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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5EECDD it is the complementary color #A11322. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5EECDD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5EECDD shade: #63ECD8, #74FEEB, #85FFFE, #96FFFF and #A7FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5EECDD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5EECDD shade: #5EECDD, #4DDACA, #3CC8B7, #2BB6A4 and #1AA491

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5EECDD shade: #5FECDD, #5FECB7, #5FEC91, #5FEC6B and #79EC5F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5EECDD shade: #5FECDD, #5FD5EC, #5FAFEC, #5F89EC and #5F63EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5EECDD shade matches the following richer shades: #5FECDD and #50FAE8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5EECDD shade: #5FECDD, #6DDDD1, #7CCFC6, #8AC0BB and #99B2AF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5EECDD shade: #5FEC90, #5FECB6, #5FECDB, #5FD7EC and #5FB1EC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5EECDD shade: #1ADECA, #3AE7D5, #5FECDD, #84F0E5 and #A9F4EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5EECDD shade: #5EECDD, #6A5FEC and #ECA35F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5EECDD shade: #5EECDD, #DB5FEC and #ECDB5F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5EECDD shade: #5EECDD, #6A5FEC, #EC5F6F and #E0EC5F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5EECDD shade: #5EECDD, #955FEC, #EC5F6F and #B6EC5F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 6 / 7

HEX #5EECDD

RGB 94 236 221

HSL 173.66, 0.79%, 0.65%

LAB 85.8, -41.56, -4.15

 

Complementary color

CMYK 0 / 88 / 79 / 37

HEX #A11322

RGB 161 19 34

HSL 353.66, 0.79%, 0.35%

LAB 34.31, 54.66, 31.57

 

CMYK 58 / 0 / 8 / 7

HEX #63ECD8

RGB 99 236 216

HSL 171.24, 0.78%, 0.66%

LAB 85.81, -41.94, -1.5

 

CMYK 54 / 0 / 7 / 0

HEX #74FEEB

RGB 116 254 235

HSL 171.74, 0.99%, 0.73%

LAB 91.95, -42.09, -2.35

 

CMYK 48 / 0 / 0 / 0

HEX #85FFFE

RGB 133 255 254

HSL 179.51, 1%, 0.76%

LAB 93.3, -34.44, -10.12

 

CMYK 41 / 0 / 0 / 0

HEX #96FFFF

RGB 150 255 255

HSL 180, 1%, 0.79%

LAB 93.98, -30.42, -9.57

 

CMYK 35 / 0 / 0 / 0

HEX #A7FFFF

RGB 167 255 255

HSL 180, 1%, 0.83%

LAB 94.72, -26.25, -8.39

 

CMYK 60 / 0 / 6 / 7

HEX #5EECDD

RGB 94 236 221

HSL 173.66, 0.79%, 0.65%

LAB 85.8, -41.56, -4.15

 

CMYK 65 / 0 / 7 / 15

HEX #4DDACA

RGB 77 218 202

HSL 173.19, 0.66%, 0.58%

LAB 79.61, -41.21, -3.25

 

CMYK 70 / 0 / 9 / 22

HEX #3CC8B7

RGB 60 200 183

HSL 172.71, 0.56%, 0.51%

LAB 73.34, -40.68, -2.27

 

CMYK 76 / 0 / 10 / 29

HEX #2BB6A4

RGB 43 182 164

HSL 172.23, 0.62%, 0.44%

LAB 67.01, -39.93, -1.19

 

CMYK 84 / 0 / 12 / 36

HEX #1AA491

RGB 26 164 145

HSL 171.74, 0.73%, 0.37%

LAB 60.62, -38.86, 0.02

 

CMYK 60 / 0 / 6 / 7

HEX #5FECDD

RGB 95 236 221

HSL 173.62, 0.79%, 0.65%

LAB 85.83, -41.39, -4.11

 

CMYK 60 / 0 / 22 / 7

HEX #5FECB7

RGB 95 236 183

HSL 157.45, 0.79%, 0.65%

LAB 84.92, -50.37, 14.49

 

