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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5EEC71 it is the complementary color #A1138E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5EEC71. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5EEC71 shade: #63EC6C, #74FE7F, #85FF92, #96FFA5 and #A7FFB8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5EEC71. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5EEC71 shade: #5EEC71, #4DDA5E, #3CC84B, #2BB638 and #1AA425

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5EEC71 shade: #5FEC72, #72EC5F, #98EC5F, #BEEC5F and #E4EC5F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5EEC71 shade: #5FEC72, #5FEC98, #5FECBE, #5FECE4 and #5FCEEC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5EEC71 shade matches the following richer shades: #5FEC72 and #51FB68

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5EEC71 shade: #5FEC72, #6EDE7D, #7CCF87, #8BC192 and #99B29C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5EEC71 shade: #98EC5F, #72EC5F, #5FEC72, #5FEC98 and #5FECBD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5EEC71 shade: #1ADF34, #3AE852, #5FEC72, #84F193 and #A9F5B3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5EEC71 shade: #5EEC71, #5FBDEC and #EC5F85

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5EEC71 shade: #5EEC71, #725FEC and #EC725F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5EEC71 shade: #5EEC71, #5FBDEC, #EC5FD9 and #EC8E5F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5EEC71 shade: #5EEC71, #5F93EC, #EC5FD9 and #ECB95F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 52 / 7

HEX #5EEC71

RGB 94 236 113

HSL 128.03, 0.79%, 0.65%

LAB 83.74, -62.88, 48.02

 

Complementary color

CMYK 0 / 88 / 12 / 37

HEX #A1138E

RGB 161 19 142

HSL 308.03, 0.79%, 0.35%

LAB 37.83, 64.42, -32.01

 

CMYK 58 / 0 / 54 / 7

HEX #63EC6C

RGB 99 236 108

HSL 123.94, 0.78%, 0.66%

LAB 83.82, -62.42, 50.47

 

CMYK 54 / 0 / 50 / 0

HEX #74FE7F

RGB 116 254 127

HSL 124.78, 0.99%, 0.73%

LAB 89.92, -62.64, 49.2

 

CMYK 48 / 0 / 43 / 0

HEX #85FF92

RGB 133 255 146

HSL 126.39, 1%, 0.76%

LAB 91.04, -56.11, 41.69

 

CMYK 41 / 0 / 35 / 0

HEX #96FFA5

RGB 150 255 165

HSL 128.57, 1%, 0.79%

LAB 92.01, -48.57, 33.72

 

CMYK 35 / 0 / 28 / 0

HEX #A7FFB8

RGB 167 255 184

HSL 131.59, 1%, 0.83%

LAB 93.1, -40.51, 25.77

 

CMYK 60 / 0 / 52 / 7

HEX #5EEC71

RGB 94 236 113

HSL 128.03, 0.79%, 0.65%

LAB 83.74, -62.88, 48.02

 

CMYK 65 / 0 / 57 / 15

HEX #4DDA5E

RGB 77 218 94

HSL 127.23, 0.66%, 0.58%

LAB 77.6, -62.42, 49.34

 

CMYK 70 / 0 / 63 / 22

HEX #3CC84B

RGB 60 200 75

HSL 126.43, 0.56%, 0.51%

LAB 71.4, -61.64, 50.58

 

CMYK 76 / 0 / 69 / 29

HEX #2BB638

RGB 43 182 56

HSL 125.61, 0.62%, 0.44%

LAB 65.16, -60.4, 51.6

 

CMYK 84 / 0 / 77 / 36

HEX #1AA425

RGB 26 164 37

HSL 124.78, 0.73%, 0.37%

LAB 58.89, -58.5, 52.15

 

CMYK 60 / 0 / 52 / 7

HEX #5FEC72

RGB 95 236 114

HSL 128.09, 0.79%, 0.65%

LAB 83.78, -62.54, 47.61

 

CMYK 52 / 0 / 60 / 7

HEX #72EC5F

RGB 114 236 95

HSL 111.91, 0.79%, 0.65%

LAB 84.17, -60.22, 56.79

 

