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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5EFA52 it is the complementary color #A105AD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5EFA52. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5EFA52 shade: #63FA4D, #74FF60, #85FF73, #96FF86 and #A7FF99

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5EFA52. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5EFA52 shade: #5EFA52, #4DE83F, #3CD62C, #2BC419 and #1AB206

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5EFA52 shade: #5EFA52, #8BFA52, #B8FA52, #E6FA52 and #FAE052

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5EFA52 shade: #5EFA52, #52FA73, #52FAA0, #52FACE and #52F8FA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5EFA52 shade matches the following richer shades: #5EFA52

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5EFA52 shade: #5EFA52, #6AEB60, #77DD6F, #83CE7D and #8FC08C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5EFA52 shade: #B9FA52, #8DFA52, #60FA52, #52FA71 and #52FA9D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5EFA52 shade: #18F207, #39F82A, #5EFA52, #83FB7A and #A8FCA2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5EFA52 shade: #5EFA52, #52E6FA and #FA52A3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5EFA52 shade: #5EFA52, #5260FA and #FA5260

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5EFA52 shade: #5EFA52, #52E6FA, #EC52FA and #FA6552

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5EFA52 shade: #5EFA52, #52B4FA, #EC52FA and #FA9852

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 0 / 67 / 2

HEX #5EFA52

RGB 94 250 82

HSL 115.71, 0.94%, 0.65%

LAB 87.66, -71.1, 65.74

 

Complementary color

CMYK 7 / 97 / 0 / 32

HEX #A105AD

RGB 161 5 173

HSL 295.71, 0.94%, 0.35%

LAB 39.08, 70.97, -48.79

 

CMYK 60 / 0 / 69 / 2

HEX #63FA4D

RGB 99 250 77

HSL 112.37, 0.95%, 0.64%

LAB 87.76, -70.45, 67.74

 

CMYK 55 / 0 / 62 / 0

HEX #74FF60

RGB 116 255 96

HSL 112.45, 1%, 0.69%

LAB 89.9, -66.53, 62.82

 

CMYK 48 / 0 / 55 / 0

HEX #85FF73

RGB 133 255 115

HSL 112.29, 1%, 0.73%

LAB 90.66, -60.13, 55.72

 

CMYK 41 / 0 / 47 / 0

HEX #96FF86

RGB 150 255 134

HSL 112.07, 1%, 0.76%

LAB 91.56, -53.02, 48.23

 

CMYK 35 / 0 / 40 / 0

HEX #A7FF99

RGB 167 255 153

HSL 111.76, 1%, 0.8%

LAB 92.59, -45.32, 40.55

 

CMYK 62 / 0 / 67 / 2

HEX #5EFA52

RGB 94 250 82

HSL 115.71, 0.94%, 0.65%

LAB 87.66, -71.1, 65.74

 

CMYK 67 / 0 / 73 / 9

HEX #4DE83F

RGB 77 232 63

HSL 115.03, 0.79%, 0.58%

LAB 81.65, -70.13, 66.26

 

CMYK 72 / 0 / 79 / 16

HEX #3CD62C

RGB 60 214 44

HSL 114.35, 0.67%, 0.51%

LAB 75.6, -68.73, 66.22

 

CMYK 78 / 0 / 87 / 23

HEX #2BC419

RGB 43 196 25

HSL 113.68, 0.77%, 0.43%

LAB 69.51, -66.75, 65.27

 

CMYK 85 / 0 / 97 / 30

HEX #1AB206

RGB 26 178 6

HSL 113.02, 0.93%, 0.36%

LAB 63.4, -64.02, 62.97

 

CMYK 62 / 0 / 67 / 2

HEX #5EFA52

RGB 94 250 82

HSL 115.71, 0.94%, 0.65%

LAB 87.66, -71.1, 65.74

 

