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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5EEC6B it is the complementary color #A11394. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5EEC6B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5EEC6B shade: #63EC66, #74FE79, #85FF8C, #96FF9F and #A7FFB2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5EEC6B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5EEC6B shade: #5EEC6B, #4DDA58, #3CC845, #2BB632 and #1AA41F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5EEC6B shade: #5FEC6C, #78EC5F, #9EEC5F, #C4EC5F and #EAEC5F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5EEC6B shade: #5FEC6C, #5FEC92, #5FECB8, #5FECDE and #5FD4EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5EEC6B shade matches the following richer shades: #5FEC6C and #51FB60

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5EEC6B shade: #5FEC6C, #6EDE78, #7CCF84, #8BC190 and #99B29B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5EEC6B shade: #9FEC5F, #79EC5F, #5FEC6B, #5FEC91 and #5FECB6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5EEC6B shade: #1ADF2C, #3AE84A, #5FEC6C, #84F18E and #A9F5B0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5EEC6B shade: #5EEC6B, #5FC4EC and #EC5F8C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5EEC6B shade: #5EEC6B, #6B5FEC and #EC6B5F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5EEC6B shade: #5EEC6B, #5FC4EC, #EC5FE1 and #EC875F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5EEC6B shade: #5EEC6B, #5F9AEC, #EC5FE1 and #ECB25F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 55 / 7

HEX #5EEC6B

RGB 94 236 107

HSL 125.49, 0.79%, 0.65%

LAB 83.67, -63.66, 50.71

 

Complementary color

CMYK 0 / 88 / 8 / 37

HEX #A11394

RGB 161 19 148

HSL 305.49, 0.79%, 0.35%

LAB 38.17, 65.29, -35.16

 

CMYK 58 / 0 / 57 / 7

HEX #63EC66

RGB 99 236 102

HSL 121.31, 0.78%, 0.66%

LAB 83.76, -63.15, 53.11

 

CMYK 54 / 0 / 52 / 0

HEX #74FE79

RGB 116 254 121

HSL 122.17, 0.99%, 0.73%

LAB 89.85, -63.41, 51.89

 

CMYK 48 / 0 / 45 / 0

HEX #85FF8C

RGB 133 255 140

HSL 123.44, 1%, 0.76%

LAB 90.96, -56.97, 44.48

 

CMYK 41 / 0 / 38 / 0

HEX #96FF9F

RGB 150 255 159

HSL 125.14, 1%, 0.79%

LAB 91.91, -49.5, 36.57

 

CMYK 35 / 0 / 30 / 0

HEX #A7FFB2

RGB 167 255 178

HSL 127.5, 1%, 0.83%

LAB 92.99, -41.52, 28.65

 

CMYK 60 / 0 / 55 / 7

HEX #5EEC6B

RGB 94 236 107

HSL 125.49, 0.79%, 0.65%

LAB 83.67, -63.66, 50.71

 

CMYK 65 / 0 / 60 / 15

HEX #4DDA58

RGB 77 218 88

HSL 124.68, 0.66%, 0.58%

LAB 77.53, -63.14, 51.96

 

CMYK 70 / 0 / 66 / 22

HEX #3CC845

RGB 60 200 69

HSL 123.86, 0.56%, 0.51%

LAB 71.35, -62.28, 53.07

 

CMYK 76 / 0 / 73 / 29

HEX #2BB632

RGB 43 182 50

HSL 123.02, 0.62%, 0.44%

LAB 65.12, -60.94, 53.87

 

CMYK 84 / 0 / 81 / 36

HEX #1AA41F

RGB 26 164 31

HSL 122.17, 0.73%, 0.37%

LAB 58.85, -58.91, 54.03

 

CMYK 60 / 0 / 54 / 7

HEX #5FEC6C

RGB 95 236 108

HSL 125.53, 0.79%, 0.65%

LAB 83.71, -63.31, 50.31

 

CMYK 49 / 0 / 60 / 7

HEX #78EC5F

RGB 120 236 95

HSL 109.36, 0.79%, 0.65%

LAB 84.39, -58.61, 57.09

 

