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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5EFBF0 it is the complementary color #A1040F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5EFBF0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5EFBF0 shade: #63FBEB, #74FFFE, #85FFFF, #96FFFF and #A7FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5EFBF0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5EFBF0 shade: #5EFBF0, #4DE9DD, #3CD7CA, #2BC5B7 and #1AB3A4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5EFBF0 shade: #60FBF0, #60FBC6, #60FB9C, #60FB73 and #77FB60

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5EFBF0 shade: #60FBF0, #60DCFB, #60B2FB, #6088FB and #6060FB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5EFBF0 shade matches the following richer shades: #60FBF0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5EFBF0 shade: #60FBF0, #6DEEE5, #7AE1D9, #87D3CE and #95C6C3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5EFBF0 shade: #60FB9B, #60FBC5, #60FBEE, #60DEFB and #60B5FB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5EFBF0 shade: #0FF9E9, #38FAEC, #60FBF0, #88FCF4 and #B0FDF8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5EFBF0 shade: #5EFBF0, #7260FB and #FBB060

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5EFBF0 shade: #5EFBF0, #EE60FB and #FBEE60

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5EFBF0 shade: #5EFBF0, #7260FB, #FB606D and #E9FB60

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5EFBF0 shade: #5EFBF0, #A060FB, #FB606D and #BAFB60

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 4 / 2

HEX #5EFBF0

RGB 94 251 240

HSL 175.8, 0.95%, 0.68%

LAB 90.63, -43.34, -6.96

 

Complementary color

CMYK 0 / 98 / 91 / 37

HEX #A1040F

RGB 161 4 15

HSL 355.8, 0.95%, 0.32%

LAB 33.35, 56.46, 41.12

 

CMYK 61 / 0 / 6 / 2

HEX #63FBEB

RGB 99 251 235

HSL 173.68, 0.95%, 0.69%

LAB 90.62, -43.82, -4.36

 

CMYK 55 / 0 / 0 / 0

HEX #74FFFE

RGB 116 255 254

HSL 179.57, 1%, 0.73%

LAB 92.75, -37.8, -11.01

 

CMYK 48 / 0 / 0 / 0

HEX #85FFFF

RGB 133 255 255

HSL 180, 1%, 0.76%

LAB 93.33, -34.2, -10.6

 

CMYK 41 / 0 / 0 / 0

HEX #96FFFF

RGB 150 255 255

HSL 180, 1%, 0.79%

LAB 93.98, -30.42, -9.57

 

CMYK 35 / 0 / 0 / 0

HEX #A7FFFF

RGB 167 255 255

HSL 180, 1%, 0.83%

LAB 94.72, -26.25, -8.39

 

CMYK 63 / 0 / 4 / 2

HEX #5EFBF0

RGB 94 251 240

HSL 175.8, 0.95%, 0.68%

LAB 90.63, -43.34, -6.96

 

CMYK 67 / 0 / 5 / 9

HEX #4DE9DD

RGB 77 233 221

HSL 175.38, 0.78%, 0.61%

LAB 84.52, -42.87, -6.08

 

CMYK 72 / 0 / 6 / 16

HEX #3CD7CA

RGB 60 215 202

HSL 174.97, 0.66%, 0.54%

LAB 78.36, -42.22, -5.13

 

CMYK 78 / 0 / 7 / 23

HEX #2BC5B7

RGB 43 197 183

HSL 174.55, 0.64%, 0.47%

LAB 72.14, -41.34, -4.08

 

CMYK 85 / 0 / 8 / 30

HEX #1AB3A4

RGB 26 179 164

HSL 174.12, 0.75%, 0.4%

LAB 65.86, -40.15, -2.91

 

CMYK 62 / 0 / 4 / 2

HEX #60FBF0

RGB 96 251 240

HSL 175.74, 0.95%, 0.68%

LAB 90.68, -43.03, -6.88

 