CMYK 44 / 0 / 67 / 2

HEX #8BFA52

RGB 139 250 82

HSL 99.64, 0.94%, 0.65%

LAB 89.14, -59.63, 67.76

 

CMYK 26 / 0 / 67 / 2

HEX #B8FA52

RGB 184 250 82

HSL 83.57, 0.94%, 0.65%

LAB 91.31, -44.7, 70.69

 

CMYK 8 / 0 / 67 / 2

HEX #E6FA52

RGB 230 250 82

HSL 67.14, 0.94%, 0.65%

LAB 94.23, -27.18, 74.6

 

CMYK 0 / 10 / 67 / 2

HEX #FAE052

RGB 250 224 82

HSL 50.71, 0.94%, 0.65%

LAB 89.04, -6.43, 69.83

 

CMYK 62 / 0 / 67 / 2

HEX #5EFA52

RGB 94 250 82

HSL 115.71, 0.94%, 0.65%

LAB 87.66, -71.1, 65.74

 

CMYK 67 / 0 / 54 / 2

HEX #52FA73

RGB 82 250 115

HSL 131.79, 0.94%, 0.65%

LAB 87.68, -69.85, 51.8

 

CMYK 67 / 0 / 36 / 2

HEX #52FAA0

RGB 82 250 160

HSL 147.86, 0.94%, 0.65%

LAB 88.31, -62.77, 30.89

 

CMYK 67 / 0 / 18 / 2

HEX #52FACE

RGB 82 250 206

HSL 164.29, 0.94%, 0.65%

LAB 89.22, -53.13, 8.61

 

CMYK 67 / 1 / 0 / 2

HEX #52F8FA

RGB 82 248 250

HSL 180.71, 0.94%, 0.65%

LAB 89.78, -41.06, -13.45

 

CMYK 62 / 0 / 67 / 2

HEX #5EFA52

RGB 94 250 82

HSL 115.71, 0.94%, 0.65%

LAB 87.66, -71.1, 65.74

 

CMYK 62 / 0 / 67 / 2

HEX #5EFA52

RGB 94 250 82

HSL 115.71, 0.94%, 0.65%

LAB 87.66, -71.1, 65.74

 

CMYK 55 / 0 / 59 / 8

HEX #6AEB60

RGB 106 235 96

HSL 115.68, 0.78%, 0.65%

LAB 83.61, -61.79, 55.65

 

CMYK 46 / 0 / 50 / 13

HEX #77DD6F

RGB 119 221 111

HSL 115.64, 0.62%, 0.65%

LAB 80.06, -51.16, 44.66

 

CMYK 36 / 0 / 39 / 19

HEX #83CE7D

RGB 131 206 125

HSL 115.56, 0.45%, 0.65%

LAB 76.34, -39.2, 33.12

 

CMYK 26 / 0 / 27 / 25

HEX #8FC08C

RGB 143 192 140

HSL 116.54, 0.29%, 0.65%

LAB 73.18, -26.3, 21.14

 

CMYK 26 / 0 / 67 / 2

HEX #B9FA52

RGB 185 250 82

HSL 83.21, 0.94%, 0.65%

LAB 91.37, -44.33, 70.76

 

CMYK 44 / 0 / 67 / 2

HEX #8DFA52

RGB 141 250 82

HSL 98.93, 0.94%, 0.65%

LAB 89.23, -59.03, 67.87

 

CMYK 62 / 0 / 67 / 2

HEX #60FA52

RGB 96 250 82

HSL 115, 0.94%, 0.65%

LAB 87.71, -70.68, 65.81

 

CMYK 67 / 0 / 55 / 2

HEX #52FA71

RGB 82 250 113

HSL 131.07, 0.94%, 0.65%

LAB 87.66, -70.1, 52.68

 

CMYK 67 / 0 / 37 / 2

HEX #52FA9D

RGB 82 250 157

HSL 146.79, 0.94%, 0.65%

LAB 88.26, -63.32, 32.33

 

