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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5EFC90 it is the complementary color #A1036F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5EFC90. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5EFC90 shade: #63FC8B, #74FF9E, #85FFB1, #96FFC4 and #A7FFD7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5EFC90. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5EFC90 shade: #5EFC90, #4DEA7D, #3CD86A, #2BC657 and #1AB444

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5EFC90 shade: #5FFC91, #5FFC66, #82FC5F, #ACFC5F and #D6FC5F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5EFC90 shade: #5FFC91, #5FFCBB, #5FFCE5, #5FE8FC and #5FBEFC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5EFC90 shade matches the following richer shades: #5FFC91

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5EFC90 shade: #5FFC91, #6CEF95, #79E19A, #87D49F and #94C7A4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5EFC90 shade: #84FC5F, #5FFC64, #5FFC8E, #5FFCB8 and #5FFCE2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5EFC90 shade: #0EFA59, #37FB75, #5FFC91, #87FDAD and #B0FDC8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5EFC90 shade: #5EFC90, #5FADFC and #FC5F6F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5EFC90 shade: #5EFC90, #8E5FFC and #FC8E5F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5EFC90 shade: #5EFC90, #5FADFC, #FC5FCD and #FCAD5F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5EFC90 shade: #5EFC90, #5F7EFC, #FC5FCD and #FCDC5F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 43 / 1

HEX #5EFC90

RGB 94 252 144

HSL 138.99, 0.96%, 0.68%

LAB 88.93, -64.15, 39.7

 

Complementary color

CMYK 0 / 98 / 31 / 37

HEX #A1036F

RGB 161 3 111

HSL 318.99, 0.96%, 0.32%

LAB 35.58, 62.67, -16.19

 

CMYK 61 / 0 / 45 / 1

HEX #63FC8B

RGB 99 252 139

HSL 135.69, 0.96%, 0.69%

LAB 88.99, -63.95, 42.23

 

CMYK 55 / 0 / 38 / 0

HEX #74FF9E

RGB 116 255 158

HSL 138.13, 1%, 0.73%

LAB 90.64, -58.39, 35.16

 

CMYK 48 / 0 / 31 / 0

HEX #85FFB1

RGB 133 255 177

HSL 141.64, 1%, 0.76%

LAB 91.54, -51.05, 26.95

 

CMYK 41 / 0 / 23 / 0

HEX #96FFC4

RGB 150 255 196

HSL 146.29, 1%, 0.79%

LAB 92.57, -43.14, 18.81

 

CMYK 35 / 0 / 16 / 0

HEX #A7FFD7

RGB 167 255 215

HSL 152.73, 1%, 0.83%

LAB 93.73, -34.81, 10.8

 

CMYK 63 / 0 / 43 / 1

HEX #5EFC90

RGB 94 252 144

HSL 138.99, 0.96%, 0.68%

LAB 88.93, -64.15, 39.7

 

CMYK 67 / 0 / 47 / 8

HEX #4DEA7D

RGB 77 234 125

HSL 138.34, 0.79%, 0.61%

LAB 82.86, -63.75, 41.12

 

CMYK 72 / 0 / 51 / 15

HEX #3CD86A

RGB 60 216 106

HSL 137.69, 0.67%, 0.54%

LAB 76.75, -63.09, 42.6

 

CMYK 78 / 0 / 56 / 22

HEX #2BC657

RGB 43 198 87

HSL 137.03, 0.64%, 0.47%

LAB 70.59, -62.05, 44.11

 

CMYK 86 / 0 / 62 / 29

HEX #1AB444

RGB 26 180 68

HSL 136.36, 0.75%, 0.4%

LAB 64.39, -60.48, 45.58

 

CMYK 62 / 0 / 42 / 1

HEX #5FFC91

RGB 95 252 145

HSL 139.11, 0.96%, 0.68%

LAB 88.97, -63.79, 39.26

 