CMYK 60 / 0 / 39 / 7

HEX #5FEC91

RGB 95 236 145

HSL 141.28, 0.79%, 0.65%

LAB 84.21, -57.79, 33.04

 

CMYK 60 / 0 / 55 / 7

HEX #5FEC6B

RGB 95 236 107

HSL 125.11, 0.79%, 0.65%

LAB 83.7, -63.44, 50.75

 

CMYK 49 / 0 / 60 / 7

HEX #79EC5F

RGB 121 236 95

HSL 108.94, 0.79%, 0.65%

LAB 84.42, -58.33, 57.14

 

CMYK 60 / 0 / 6 / 7

HEX #5FECDD

RGB 95 236 221

HSL 173.62, 0.79%, 0.65%

LAB 85.83, -41.39, -4.11

 

CMYK 60 / 10 / 0 / 7

HEX #5FD5EC

RGB 95 213 236

HSL 189.79, 0.79%, 0.65%

LAB 79.66, -26.55, -21.28

 

CMYK 60 / 26 / 0 / 7

HEX #5FAFEC

RGB 95 175 236

HSL 205.96, 0.79%, 0.65%

LAB 68.86, -6.74, -37.89

 

CMYK 60 / 42 / 0 / 7

HEX #5F89EC

RGB 95 137 236

HSL 222.13, 0.79%, 0.65%

LAB 58.4, 15.18, -54.38

 

CMYK 60 / 58 / 0 / 7

HEX #5F63EC

RGB 95 99 236

HSL 238.3, 0.79%, 0.65%

LAB 48.78, 38.23, -69.86

 

CMYK 60 / 0 / 6 / 7

HEX #5FECDD

RGB 95 236 221

HSL 173.62, 0.79%, 0.65%

LAB 85.83, -41.39, -4.11

 

CMYK 68 / 0 / 7 / 2

HEX #50FAE8

RGB 80 250 232

HSL 173.65, 0.94%, 0.65%

LAB 89.81, -47, -4.03

 

CMYK 60 / 0 / 6 / 7

HEX #5FECDD

RGB 95 236 221

HSL 173.62, 0.79%, 0.65%

LAB 85.83, -41.39, -4.11

 

CMYK 51 / 0 / 5 / 13

HEX #6DDDD1

RGB 109 221 209

HSL 173.57, 0.62%, 0.65%

LAB 81.6, -34.88, -3.94

 

CMYK 40 / 0 / 4 / 19

HEX #7CCFC6

RGB 124 207 198

HSL 173.49, 0.46%, 0.65%

LAB 77.87, -27.37, -3.48

 

CMYK 28 / 0 / 3 / 25

HEX #8AC0BB

RGB 138 192 187

HSL 174.44, 0.3%, 0.65%

LAB 73.99, -18.58, -3.16

 

CMYK 14 / 0 / 2 / 30

HEX #99B2AF

RGB 153 178 175

HSL 172.8, 0.14%, 0.65%

LAB 70.67, -9.17, -1.36

 

CMYK 60 / 0 / 39 / 7

HEX #5FEC90

RGB 95 236 144

HSL 140.85, 0.79%, 0.65%

LAB 84.19, -57.96, 33.52

 

CMYK 60 / 0 / 23 / 7

HEX #5FECB6

RGB 95 236 182

HSL 157.02, 0.79%, 0.65%

LAB 84.89, -50.58, 14.98

 

CMYK 60 / 0 / 7 / 7

HEX #5FECDB

RGB 95 236 219

HSL 172.77, 0.79%, 0.65%

LAB 85.78, -41.9, -3.14

 

CMYK 60 / 9 / 0 / 7

HEX #5FD7EC

RGB 95 215 236

HSL 188.94, 0.79%, 0.65%

LAB 80.23, -27.53, -20.42

 

CMYK 60 / 25 / 0 / 7

HEX #5FB1EC

RGB 95 177 236

HSL 205.11, 0.79%, 0.65%

LAB 69.42, -7.84, -37.01

 

