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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5EFC45 it is the complementary color #A103BA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5EFC45. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5EFC45 shade: #63FC40, #74FF53, #85FF66, #96FF79 and #A7FF8C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5EFC45. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5EFC45 shade: #5EFC45, #4DEA32, #3CD81F, #2BC60C and #1AB400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5EFC45 shade: #5EFC45, #90FC45, #C1FC45, #F2FC45 and #FCD545

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5EFC45 shade: #5EFC45, #45FC5D, #45FC8F, #45FCC0 and #45FCF2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5EFC45 shade matches the following richer shades: #5EFC45

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5EFC45 shade: #5EFC45, #69ED54, #74DE64, #7FCE73 and #8BBF82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5EFC45 shade: #C2FC45, #91FC45, #61FC45, #45FC5A and #45FC8B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5EFC45 shade: #23EB04, #3BFC1C, #5EFC45, #81FD6E and #A4FD96

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5EFC45 shade: #5EFC45, #45F3FC and #FC45AA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5EFC45 shade: #5EFC45, #4561FC and #FC4561

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5EFC45 shade: #5EFC45, #45F3FC, #E145FC and #FC4E45

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5EFC45 shade: #5EFC45, #45BCFC, #E145FC and #FC8545

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 73 / 1

HEX #5EFC45

RGB 94 252 69

HSL 111.8, 0.97%, 0.63%

LAB 88.18, -72.78, 70.92

 

Complementary color

CMYK 13 / 98 / 0 / 27

HEX #A103BA

RGB 161 3 186

HSL 291.8, 0.97%, 0.37%

LAB 39.89, 73.31, -55.18

 

CMYK 61 / 0 / 75 / 1

HEX #63FC40

RGB 99 252 64

HSL 108.83, 0.97%, 0.62%

LAB 88.28, -72.05, 72.69

 

CMYK 55 / 0 / 67 / 0

HEX #74FF53

RGB 116 255 83

HSL 108.49, 1%, 0.66%

LAB 89.79, -67.69, 67.81

 

CMYK 48 / 0 / 60 / 0

HEX #85FF66

RGB 133 255 102

HSL 107.84, 1%, 0.7%

LAB 90.54, -61.5, 61.21

 

CMYK 41 / 0 / 53 / 0

HEX #96FF79

RGB 150 255 121

HSL 107.01, 1%, 0.74%

LAB 91.41, -54.58, 54.07

 

CMYK 35 / 0 / 45 / 0

HEX #A7FF8C

RGB 167 255 140

HSL 105.91, 1%, 0.77%

LAB 92.41, -47.05, 46.61

 

CMYK 63 / 0 / 73 / 1

HEX #5EFC45

RGB 94 252 69

HSL 111.8, 0.97%, 0.63%

LAB 88.18, -72.78, 70.92

 

CMYK 67 / 0 / 79 / 8

HEX #4DEA32

RGB 77 234 50

HSL 111.2, 0.81%, 0.56%

LAB 82.19, -71.61, 70.86

 

CMYK 72 / 0 / 86 / 15

HEX #3CD81F

RGB 60 216 31

HSL 110.59, 0.75%, 0.48%

LAB 76.17, -69.98, 69.98

 

CMYK 78 / 0 / 94 / 22

HEX #2BC60C

RGB 43 198 12

HSL 110, 0.89%, 0.41%

LAB 70.13, -67.73, 67.89

 

CMYK 86 / 0 / 100 / 29

HEX #1AB400

RGB 26 180 0

HSL 111.33, 1%, 0.35%

LAB 64.05, -64.73, 64.26

 

CMYK 63 / 0 / 73 / 1

HEX #5EFC45

RGB 94 252 69

HSL 111.8, 0.97%, 0.63%

LAB 88.18, -72.78, 70.92

 

CMYK 43 / 0 / 73 / 1

HEX #90FC45

RGB 144 252 69

HSL 95.41, 0.97%, 0.63%

LAB 89.85, -59.78, 73.15

 

