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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5EFCE7 it is the complementary color #A10318. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5EFCE7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5EFCE7 shade: #63FCE2, #74FFF5, #85FFFF, #96FFFF and #A7FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5EFCE7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5EFCE7 shade: #5EFCE7, #4DEAD4, #3CD8C1, #2BC6AE and #1AB49B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5EFCE7 shade: #5FFCE7, #5FFCBD, #5FFC92, #5FFC68 and #80FC5F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5EFCE7 shade: #5FFCE7, #5FE6FC, #5FBCFC, #5F92FC and #5F68FC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5EFCE7 shade matches the following richer shades: #5FFCE7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5EFCE7 shade: #5FFCE7, #6CEFDD, #79E1D4, #87D4CA and #94C7C0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5EFCE7 shade: #5FFC93, #5FFCBD, #5FFCE7, #5FE7FC and #5FBDFC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5EFCE7 shade: #0EFADB, #37FBE1, #5FFCE7, #87FDED and #B0FDF3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5EFCE7 shade: #5EFCE7, #6A5FFC and #FCA85F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5EFCE7 shade: #5EFCE7, #E75FFC and #FCE75F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5EFCE7 shade: #5EFCE7, #6A5FFC, #FC5F74 and #F1FC5F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5EFCE7 shade: #5EFCE7, #995FFC, #FC5F74 and #C2FC5F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 8 / 1

HEX #5EFCE7

RGB 94 252 231

HSL 172.03, 0.96%, 0.68%

LAB 90.67, -46.07, -2.21

 

Complementary color

CMYK 0 / 98 / 85 / 37

HEX #A10318

RGB 161 3 24

HSL 352.03, 0.96%, 0.32%

LAB 33.37, 56.78, 36.47

 

CMYK 61 / 0 / 10 / 1

HEX #63FCE2

RGB 99 252 226

HSL 169.8, 0.96%, 0.69%

LAB 90.67, -46.49, 0.39

 

CMYK 55 / 0 / 4 / 0

HEX #74FFF5

RGB 116 255 245

HSL 175.68, 1%, 0.73%

LAB 92.5, -40.07, -6.72

 

CMYK 48 / 0 / 0 / 0

HEX #85FFFF

RGB 133 255 255

HSL 180, 1%, 0.76%

LAB 93.33, -34.2, -10.6

 

CMYK 41 / 0 / 0 / 0

HEX #96FFFF

RGB 150 255 255

HSL 180, 1%, 0.79%

LAB 93.98, -30.42, -9.57

 

CMYK 35 / 0 / 0 / 0

HEX #A7FFFF

RGB 167 255 255

HSL 180, 1%, 0.83%

LAB 94.72, -26.25, -8.39

 

CMYK 63 / 0 / 8 / 1

HEX #5EFCE7

RGB 94 252 231

HSL 172.03, 0.96%, 0.68%

LAB 90.67, -46.07, -2.21

 

CMYK 67 / 0 / 9 / 8

HEX #4DEAD4

RGB 77 234 212

HSL 171.59, 0.79%, 0.61%

LAB 84.57, -45.65, -1.26

 

CMYK 72 / 0 / 11 / 15

HEX #3CD8C1

RGB 60 216 193

HSL 171.15, 0.67%, 0.54%

LAB 78.42, -45.05, -0.23

 

CMYK 78 / 0 / 12 / 22

HEX #2BC6AE

RGB 43 198 174

HSL 170.71, 0.64%, 0.47%

LAB 72.2, -44.22, 0.91

 

CMYK 86 / 0 / 14 / 29

HEX #1AB49B

RGB 26 180 155

HSL 170.26, 0.75%, 0.4%

LAB 65.93, -43.08, 2.17

 

CMYK 62 / 0 / 8 / 1

HEX #5FFCE7

RGB 95 252 231

HSL 171.97, 0.96%, 0.68%

LAB 90.7, -45.91, -2.18

 