CMYK 33 / 0 / 60 / 7

HEX #9EEC5F

RGB 158 236 95

HSL 93.19, 0.79%, 0.65%

LAB 86.05, -46.85, 59.42

 

CMYK 17 / 0 / 60 / 7

HEX #C4EC5F

RGB 196 236 95

HSL 77.02, 0.79%, 0.65%

LAB 88.23, -33.07, 62.46

 

CMYK 1 / 0 / 60 / 7

HEX #EAEC5F

RGB 234 236 95

HSL 60.85, 0.79%, 0.65%

LAB 90.92, -18.12, 66.17

 

CMYK 60 / 0 / 54 / 7

HEX #5FEC6C

RGB 95 236 108

HSL 125.53, 0.79%, 0.65%

LAB 83.71, -63.31, 50.31

 

CMYK 60 / 0 / 38 / 7

HEX #5FEC92

RGB 95 236 146

HSL 141.7, 0.79%, 0.65%

LAB 84.22, -57.61, 32.56

 

CMYK 60 / 0 / 22 / 7

HEX #5FECB8

RGB 95 236 184

HSL 157.87, 0.79%, 0.65%

LAB 84.94, -50.15, 14

 

CMYK 60 / 0 / 6 / 7

HEX #5FECDE

RGB 95 236 222

HSL 174.04, 0.79%, 0.65%

LAB 85.86, -41.14, -4.59

 

CMYK 60 / 10 / 0 / 7

HEX #5FD4EC

RGB 95 212 236

HSL 190.21, 0.79%, 0.65%

LAB 79.37, -26.05, -21.72

 

CMYK 60 / 0 / 54 / 7

HEX #5FEC6C

RGB 95 236 108

HSL 125.53, 0.79%, 0.65%

LAB 83.71, -63.31, 50.31

 

CMYK 68 / 0 / 62 / 2

HEX #51FB60

RGB 81 251 96

HSL 125.29, 0.96%, 0.65%

LAB 87.77, -72.58, 60.19

 

CMYK 60 / 0 / 54 / 7

HEX #5FEC6C

RGB 95 236 108

HSL 125.53, 0.79%, 0.65%

LAB 83.71, -63.31, 50.31

 

CMYK 50 / 0 / 46 / 13

HEX #6EDE78

RGB 110 222 120

HSL 125.36, 0.63%, 0.65%

LAB 80.13, -52.79, 40.31

 

CMYK 40 / 0 / 36 / 19

HEX #7CCF84

RGB 124 207 132

HSL 125.78, 0.46%, 0.65%

LAB 76.42, -40.71, 29.56

 

CMYK 28 / 0 / 25 / 24

HEX #8BC190

RGB 139 193 144

HSL 125.56, 0.3%, 0.65%

LAB 73.31, -27.44, 19.15

 

CMYK 14 / 0 / 13 / 30

HEX #99B29B

RGB 153 178 155

HSL 124.8, 0.14%, 0.65%

LAB 70.16, -13.09, 8.89

 

CMYK 33 / 0 / 60 / 7

HEX #9FEC5F

RGB 159 236 95

HSL 92.77, 0.79%, 0.65%

LAB 86.1, -46.51, 59.49

 

CMYK 49 / 0 / 60 / 7

HEX #79EC5F

RGB 121 236 95

HSL 108.94, 0.79%, 0.65%

LAB 84.42, -58.33, 57.14

 

CMYK 60 / 0 / 55 / 7

HEX #5FEC6B

RGB 95 236 107

HSL 125.11, 0.79%, 0.65%

LAB 83.7, -63.44, 50.75

 

CMYK 60 / 0 / 39 / 7

HEX #5FEC91

RGB 95 236 145

HSL 141.28, 0.79%, 0.65%

LAB 84.21, -57.79, 33.04

 

CMYK 60 / 0 / 23 / 7

HEX #5FECB6

RGB 95 236 182

HSL 157.02, 0.79%, 0.65%

LAB 84.89, -50.58, 14.98

 

