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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5EFA4D it is the complementary color #A105B2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5EFA4D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5EFA4D shade: #63FA48, #74FF5B, #85FF6E, #96FF81 and #A7FF94

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5EFA4D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5EFA4D shade: #5EFA4D, #4DE83A, #3CD627, #2BC414 and #1AB201

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5EFA4D shade: #5DFA4C, #8CFA4C, #BBFA4C, #EAFA4C and #FADC4C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5EFA4D shade: #5DFA4C, #4CFA6A, #4CFA99, #4CFAC8 and #4CFAF7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5EFA4D shade matches the following richer shades: #5DFA4C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5EFA4D shade: #5DFA4C, #69EC5B, #75DD6A, #81CE79 and #8DBF87

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5EFA4D shade: #BAFA4C, #8CFA4C, #5DFA4C, #4CFA69 and #4CFA98

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5EFA4D shade: #1DEE06, #39F924, #5DFA4C, #82FB74 and #A6FC9C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5EFA4D shade: #5EFA4D, #4CE9FA and #FA4CA3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5EFA4D shade: #5EFA4D, #4C5DFA and #FA4C5D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5EFA4D shade: #5EFA4D, #4CE9FA, #E94CFA and #FA5D4C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5EFA4D shade: #5EFA4D, #4CB5FA, #E94CFA and #FA924C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 0 / 69 / 2

HEX #5EFA4D

RGB 94 250 77

HSL 114.1, 0.95%, 0.64%

LAB 87.62, -71.52, 67.56

 

Complementary color

CMYK 10 / 97 / 0 / 30

HEX #A105B2

RGB 161 5 178

HSL 294.1, 0.95%, 0.36%

LAB 39.41, 71.78, -51.22

 

CMYK 60 / 0 / 71 / 2

HEX #63FA48

RGB 99 250 72

HSL 110.9, 0.95%, 0.63%

LAB 87.72, -70.83, 69.48

 

CMYK 55 / 0 / 64 / 0

HEX #74FF5B

RGB 116 255 91

HSL 110.85, 1%, 0.68%

LAB 89.85, -67, 64.79

 

CMYK 48 / 0 / 57 / 0

HEX #85FF6E

RGB 133 255 110

HSL 110.48, 1%, 0.72%

LAB 90.61, -60.68, 57.86

 

CMYK 41 / 0 / 49 / 0

HEX #96FF81

RGB 150 255 129

HSL 110, 1%, 0.75%

LAB 91.5, -53.64, 50.5

 

CMYK 35 / 0 / 42 / 0

HEX #A7FF94

RGB 167 255 148

HSL 109.35, 1%, 0.79%

LAB 92.52, -46.01, 42.9

 

CMYK 62 / 0 / 69 / 2

HEX #5EFA4D

RGB 94 250 77

HSL 114.1, 0.95%, 0.64%

LAB 87.62, -71.52, 67.56

 

CMYK 67 / 0 / 75 / 9

HEX #4DE83A

RGB 77 232 58

HSL 113.45, 0.79%, 0.57%

LAB 81.62, -70.48, 67.88

 

CMYK 72 / 0 / 82 / 16

HEX #3CD627

RGB 60 214 39

HSL 112.8, 0.69%, 0.5%

LAB 75.58, -69, 67.56

 

CMYK 78 / 0 / 90 / 23

HEX #2BC414

RGB 43 196 20

HSL 112.16, 0.81%, 0.42%

LAB 69.5, -66.93, 66.2

 

CMYK 85 / 0 / 99 / 30

HEX #1AB201

RGB 26 178 1

HSL 111.53, 0.99%, 0.35%

LAB 63.39, -64.13, 63.61

 

CMYK 63 / 0 / 70 / 2

HEX #5DFA4C

RGB 93 250 76

HSL 114.14, 0.95%, 0.64%

LAB 87.59, -71.81, 67.88

 