CMYK 62 / 0 / 25 / 1

HEX #5FFCBD

RGB 95 252 189

HSL 155.92, 0.96%, 0.68%

LAB 89.73, -55.61, 18.15

 

CMYK 62 / 0 / 42 / 1

HEX #5FFC92

RGB 95 252 146

HSL 139.49, 0.96%, 0.68%

LAB 88.98, -63.63, 38.79

 

CMYK 62 / 0 / 59 / 1

HEX #5FFC68

RGB 95 252 104

HSL 123.44, 0.96%, 0.68%

LAB 88.47, -69.39, 57.69

 

CMYK 49 / 0 / 62 / 1

HEX #80FC5F

RGB 128 252 95

HSL 107.39, 0.96%, 0.68%

LAB 89.41, -62.42, 62.81

 

CMYK 62 / 0 / 8 / 1

HEX #5FFCE7

RGB 95 252 231

HSL 171.97, 0.96%, 0.68%

LAB 90.7, -45.91, -2.18

 

CMYK 62 / 9 / 0 / 1

HEX #5FE6FC

RGB 95 230 252

HSL 188.41, 0.96%, 0.68%

LAB 85.02, -30.25, -21.63

 

CMYK 62 / 25 / 0 / 1

HEX #5FBCFC

RGB 95 188 252

HSL 204.46, 0.96%, 0.68%

LAB 73.17, -8.82, -39.84

 

CMYK 62 / 42 / 0 / 1

HEX #5F92FC

RGB 95 146 252

HSL 220.51, 0.96%, 0.68%

LAB 61.67, 15.1, -57.98

 

CMYK 62 / 59 / 0 / 1

HEX #5F68FC

RGB 95 104 252

HSL 236.56, 0.96%, 0.68%

LAB 51.11, 40.4, -75

 

CMYK 62 / 0 / 8 / 1

HEX #5FFCE7

RGB 95 252 231

HSL 171.97, 0.96%, 0.68%

LAB 90.7, -45.91, -2.18

 

CMYK 62 / 0 / 8 / 1

HEX #5FFCE7

RGB 95 252 231

HSL 171.97, 0.96%, 0.68%

LAB 90.7, -45.91, -2.18

 

CMYK 55 / 0 / 8 / 6

HEX #6CEFDD

RGB 108 239 221

HSL 171.76, 0.8%, 0.68%

LAB 87.07, -40.35, -2.25

 

CMYK 46 / 0 / 6 / 12

HEX #79E1D4

RGB 121 225 212

HSL 172.5, 0.63%, 0.68%

LAB 83.27, -33.35, -3.03

 

CMYK 36 / 0 / 5 / 17

HEX #87D4CA

RGB 135 212 202

HSL 172.21, 0.47%, 0.68%

LAB 79.9, -25.99, -2.59

 

CMYK 26 / 0 / 4 / 22

HEX #94C7C0

RGB 148 199 192

HSL 171.76, 0.31%, 0.68%

LAB 76.65, -18.05, -1.9

 

CMYK 62 / 0 / 42 / 1

HEX #5FFC93

RGB 95 252 147

HSL 139.87, 0.96%, 0.68%

LAB 89, -63.47, 38.32

 

CMYK 62 / 0 / 25 / 1

HEX #5FFCBD

RGB 95 252 189

HSL 155.92, 0.96%, 0.68%

LAB 89.73, -55.61, 18.15

 

CMYK 62 / 0 / 8 / 1

HEX #5FFCE7

RGB 95 252 231

HSL 171.97, 0.96%, 0.68%

LAB 90.7, -45.91, -2.18

 

CMYK 62 / 8 / 0 / 1

HEX #5FE7FC

RGB 95 231 252

HSL 188.03, 0.96%, 0.68%

LAB 85.31, -30.73, -21.2

 

CMYK 62 / 25 / 0 / 1

HEX #5FBDFC

RGB 95 189 252

HSL 204.08, 0.96%, 0.68%

LAB 73.45, -9.36, -39.41

 