CMYK 88 / 0 / 80 / 13

HEX #1ADF2C

RGB 26 223 44

HSL 125.48, 0.79%, 0.49%

LAB 77.98, -75.31, 68.3

 

CMYK 75 / 0 / 68 / 9

HEX #3AE84A

RGB 58 232 74

HSL 125.52, 0.79%, 0.57%

LAB 81.35, -72.37, 61.85

 

CMYK 60 / 0 / 54 / 7

HEX #5FEC6C

RGB 95 236 108

HSL 125.53, 0.79%, 0.65%

LAB 83.71, -63.31, 50.31

 

CMYK 45 / 0 / 41 / 5

HEX #84F18E

RGB 132 241 142

HSL 125.5, 0.8%, 0.73%

LAB 86.88, -51.32, 38.27

 

CMYK 31 / 0 / 28 / 4

HEX #A9F5B0

RGB 169 245 176

HSL 125.53, 0.79%, 0.81%

LAB 90.26, -36.75, 25.97

 

CMYK 60 / 0 / 55 / 7

HEX #5EEC6B

RGB 94 236 107

HSL 125.49, 0.79%, 0.65%

LAB 83.67, -63.66, 50.71

 

CMYK 60 / 17 / 0 / 7

HEX #5FC4EC

RGB 95 196 236

HSL 197.02, 0.79%, 0.65%

LAB 74.81, -17.96, -28.69

 

CMYK 0 / 60 / 41 / 7

HEX #EC5F8C

RGB 236 95 140

HSL 340.85, 0.79%, 0.65%

LAB 59.81, 58.32, 3.66

 

CMYK 60 / 0 / 55 / 7

HEX #5EEC6B

RGB 94 236 107

HSL 125.49, 0.79%, 0.65%

LAB 83.67, -63.66, 50.71

 

CMYK 55 / 60 / 0 / 7

HEX #6B5FEC

RGB 107 95 236

HSL 245.11, 0.79%, 0.65%

LAB 48.72, 42.66, -69.92

 

CMYK 0 / 55 / 60 / 7

HEX #EC6B5F

RGB 236 107 95

HSL 5.11, 0.79%, 0.65%

LAB 60.94, 48.96, 31.11

 

CMYK 60 / 0 / 55 / 7

HEX #5EEC6B

RGB 94 236 107

HSL 125.49, 0.79%, 0.65%

LAB 83.67, -63.66, 50.71

 

CMYK 60 / 17 / 0 / 7

HEX #5FC4EC

RGB 95 196 236

HSL 197.02, 0.79%, 0.65%

LAB 74.81, -17.96, -28.69

 

CMYK 0 / 60 / 5 / 7

HEX #EC5FE1

RGB 236 95 225

HSL 304.68, 0.79%, 0.65%

LAB 62.89, 69.62, -40.26

 

CMYK 0 / 43 / 60 / 7

HEX #EC875F

RGB 236 135 95

HSL 17.02, 0.79%, 0.65%

LAB 66.51, 34.98, 38.09

 

CMYK 60 / 0 / 55 / 7

HEX #5EEC6B

RGB 94 236 107

HSL 125.49, 0.79%, 0.65%

LAB 83.67, -63.66, 50.71

 

CMYK 60 / 35 / 0 / 7

HEX #5F9AEC

RGB 95 154 236

HSL 214.89, 0.79%, 0.65%

LAB 63.01, 5.14, -47.06

 

CMYK 0 / 60 / 5 / 7

HEX #EC5FE1

RGB 236 95 225

HSL 304.68, 0.79%, 0.65%

LAB 62.89, 69.62, -40.26

 

CMYK 0 / 25 / 60 / 7

HEX #ECB25F

RGB 236 178 95

HSL 35.32, 0.79%, 0.65%

LAB 76.38, 12.28, 49.9

 

Description

Color code: HEX #5EEC6B | qconv.com Color code: HEX #5EEC6B | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 236 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 236 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 55 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 55% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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