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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5EFCAA it is the complementary color #A10355. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5EFCAA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5EFCAA shade: #63FCA5, #74FFB8, #85FFCB, #96FFDE and #A7FFF1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5EFCAA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5EFCAA shade: #5EFCAA, #4DEA97, #3CD884, #2BC671 and #1AB45E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5EFCAA shade: #5FFBAA, #5FFB80, #68FB5F, #92FB5F and #BCFB5F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5EFCAA shade: #5FFBAA, #5FFBD4, #5FF8FB, #5FCEFB and #5FA4FB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5EFCAA shade matches the following richer shades: #5FFBAA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5EFCAA shade: #5FFBAA, #6CEEAA, #79E1AB, #86D4AB and #93C6AC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5EFCAA shade: #69FB5F, #5FFB7E, #5FFBA8, #5FFBD1 and #5FFBFB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5EFCAA shade: #0EFA7F, #36FA95, #5FFBAA, #87FCBF and #AFFDD5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5EFCAA shade: #5EFCAA, #5F93FB and #FB695F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5EFCAA shade: #5EFCAA, #A85FFB and #FBA85F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5EFCAA shade: #5EFCAA, #5F93FB, #FB5FB2 and #FBC75F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5EFCAA shade: #5EFCAA, #5F64FB, #FB5FB2 and #FBF65F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 33 / 1

HEX #5EFCAA

RGB 94 252 170

HSL 148.86, 0.96%, 0.68%

LAB 89.35, -59.59, 27.3

 

Complementary color

CMYK 0 / 98 / 47 / 37

HEX #A10355

RGB 161 3 85

HSL 328.86, 0.96%, 0.32%

LAB 34.6, 60.1, -0.95

 

CMYK 61 / 0 / 35 / 1

HEX #63FCA5

RGB 99 252 165

HSL 145.88, 0.96%, 0.69%

LAB 89.39, -59.58, 29.9

 

CMYK 55 / 0 / 28 / 0

HEX #74FFB8

RGB 116 255 184

HSL 149.35, 1%, 0.73%

LAB 91.1, -53.69, 22.69

 

CMYK 48 / 0 / 20 / 0

HEX #85FFCB

RGB 133 255 203

HSL 154.43, 1%, 0.76%

LAB 92.05, -46.04, 14.39

 

CMYK 41 / 0 / 13 / 0

HEX #96FFDE

RGB 150 255 222

HSL 161.14, 1%, 0.79%

LAB 93.14, -37.9, 6.25

 

CMYK 35 / 0 / 5 / 0

HEX #A7FFF1

RGB 167 255 241

HSL 170.45, 1%, 0.83%

LAB 94.35, -29.39, -1.7

 

CMYK 63 / 0 / 33 / 1

HEX #5EFCAA

RGB 94 252 170

HSL 148.86, 0.96%, 0.68%

LAB 89.35, -59.59, 27.3

 

CMYK 67 / 0 / 35 / 8

HEX #4DEA97

RGB 77 234 151

HSL 148.28, 0.79%, 0.61%

LAB 83.26, -59.29, 28.66

 

CMYK 72 / 0 / 39 / 15

HEX #3CD884

RGB 60 216 132

HSL 147.69, 0.67%, 0.54%

LAB 77.12, -58.77, 30.12

 

CMYK 78 / 0 / 43 / 22

HEX #2BC671

RGB 43 198 113

HSL 147.1, 0.64%, 0.47%

LAB 70.94, -57.94, 31.69

 

CMYK 86 / 0 / 48 / 29

HEX #1AB45E

RGB 26 180 94

HSL 146.49, 0.75%, 0.4%

LAB 64.7, -56.69, 33.38

 

CMYK 62 / 0 / 32 / 2

HEX #5FFBAA

RGB 95 251 170

HSL 148.85, 0.95%, 0.68%

LAB 89.08, -59.02, 26.94

 