CMYK 62 / 0 / 21 / 2

HEX #60FBC6

RGB 96 251 198

HSL 159.48, 0.95%, 0.68%

LAB 89.65, -53.09, 13.41

 

CMYK 62 / 0 / 38 / 2

HEX #60FB9C

RGB 96 251 156

HSL 143.23, 0.95%, 0.68%

LAB 88.87, -61.39, 33.7

 

CMYK 62 / 0 / 54 / 2

HEX #60FB73

RGB 96 251 115

HSL 127.35, 0.95%, 0.68%

LAB 88.31, -67.54, 52.64

 

CMYK 53 / 0 / 62 / 2

HEX #77FB60

RGB 119 251 96

HSL 111.1, 0.95%, 0.68%

LAB 88.81, -64.34, 61.64

 

CMYK 62 / 0 / 4 / 2

HEX #60FBF0

RGB 96 251 240

HSL 175.74, 0.95%, 0.68%

LAB 90.68, -43.03, -6.88

 

CMYK 62 / 12 / 0 / 2

HEX #60DCFB

RGB 96 220 251

HSL 192, 0.95%, 0.68%

LAB 82.18, -25.51, -25.41

 

CMYK 62 / 29 / 0 / 2

HEX #60B2FB

RGB 96 178 251

HSL 208.26, 0.95%, 0.68%

LAB 70.38, -3.48, -43.66

 

CMYK 62 / 46 / 0 / 2

HEX #6088FB

RGB 96 136 251

HSL 224.52, 0.95%, 0.68%

LAB 59.03, 20.92, -61.65

 

CMYK 62 / 62 / 0 / 2

HEX #6060FB

RGB 96 96 251

HSL 240, 0.95%, 0.68%

LAB 49.27, 44.96, -77.43

 

CMYK 62 / 0 / 4 / 2

HEX #60FBF0

RGB 96 251 240

HSL 175.74, 0.95%, 0.68%

LAB 90.68, -43.03, -6.88

 

CMYK 62 / 0 / 4 / 2

HEX #60FBF0

RGB 96 251 240

HSL 175.74, 0.95%, 0.68%

LAB 90.68, -43.03, -6.88

 

CMYK 54 / 0 / 4 / 7

HEX #6DEEE5

RGB 109 238 229

HSL 175.81, 0.79%, 0.68%

LAB 87.03, -37.71, -6.5

 

CMYK 46 / 0 / 4 / 12

HEX #7AE1D9

RGB 122 225 217

HSL 175.34, 0.63%, 0.68%

LAB 83.44, -31.91, -5.42

 

CMYK 36 / 0 / 2 / 17

HEX #87D3CE

RGB 135 211 206

HSL 176.05, 0.46%, 0.68%

LAB 79.73, -24.57, -4.98

 

CMYK 25 / 0 / 2 / 22

HEX #95C6C3

RGB 149 198 195

HSL 176.33, 0.3%, 0.68%

LAB 76.51, -16.58, -3.72

 

CMYK 62 / 0 / 38 / 2

HEX #60FB9B

RGB 96 251 155

HSL 142.84, 0.95%, 0.68%

LAB 88.85, -61.56, 34.18

 

CMYK 62 / 0 / 22 / 2

HEX #60FBC5

RGB 96 251 197

HSL 159.1, 0.95%, 0.68%

LAB 89.63, -53.31, 13.9

 

CMYK 62 / 0 / 5 / 2

HEX #60FBEE

RGB 96 251 238

HSL 174.97, 0.95%, 0.68%

LAB 90.62, -43.54, -5.92

 

CMYK 62 / 12 / 0 / 2

HEX #60DEFB

RGB 96 222 251

HSL 191.23, 0.95%, 0.68%

LAB 82.75, -26.49, -24.55

 

CMYK 62 / 28 / 0 / 2

HEX #60B5FB

RGB 96 181 251

HSL 207.1, 0.95%, 0.68%

LAB 71.21, -5.14, -42.36

 

