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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5EFA5C it is the complementary color #A105A3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5EFA5C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5EFA5C shade: #63FA57, #74FF6A, #85FF7D, #96FF90 and #A7FFA3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5EFA5C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5EFA5C shade: #5EFA5C, #4DE849, #3CD636, #2BC423 and #1AB210

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5EFA5C shade: #5EFA5C, #88FA5C, #B3FA5C, #DEFA5C and #FAEC5C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5EFA5C shade: #5EFA5C, #5CFA84, #5CFAAF, #5CFADA and #5CF0FA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5EFA5C shade matches the following richer shades: #5EFA5C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5EFA5C shade: #5EFA5C, #6BEC69, #78DF77, #86D185 and #93C392

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5EFA5C shade: #B3FA5C, #89FA5C, #5EFA5C, #5CFA83 and #5CFAAD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5EFA5C shade: #0FF70C, #36F934, #5EFA5C, #85FB84 and #ADFCAC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5EFA5C shade: #5EFA5C, #5CDDFA and #FA5C9E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5EFA5C shade: #5EFA5C, #5C5EFA and #FA5C5E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5EFA5C shade: #5EFA5C, #5CDDFA, #F75CFA and #FA795C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5EFA5C shade: #5EFA5C, #5CADFA, #F75CFA and #FAA85C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 0 / 63 / 2

HEX #5EFA5C

RGB 94 250 92

HSL 119.24, 0.94%, 0.67%

LAB 87.74, -70.18, 61.89

 

Complementary color

CMYK 1 / 97 / 0 / 36

HEX #A105A3

RGB 161 5 163

HSL 299.24, 0.94%, 0.33%

LAB 38.43, 69.4, -43.83

 

CMYK 60 / 0 / 65 / 2

HEX #63FA57

RGB 99 250 87

HSL 115.58, 0.94%, 0.66%

LAB 87.83, -69.59, 64.03

 

CMYK 55 / 0 / 58 / 0

HEX #74FF6A

RGB 116 255 106

HSL 115.97, 1%, 0.71%

LAB 89.99, -65.52, 58.72

 

CMYK 48 / 0 / 51 / 0

HEX #85FF7D

RGB 133 255 125

HSL 116.31, 1%, 0.75%

LAB 90.77, -58.95, 51.31

 

CMYK 41 / 0 / 44 / 0

HEX #96FF90

RGB 150 255 144

HSL 116.76, 1%, 0.78%

LAB 91.69, -51.69, 43.62

 

CMYK 35 / 0 / 36 / 0

HEX #A7FFA3

RGB 167 255 163

HSL 117.39, 1%, 0.82%

LAB 92.74, -43.87, 35.83

 

CMYK 62 / 0 / 63 / 2

HEX #5EFA5C

RGB 94 250 92

HSL 119.24, 0.94%, 0.67%

LAB 87.74, -70.18, 61.89

 

CMYK 67 / 0 / 69 / 9

HEX #4DE849

RGB 77 232 73

HSL 118.49, 0.78%, 0.6%

LAB 81.71, -69.34, 62.72

 

CMYK 72 / 0 / 75 / 16

HEX #3CD636

RGB 60 214 54

HSL 117.75, 0.66%, 0.53%

LAB 75.65, -68.09, 63.18

 

CMYK 78 / 0 / 82 / 23

HEX #2BC423

RGB 43 196 35

HSL 117.02, 0.7%, 0.45%

LAB 69.55, -66.29, 62.96

 

CMYK 85 / 0 / 91 / 30

HEX #1AB210

RGB 26 178 16

HSL 116.3, 0.84%, 0.38%

LAB 63.42, -63.76, 61.6

 

CMYK 62 / 0 / 63 / 2

HEX #5EFA5C

RGB 94 250 92

HSL 119.24, 0.94%, 0.67%

LAB 87.74, -70.18, 61.89

 