CMYK 62 / 0 / 49 / 2

HEX #5FFB80

RGB 95 251 128

HSL 132.69, 0.95%, 0.68%

LAB 88.44, -66, 46.77

 

CMYK 59 / 0 / 62 / 2

HEX #68FB5F

RGB 104 251 95

HSL 116.54, 0.95%, 0.68%

LAB 88.33, -68.06, 61.4

 

CMYK 42 / 0 / 62 / 2

HEX #92FB5F

RGB 146 251 95

HSL 100.38, 0.95%, 0.68%

LAB 89.83, -56.83, 63.47

 

CMYK 25 / 0 / 62 / 2

HEX #BCFB5F

RGB 188 251 95

HSL 84.23, 0.95%, 0.68%

LAB 91.91, -42.76, 66.35

 

CMYK 62 / 0 / 32 / 2

HEX #5FFBAA

RGB 95 251 170

HSL 148.85, 0.95%, 0.68%

LAB 89.08, -59.02, 26.94

 

CMYK 62 / 0 / 16 / 2

HEX #5FFBD4

RGB 95 251 212

HSL 165, 0.95%, 0.68%

LAB 89.94, -50.09, 6.58

 

CMYK 62 / 1 / 0 / 2

HEX #5FF8FB

RGB 95 248 251

HSL 181.15, 0.95%, 0.68%

LAB 90.11, -38.94, -13.46

 

CMYK 62 / 18 / 0 / 2

HEX #5FCEFB

RGB 95 206 251

HSL 197.31, 0.95%, 0.68%

LAB 78.19, -18.62, -31.53

 

CMYK 62 / 35 / 0 / 2

HEX #5FA4FB

RGB 95 164 251

HSL 213.46, 0.95%, 0.68%

LAB 66.48, 4.25, -49.8

 

CMYK 62 / 0 / 32 / 2

HEX #5FFBAA

RGB 95 251 170

HSL 148.85, 0.95%, 0.68%

LAB 89.08, -59.02, 26.94

 

CMYK 62 / 0 / 32 / 2

HEX #5FFBAA

RGB 95 251 170

HSL 148.85, 0.95%, 0.68%

LAB 89.08, -59.02, 26.94

 

CMYK 55 / 0 / 29 / 7

HEX #6CEEAA

RGB 108 238 170

HSL 148.62, 0.79%, 0.68%

LAB 85.62, -51.21, 22.28

 

CMYK 46 / 0 / 24 / 12

HEX #79E1AB

RGB 121 225 171

HSL 148.85, 0.63%, 0.68%

LAB 82.3, -42.39, 17.21

 

CMYK 37 / 0 / 19 / 17

HEX #86D4AB

RGB 134 212 171

HSL 148.46, 0.48%, 0.68%

LAB 79.1, -32.95, 12.79

 

CMYK 26 / 0 / 13 / 22

HEX #93C6AC

RGB 147 198 172

HSL 149.41, 0.31%, 0.68%

LAB 75.8, -22.04, 7.66

 

CMYK 58 / 0 / 62 / 2

HEX #69FB5F

RGB 105 251 95

HSL 116.15, 0.95%, 0.68%

LAB 88.36, -67.83, 61.44

 

CMYK 62 / 0 / 50 / 2

HEX #5FFB7E

RGB 95 251 126

HSL 131.92, 0.95%, 0.68%

LAB 88.42, -66.28, 47.68

 

CMYK 62 / 0 / 33 / 2

HEX #5FFBA8

RGB 95 251 168

HSL 148.08, 0.95%, 0.68%

LAB 89.04, -59.4, 27.91

 

CMYK 62 / 0 / 17 / 2

HEX #5FFBD1

RGB 95 251 209

HSL 163.85, 0.95%, 0.68%

LAB 89.87, -50.78, 8.04

 

CMYK 62 / 0 / 0 / 2

HEX #5FFBFB

RGB 95 251 251

HSL 180, 0.95%, 0.68%

LAB 90.96, -40.3, -12.18

 