CMYK 36 / 0 / 60 / 7

HEX #98EC5F

RGB 152 236 95

HSL 95.74, 0.79%, 0.65%

LAB 85.75, -48.86, 59

 

CMYK 19 / 0 / 60 / 7

HEX #BEEC5F

RGB 190 236 95

HSL 79.57, 0.79%, 0.65%

LAB 87.86, -35.34, 61.93

 

CMYK 3 / 0 / 60 / 7

HEX #E4EC5F

RGB 228 236 95

HSL 63.4, 0.79%, 0.65%

LAB 90.46, -20.53, 65.54

 

CMYK 60 / 0 / 52 / 7

HEX #5FEC72

RGB 95 236 114

HSL 128.09, 0.79%, 0.65%

LAB 83.78, -62.54, 47.61

 

CMYK 60 / 0 / 36 / 7

HEX #5FEC98

RGB 95 236 152

HSL 144.26, 0.79%, 0.65%

LAB 84.32, -56.55, 29.66

 

CMYK 60 / 0 / 19 / 7

HEX #5FECBE

RGB 95 236 190

HSL 160.43, 0.79%, 0.65%

LAB 85.07, -48.82, 11.05

 

CMYK 60 / 0 / 3 / 7

HEX #5FECE4

RGB 95 236 228

HSL 176.6, 0.79%, 0.65%

LAB 86.02, -39.59, -7.51

 

CMYK 60 / 13 / 0 / 7

HEX #5FCEEC

RGB 95 206 236

HSL 192.77, 0.79%, 0.65%

LAB 77.66, -23.06, -24.33

 

CMYK 60 / 0 / 52 / 7

HEX #5FEC72

RGB 95 236 114

HSL 128.09, 0.79%, 0.65%

LAB 83.78, -62.54, 47.61

 

CMYK 68 / 0 / 59 / 2

HEX #51FB68

RGB 81 251 104

HSL 128.12, 0.96%, 0.65%

LAB 87.84, -71.7, 56.88

 

CMYK 60 / 0 / 52 / 7

HEX #5FEC72

RGB 95 236 114

HSL 128.09, 0.79%, 0.65%

LAB 83.78, -62.54, 47.61

 

CMYK 50 / 0 / 44 / 13

HEX #6EDE7D

RGB 110 222 125

HSL 128.04, 0.63%, 0.65%

LAB 80.2, -52.05, 37.93

 

CMYK 40 / 0 / 35 / 19

HEX #7CCF87

RGB 124 207 135

HSL 127.95, 0.46%, 0.65%

LAB 76.47, -40.21, 28.07

 

CMYK 28 / 0 / 24 / 24

HEX #8BC192

RGB 139 193 146

HSL 127.78, 0.3%, 0.65%

LAB 73.35, -27.08, 18.14

 

CMYK 14 / 0 / 12 / 30

HEX #99B29C

RGB 153 178 156

HSL 127.2, 0.14%, 0.65%

LAB 70.19, -12.91, 8.38

 

CMYK 36 / 0 / 60 / 7

HEX #98EC5F

RGB 152 236 95

HSL 95.74, 0.79%, 0.65%

LAB 85.75, -48.86, 59

 

CMYK 52 / 0 / 60 / 7

HEX #72EC5F

RGB 114 236 95

HSL 111.91, 0.79%, 0.65%

LAB 84.17, -60.22, 56.79

 

CMYK 60 / 0 / 52 / 7

HEX #5FEC72

RGB 95 236 114

HSL 128.09, 0.79%, 0.65%

LAB 83.78, -62.54, 47.61

 

CMYK 60 / 0 / 36 / 7

HEX #5FEC98

RGB 95 236 152

HSL 144.26, 0.79%, 0.65%

LAB 84.32, -56.55, 29.66

 

CMYK 60 / 0 / 20 / 7

HEX #5FECBD

RGB 95 236 189

HSL 160, 0.79%, 0.65%

LAB 85.05, -49.05, 11.55

 