CMYK 23 / 0 / 73 / 1

HEX #C1FC45

RGB 193 252 69

HSL 79.34, 0.97%, 0.63%

LAB 92.3, -43.03, 76.38

 

CMYK 4 / 0 / 73 / 1

HEX #F2FC45

RGB 242 252 69

HSL 63.28, 0.97%, 0.63%

LAB 95.55, -23.97, 80.62

 

CMYK 0 / 15 / 73 / 1

HEX #FCD545

RGB 252 213 69

HSL 47.21, 0.97%, 0.63%

LAB 86.36, -0.67, 72.13

 

CMYK 63 / 0 / 73 / 1

HEX #5EFC45

RGB 94 252 69

HSL 111.8, 0.97%, 0.63%

LAB 88.18, -72.78, 70.92

 

CMYK 73 / 0 / 63 / 1

HEX #45FC5D

RGB 69 252 93

HSL 127.87, 0.97%, 0.63%

LAB 87.81, -75.16, 61.41

 

CMYK 73 / 0 / 43 / 1

HEX #45FC8F

RGB 69 252 143

HSL 144.26, 0.97%, 0.63%

LAB 88.39, -68.43, 39.38

 

CMYK 73 / 0 / 24 / 1

HEX #45FCC0

RGB 69 252 192

HSL 160.33, 0.97%, 0.63%

LAB 89.25, -58.89, 15.85

 

CMYK 73 / 0 / 4 / 1

HEX #45FCF2

RGB 69 252 242

HSL 176.72, 0.97%, 0.63%

LAB 90.46, -46.57, -8.31

 

CMYK 63 / 0 / 73 / 1

HEX #5EFC45

RGB 94 252 69

HSL 111.8, 0.97%, 0.63%

LAB 88.18, -72.78, 70.92

 

CMYK 63 / 0 / 73 / 1

HEX #5EFC45

RGB 94 252 69

HSL 111.8, 0.97%, 0.63%

LAB 88.18, -72.78, 70.92

 

CMYK 56 / 0 / 65 / 7

HEX #69ED54

RGB 105 237 84

HSL 111.76, 0.81%, 0.63%

LAB 84.08, -63.96, 61.19

 

CMYK 48 / 0 / 55 / 13

HEX #74DE64

RGB 116 222 100

HSL 112.13, 0.65%, 0.63%

LAB 80.11, -53.77, 49.87

 

CMYK 38 / 0 / 44 / 19

HEX #7FCE73

RGB 127 206 115

HSL 112.09, 0.48%, 0.63%

LAB 76, -41.91, 37.71

 

CMYK 27 / 0 / 32 / 25

HEX #8BBF82

RGB 139 191 130

HSL 111.15, 0.32%, 0.63%

LAB 72.47, -28.83, 25.46

 

CMYK 23 / 0 / 73 / 1

HEX #C2FC45

RGB 194 252 69

HSL 79.02, 0.97%, 0.63%

LAB 92.36, -42.66, 76.46

 

CMYK 42 / 0 / 73 / 1

HEX #91FC45

RGB 145 252 69

HSL 95.08, 0.97%, 0.63%

LAB 89.89, -59.47, 73.2

 

CMYK 62 / 0 / 73 / 1

HEX #61FC45

RGB 97 252 69

HSL 110.82, 0.97%, 0.63%

LAB 88.25, -72.14, 71.03

 

CMYK 73 / 0 / 64 / 1

HEX #45FC5A

RGB 69 252 90

HSL 126.89, 0.97%, 0.63%

LAB 87.79, -75.46, 62.6

 

CMYK 73 / 0 / 45 / 1

HEX #45FC8B

RGB 69 252 139

HSL 142.95, 0.97%, 0.63%

LAB 88.33, -69.08, 41.25

 