CMYK 94 / 0 / 49 / 2

HEX #0EFA7F

RGB 14 250 127

HSL 148.73, 0.96%, 0.52%

LAB 87, -74.97, 45.2

 

CMYK 78 / 0 / 40 / 2

HEX #36FA95

RGB 54 250 149

HSL 149.08, 0.95%, 0.6%

LAB 87.64, -68.54, 35.42

 

CMYK 62 / 0 / 32 / 2

HEX #5FFBAA

RGB 95 251 170

HSL 148.85, 0.95%, 0.68%

LAB 89.08, -59.02, 26.94

 

CMYK 46 / 0 / 24 / 1

HEX #87FCBF

RGB 135 252 191

HSL 148.72, 0.95%, 0.76%

LAB 91.02, -46.66, 19.12

 

CMYK 31 / 0 / 16 / 1

HEX #AFFDD5

RGB 175 253 213

HSL 149.23, 0.95%, 0.84%

LAB 93.52, -31.99, 11.59

 

CMYK 63 / 0 / 33 / 1

HEX #5EFCAA

RGB 94 252 170

HSL 148.86, 0.96%, 0.68%

LAB 89.35, -59.59, 27.3

 

CMYK 62 / 41 / 0 / 2

HEX #5F93FB

RGB 95 147 251

HSL 220, 0.95%, 0.68%

LAB 61.88, 14.17, -57.09

 

CMYK 0 / 58 / 62 / 2

HEX #FB695F

RGB 251 105 95

HSL 3.85, 0.95%, 0.68%

LAB 62.88, 55.13, 34.04

 

CMYK 63 / 0 / 33 / 1

HEX #5EFCAA

RGB 94 252 170

HSL 148.86, 0.96%, 0.68%

LAB 89.35, -59.59, 27.3

 

CMYK 33 / 62 / 0 / 2

HEX #A85FFB

RGB 168 95 251

HSL 268.08, 0.95%, 0.68%

LAB 55.56, 58.78, -66.94

 

CMYK 0 / 33 / 62 / 2

HEX #FBA85F

RGB 251 168 95

HSL 28.08, 0.95%, 0.68%

LAB 75.66, 23.7, 49.49

 

CMYK 63 / 0 / 33 / 1

HEX #5EFCAA

RGB 94 252 170

HSL 148.86, 0.96%, 0.68%

LAB 89.35, -59.59, 27.3

 

CMYK 62 / 41 / 0 / 2

HEX #5F93FB

RGB 95 147 251

HSL 220, 0.95%, 0.68%

LAB 61.88, 14.17, -57.09

 

CMYK 0 / 62 / 29 / 2

HEX #FB5FB2

RGB 251 95 178

HSL 328.08, 0.95%, 0.68%

LAB 63.27, 67.04, -12.9

 

CMYK 0 / 21 / 62 / 2

HEX #FBC75F

RGB 251 199 95

HSL 40, 0.95%, 0.68%

LAB 83.01, 7.5, 57.88

 

CMYK 63 / 0 / 33 / 1

HEX #5EFCAA

RGB 94 252 170

HSL 148.86, 0.96%, 0.68%

LAB 89.35, -59.59, 27.3

 

CMYK 62 / 60 / 0 / 2

HEX #5F64FB

RGB 95 100 251

HSL 238.08, 0.95%, 0.68%

LAB 50.11, 42.45, -76.07

 

CMYK 0 / 62 / 29 / 2

HEX #FB5FB2

RGB 251 95 178

HSL 328.08, 0.95%, 0.68%

LAB 63.27, 67.04, -12.9

 

CMYK 0 / 2 / 62 / 2

HEX #FBF65F

RGB 251 246 95

HSL 58.08, 0.95%, 0.68%

LAB 94.84, -16.13, 70.76

 

Description

Color code: HEX #5EFCAA | qconv.com Color code: HEX #5EFCAA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 252 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 252 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 33 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 33% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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