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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5EFCB5 it is the complementary color #A1034A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5EFCB5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5EFCB5 shade: #63FCB0, #74FFC3, #85FFD6, #96FFE9 and #A7FFFC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5EFCB5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5EFCB5 shade: #5EFCB5, #4DEAA2, #3CD88F, #2BC67C and #1AB469

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5EFCB5 shade: #5FFCB5, #5FFC8B, #5FFC61, #88FC5F and #B2FC5F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5EFCB5 shade: #5FFCB5, #5FFCE0, #5FEEFC, #5FC3FC and #5F99FC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5EFCB5 shade matches the following richer shades: #5FFCB5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5EFCB5 shade: #5FFCB5, #6CEFB4, #79E1B3, #87D4B1 and #94C7B0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5EFCB5 shade: #5FFC62, #5FFC8B, #5FFCB5, #5FFCDF and #5FEFFC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5EFCB5 shade: #0EFA90, #37FBA3, #5FFCB5, #87FDC8 and #B0FDDB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5EFCB5 shade: #5EFCB5, #5F86FC and #FC775F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5EFCB5 shade: #5EFCB5, #B55FFC and #FCB55F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5EFCB5 shade: #5EFCB5, #5F86FC, #FC5FA6 and #FCD55F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5EFCB5 shade: #5EFCB5, #675FFC, #FC5FA6 and #F4FC5F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 28 / 1

HEX #5EFCB5

RGB 94 252 181

HSL 153.04, 0.96%, 0.68%

LAB 89.55, -57.43, 21.99

 

Complementary color

CMYK 0 / 98 / 54 / 37

HEX #A1034A

RGB 161 3 74

HSL 333.04, 0.96%, 0.32%

LAB 34.27, 59.22, 5.76

 

CMYK 61 / 0 / 30 / 1

HEX #63FCB0

RGB 99 252 176

HSL 150.2, 0.96%, 0.69%

LAB 89.58, -57.5, 24.61

 

CMYK 55 / 0 / 24 / 0

HEX #74FFC3

RGB 116 255 195

HSL 154.1, 1%, 0.73%

LAB 91.31, -51.5, 17.38

 

CMYK 48 / 0 / 16 / 0

HEX #85FFD6

RGB 133 255 214

HSL 159.84, 1%, 0.76%

LAB 92.29, -43.73, 9.08

 

CMYK 41 / 0 / 9 / 0

HEX #96FFE9

RGB 150 255 233

HSL 167.43, 1%, 0.79%

LAB 93.4, -35.5, 0.95

 

CMYK 35 / 0 / 1 / 0

HEX #A7FFFC

RGB 167 255 252

HSL 177.95, 1%, 0.83%

LAB 94.64, -26.94, -6.96

 

CMYK 63 / 0 / 28 / 1

HEX #5EFCB5

RGB 94 252 181

HSL 153.04, 0.96%, 0.68%

LAB 89.55, -57.43, 21.99

 

CMYK 67 / 0 / 31 / 8

HEX #4DEAA2

RGB 77 234 162

HSL 152.48, 0.79%, 0.61%

LAB 83.46, -57.14, 23.29

 

CMYK 72 / 0 / 34 / 15

HEX #3CD88F

RGB 60 216 143

HSL 151.92, 0.67%, 0.54%

LAB 77.31, -56.65, 24.7

 

CMYK 78 / 0 / 37 / 22

HEX #2BC67C

RGB 43 198 124

HSL 151.35, 0.64%, 0.47%

LAB 71.12, -55.88, 26.22

 

CMYK 86 / 0 / 42 / 29

HEX #1AB469

RGB 26 180 105

HSL 150.78, 0.75%, 0.4%

LAB 64.87, -54.7, 27.89

 

CMYK 62 / 0 / 28 / 1

HEX #5FFCB5

RGB 95 252 181

HSL 152.87, 0.96%, 0.68%

LAB 89.58, -57.25, 22.03

 