CMYK 85 / 0 / 98 / 8

HEX #23EB04

RGB 35 235 4

HSL 111.95, 0.97%, 0.47%

LAB 81.72, -79.18, 78.1

 

CMYK 77 / 0 / 89 / 1

HEX #3BFC1C

RGB 59 252 28

HSL 111.7, 0.97%, 0.55%

LAB 87.31, -80.79, 80.16

 

CMYK 63 / 0 / 73 / 1

HEX #5EFC45

RGB 94 252 69

HSL 111.8, 0.97%, 0.63%

LAB 88.18, -72.78, 70.92

 

CMYK 49 / 0 / 57 / 1

HEX #81FD6E

RGB 129 253 110

HSL 112.03, 0.97%, 0.71%

LAB 89.88, -61.01, 56.97

 

CMYK 35 / 0 / 41 / 1

HEX #A4FD96

RGB 164 253 150

HSL 111.84, 0.96%, 0.79%

LAB 91.84, -45.81, 41.02

 

CMYK 63 / 0 / 73 / 1

HEX #5EFC45

RGB 94 252 69

HSL 111.8, 0.97%, 0.63%

LAB 88.18, -72.78, 70.92

 

CMYK 73 / 4 / 0 / 1

HEX #45F3FC

RGB 69 243 252

HSL 182.95, 0.97%, 0.63%

LAB 88.16, -39.82, -16.95

 

CMYK 0 / 73 / 33 / 1

HEX #FC45AA

RGB 252 69 170

HSL 326.89, 0.97%, 0.63%

LAB 59.76, 75.82, -13.57

 

CMYK 63 / 0 / 73 / 1

HEX #5EFC45

RGB 94 252 69

HSL 111.8, 0.97%, 0.63%

LAB 88.18, -72.78, 70.92

 

CMYK 73 / 62 / 0 / 1

HEX #4561FC

RGB 69 97 252

HSL 230.82, 0.97%, 0.63%

LAB 48.06, 41.21, -80.03

 

CMYK 0 / 73 / 62 / 1

HEX #FC4561

RGB 252 69 97

HSL 350.82, 0.97%, 0.63%

LAB 57.86, 69.68, 26.52

 

CMYK 63 / 0 / 73 / 1

HEX #5EFC45

RGB 94 252 69

HSL 111.8, 0.97%, 0.63%

LAB 88.18, -72.78, 70.92

 

CMYK 73 / 4 / 0 / 1

HEX #45F3FC

RGB 69 243 252

HSL 182.95, 0.97%, 0.63%

LAB 88.16, -39.82, -16.95

 

CMYK 11 / 73 / 0 / 1

HEX #E145FC

RGB 225 69 252

HSL 291.15, 0.97%, 0.63%

LAB 59.24, 81.31, -61.17

 

CMYK 0 / 69 / 73 / 1

HEX #FC4E45

RGB 252 78 69

HSL 2.95, 0.97%, 0.63%

LAB 58.58, 65.17, 43.3

 

CMYK 63 / 0 / 73 / 1

HEX #5EFC45

RGB 94 252 69

HSL 111.8, 0.97%, 0.63%

LAB 88.18, -72.78, 70.92

 

CMYK 73 / 25 / 0 / 1

HEX #45BCFC

RGB 69 188 252

HSL 200.98, 0.97%, 0.63%

LAB 72.4, -12.67, -41.1

 

CMYK 11 / 73 / 0 / 1

HEX #E145FC

RGB 225 69 252

HSL 291.15, 0.97%, 0.63%

LAB 59.24, 81.31, -61.17

 

CMYK 0 / 47 / 73 / 1

HEX #FC8545

RGB 252 133 69

HSL 20.98, 0.97%, 0.63%

LAB 67.95, 40.73, 53.52

 

Description

Color code: HEX #5EFC45 | qconv.com Color code: HEX #5EFC45 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 252 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 252 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 73 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 73% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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