CMYK 90 / 0 / 97 / 5

HEX #18F207

RGB 24 242 7

HSL 115.66, 0.94%, 0.49%

LAB 83.82, -81.8, 79.51

 

CMYK 77 / 0 / 83 / 3

HEX #39F82A

RGB 57 248 42

HSL 115.63, 0.94%, 0.57%

LAB 86.09, -79.39, 76.37

 

CMYK 62 / 0 / 67 / 2

HEX #5EFA52

RGB 94 250 82

HSL 115.71, 0.94%, 0.65%

LAB 87.66, -71.1, 65.74

 

CMYK 48 / 0 / 51 / 2

HEX #83FB7A

RGB 131 251 122

HSL 115.81, 0.94%, 0.73%

LAB 89.5, -58.31, 51.12

 

CMYK 33 / 0 / 36 / 1

HEX #A8FCA2

RGB 168 252 162

HSL 116, 0.94%, 0.81%

LAB 91.93, -42.4, 35.26

 

CMYK 62 / 0 / 67 / 2

HEX #5EFA52

RGB 94 250 82

HSL 115.71, 0.94%, 0.65%

LAB 87.66, -71.1, 65.74

 

CMYK 67 / 8 / 0 / 2

HEX #52E6FA

RGB 82 230 250

HSL 187.14, 0.94%, 0.65%

LAB 84.63, -32.76, -21.2

 

CMYK 0 / 67 / 35 / 2

HEX #FA52A3

RGB 250 82 163

HSL 331.07, 0.94%, 0.65%

LAB 60.78, 70.1, -8.01

 

CMYK 62 / 0 / 67 / 2

HEX #5EFA52

RGB 94 250 82

HSL 115.71, 0.94%, 0.65%

LAB 87.66, -71.1, 65.74

 

CMYK 67 / 62 / 0 / 2

HEX #5260FA

RGB 82 96 250

HSL 235, 0.94%, 0.65%

LAB 48.34, 42.69, -78.44

 

CMYK 0 / 67 / 62 / 2

HEX #FA5260

RGB 250 82 96

HSL 355, 0.94%, 0.65%

LAB 59.16, 64.43, 28.72

 

CMYK 62 / 0 / 67 / 2

HEX #5EFA52

RGB 94 250 82

HSL 115.71, 0.94%, 0.65%

LAB 87.66, -71.1, 65.74

 

CMYK 67 / 8 / 0 / 2

HEX #52E6FA

RGB 82 230 250

HSL 187.14, 0.94%, 0.65%

LAB 84.63, -32.76, -21.2

 

CMYK 6 / 67 / 0 / 2

HEX #EC52FA

RGB 236 82 250

HSL 295, 0.94%, 0.65%

LAB 62.31, 78.76, -55.07

 

CMYK 0 / 60 / 67 / 2

HEX #FA6552

RGB 250 101 82

HSL 6.79, 0.94%, 0.65%

LAB 61.86, 55.82, 39.94

 

CMYK 62 / 0 / 67 / 2

HEX #5EFA52

RGB 94 250 82

HSL 115.71, 0.94%, 0.65%

LAB 87.66, -71.1, 65.74

 

CMYK 67 / 28 / 0 / 2

HEX #52B4FA

RGB 82 180 250

HSL 205, 0.94%, 0.65%

LAB 70.41, -7.2, -43.1

 

CMYK 6 / 67 / 0 / 2

HEX #EC52FA

RGB 236 82 250

HSL 295, 0.94%, 0.65%

LAB 62.31, 78.76, -55.07

 

CMYK 0 / 39 / 67 / 2

HEX #FA9852

RGB 250 152 82

HSL 25, 0.94%, 0.65%

LAB 71.82, 30.87, 51.42

 

Description

Color code: HEX #5EFA52 | qconv.com Color code: HEX #5EFA52 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 250 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 250 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, none magenta, 67 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 0% 67% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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