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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5EF858 it is the complementary color #A107A7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5EF858. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5EF858 shade: #63F853, #74FF66, #85FF79, #96FF8C and #A7FF9F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5EF858. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5EF858 shade: #5EF858, #4DE645, #3CD432, #2BC21F and #1AB00C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5EF858 shade: #5FF859, #8AF859, #B5F859, #E0F859 and #F8E659

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5EF858 shade: #5FF859, #59F87E, #59F8A9, #59F8D4 and #59F1F8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5EF858 shade matches the following richer shades: #5FF859

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5EF858 shade: #5FF859, #6BEA67, #78DC75, #85CE83 and #92C091

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5EF858 shade: #B6F859, #8BF859, #61F859, #59F87B and #59F8A6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5EF858 shade: #13F40A, #38F631, #5FF859, #85FA80 and #ABFBA8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5EF858 shade: #5EF858, #59E0F8 and #F859A0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5EF858 shade: #5EF858, #5961F8 and #F85961

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5EF858 shade: #5EF858, #59E0F8, #F059F8 and #F87059

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5EF858 shade: #5EF858, #59B0F8, #F059F8 and #F8A059

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 0 / 65 / 3

HEX #5EF858

RGB 94 248 88

HSL 117.75, 0.92%, 0.66%

LAB 87.1, -69.89, 62.8

 

Complementary color

CMYK 4 / 96 / 0 / 35

HEX #A107A7

RGB 161 7 167

HSL 297.75, 0.92%, 0.34%

LAB 38.76, 69.8, -45.71

 

CMYK 60 / 0 / 67 / 3

HEX #63F853

RGB 99 248 83

HSL 114.18, 0.92%, 0.65%

LAB 87.2, -69.27, 64.9

 

CMYK 55 / 0 / 60 / 0

HEX #74FF66

RGB 116 255 102

HSL 114.51, 1%, 0.7%

LAB 89.95, -65.94, 60.39

 

CMYK 48 / 0 / 53 / 0

HEX #85FF79

RGB 133 255 121

HSL 114.63, 1%, 0.74%

LAB 90.73, -59.43, 53.09

 

CMYK 41 / 0 / 45 / 0

HEX #96FF8C

RGB 150 255 140

HSL 114.78, 1%, 0.77%

LAB 91.64, -52.23, 45.47

 

CMYK 35 / 0 / 38 / 0

HEX #A7FF9F

RGB 167 255 159

HSL 115, 1%, 0.81%

LAB 92.68, -44.46, 37.72

 

CMYK 62 / 0 / 65 / 3

HEX #5EF858

RGB 94 248 88

HSL 117.75, 0.92%, 0.66%

LAB 87.1, -69.89, 62.8

 

CMYK 67 / 0 / 70 / 10

HEX #4DE645

RGB 77 230 69

HSL 117.02, 0.76%, 0.59%

LAB 81.07, -69.02, 63.54

 

CMYK 72 / 0 / 76 / 17

HEX #3CD432

RGB 60 212 50

HSL 116.3, 0.65%, 0.51%

LAB 75, -67.74, 63.84

 

CMYK 78 / 0 / 84 / 24

HEX #2BC21F

RGB 43 194 31

HSL 115.58, 0.72%, 0.44%

LAB 68.89, -65.89, 63.38

 

CMYK 85 / 0 / 93 / 31

HEX #1AB00C

RGB 26 176 12

HSL 114.88, 0.87%, 0.37%

LAB 62.76, -63.29, 61.66

 

CMYK 62 / 0 / 64 / 3

HEX #5FF859

RGB 95 248 89

HSL 117.74, 0.92%, 0.66%

LAB 87.14, -69.59, 62.45

 

CMYK 44 / 0 / 64 / 3

HEX #8AF859

RGB 138 248 89

HSL 101.51, 0.92%, 0.66%

LAB 88.57, -58.6, 64.42

 

CMYK 27 / 0 / 64 / 3

HEX #B5F859

RGB 181 248 89

HSL 85.28, 0.92%, 0.66%

LAB 90.63, -44.42, 67.25

 

CMYK 10 / 0 / 64 / 3

HEX #E0F859

RGB 224 248 89

HSL 69.06, 0.92%, 0.66%

LAB 93.32, -28.2, 70.91

 

CMYK 0 / 7 / 64 / 3

HEX #F8E659

RGB 248 230 89

HSL 53.21, 0.92%, 0.66%

LAB 90.45, -9.86, 68.45

 

CMYK 62 / 0 / 64 / 3

HEX #5FF859

RGB 95 248 89

HSL 117.74, 0.92%, 0.66%

LAB 87.14, -69.59, 62.45

 

CMYK 64 / 0 / 49 / 3

HEX #59F87E

RGB 89 248 126

HSL 133.96, 0.92%, 0.66%

LAB 87.37, -66.39, 46.35

 

CMYK 64 / 0 / 32 / 3

HEX #59F8A9

RGB 89 248 169

HSL 150.19, 0.92%, 0.66%

LAB 88.03, -59.14, 26

 

CMYK 64 / 0 / 15 / 3

HEX #59F8D4

RGB 89 248 212

HSL 166.42, 0.92%, 0.66%

LAB 88.93, -49.81, 5.1

 

CMYK 64 / 3 / 0 / 3

HEX #59F1F8

RGB 89 241 248

HSL 182.64, 0.92%, 0.66%

LAB 87.88, -37.46, -15.24

 

CMYK 62 / 0 / 64 / 3

HEX #5FF859

RGB 95 248 89

HSL 117.74, 0.92%, 0.66%

LAB 87.14, -69.59, 62.45

 

CMYK 62 / 0 / 64 / 3

HEX #5FF859

RGB 95 248 89

HSL 117.74, 0.92%, 0.66%

LAB 87.14, -69.59, 62.45

 

