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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5EECE7 it is the complementary color #A11318. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5EECE7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5EECE7 shade: #63ECE2, #74FEF5, #85FFFF, #96FFFF and #A7FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5EECE7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5EECE7 shade: #5EECE7, #4DDAD4, #3CC8C1, #2BB6AE and #1AA49B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5EECE7 shade: #5FECE7, #5FECC1, #5FEC9B, #5FEC75 and #6FEC5F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5EECE7 shade: #5FECE7, #5FCBEC, #5FA5EC, #5F7FEC and #5F5FEC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5EECE7 shade matches the following richer shades: #5FECE7 and #50FAF4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5EECE7 shade: #5FECE7, #6DDDD9, #7CCFCC, #8AC0BF and #99B2B1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5EECE7 shade: #5FEC99, #5FECBF, #5FECE5, #5FCDEC and #5FA8EC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5EECE7 shade: #1ADED7, #3AE7E1, #5FECE7, #84F0EC and #A9F4F2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5EECE7 shade: #5EECE7, #745FEC and #ECAC5F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5EECE7 shade: #5EECE7, #E55FEC and #ECE55F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5EECE7 shade: #5EECE7, #745FEC, #EC5F66 and #D7EC5F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5EECE7 shade: #5EECE7, #9E5FEC, #EC5F66 and #ACEC5F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 2 / 7

HEX #5EECE7

RGB 94 236 231

HSL 177.89, 0.79%, 0.65%

LAB 86.08, -38.97, -9

 

Complementary color

CMYK 0 / 88 / 85 / 37

HEX #A11318

RGB 161 19 24

HSL 357.89, 0.79%, 0.35%

LAB 34.21, 54.36, 37.24

 

CMYK 58 / 0 / 4 / 7

HEX #63ECE2

RGB 99 236 226

HSL 175.62, 0.78%, 0.66%

LAB 86.07, -39.41, -6.36

 

CMYK 54 / 0 / 4 / 0

HEX #74FEF5

RGB 116 254 245

HSL 176.09, 0.99%, 0.73%

LAB 92.22, -39.62, -7.14

 

CMYK 48 / 0 / 0 / 0

HEX #85FFFF

RGB 133 255 255

HSL 180, 1%, 0.76%

LAB 93.33, -34.2, -10.6

 

CMYK 41 / 0 / 0 / 0

HEX #96FFFF

RGB 150 255 255

HSL 180, 1%, 0.79%

LAB 93.98, -30.42, -9.57

 

CMYK 35 / 0 / 0 / 0

HEX #A7FFFF

RGB 167 255 255

HSL 180, 1%, 0.83%

LAB 94.72, -26.25, -8.39

 

CMYK 60 / 0 / 2 / 7

HEX #5EECE7

RGB 94 236 231

HSL 177.89, 0.79%, 0.65%

LAB 86.08, -38.97, -9

 

CMYK 65 / 0 / 3 / 15

HEX #4DDAD4

RGB 77 218 212

HSL 177.45, 0.66%, 0.58%

LAB 79.88, -38.54, -8.18

 

CMYK 70 / 0 / 4 / 22

HEX #3CC8C1

RGB 60 200 193

HSL 177, 0.56%, 0.51%

LAB 73.62, -37.95, -7.29

 

CMYK 76 / 0 / 4 / 29

HEX #2BB6AE

RGB 43 182 174

HSL 176.55, 0.62%, 0.44%

LAB 67.3, -37.13, -6.3

 

CMYK 84 / 0 / 5 / 36

HEX #1AA49B

RGB 26 164 155

HSL 176.09, 0.73%, 0.37%

LAB 60.9, -35.99, -5.19

 

CMYK 60 / 0 / 2 / 7

HEX #5FECE7

RGB 95 236 231

HSL 177.87, 0.79%, 0.65%

LAB 86.1, -38.8, -8.96

 

CMYK 60 / 0 / 18 / 7

HEX #5FECC1

RGB 95 236 193

HSL 161.7, 0.79%, 0.65%

LAB 85.14, -48.15, 9.58

 