CMYK 62 / 0 / 60 / 1

HEX #5FFC66

RGB 95 252 102

HSL 122.68, 0.96%, 0.68%

LAB 88.45, -69.61, 58.52

 

CMYK 48 / 0 / 62 / 1

HEX #82FC5F

RGB 130 252 95

HSL 106.62, 0.96%, 0.68%

LAB 89.48, -61.87, 62.91

 

CMYK 32 / 0 / 62 / 1

HEX #ACFC5F

RGB 172 252 95

HSL 90.57, 0.96%, 0.68%

LAB 91.33, -48.81, 65.47

 

CMYK 15 / 0 / 62 / 1

HEX #D6FC5F

RGB 214 252 95

HSL 74.52, 0.96%, 0.68%

LAB 93.77, -33.53, 68.82

 

CMYK 62 / 0 / 42 / 1

HEX #5FFC91

RGB 95 252 145

HSL 139.11, 0.96%, 0.68%

LAB 88.97, -63.79, 39.26

 

CMYK 62 / 0 / 26 / 1

HEX #5FFCBB

RGB 95 252 187

HSL 155.16, 0.96%, 0.68%

LAB 89.69, -56.02, 19.12

 

CMYK 62 / 0 / 9 / 1

HEX #5FFCE5

RGB 95 252 229

HSL 171.21, 0.96%, 0.68%

LAB 90.65, -46.41, -1.21

 

CMYK 62 / 8 / 0 / 1

HEX #5FE8FC

RGB 95 232 252

HSL 187.64, 0.96%, 0.68%

LAB 85.59, -31.21, -20.77

 

CMYK 62 / 25 / 0 / 1

HEX #5FBEFC

RGB 95 190 252

HSL 203.69, 0.96%, 0.68%

LAB 73.73, -9.9, -38.97

 

CMYK 62 / 0 / 42 / 1

HEX #5FFC91

RGB 95 252 145

HSL 139.11, 0.96%, 0.68%

LAB 88.97, -63.79, 39.26

 

CMYK 62 / 0 / 42 / 1

HEX #5FFC91

RGB 95 252 145

HSL 139.11, 0.96%, 0.68%

LAB 88.97, -63.79, 39.26

 

CMYK 55 / 0 / 38 / 6

HEX #6CEF95

RGB 108 239 149

HSL 138.78, 0.8%, 0.68%

LAB 85.55, -55.44, 32.87

 

CMYK 46 / 0 / 32 / 12

HEX #79E19A

RGB 121 225 154

HSL 139.04, 0.63%, 0.68%

LAB 81.97, -45.61, 25.61

 

CMYK 36 / 0 / 25 / 17

HEX #87D49F

RGB 135 212 159

HSL 138.7, 0.47%, 0.68%

LAB 78.89, -34.97, 18.87

 

CMYK 26 / 0 / 18 / 22

HEX #94C7A4

RGB 148 199 164

HSL 138.82, 0.31%, 0.68%

LAB 75.96, -23.77, 12.2

 

CMYK 48 / 0 / 62 / 1

HEX #84FC5F

RGB 132 252 95

HSL 105.86, 0.96%, 0.68%

LAB 89.56, -61.32, 63.01

 

CMYK 62 / 0 / 60 / 1

HEX #5FFC64

RGB 95 252 100

HSL 121.91, 0.96%, 0.68%

LAB 88.44, -69.83, 59.35

 

CMYK 62 / 0 / 44 / 1

HEX #5FFC8E

RGB 95 252 142

HSL 137.96, 0.96%, 0.68%

LAB 88.93, -64.27, 40.67

 

CMYK 62 / 0 / 27 / 1

HEX #5FFCB8

RGB 95 252 184

HSL 154.01, 0.96%, 0.68%

LAB 89.63, -56.64, 20.58

 

CMYK 62 / 0 / 10 / 1

HEX #5FFCE2

RGB 95 252 226

HSL 170.06, 0.96%, 0.68%

LAB 90.57, -47.15, 0.23

 