CMYK 88 / 0 / 9 / 13

HEX #1ADECA

RGB 26 222 202

HSL 173.88, 0.79%, 0.49%

LAB 80.03, -48.14, -2.72

 

CMYK 75 / 0 / 8 / 9

HEX #3AE7D5

RGB 58 231 213

HSL 173.76, 0.78%, 0.57%

LAB 83.37, -46.47, -3.61

 

CMYK 60 / 0 / 6 / 7

HEX #5FECDD

RGB 95 236 221

HSL 173.62, 0.79%, 0.65%

LAB 85.83, -41.39, -4.11

 

CMYK 45 / 0 / 5 / 6

HEX #84F0E5

RGB 132 240 229

HSL 173.89, 0.78%, 0.73%

LAB 88.39, -33.77, -4.39

 

CMYK 31 / 0 / 3 / 4

HEX #A9F4EC

RGB 169 244 236

HSL 173.6, 0.77%, 0.81%

LAB 91.32, -24.68, -3.54

 

CMYK 60 / 0 / 6 / 7

HEX #5EECDD

RGB 94 236 221

HSL 173.66, 0.79%, 0.65%

LAB 85.8, -41.56, -4.15

 

CMYK 55 / 60 / 0 / 7

HEX #6A5FEC

RGB 106 95 236

HSL 244.68, 0.79%, 0.65%

LAB 48.64, 42.48, -70.04

 

CMYK 0 / 31 / 60 / 7

HEX #ECA35F

RGB 236 163 95

HSL 28.94, 0.79%, 0.65%

LAB 72.8, 20.23, 45.69

 

CMYK 60 / 0 / 6 / 7

HEX #5EECDD

RGB 94 236 221

HSL 173.66, 0.79%, 0.65%

LAB 85.8, -41.56, -4.15

 

CMYK 7 / 60 / 0 / 7

HEX #DB5FEC

RGB 219 95 236

HSL 292.77, 0.79%, 0.65%

LAB 61.05, 67.31, -49.46

 

CMYK 0 / 7 / 60 / 7

HEX #ECDB5F

RGB 236 219 95

HSL 52.77, 0.79%, 0.65%

LAB 86.66, -8.91, 61.56

 

CMYK 60 / 0 / 6 / 7

HEX #5EECDD

RGB 94 236 221

HSL 173.66, 0.79%, 0.65%

LAB 85.8, -41.56, -4.15

 

CMYK 55 / 60 / 0 / 7

HEX #6A5FEC

RGB 106 95 236

HSL 244.68, 0.79%, 0.65%

LAB 48.64, 42.48, -70.04

 

CMYK 0 / 60 / 53 / 7

HEX #EC5F6F

RGB 236 95 111

HSL 353.19, 0.79%, 0.65%

LAB 59.13, 55.66, 19.58

 

CMYK 5 / 0 / 60 / 7

HEX #E0EC5F

RGB 224 236 95

HSL 65.11, 0.79%, 0.65%

LAB 90.17, -22.12, 65.13

 

CMYK 60 / 0 / 6 / 7

HEX #5EECDD

RGB 94 236 221

HSL 173.66, 0.79%, 0.65%

LAB 85.8, -41.56, -4.15

 

CMYK 37 / 60 / 0 / 7

HEX #955FEC

RGB 149 95 236

HSL 262.98, 0.79%, 0.65%

LAB 52.54, 51.04, -63.54

 

CMYK 0 / 60 / 53 / 7

HEX #EC5F6F

RGB 236 95 111

HSL 353.19, 0.79%, 0.65%

LAB 59.13, 55.66, 19.58

 

CMYK 23 / 0 / 60 / 7

HEX #B6EC5F

RGB 182 236 95

HSL 82.98, 0.79%, 0.65%

LAB 87.37, -38.32, 61.26

 

Description

Color code: HEX #5EECDD | qconv.com Color code: HEX #5EECDD | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 236 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 236 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 6 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 6% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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