CMYK 76 / 0 / 27 / 0

HEX #3EFEB9

RGB 62 254 185

HSL 158.44, 0.99%, 0.62%

LAB 89.58, -62.02, 19.9

 

CMYK 76 / 0 / 7 / 0

HEX #3EFEED

RGB 62 254 237

HSL 174.69, 0.99%, 0.62%

LAB 90.79, -49.5, -5.23

 

CMYK 63 / 0 / 76 / 0

HEX #5EFE3E

RGB 94 254 62

HSL 110, 0.99%, 0.62%

LAB 88.74, -73.89, 73.72

 

CMYK 63 / 0 / 76 / 0

HEX #5EFE3E

RGB 94 254 62

HSL 110, 0.99%, 0.62%

LAB 88.74, -73.89, 73.72

 

CMYK 56 / 0 / 68 / 7

HEX #68EE4D

RGB 104 238 77

HSL 109.94, 0.83%, 0.62%

LAB 84.29, -65.17, 64.15

 

CMYK 48 / 0 / 58 / 13

HEX #73DE5D

RGB 115 222 93

HSL 109.77, 0.66%, 0.62%

LAB 80, -54.83, 52.89

 

CMYK 39 / 0 / 47 / 19

HEX #7DCE6D

RGB 125 206 109

HSL 110.1, 0.5%, 0.62%

LAB 75.83, -43.36, 40.45

 

CMYK 29 / 0 / 35 / 25

HEX #87BF7C

RGB 135 191 124

HSL 110.15, 0.34%, 0.62%

LAB 72.14, -31.14, 28.15

 

CMYK 23 / 0 / 76 / 0

HEX #C4FE3E

RGB 196 254 62

HSL 78.13, 0.99%, 0.62%

LAB 93, -43.12, 79.28

 

CMYK 43 / 0 / 76 / 0

HEX #91FE3E

RGB 145 254 62

HSL 94.06, 0.99%, 0.62%

LAB 90.44, -60.64, 75.95

 

CMYK 63 / 0 / 76 / 0

HEX #5EFE3E

RGB 94 254 62

HSL 110, 0.99%, 0.62%

LAB 88.74, -73.89, 73.72

 

CMYK 76 / 0 / 68 / 0

HEX #3EFE51

RGB 62 254 81

HSL 125.94, 0.99%, 0.62%

LAB 88.21, -77.91, 66.5

 

CMYK 76 / 0 / 48 / 0

HEX #3EFE84

RGB 62 254 132

HSL 141.88, 0.99%, 0.62%

LAB 88.72, -71.78, 45.08

 

CMYK 83 / 0 / 100 / 9

HEX #27E801

RGB 39 232 1

HSL 110.13, 0.99%, 0.46%

LAB 80.82, -78.04, 77.65

 

CMYK 77 / 0 / 92 / 1

HEX #3BFD15

RGB 59 253 21

HSL 110.17, 0.98%, 0.54%

LAB 87.6, -81.25, 81.4

 

CMYK 63 / 0 / 76 / 0

HEX #5EFE3E

RGB 94 254 62

HSL 110, 0.99%, 0.62%

LAB 88.74, -73.89, 73.72

 

CMYK 50 / 0 / 59 / 0

HEX #80FE67

RGB 128 254 103

HSL 110.07, 0.99%, 0.7%

LAB 90.07, -62.39, 60.21

 

CMYK 36 / 0 / 43 / 0

HEX #A2FE90

RGB 162 254 144

HSL 110.18, 0.98%, 0.78%

LAB 91.94, -47.67, 44.05

 

CMYK 63 / 0 / 76 / 0

HEX #5EFE3E

RGB 94 254 62

HSL 110, 0.99%, 0.62%

LAB 88.74, -73.89, 73.72

 

CMYK 76 / 3 / 0 / 0

HEX #3EF7FE

RGB 62 247 254

HSL 182.19, 0.99%, 0.62%

LAB 89.25, -41.78, -16.36

 

CMYK 0 / 76 / 33 / 0

HEX #FE3EAA

RGB 254 62 170

HSL 326.25, 0.99%, 0.62%

LAB 59.36, 78.4, -14.13

 

CMYK 63 / 0 / 76 / 0

HEX #5EFE3E

RGB 94 254 62

HSL 110, 0.99%, 0.62%

LAB 88.74, -73.89, 73.72

 

CMYK 76 / 63 / 0 / 0

HEX #3E5EFE

RGB 62 94 254

HSL 230, 0.99%, 0.62%

LAB 47.22, 43.01, -82.54

 

CMYK 0 / 76 / 63 / 0

HEX #FE3E5E

RGB 254 62 94

HSL 350, 0.99%, 0.62%

LAB 57.39, 72.25, 27.73

 

CMYK 63 / 0 / 76 / 0

HEX #5EFE3E

RGB 94 254 62

HSL 110, 0.99%, 0.62%

LAB 88.74, -73.89, 73.72

 

CMYK 76 / 3 / 0 / 0

HEX #3EF7FE

RGB 62 247 254

HSL 182.19, 0.99%, 0.62%

LAB 89.25, -41.78, -16.36

 

CMYK 13 / 76 / 0 / 0

HEX #DE3EFE

RGB 222 62 254

HSL 290, 0.99%, 0.62%

LAB 58.16, 83.26, -64.04

 

CMYK 0 / 73 / 76 / 0

HEX #FE443E

RGB 254 68 62

HSL 1.88, 0.99%, 0.62%

LAB 57.61, 68.95, 46.11

 

CMYK 63 / 0 / 76 / 0

HEX #5EFE3E

RGB 94 254 62

HSL 110, 0.99%, 0.62%

LAB 88.74, -73.89, 73.72

 

CMYK 76 / 25 / 0 / 0

HEX #3EBEFE

RGB 62 190 254

HSL 200, 0.99%, 0.62%

LAB 72.9, -13.9, -41.42

 

CMYK 13 / 76 / 0 / 0

HEX #DE3EFE

RGB 222 62 254

HSL 290, 0.99%, 0.62%

LAB 58.16, 83.26, -64.04

 

CMYK 0 / 50 / 76 / 0

HEX #FE7E3E

RGB 254 126 62

HSL 20, 0.99%, 0.62%

LAB 66.78, 44.67, 55.67

 

Description

Color code: HEX #5EFE3E | qconv.com Color code: HEX #5EFE3E | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 254 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 254 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 76 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 76% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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