CMYK 46 / 0 / 63 / 2

HEX #88FA5C

RGB 136 250 92

HSL 103.29, 0.94%, 0.67%

LAB 89.1, -59.69, 63.77

 

CMYK 28 / 0 / 63 / 2

HEX #B3FA5C

RGB 179 250 92

HSL 86.96, 0.94%, 0.67%

LAB 91.11, -45.77, 66.54

 

CMYK 11 / 0 / 63 / 2

HEX #DEFA5C

RGB 222 250 92

HSL 70.63, 0.94%, 0.67%

LAB 93.74, -29.72, 70.14

 

CMYK 0 / 6 / 63 / 2

HEX #FAEC5C

RGB 250 236 92

HSL 54.68, 0.94%, 0.67%

LAB 92.17, -11.83, 69.11

 

CMYK 62 / 0 / 63 / 2

HEX #5EFA5C

RGB 94 250 92

HSL 119.24, 0.94%, 0.67%

LAB 87.74, -70.18, 61.89

 

CMYK 63 / 0 / 47 / 2

HEX #5CFA84

RGB 92 250 132

HSL 135.19, 0.94%, 0.67%

LAB 88.12, -65.65, 44.45

 

CMYK 63 / 0 / 30 / 2

HEX #5CFAAF

RGB 92 250 175

HSL 151.52, 0.94%, 0.67%

LAB 88.8, -58.21, 24.01

 

CMYK 63 / 0 / 13 / 2

HEX #5CFADA

RGB 92 250 218

HSL 167.85, 0.94%, 0.67%

LAB 89.72, -48.73, 3.14

 

CMYK 63 / 4 / 0 / 2

HEX #5CF0FA

RGB 92 240 250

HSL 183.8, 0.94%, 0.67%

LAB 87.73, -36, -16.51

 

CMYK 62 / 0 / 63 / 2

HEX #5EFA5C

RGB 94 250 92

HSL 119.24, 0.94%, 0.67%

LAB 87.74, -70.18, 61.89

 

CMYK 62 / 0 / 63 / 2

HEX #5EFA5C

RGB 94 250 92

HSL 119.24, 0.94%, 0.67%

LAB 87.74, -70.18, 61.89

 

CMYK 55 / 0 / 56 / 7

HEX #6BEC69

RGB 107 236 105

HSL 119.08, 0.78%, 0.67%

LAB 84.04, -60.89, 52.15

 

CMYK 46 / 0 / 47 / 13

HEX #78DF77

RGB 120 223 119

HSL 119.42, 0.62%, 0.67%

LAB 80.79, -50.62, 41.72

 

CMYK 36 / 0 / 36 / 18

HEX #86D185

RGB 134 209 133

HSL 119.21, 0.45%, 0.67%

LAB 77.5, -38.37, 30.55

 

CMYK 25 / 0 / 25 / 24

HEX #93C392

RGB 147 195 146

HSL 118.78, 0.29%, 0.67%

LAB 74.39, -25.39, 19.64

 

CMYK 28 / 0 / 63 / 2

HEX #B3FA5C

RGB 179 250 92

HSL 86.96, 0.94%, 0.67%

LAB 91.11, -45.77, 66.54

 

CMYK 45 / 0 / 63 / 2

HEX #89FA5C

RGB 137 250 92

HSL 102.91, 0.94%, 0.67%

LAB 89.14, -59.4, 63.83

 

CMYK 62 / 0 / 63 / 2

HEX #5EFA5C

RGB 94 250 92

HSL 119.24, 0.94%, 0.67%

LAB 87.74, -70.18, 61.89

 

CMYK 63 / 0 / 48 / 2

HEX #5CFA83

RGB 92 250 131

HSL 134.81, 0.94%, 0.67%

LAB 88.11, -65.8, 44.91

 

CMYK 63 / 0 / 31 / 2

HEX #5CFAAD

RGB 92 250 173

HSL 150.76, 0.94%, 0.67%

LAB 88.76, -58.6, 24.98

 