CMYK 60 / 0 / 34 / 7

HEX #5FEC9B

RGB 95 236 155

HSL 145.53, 0.79%, 0.65%

LAB 84.38, -56, 28.2

 

CMYK 60 / 0 / 50 / 7

HEX #5FEC75

RGB 95 236 117

HSL 129.36, 0.79%, 0.65%

LAB 83.81, -62.13, 46.24

 

CMYK 53 / 0 / 60 / 7

HEX #6FEC5F

RGB 111 236 95

HSL 113.19, 0.79%, 0.65%

LAB 84.07, -61, 56.64

 

CMYK 60 / 0 / 2 / 7

HEX #5FECE7

RGB 95 236 231

HSL 177.87, 0.79%, 0.65%

LAB 86.1, -38.8, -8.96

 

CMYK 60 / 14 / 0 / 7

HEX #5FCBEC

RGB 95 203 236

HSL 194.04, 0.79%, 0.65%

LAB 76.8, -21.55, -25.63

 

CMYK 60 / 30 / 0 / 7

HEX #5FA5EC

RGB 95 165 236

HSL 210.21, 0.79%, 0.65%

LAB 66.06, -1.16, -42.26

 

CMYK 60 / 46 / 0 / 7

HEX #5F7FEC

RGB 95 127 236

HSL 226.38, 0.79%, 0.65%

LAB 55.75, 21.21, -58.6

 

CMYK 60 / 60 / 0 / 7

HEX #5F5FEC

RGB 95 95 236

HSL 240, 0.79%, 0.65%

LAB 47.85, 40.62, -71.37

 

CMYK 60 / 0 / 2 / 7

HEX #5FECE7

RGB 95 236 231

HSL 177.87, 0.79%, 0.65%

LAB 86.1, -38.8, -8.96

 

CMYK 68 / 0 / 2 / 2

HEX #50FAF4

RGB 80 250 244

HSL 177.88, 0.94%, 0.65%

LAB 90.14, -43.84, -9.8

 

CMYK 60 / 0 / 2 / 7

HEX #5FECE7

RGB 95 236 231

HSL 177.87, 0.79%, 0.65%

LAB 86.1, -38.8, -8.96

 

CMYK 51 / 0 / 2 / 13

HEX #6DDDD9

RGB 109 221 217

HSL 177.86, 0.62%, 0.65%

LAB 81.82, -32.86, -7.86

 

CMYK 40 / 0 / 1 / 19

HEX #7CCFCC

RGB 124 207 204

HSL 177.83, 0.46%, 0.65%

LAB 78.03, -25.93, -6.46

 

CMYK 28 / 0 / 1 / 25

HEX #8AC0BF

RGB 138 192 191

HSL 178.89, 0.3%, 0.65%

LAB 74.1, -17.67, -5.17

 

CMYK 14 / 0 / 1 / 30

HEX #99B2B1

RGB 153 178 177

HSL 177.6, 0.14%, 0.65%

LAB 70.72, -8.75, -2.38

 

CMYK 60 / 0 / 35 / 7

HEX #5FEC99

RGB 95 236 153

HSL 144.68, 0.79%, 0.65%

LAB 84.34, -56.37, 29.17

 

CMYK 60 / 0 / 19 / 7

HEX #5FECBF

RGB 95 236 191

HSL 160.85, 0.79%, 0.65%

LAB 85.09, -48.6, 10.56

 

CMYK 60 / 0 / 3 / 7

HEX #5FECE5

RGB 95 236 229

HSL 177.02, 0.79%, 0.65%

LAB 86.05, -39.33, -7.99

 

CMYK 60 / 13 / 0 / 7

HEX #5FCDEC

RGB 95 205 236

HSL 193.19, 0.79%, 0.65%

LAB 77.37, -22.56, -24.76

 

CMYK 60 / 29 / 0 / 7

HEX #5FA8EC

RGB 95 168 236

HSL 208.94, 0.79%, 0.65%

LAB 66.9, -2.85, -40.95

 