CMYK 62 / 0 / 45 / 1

HEX #5FFC8B

RGB 95 252 139

HSL 136.82, 0.96%, 0.68%

LAB 88.88, -64.74, 42.07

 

CMYK 62 / 0 / 62 / 1

HEX #5FFC61

RGB 95 252 97

HSL 120.76, 0.96%, 0.68%

LAB 88.41, -70.14, 60.58

 

CMYK 46 / 0 / 62 / 1

HEX #88FC5F

RGB 136 252 95

HSL 104.33, 0.96%, 0.68%

LAB 89.71, -60.18, 63.23

 

CMYK 29 / 0 / 62 / 1

HEX #B2FC5F

RGB 178 252 95

HSL 88.28, 0.96%, 0.68%

LAB 91.65, -46.74, 65.9

 

CMYK 62 / 0 / 28 / 1

HEX #5FFCB5

RGB 95 252 181

HSL 152.87, 0.96%, 0.68%

LAB 89.58, -57.25, 22.03

 

CMYK 62 / 0 / 11 / 1

HEX #5FFCE0

RGB 95 252 224

HSL 169.3, 0.96%, 0.68%

LAB 90.52, -47.64, 1.2

 

CMYK 62 / 6 / 0 / 1

HEX #5FEEFC

RGB 95 238 252

HSL 185.35, 0.96%, 0.68%

LAB 87.3, -34.05, -18.2

 

CMYK 62 / 23 / 0 / 1

HEX #5FC3FC

RGB 95 195 252

HSL 201.78, 0.96%, 0.68%

LAB 75.13, -12.57, -36.79

 

CMYK 62 / 39 / 0 / 1

HEX #5F99FC

RGB 95 153 252

HSL 217.83, 0.96%, 0.68%

LAB 63.54, 10.96, -55

 

CMYK 62 / 0 / 28 / 1

HEX #5FFCB5

RGB 95 252 181

HSL 152.87, 0.96%, 0.68%

LAB 89.58, -57.25, 22.03

 

CMYK 62 / 0 / 28 / 1

HEX #5FFCB5

RGB 95 252 181

HSL 152.87, 0.96%, 0.68%

LAB 89.58, -57.25, 22.03

 

CMYK 55 / 0 / 25 / 6

HEX #6CEFB4

RGB 108 239 180

HSL 152.98, 0.8%, 0.68%

LAB 86.11, -49.62, 17.79

 

CMYK 46 / 0 / 20 / 12

HEX #79E1B3

RGB 121 225 179

HSL 153.46, 0.63%, 0.68%

LAB 82.47, -40.76, 13.25

 

CMYK 36 / 0 / 17 / 17

HEX #87D4B1

RGB 135 212 177

HSL 152.73, 0.47%, 0.68%

LAB 79.28, -31.45, 9.86

 

CMYK 26 / 0 / 12 / 22

HEX #94C7B0

RGB 148 199 176

HSL 152.94, 0.31%, 0.68%

LAB 76.24, -21.42, 6.14

 

CMYK 62 / 0 / 61 / 1

HEX #5FFC62

RGB 95 252 98

HSL 121.15, 0.96%, 0.68%

LAB 88.42, -70.04, 60.17

 

CMYK 62 / 0 / 45 / 1

HEX #5FFC8B

RGB 95 252 139

HSL 136.82, 0.96%, 0.68%

LAB 88.88, -64.74, 42.07

 

CMYK 62 / 0 / 28 / 1

HEX #5FFCB5

RGB 95 252 181

HSL 152.87, 0.96%, 0.68%

LAB 89.58, -57.25, 22.03

 

CMYK 62 / 0 / 12 / 1

HEX #5FFCDF

RGB 95 252 223

HSL 168.92, 0.96%, 0.68%

LAB 90.5, -47.89, 1.68

 

CMYK 62 / 5 / 0 / 1

HEX #5FEFFC

RGB 95 239 252

HSL 184.97, 0.96%, 0.68%

LAB 87.58, -34.51, -17.77

 