CMYK 44 / 0 / 70 / 2

HEX #8CFA4C

RGB 140 250 76

HSL 97.93, 0.95%, 0.64%

LAB 89.14, -59.77, 69.97

 

CMYK 25 / 0 / 70 / 2

HEX #BBFA4C

RGB 187 250 76

HSL 81.72, 0.95%, 0.64%

LAB 91.44, -43.98, 73.04

 

CMYK 6 / 0 / 70 / 2

HEX #EAFA4C

RGB 234 250 76

HSL 65.52, 0.95%, 0.64%

LAB 94.48, -25.91, 77.07

 

CMYK 0 / 12 / 70 / 2

HEX #FADC4C

RGB 250 220 76

HSL 49.66, 0.95%, 0.64%

LAB 87.98, -4.72, 71.07

 

CMYK 63 / 0 / 70 / 2

HEX #5DFA4C

RGB 93 250 76

HSL 114.14, 0.95%, 0.64%

LAB 87.59, -71.81, 67.88

 

CMYK 70 / 0 / 58 / 2

HEX #4CFA6A

RGB 76 250 106

HSL 130.34, 0.95%, 0.64%

LAB 87.46, -71.98, 55.53

 

CMYK 70 / 0 / 39 / 2

HEX #4CFA99

RGB 76 250 153

HSL 146.55, 0.95%, 0.64%

LAB 88.07, -64.98, 34.06

 

CMYK 70 / 0 / 20 / 2

HEX #4CFAC8

RGB 76 250 200

HSL 162.76, 0.95%, 0.64%

LAB 88.96, -55.37, 11.33

 

CMYK 70 / 0 / 1 / 2

HEX #4CFAF7

RGB 76 250 247

HSL 178.97, 0.95%, 0.64%

LAB 90.15, -43.53, -11.35

 

CMYK 63 / 0 / 70 / 2

HEX #5DFA4C

RGB 93 250 76

HSL 114.14, 0.95%, 0.64%

LAB 87.59, -71.81, 67.88

 

CMYK 63 / 0 / 70 / 2

HEX #5DFA4C

RGB 93 250 76

HSL 114.14, 0.95%, 0.64%

LAB 87.59, -71.81, 67.88

 

CMYK 56 / 0 / 61 / 7

HEX #69EC5B

RGB 105 236 91

HSL 114.21, 0.79%, 0.64%

LAB 83.84, -62.92, 58.03

 

CMYK 47 / 0 / 52 / 13

HEX #75DD6A

RGB 117 221 106

HSL 114.26, 0.63%, 0.64%

LAB 79.92, -52.37, 46.85

 

CMYK 37 / 0 / 41 / 19

HEX #81CE79

RGB 129 206 121

HSL 114.35, 0.46%, 0.64%

LAB 76.19, -40.42, 34.93

 

CMYK 26 / 0 / 29 / 25

HEX #8DBF87

RGB 141 191 135

HSL 113.57, 0.3%, 0.64%

LAB 72.68, -27.33, 23.11

 

CMYK 26 / 0 / 70 / 2

HEX #BAFA4C

RGB 186 250 76

HSL 82.07, 0.95%, 0.64%

LAB 91.38, -44.35, 72.97

 

CMYK 44 / 0 / 70 / 2

HEX #8CFA4C

RGB 140 250 76

HSL 97.93, 0.95%, 0.64%

LAB 89.14, -59.77, 69.97

 

CMYK 63 / 0 / 70 / 2

HEX #5DFA4C

RGB 93 250 76

HSL 114.14, 0.95%, 0.64%

LAB 87.59, -71.81, 67.88

 

CMYK 70 / 0 / 58 / 2

HEX #4CFA69

RGB 76 250 105

HSL 130, 0.95%, 0.64%

LAB 87.45, -72.1, 55.96

 

CMYK 70 / 0 / 39 / 2

HEX #4CFA98

RGB 76 250 152

HSL 146.21, 0.95%, 0.64%

LAB 88.05, -65.16, 34.53

 