CMYK 88 / 0 / 3 / 13

HEX #1ADED7

RGB 26 222 215

HSL 177.86, 0.79%, 0.49%

LAB 80.39, -44.51, -9.12

 

CMYK 75 / 0 / 3 / 9

HEX #3AE7E1

RGB 58 231 225

HSL 177.92, 0.78%, 0.57%

LAB 83.7, -43.2, -9.46

 

CMYK 60 / 0 / 2 / 7

HEX #5FECE7

RGB 95 236 231

HSL 177.87, 0.79%, 0.65%

LAB 86.1, -38.8, -8.96

 

CMYK 45 / 0 / 2 / 6

HEX #84F0EC

RGB 132 240 236

HSL 177.78, 0.78%, 0.73%

LAB 88.58, -32.08, -7.77

 

CMYK 31 / 0 / 1 / 4

HEX #A9F4F2

RGB 169 244 242

HSL 178.4, 0.77%, 0.81%

LAB 91.48, -23.35, -6.43

 

CMYK 60 / 0 / 2 / 7

HEX #5EECE7

RGB 94 236 231

HSL 177.89, 0.79%, 0.65%

LAB 86.08, -38.97, -9

 

CMYK 51 / 60 / 0 / 7

HEX #745FEC

RGB 116 95 236

HSL 248.94, 0.79%, 0.65%

LAB 49.44, 44.31, -68.71

 

CMYK 0 / 27 / 60 / 7

HEX #ECAC5F

RGB 236 172 95

HSL 32.77, 0.79%, 0.65%

LAB 74.93, 15.45, 48.21

 

CMYK 60 / 0 / 2 / 7

HEX #5EECE7

RGB 94 236 231

HSL 177.89, 0.79%, 0.65%

LAB 86.08, -38.97, -9

 

CMYK 3 / 60 / 0 / 7

HEX #E55FEC

RGB 229 95 236

HSL 297.02, 0.79%, 0.65%

LAB 62.42, 69.72, -47.2

 

CMYK 0 / 3 / 60 / 7

HEX #ECE55F

RGB 236 229 95

HSL 57.02, 0.79%, 0.65%

LAB 89.25, -13.88, 64.4

 

CMYK 60 / 0 / 2 / 7

HEX #5EECE7

RGB 94 236 231

HSL 177.89, 0.79%, 0.65%

LAB 86.08, -38.97, -9

 

CMYK 51 / 60 / 0 / 7

HEX #745FEC

RGB 116 95 236

HSL 248.94, 0.79%, 0.65%

LAB 49.44, 44.31, -68.71

 

CMYK 0 / 60 / 57 / 7

HEX #EC5F66

RGB 236 95 102

HSL 357.02, 0.79%, 0.65%

LAB 58.95, 54.97, 24.55

 

CMYK 9 / 0 / 60 / 7

HEX #D7EC5F

RGB 215 236 95

HSL 68.94, 0.79%, 0.65%

LAB 89.52, -25.69, 64.23

 

CMYK 60 / 0 / 2 / 7

HEX #5EECE7

RGB 94 236 231

HSL 177.89, 0.79%, 0.65%

LAB 86.08, -38.97, -9

 

CMYK 33 / 60 / 0 / 7

HEX #9E5FEC

RGB 158 95 236

HSL 266.81, 0.79%, 0.65%

LAB 53.5, 53.02, -61.95

 

CMYK 0 / 60 / 57 / 7

HEX #EC5F66

RGB 236 95 102

HSL 357.02, 0.79%, 0.65%

LAB 58.95, 54.97, 24.55

 

CMYK 27 / 0 / 60 / 7

HEX #ACEC5F

RGB 172 236 95

HSL 87.23, 0.79%, 0.65%

LAB 86.79, -41.96, 60.46

 

Description

Color code: HEX #5EECE7 | qconv.com Color code: HEX #5EECE7 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 236 green and 231 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 236 231 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 2 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 2% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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