CMYK 88 / 0 / 77 / 13

HEX #1ADF34

RGB 26 223 52

HSL 127.92, 0.79%, 0.49%

LAB 78.02, -74.82, 66

 

CMYK 75 / 0 / 65 / 9

HEX #3AE852

RGB 58 232 82

HSL 128.28, 0.79%, 0.57%

LAB 81.41, -71.6, 58.76

 

CMYK 60 / 0 / 52 / 7

HEX #5FEC72

RGB 95 236 114

HSL 128.09, 0.79%, 0.65%

LAB 83.78, -62.54, 47.61

 

CMYK 45 / 0 / 39 / 5

HEX #84F193

RGB 132 241 147

HSL 128.26, 0.8%, 0.73%

LAB 86.96, -50.55, 35.89

 

CMYK 31 / 0 / 27 / 4

HEX #A9F5B3

RGB 169 245 179

HSL 127.89, 0.79%, 0.81%

LAB 90.32, -36.25, 24.51

 

CMYK 60 / 0 / 52 / 7

HEX #5EEC71

RGB 94 236 113

HSL 128.03, 0.79%, 0.65%

LAB 83.74, -62.88, 48.02

 

CMYK 60 / 20 / 0 / 7

HEX #5FBDEC

RGB 95 189 236

HSL 200, 0.79%, 0.65%

LAB 72.82, -14.3, -31.75

 

CMYK 0 / 60 / 44 / 7

HEX #EC5F85

RGB 236 95 133

HSL 343.83, 0.79%, 0.65%

LAB 59.63, 57.62, 7.47

 

CMYK 60 / 0 / 52 / 7

HEX #5EEC71

RGB 94 236 113

HSL 128.03, 0.79%, 0.65%

LAB 83.74, -62.88, 48.02

 

CMYK 52 / 60 / 0 / 7

HEX #725FEC

RGB 114 95 236

HSL 248.09, 0.79%, 0.65%

LAB 49.27, 43.93, -68.99

 

CMYK 0 / 52 / 60 / 7

HEX #EC725F

RGB 236 114 95

HSL 8.09, 0.79%, 0.65%

LAB 62.25, 45.59, 32.77

 

CMYK 60 / 0 / 52 / 7

HEX #5EEC71

RGB 94 236 113

HSL 128.03, 0.79%, 0.65%

LAB 83.74, -62.88, 48.02

 

CMYK 60 / 20 / 0 / 7

HEX #5FBDEC

RGB 95 189 236

HSL 200, 0.79%, 0.65%

LAB 72.82, -14.3, -31.75

 

CMYK 0 / 60 / 8 / 7

HEX #EC5FD9

RGB 236 95 217

HSL 308.09, 0.79%, 0.65%

LAB 62.53, 68.36, -36.34

 

CMYK 0 / 40 / 60 / 7

HEX #EC8E5F

RGB 236 142 95

HSL 20, 0.79%, 0.65%

LAB 68.02, 31.33, 39.95

 

CMYK 60 / 0 / 52 / 7

HEX #5EEC71

RGB 94 236 113

HSL 128.03, 0.79%, 0.65%

LAB 83.74, -62.88, 48.02

 

CMYK 60 / 38 / 0 / 7

HEX #5F93EC

RGB 95 147 236

HSL 217.87, 0.79%, 0.65%

LAB 61.09, 9.23, -50.09

 

CMYK 0 / 60 / 8 / 7

HEX #EC5FD9

RGB 236 95 217

HSL 308.09, 0.79%, 0.65%

LAB 62.53, 68.36, -36.34

 

CMYK 0 / 22 / 60 / 7

HEX #ECB95F

RGB 236 185 95

HSL 38.3, 0.79%, 0.65%

LAB 78.09, 8.59, 51.89

 

Description

Color code: HEX #5EEC71 | qconv.com Color code: HEX #5EEC71 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 236 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 236 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 52 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 52% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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