CMYK 88 / 0 / 97 / 7

HEX #1DEE06

RGB 29 238 6

HSL 114.05, 0.95%, 0.48%

LAB 82.61, -80.43, 78.62

 

CMYK 77 / 0 / 86 / 2

HEX #39F924

RGB 57 249 36

HSL 114.08, 0.95%, 0.56%

LAB 86.38, -79.92, 77.91

 

CMYK 63 / 0 / 70 / 2

HEX #5DFA4C

RGB 93 250 76

HSL 114.14, 0.95%, 0.64%

LAB 87.59, -71.81, 67.88

 

CMYK 48 / 0 / 54 / 2

HEX #82FB74

RGB 130 251 116

HSL 113.78, 0.94%, 0.72%

LAB 89.39, -59.3, 53.73

 

CMYK 34 / 0 / 38 / 1

HEX #A6FC9C

RGB 166 252 156

HSL 113.75, 0.94%, 0.8%

LAB 91.74, -43.9, 37.97

 

CMYK 62 / 0 / 69 / 2

HEX #5EFA4D

RGB 94 250 77

HSL 114.1, 0.95%, 0.64%

LAB 87.62, -71.52, 67.56

 

CMYK 70 / 7 / 0 / 2

HEX #4CE9FA

RGB 76 233 250

HSL 185.86, 0.95%, 0.64%

LAB 85.36, -34.96, -20.11

 

CMYK 0 / 70 / 35 / 2

HEX #FA4CA3

RGB 250 76 163

HSL 330, 0.95%, 0.64%

LAB 60.01, 72.24, -9.16

 

CMYK 62 / 0 / 69 / 2

HEX #5EFA4D

RGB 94 250 77

HSL 114.1, 0.95%, 0.64%

LAB 87.62, -71.52, 67.56

 

CMYK 70 / 63 / 0 / 2

HEX #4C5DFA

RGB 76 93 250

HSL 234.14, 0.95%, 0.64%

LAB 47.32, 43.74, -80.11

 

CMYK 0 / 70 / 63 / 2

HEX #FA4C5D

RGB 250 76 93

HSL 354.14, 0.95%, 0.64%

LAB 58.3, 66.46, 29.35

 

CMYK 62 / 0 / 69 / 2

HEX #5EFA4D

RGB 94 250 77

HSL 114.1, 0.95%, 0.64%

LAB 87.62, -71.52, 67.56

 

CMYK 70 / 7 / 0 / 2

HEX #4CE9FA

RGB 76 233 250

HSL 185.86, 0.95%, 0.64%

LAB 85.36, -34.96, -20.11

 

CMYK 7 / 70 / 0 / 2

HEX #E94CFA

RGB 233 76 250

HSL 294.14, 0.95%, 0.64%

LAB 61.13, 80.24, -56.98

 

CMYK 0 / 63 / 70 / 2

HEX #FA5D4C

RGB 250 93 76

HSL 5.86, 0.95%, 0.64%

LAB 60.49, 58.95, 41.59

 

CMYK 62 / 0 / 69 / 2

HEX #5EFA4D

RGB 94 250 77

HSL 114.1, 0.95%, 0.64%

LAB 87.62, -71.52, 67.56

 

CMYK 70 / 28 / 0 / 2

HEX #4CB5FA

RGB 76 181 250

HSL 203.79, 0.95%, 0.64%

LAB 70.52, -8.62, -42.96

 

CMYK 7 / 70 / 0 / 2

HEX #E94CFA

RGB 233 76 250

HSL 294.14, 0.95%, 0.64%

LAB 61.13, 80.24, -56.98

 

CMYK 0 / 42 / 70 / 2

HEX #FA924C

RGB 250 146 76

HSL 24.14, 0.95%, 0.64%

LAB 70.46, 33.66, 52.8

 

Description

Color code: HEX #5EFA4D | qconv.com Color code: HEX #5EFA4D | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 250 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 250 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, none magenta, 69 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 0% 69% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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