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Color name
HEX #5EF317

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5EF317 it is the complementary color #A10CE8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5EF317. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5EF317 shade: #63F312, #74FF25, #85FF38, #96FF4B and #A7FF5E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5EF317. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5EF317 shade: #5EF317, #4DE104, #3CCF00, #2BBD00 and #1AAB00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5EF317 shade: #5EF316, #99F316, #D4F316, #F3D616 and #F39A16

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5EF317 shade: #5EF316, #22F316, #16F346, #16F382 and #16F3BD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5EF317 shade matches the following richer shades: #5EF316

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5EF317 shade: #5EF316, #65DF2A, #6CCB3E, #73B752 and #7AA466

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5EF317 shade: #D5F316, #9BF316, #60F316, #25F316 and #16F343

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5EF317 shade: #3EAE09, #4CD50B, #5EF316, #79F53E and #94F765

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5EF317 shade: #5EF317, #16F3D5 and #F316B8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5EF317 shade: #5EF317, #1660F3 and #F31660

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5EF317 shade: #5EF317, #16F3D5, #A916F3 and #F31634

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5EF317 shade: #5EF317, #16CEF3, #A916F3 and #F33B16

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 0 / 91 / 5

HEX #5EF317

RGB 94 243 23

HSL 100.64, 0.9%, 0.52%

LAB 85.27, -72.03, 79.49

 

Complementary color

CMYK 31 / 95 / 0 / 9

HEX #A10CE8

RGB 161 12 232

HSL 280.64, 0.9%, 0.48%

LAB 43.75, 80.58, -75.5

 

CMYK 59 / 0 / 93 / 5

HEX #63F312

RGB 99 243 18

HSL 98.4, 0.9%, 0.51%

LAB 85.4, -70.99, 80.29

 

CMYK 55 / 0 / 85 / 0

HEX #74FF25

RGB 116 255 37

HSL 98.26, 1%, 0.57%

LAB 89.56, -70.3, 81.03

 

CMYK 48 / 0 / 78 / 0

HEX #85FF38

RGB 133 255 56

HSL 96.78, 1%, 0.61%

LAB 90.23, -64.89, 77.32

 

CMYK 41 / 0 / 71 / 0

HEX #96FF4B

RGB 150 255 75

HSL 95, 1%, 0.65%

LAB 91.01, -58.69, 72.36

 

CMYK 35 / 0 / 63 / 0

HEX #A7FF5E

RGB 167 255 94

HSL 92.8, 1%, 0.68%

LAB 91.93, -51.82, 66.45

 

CMYK 61 / 0 / 91 / 5

HEX #5EF317

RGB 94 243 23

HSL 100.64, 0.9%, 0.52%

LAB 85.27, -72.03, 79.49

 

CMYK 66 / 0 / 98 / 12

HEX #4DE104

RGB 77 225 4

HSL 100.18, 0.97%, 0.45%

LAB 79.29, -70.28, 76.43

 

CMYK 71 / 0 / 100 / 19

HEX #3CCF00

RGB 60 207 0

HSL 102.61, 1%, 0.41%

LAB 73.28, -68.01, 71.85

 

CMYK 77 / 0 / 100 / 26

HEX #2BBD00

RGB 43 189 0

HSL 106.35, 1%, 0.37%

LAB 67.21, -65.31, 66.88

 

CMYK 85 / 0 / 100 / 33

HEX #1AAB00

RGB 26 171 0

HSL 110.88, 1%, 0.34%

LAB 61.09, -62.13, 61.89

 

CMYK 61 / 0 / 91 / 5

HEX #5EF316

RGB 94 243 22

HSL 100.45, 0.9%, 0.52%

LAB 85.27, -72.05, 79.62

 

CMYK 37 / 0 / 91 / 5

HEX #99F316

RGB 153 243 22

HSL 84.43, 0.9%, 0.52%

LAB 87.45, -55.26, 82.31

 

CMYK 13 / 0 / 91 / 5

HEX #D4F316

RGB 212 243 22

HSL 68.42, 0.9%, 0.52%

LAB 90.85, -33.21, 86.46

 

CMYK 0 / 12 / 91 / 5

HEX #F3D616

RGB 243 214 22

HSL 52.13, 0.9%, 0.52%

LAB 85.61, -6.32, 83.45

 

CMYK 0 / 37 / 91 / 5

HEX #F39A16

RGB 243 154 22

HSL 35.84, 0.9%, 0.52%

LAB 71.02, 24.89, 72.51

 

CMYK 61 / 0 / 91 / 5

HEX #5EF316

RGB 94 243 22

HSL 100.45, 0.9%, 0.52%

LAB 85.27, -72.05, 79.62

 

CMYK 86 / 0 / 91 / 5

HEX #22F316

RGB 34 243 22

HSL 116.74, 0.9%, 0.52%

LAB 84.23, -81.1, 78.33

 

CMYK 91 / 0 / 71 / 5

HEX #16F346

RGB 22 243 70

HSL 133.03, 0.9%, 0.52%

LAB 84.34, -79.34, 66.32

 

CMYK 91 / 0 / 47 / 5

HEX #16F382

RGB 22 243 130

HSL 149.32, 0.9%, 0.52%

LAB 84.94, -71.94, 41.17

 

CMYK 91 / 0 / 22 / 5

HEX #16F3BD

RGB 22 243 189

HSL 165.34, 0.9%, 0.52%

LAB 85.98, -60.04, 12.71

 

CMYK 61 / 0 / 91 / 5

HEX #5EF316

RGB 94 243 22

HSL 100.45, 0.9%, 0.52%

LAB 85.27, -72.05, 79.62

 