CMYK 94 / 0 / 12 / 2

HEX #0EFADB

RGB 14 250 219

HSL 172.12, 0.96%, 0.52%

LAB 88.72, -55.58, 1.04

 

CMYK 78 / 0 / 10 / 2

HEX #37FBE1

RGB 55 251 225

HSL 172.04, 0.96%, 0.6%

LAB 89.51, -52.05, -0.89

 

CMYK 62 / 0 / 8 / 1

HEX #5FFCE7

RGB 95 252 231

HSL 171.97, 0.96%, 0.68%

LAB 90.7, -45.91, -2.18

 

CMYK 47 / 0 / 6 / 1

HEX #87FDED

RGB 135 253 237

HSL 171.86, 0.97%, 0.76%

LAB 92.36, -37.2, -2.71

 

CMYK 30 / 0 / 4 / 1

HEX #B0FDF3

RGB 176 253 243

HSL 172.21, 0.95%, 0.84%

LAB 94.29, -25.57, -2.77

 

CMYK 63 / 0 / 8 / 1

HEX #5EFCE7

RGB 94 252 231

HSL 172.03, 0.96%, 0.68%

LAB 90.67, -46.07, -2.21

 

CMYK 58 / 62 / 0 / 1

HEX #6A5FFC

RGB 106 95 252

HSL 244.2, 0.96%, 0.68%

LAB 49.83, 47.38, -77.05

 

CMYK 0 / 33 / 62 / 1

HEX #FCA85F

RGB 252 168 95

HSL 27.9, 0.96%, 0.68%

LAB 75.78, 24.1, 49.66

 

CMYK 63 / 0 / 8 / 1

HEX #5EFCE7

RGB 94 252 231

HSL 172.03, 0.96%, 0.68%

LAB 90.67, -46.07, -2.21

 

CMYK 8 / 62 / 0 / 1

HEX #E75FFC

RGB 231 95 252

HSL 291.97, 0.96%, 0.68%

LAB 63.51, 72.98, -54.32

 

CMYK 0 / 8 / 62 / 1

HEX #FCE75F

RGB 252 231 95

HSL 51.97, 0.96%, 0.68%

LAB 91.09, -8.36, 66.77

 

CMYK 63 / 0 / 8 / 1

HEX #5EFCE7

RGB 94 252 231

HSL 172.03, 0.96%, 0.68%

LAB 90.67, -46.07, -2.21

 

CMYK 58 / 62 / 0 / 1

HEX #6A5FFC

RGB 106 95 252

HSL 244.2, 0.96%, 0.68%

LAB 49.83, 47.38, -77.05

 

CMYK 0 / 62 / 54 / 1

HEX #FC5F74

RGB 252 95 116

HSL 351.97, 0.96%, 0.68%

LAB 61.78, 61.24, 20.7

 

CMYK 4 / 0 / 62 / 1

HEX #F1FC5F

RGB 241 252 95

HSL 64.2, 0.96%, 0.68%

LAB 95.64, -23.01, 71.38

 

CMYK 63 / 0 / 8 / 1

HEX #5EFCE7

RGB 94 252 231

HSL 172.03, 0.96%, 0.68%

LAB 90.67, -46.07, -2.21

 

CMYK 39 / 62 / 0 / 1

HEX #995FFC

RGB 153 95 252

HSL 262.17, 0.96%, 0.68%

LAB 54.01, 55.93, -70.07

 

CMYK 0 / 62 / 54 / 1

HEX #FC5F74

RGB 252 95 116

HSL 351.97, 0.96%, 0.68%

LAB 61.78, 61.24, 20.7

 

CMYK 23 / 0 / 62 / 1

HEX #C2FC5F

RGB 194 252 95

HSL 82.17, 0.96%, 0.68%

LAB 92.54, -41.02, 67.13

 

Description

Color code: HEX #5EFCE7 | qconv.com Color code: HEX #5EFCE7 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 252 green and 231 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 252 231 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 8 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 8% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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