CMYK 54 / 0 / 56 / 8

HEX #6BEA67

RGB 107 234 103

HSL 118.17, 0.76%, 0.66%

LAB 83.42, -60.39, 52.33

 

CMYK 45 / 0 / 47 / 14

HEX #78DC75

RGB 120 220 117

HSL 118.25, 0.6%, 0.66%

LAB 79.88, -49.67, 41.54

 

CMYK 35 / 0 / 36 / 19

HEX #85CE83

RGB 133 206 131

HSL 118.4, 0.43%, 0.66%

LAB 76.54, -37.64, 30.31

 

CMYK 24 / 0 / 24 / 25

HEX #92C091

RGB 146 192 145

HSL 118.72, 0.27%, 0.66%

LAB 73.45, -24.42, 18.87

 

CMYK 27 / 0 / 64 / 3

HEX #B6F859

RGB 182 248 89

HSL 84.91, 0.92%, 0.66%

LAB 90.69, -44.07, 67.33

 

CMYK 44 / 0 / 64 / 3

HEX #8BF859

RGB 139 248 89

HSL 101.13, 0.92%, 0.66%

LAB 88.61, -58.3, 64.48

 

CMYK 61 / 0 / 64 / 3

HEX #61F859

RGB 97 248 89

HSL 116.98, 0.92%, 0.66%

LAB 87.19, -69.16, 62.52

 

CMYK 64 / 0 / 50 / 3

HEX #59F87B

RGB 89 248 123

HSL 132.83, 0.92%, 0.66%

LAB 87.33, -66.81, 47.72

 

CMYK 64 / 0 / 33 / 3

HEX #59F8A6

RGB 89 248 166

HSL 149.06, 0.92%, 0.66%

LAB 87.97, -59.71, 27.45

 

CMYK 92 / 0 / 96 / 4

HEX #13F40A

RGB 19 244 10

HSL 117.69, 0.92%, 0.5%

LAB 84.41, -82.55, 79.74

 

CMYK 77 / 0 / 80 / 4

HEX #38F631

RGB 56 246 49

HSL 117.87, 0.92%, 0.58%

LAB 85.49, -78.6, 74.08

 

CMYK 62 / 0 / 64 / 3

HEX #5FF859

RGB 95 248 89

HSL 117.74, 0.92%, 0.66%

LAB 87.14, -69.59, 62.45

 

CMYK 47 / 0 / 49 / 2

HEX #85FA80

RGB 133 250 128

HSL 117.54, 0.92%, 0.74%

LAB 89.35, -56.62, 48.17

 

CMYK 32 / 0 / 33 / 2

HEX #ABFBA8

RGB 171 251 168

HSL 117.83, 0.91%, 0.82%

LAB 91.9, -40.11, 32.25

 

CMYK 62 / 0 / 65 / 3

HEX #5EF858

RGB 94 248 88

HSL 117.75, 0.92%, 0.66%

LAB 87.1, -69.89, 62.8

 

CMYK 64 / 10 / 0 / 3

HEX #59E0F8

RGB 89 224 248

HSL 189.06, 0.92%, 0.66%

LAB 83.03, -29.44, -22.56

 

CMYK 0 / 64 / 35 / 3

HEX #F859A0

RGB 248 89 160

HSL 333.21, 0.92%, 0.66%

LAB 61.34, 66.53, -5.48

 

CMYK 62 / 0 / 65 / 3

HEX #5EF858

RGB 94 248 88

HSL 117.75, 0.92%, 0.66%

LAB 87.1, -69.89, 62.8

 

CMYK 64 / 61 / 0 / 3

HEX #5961F8

RGB 89 97 248

HSL 236.98, 0.92%, 0.66%

LAB 48.82, 42.39, -76.52

 

CMYK 0 / 64 / 61 / 3

HEX #F85961

RGB 248 89 97

HSL 356.98, 0.92%, 0.66%

LAB 59.86, 61.11, 28.97

 

CMYK 62 / 0 / 65 / 3

HEX #5EF858

RGB 94 248 88

HSL 117.75, 0.92%, 0.66%

LAB 87.1, -69.89, 62.8

 

CMYK 64 / 10 / 0 / 3

HEX #59E0F8

RGB 89 224 248

HSL 189.06, 0.92%, 0.66%

LAB 83.03, -29.44, -22.56

 

CMYK 3 / 64 / 0 / 3

HEX #F059F8

RGB 240 89 248

HSL 296.98, 0.92%, 0.66%

LAB 63.71, 76.71, -51.71

 

CMYK 0 / 55 / 64 / 3

HEX #F87059

RGB 248 112 89

HSL 8.68, 0.92%, 0.66%

LAB 63.56, 50.5, 38.1

 

CMYK 62 / 0 / 65 / 3

HEX #5EF858

RGB 94 248 88

HSL 117.75, 0.92%, 0.66%

LAB 87.1, -69.89, 62.8

 

CMYK 64 / 29 / 0 / 3

HEX #59B0F8

RGB 89 176 248

HSL 207.17, 0.92%, 0.66%

LAB 69.44, -4.53, -43.53

 

CMYK 3 / 64 / 0 / 3

HEX #F059F8

RGB 240 89 248

HSL 296.98, 0.92%, 0.66%

LAB 63.71, 76.71, -51.71

 

CMYK 0 / 35 / 64 / 3

HEX #F8A059

RGB 248 160 89

HSL 26.79, 0.92%, 0.66%

LAB 73.43, 26.3, 49.76

 

Description

Color code: HEX #5EF858 | qconv.com Color code: HEX #5EF858 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 248 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 248 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, none magenta, 65 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 0% 65% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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