CMYK 61 / 0 / 91 / 5

HEX #5EF316

RGB 94 243 22

HSL 100.45, 0.9%, 0.52%

LAB 85.27, -72.05, 79.62

 

CMYK 55 / 0 / 81 / 13

HEX #65DF2A

RGB 101 223 42

HSL 100.44, 0.74%, 0.52%

LAB 79.45, -62.95, 70.72

 

CMYK 47 / 0 / 69 / 20

HEX #6CCB3E

RGB 108 203 62

HSL 100.43, 0.58%, 0.52%

LAB 73.71, -52.36, 58.81

 

CMYK 37 / 0 / 55 / 28

HEX #73B752

RGB 115 183 82

HSL 100.4, 0.41%, 0.52%

LAB 68.11, -39.95, 44.08

 

CMYK 26 / 0 / 38 / 36

HEX #7AA466

RGB 122 164 102

HSL 100.65, 0.25%, 0.52%

LAB 63.05, -26.03, 27.7

 

CMYK 12 / 0 / 91 / 5

HEX #D5F316

RGB 213 243 22

HSL 68.14, 0.9%, 0.52%

LAB 90.92, -32.81, 86.55

 

CMYK 36 / 0 / 91 / 5

HEX #9BF316

RGB 155 243 22

HSL 83.89, 0.9%, 0.52%

LAB 87.55, -54.58, 82.43

 

CMYK 60 / 0 / 91 / 5

HEX #60F316

RGB 96 243 22

HSL 99.91, 0.9%, 0.52%

LAB 85.32, -71.6, 79.69

 

CMYK 85 / 0 / 91 / 5

HEX #25F316

RGB 37 243 22

HSL 115.93, 0.9%, 0.52%

LAB 84.25, -80.85, 78.36

 

CMYK 91 / 0 / 72 / 5

HEX #16F343

RGB 22 243 67

HSL 132.22, 0.9%, 0.52%

LAB 84.32, -79.58, 67.35

 

CMYK 64 / 0 / 95 / 32

HEX #3EAE09

RGB 62 174 9

HSL 100.73, 0.9%, 0.36%

LAB 62.77, -56.88, 62.34

 

CMYK 64 / 0 / 95 / 16

HEX #4CD50B

RGB 76 213 11

HSL 100.69, 0.9%, 0.44%

LAB 75.54, -66.57, 72.73

 

CMYK 61 / 0 / 91 / 5

HEX #5EF316

RGB 94 243 22

HSL 100.45, 0.9%, 0.52%

LAB 85.27, -72.05, 79.62

 

CMYK 51 / 0 / 75 / 4

HEX #79F53E

RGB 121 245 62

HSL 100.66, 0.9%, 0.6%

LAB 86.86, -64.32, 72.17

 

CMYK 40 / 0 / 59 / 3

HEX #94F765

RGB 148 247 101

HSL 100.68, 0.9%, 0.68%

LAB 88.81, -54.08, 59.84

 

CMYK 61 / 0 / 91 / 5

HEX #5EF317

RGB 94 243 23

HSL 100.64, 0.9%, 0.52%

LAB 85.27, -72.03, 79.49

 

CMYK 91 / 0 / 12 / 5

HEX #16F3D5

RGB 22 243 213

HSL 171.86, 0.9%, 0.52%

LAB 86.54, -54.06, 1

 

CMYK 0 / 91 / 24 / 5

HEX #F316B8

RGB 243 22 184

HSL 316.02, 0.9%, 0.52%

LAB 55.16, 85.54, -28.87

 

CMYK 61 / 0 / 91 / 5

HEX #5EF317

RGB 94 243 23

HSL 100.64, 0.9%, 0.52%

LAB 85.27, -72.03, 79.49

 

CMYK 91 / 60 / 0 / 5

HEX #1660F3

RGB 22 96 243

HSL 219.91, 0.9%, 0.52%

LAB 45.64, 35.08, -79.02

 

CMYK 0 / 91 / 60 / 5

HEX #F31660

RGB 243 22 96

HSL 339.91, 0.9%, 0.52%

LAB 52.37, 78, 19.54

 

CMYK 61 / 0 / 91 / 5

HEX #5EF317

RGB 94 243 23

HSL 100.64, 0.9%, 0.52%

LAB 85.27, -72.03, 79.49

 

CMYK 91 / 0 / 12 / 5

HEX #16F3D5

RGB 22 243 213

HSL 171.86, 0.9%, 0.52%

LAB 86.54, -54.06, 1

 

CMYK 30 / 91 / 0 / 5

HEX #A916F3

RGB 169 22 243

HSL 279.91, 0.9%, 0.52%

LAB 46.28, 82.34, -77.52

 

CMYK 0 / 91 / 79 / 5

HEX #F31634

RGB 243 22 52

HSL 351.86, 0.9%, 0.52%

LAB 51.7, 76.12, 44.68

 

CMYK 61 / 0 / 91 / 5

HEX #5EF317

RGB 94 243 23

HSL 100.64, 0.9%, 0.52%

LAB 85.27, -72.03, 79.49

 

CMYK 91 / 15 / 0 / 5

HEX #16CEF3

RGB 22 206 243

HSL 190.05, 0.9%, 0.52%

LAB 76.55, -28.71, -29.9

 

CMYK 30 / 91 / 0 / 5

HEX #A916F3

RGB 169 22 243

HSL 279.91, 0.9%, 0.52%

LAB 46.28, 82.34, -77.52

 

CMYK 0 / 76 / 91 / 5

HEX #F33B16

RGB 243 59 22

HSL 10.05, 0.9%, 0.52%

LAB 54.28, 67.56, 60.68

 

Description

Color code: HEX #5EF317 | qconv.com Color code: HEX #5EF317 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 243 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 243 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, none magenta, 91 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 0% 91% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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