CMYK 94 / 0 / 6 / 2

HEX #0FF9E9

RGB 15 249 233

HSL 175.9, 0.95%, 0.52%

LAB 88.8, -51.39, -6.14

 

CMYK 78 / 0 / 6 / 2

HEX #38FAEC

RGB 56 250 236

HSL 175.67, 0.95%, 0.6%

LAB 89.52, -48.64, -6.6

 

CMYK 62 / 0 / 4 / 2

HEX #60FBF0

RGB 96 251 240

HSL 175.74, 0.95%, 0.68%

LAB 90.68, -43.03, -6.88

 

CMYK 46 / 0 / 3 / 1

HEX #88FCF4

RGB 136 252 244

HSL 175.86, 0.95%, 0.76%

LAB 92.3, -34.85, -6.41

 

CMYK 30 / 0 / 2 / 1

HEX #B0FDF8

RGB 176 253 248

HSL 176.1, 0.95%, 0.84%

LAB 94.42, -24.48, -5.16

 

CMYK 63 / 0 / 4 / 2

HEX #5EFBF0

RGB 94 251 240

HSL 175.8, 0.95%, 0.68%

LAB 90.63, -43.34, -6.96

 

CMYK 55 / 62 / 0 / 2

HEX #7260FB

RGB 114 96 251

HSL 246.97, 0.95%, 0.68%

LAB 50.58, 47.82, -75.25

 

CMYK 0 / 30 / 62 / 2

HEX #FBB060

RGB 251 176 96

HSL 30.97, 0.95%, 0.68%

LAB 77.52, 19.57, 51.16

 

CMYK 63 / 0 / 4 / 2

HEX #5EFBF0

RGB 94 251 240

HSL 175.8, 0.95%, 0.68%

LAB 90.63, -43.34, -6.96

 

CMYK 5 / 62 / 0 / 2

HEX #EE60FB

RGB 238 96 251

HSL 294.97, 0.95%, 0.68%

LAB 64.57, 74.01, -52.02

 

CMYK 0 / 5 / 62 / 2

HEX #FBEE60

RGB 251 238 96

HSL 54.97, 0.95%, 0.68%

LAB 92.8, -12.17, 68.17

 

CMYK 63 / 0 / 4 / 2

HEX #5EFBF0

RGB 94 251 240

HSL 175.8, 0.95%, 0.68%

LAB 90.63, -43.34, -6.96

 

CMYK 55 / 62 / 0 / 2

HEX #7260FB

RGB 114 96 251

HSL 246.97, 0.95%, 0.68%

LAB 50.58, 47.82, -75.25

 

CMYK 0 / 62 / 57 / 2

HEX #FB606D

RGB 251 96 109

HSL 354.97, 0.95%, 0.68%

LAB 61.64, 59.98, 24.51

 

CMYK 7 / 0 / 62 / 2

HEX #E9FB60

RGB 233 251 96

HSL 66.97, 0.95%, 0.68%

LAB 94.81, -25.63, 69.92

 

CMYK 63 / 0 / 4 / 2

HEX #5EFBF0

RGB 94 251 240

HSL 175.8, 0.95%, 0.68%

LAB 90.63, -43.34, -6.96

 

CMYK 36 / 62 / 0 / 2

HEX #A060FB

RGB 160 96 251

HSL 264.77, 0.95%, 0.68%

LAB 54.87, 56.6, -68.09

 

CMYK 0 / 62 / 57 / 2

HEX #FB606D

RGB 251 96 109

HSL 354.97, 0.95%, 0.68%

LAB 61.64, 59.98, 24.51

 

CMYK 26 / 0 / 62 / 2

HEX #BAFB60

RGB 186 251 96

HSL 85.16, 0.95%, 0.68%

LAB 91.81, -43.4, 65.8

 

Description

Color code: HEX #5EFBF0 | qconv.com Color code: HEX #5EFBF0 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 251 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 251 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 4 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 4% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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