CMYK 94 / 0 / 42 / 2

HEX #0EFA90

RGB 14 250 144

HSL 153.05, 0.96%, 0.52%

LAB 87.23, -72.15, 37.28

 

CMYK 78 / 0 / 35 / 2

HEX #37FBA3

RGB 55 251 163

HSL 153.06, 0.96%, 0.6%

LAB 88.19, -66.18, 29.14

 

CMYK 62 / 0 / 28 / 1

HEX #5FFCB5

RGB 95 252 181

HSL 152.87, 0.96%, 0.68%

LAB 89.58, -57.25, 22.03

 

CMYK 47 / 0 / 21 / 1

HEX #87FDC8

RGB 135 253 200

HSL 153.05, 0.97%, 0.76%

LAB 91.49, -45.31, 15.16

 

CMYK 30 / 0 / 13 / 1

HEX #B0FDDB

RGB 176 253 219

HSL 153.51, 0.95%, 0.84%

LAB 93.71, -30.53, 8.77

 

CMYK 63 / 0 / 28 / 1

HEX #5EFCB5

RGB 94 252 181

HSL 153.04, 0.96%, 0.68%

LAB 89.55, -57.43, 21.99

 

CMYK 62 / 47 / 0 / 1

HEX #5F86FC

RGB 95 134 252

HSL 225.1, 0.96%, 0.68%

LAB 58.52, 22.28, -63.02

 

CMYK 0 / 53 / 62 / 1

HEX #FC775F

RGB 252 119 95

HSL 9.17, 0.96%, 0.68%

LAB 65.53, 48.98, 37.37

 

CMYK 63 / 0 / 28 / 1

HEX #5EFCB5

RGB 94 252 181

HSL 153.04, 0.96%, 0.68%

LAB 89.55, -57.43, 21.99

 

CMYK 28 / 62 / 0 / 1

HEX #B55FFC

RGB 181 95 252

HSL 272.87, 0.96%, 0.68%

LAB 57.11, 61.79, -64.91

 

CMYK 0 / 28 / 62 / 1

HEX #FCB55F

RGB 252 181 95

HSL 32.87, 0.96%, 0.68%

LAB 78.79, 17.29, 53.14

 

CMYK 63 / 0 / 28 / 1

HEX #5EFCB5

RGB 94 252 181

HSL 153.04, 0.96%, 0.68%

LAB 89.55, -57.43, 21.99

 

CMYK 62 / 47 / 0 / 1

HEX #5F86FC

RGB 95 134 252

HSL 225.1, 0.96%, 0.68%

LAB 58.52, 22.28, -63.02

 

CMYK 0 / 62 / 34 / 1

HEX #FC5FA6

RGB 252 95 166

HSL 332.87, 0.96%, 0.68%

LAB 63.04, 65.94, -6.35

 

CMYK 0 / 15 / 62 / 1

HEX #FCD55F

RGB 252 213 95

HSL 45.1, 0.96%, 0.68%

LAB 86.56, 0.71, 61.85

 

CMYK 63 / 0 / 28 / 1

HEX #5EFCB5

RGB 94 252 181

HSL 153.04, 0.96%, 0.68%

LAB 89.55, -57.43, 21.99

 

CMYK 59 / 62 / 0 / 1

HEX #675FFC

RGB 103 95 252

HSL 243.06, 0.96%, 0.68%

LAB 49.61, 46.91, -77.41

 

CMYK 0 / 62 / 34 / 1

HEX #FC5FA6

RGB 252 95 166

HSL 332.87, 0.96%, 0.68%

LAB 63.04, 65.94, -6.35

 

CMYK 3 / 0 / 62 / 1

HEX #F4FC5F

RGB 244 252 95

HSL 63.06, 0.96%, 0.68%

LAB 95.86, -21.82, 71.68

 

Description

Color code: HEX #5EFCB5 | qconv.com Color code: HEX #5EFCB5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 252 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 252 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 28 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 28% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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