CMYK 94 / 0 / 95 / 3

HEX #0FF70C

RGB 15 247 12

HSL 119.23, 0.94%, 0.51%

LAB 85.33, -83.48, 80.31

 

CMYK 78 / 0 / 79 / 2

HEX #36F934

RGB 54 249 52

HSL 119.39, 0.94%, 0.59%

LAB 86.4, -79.55, 74.12

 

CMYK 62 / 0 / 63 / 2

HEX #5EFA5C

RGB 94 250 92

HSL 119.24, 0.94%, 0.67%

LAB 87.74, -70.18, 61.89

 

CMYK 47 / 0 / 47 / 2

HEX #85FB84

RGB 133 251 132

HSL 119.5, 0.94%, 0.75%

LAB 89.7, -56.49, 46.7

 

CMYK 31 / 0 / 32 / 1

HEX #ADFCAC

RGB 173 252 172

HSL 119.25, 0.93%, 0.83%

LAB 92.35, -39.31, 30.85

 

CMYK 62 / 0 / 63 / 2

HEX #5EFA5C

RGB 94 250 92

HSL 119.24, 0.94%, 0.67%

LAB 87.74, -70.18, 61.89

 

CMYK 63 / 12 / 0 / 2

HEX #5CDDFA

RGB 92 221 250

HSL 191.01, 0.94%, 0.67%

LAB 82.32, -26.94, -24.69

 

CMYK 0 / 63 / 37 / 2

HEX #FA5C9E

RGB 250 92 158

HSL 334.94, 0.94%, 0.67%

LAB 62.04, 65.7, -3.26

 

CMYK 62 / 0 / 63 / 2

HEX #5EFA5C

RGB 94 250 92

HSL 119.24, 0.94%, 0.67%

LAB 87.74, -70.18, 61.89

 

CMYK 63 / 62 / 0 / 2

HEX #5C5EFA

RGB 92 94 250

HSL 239.24, 0.94%, 0.67%

LAB 48.49, 45.23, -78.17

 

CMYK 0 / 63 / 62 / 2

HEX #FA5C5E

RGB 250 92 94

HSL 359.24, 0.94%, 0.67%

LAB 60.59, 60.34, 31.69

 

CMYK 62 / 0 / 63 / 2

HEX #5EFA5C

RGB 94 250 92

HSL 119.24, 0.94%, 0.67%

LAB 87.74, -70.18, 61.89

 

CMYK 63 / 12 / 0 / 2

HEX #5CDDFA

RGB 92 221 250

HSL 191.01, 0.94%, 0.67%

LAB 82.32, -26.94, -24.69

 

CMYK 1 / 63 / 0 / 2

HEX #F75CFA

RGB 247 92 250

HSL 298.86, 0.94%, 0.67%

LAB 65.22, 77.48, -50.35

 

CMYK 0 / 52 / 63 / 2

HEX #FA795C

RGB 250 121 92

HSL 11.01, 0.94%, 0.67%

LAB 65.57, 47.11, 38.99

 

CMYK 62 / 0 / 63 / 2

HEX #5EFA5C

RGB 94 250 92

HSL 119.24, 0.94%, 0.67%

LAB 87.74, -70.18, 61.89

 

CMYK 63 / 31 / 0 / 2

HEX #5CADFA

RGB 92 173 250

HSL 209.24, 0.94%, 0.67%

LAB 68.8, -1.71, -45.61

 

CMYK 1 / 63 / 0 / 2

HEX #F75CFA

RGB 247 92 250

HSL 298.86, 0.94%, 0.67%

LAB 65.22, 77.48, -50.35

 

CMYK 0 / 33 / 63 / 2

HEX #FAA85C

RGB 250 168 92

HSL 28.86, 0.94%, 0.67%

LAB 75.51, 23.1, 50.76

 

Description

Color code: HEX #5EFA5C | qconv.com Color code: HEX #5EFA5C | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 250 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 250 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, none magenta, 63 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 0% 63% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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