CMYK 94 / 0 / 64 / 2

HEX #0EFA59

RGB 14 250 89

HSL 139.07, 0.96%, 0.52%

LAB 86.6, -79.89, 61.52

 

CMYK 78 / 0 / 53 / 2

HEX #37FB75

RGB 55 251 117

HSL 138.98, 0.96%, 0.6%

LAB 87.53, -73.8, 50.59

 

CMYK 62 / 0 / 42 / 1

HEX #5FFC91

RGB 95 252 145

HSL 139.11, 0.96%, 0.68%

LAB 88.97, -63.79, 39.26

 

CMYK 47 / 0 / 32 / 1

HEX #87FDAD

RGB 135 253 173

HSL 139.32, 0.97%, 0.76%

LAB 90.97, -50.42, 28.21

 

CMYK 30 / 0 / 21 / 1

HEX #B0FDC8

RGB 176 253 200

HSL 138.7, 0.95%, 0.84%

LAB 93.3, -34.12, 17.96

 

CMYK 63 / 0 / 43 / 1

HEX #5EFC90

RGB 94 252 144

HSL 138.99, 0.96%, 0.68%

LAB 88.93, -64.15, 39.7

 

CMYK 62 / 31 / 0 / 1

HEX #5FADFC

RGB 95 173 252

HSL 210.19, 0.96%, 0.68%

LAB 69, -0.54, -46.37

 

CMYK 0 / 62 / 56 / 1

HEX #FC5F6F

RGB 252 95 111

HSL 353.89, 0.96%, 0.68%

LAB 61.68, 60.87, 23.45

 

CMYK 63 / 0 / 43 / 1

HEX #5EFC90

RGB 94 252 144

HSL 138.99, 0.96%, 0.68%

LAB 88.93, -64.15, 39.7

 

CMYK 44 / 62 / 0 / 1

HEX #8E5FFC

RGB 142 95 252

HSL 257.96, 0.96%, 0.68%

LAB 52.91, 53.75, -71.91

 

CMYK 0 / 44 / 62 / 1

HEX #FC8E5F

RGB 252 142 95

HSL 17.96, 0.96%, 0.68%

LAB 70.08, 37.59, 42.92

 

CMYK 63 / 0 / 43 / 1

HEX #5EFC90

RGB 94 252 144

HSL 138.99, 0.96%, 0.68%

LAB 88.93, -64.15, 39.7

 

CMYK 62 / 31 / 0 / 1

HEX #5FADFC

RGB 95 173 252

HSL 210.19, 0.96%, 0.68%

LAB 69, -0.54, -46.37

 

CMYK 0 / 62 / 19 / 1

HEX #FC5FCD

RGB 252 95 205

HSL 317.96, 0.96%, 0.68%

LAB 64.39, 70.78, -26.51

 

CMYK 0 / 31 / 62 / 1

HEX #FCAD5F

RGB 252 173 95

HSL 29.81, 0.96%, 0.68%

LAB 76.93, 21.48, 50.99

 

CMYK 63 / 0 / 43 / 1

HEX #5EFC90

RGB 94 252 144

HSL 138.99, 0.96%, 0.68%

LAB 88.93, -64.15, 39.7

 

CMYK 62 / 50 / 0 / 1

HEX #5F7EFC

RGB 95 126 252

HSL 228.15, 0.96%, 0.68%

LAB 56.47, 27.12, -66.32

 

CMYK 0 / 62 / 19 / 1

HEX #FC5FCD

RGB 252 95 205

HSL 317.96, 0.96%, 0.68%

LAB 64.39, 70.78, -26.51

 

CMYK 0 / 13 / 62 / 1

HEX #FCDC5F

RGB 252 220 95

HSL 47.77, 0.96%, 0.68%

LAB 88.31, -2.84, 63.76

 

Description

Color code: HEX #5EFC90 | qconv.com Color code: HEX #5EFC90 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 252 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 252 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 43 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 43% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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