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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5EEC54 it is the complementary color #A113AB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5EEC54. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5EEC54 shade: #63EC4F, #74FE62, #85FF75, #96FF88 and #A7FF9B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5EEC54. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5EEC54 shade: #5EEC54, #4DDA41, #3CC82E, #2BB61B and #1AA408

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5EEC54 shade: #5FEC55, #87EC55, #B0EC55, #D9EC55 and #ECD655

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5EEC54 shade: #5FEC55, #55EC73, #55EC9C, #55ECC5 and #55EAEC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5EEC54 shade matches the following richer shades: #5FEC55 and #51FB45

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5EEC54 shade: #5FEC55, #6CDC64, #79CD73, #86BE82 and #94AF92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5EEC54 shade: #AFEC55, #87EC55, #5FEC55, #55EC73 and #55EC9B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5EEC54 shade: #24D617, #3CE830, #5FEC55, #82F07A and #A5F49F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5EEC54 shade: #5EEC54, #55D8EC and #EC559B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5EEC54 shade: #5EEC54, #555FEC and #EC555F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5EEC54 shade: #5EEC54, #55D8EC, #E255EC and #EC6955

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5EEC54 shade: #5EEC54, #55AAEC, #E255EC and #EC9655

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 64 / 7

HEX #5EEC54

RGB 94 236 84

HSL 116.05, 0.8%, 0.63%

LAB 83.45, -66.18, 60.41

 

Complementary color

CMYK 6 / 89 / 0 / 33

HEX #A113AB

RGB 161 19 171

HSL 296.05, 0.8%, 0.37%

LAB 39.55, 68.85, -46.83

 

CMYK 58 / 0 / 67 / 7

HEX #63EC4F

RGB 99 236 79

HSL 112.36, 0.81%, 0.62%

LAB 83.55, -65.5, 62.55

 

CMYK 54 / 0 / 61 / 0

HEX #74FE62

RGB 116 254 98

HSL 113.08, 0.99%, 0.69%

LAB 89.62, -65.98, 61.69

 

CMYK 48 / 0 / 54 / 0

HEX #85FF75

RGB 133 255 117

HSL 113.04, 1%, 0.73%

LAB 90.68, -59.9, 54.84

 

CMYK 41 / 0 / 47 / 0

HEX #96FF88

RGB 150 255 136

HSL 112.94, 1%, 0.77%

LAB 91.59, -52.76, 47.31

 

CMYK 35 / 0 / 39 / 0

HEX #A7FF9B

RGB 167 255 155

HSL 112.8, 1%, 0.8%

LAB 92.62, -45.04, 39.61

 

CMYK 60 / 0 / 64 / 7

HEX #5EEC54

RGB 94 236 84

HSL 116.05, 0.8%, 0.63%

LAB 83.45, -66.18, 60.41

 

CMYK 65 / 0 / 70 / 15

HEX #4DDA41

RGB 77 218 65

HSL 115.29, 0.67%, 0.55%

LAB 77.34, -65.4, 61.14

 

CMYK 70 / 0 / 77 / 22

HEX #3CC82E

RGB 60 200 46

HSL 114.55, 0.63%, 0.48%

LAB 71.19, -64.2, 61.41

 

CMYK 76 / 0 / 85 / 29

HEX #2BB61B

RGB 43 182 27

HSL 113.81, 0.74%, 0.41%

LAB 65, -62.43, 60.84

 

CMYK 84 / 0 / 95 / 36

HEX #1AA408

RGB 26 164 8

HSL 113.08, 0.91%, 0.34%

LAB 58.78, -59.87, 58.89

 

CMYK 60 / 0 / 64 / 7

HEX #5FEC55

RGB 95 236 85

HSL 116.03, 0.8%, 0.63%

LAB 83.48, -65.86, 60.05

 

CMYK 43 / 0 / 64 / 7

HEX #87EC55

RGB 135 236 85

HSL 100.13, 0.8%, 0.63%

LAB 84.89, -55.18, 61.99

 

CMYK 25 / 0 / 64 / 7

HEX #B0EC55

RGB 176 236 85

HSL 83.84, 0.8%, 0.63%

LAB 86.94, -41.31, 64.8

 

CMYK 8 / 0 / 64 / 7

HEX #D9EC55

RGB 217 236 85

HSL 67.55, 0.8%, 0.63%

LAB 89.58, -25.57, 68.4

 

CMYK 0 / 9 / 64 / 7

HEX #ECD655

RGB 236 214 85

HSL 51.26, 0.8%, 0.63%

LAB 85.29, -7.02, 64.33

 

CMYK 60 / 0 / 64 / 7

HEX #5FEC55

RGB 95 236 85

HSL 116.03, 0.8%, 0.63%

LAB 83.48, -65.86, 60.05

 

CMYK 64 / 0 / 51 / 7

HEX #55EC73

RGB 85 236 115

HSL 131.92, 0.8%, 0.63%

LAB 83.53, -64.45, 46.78

 

CMYK 64 / 0 / 34 / 7

HEX #55EC9C

RGB 85 236 156

HSL 148.21, 0.8%, 0.63%

LAB 84.13, -57.72, 27.32

 

CMYK 64 / 0 / 17 / 7

HEX #55ECC5

RGB 85 236 197

HSL 164.5, 0.8%, 0.63%

LAB 84.97, -48.97, 7.22

 

CMYK 64 / 1 / 0 / 7

HEX #55EAEC

RGB 85 234 236

HSL 180.79, 0.8%, 0.63%

LAB 85.42, -38.13, -12.63

 

CMYK 60 / 0 / 64 / 7

HEX #5FEC55

RGB 95 236 85

HSL 116.03, 0.8%, 0.63%

LAB 83.48, -65.86, 60.05

 

CMYK 68 / 0 / 73 / 2

HEX #51FB45

RGB 81 251 69

HSL 116.04, 0.96%, 0.63%

LAB 87.57, -74.99, 70.21

 

CMYK 60 / 0 / 64 / 7

HEX #5FEC55

RGB 95 236 85

HSL 116.03, 0.8%, 0.63%

LAB 83.48, -65.86, 60.05

 

CMYK 51 / 0 / 55 / 14

HEX #6CDC64

RGB 108 220 100

HSL 116, 0.63%, 0.63%

LAB 79.21, -55.18, 48.73

 

CMYK 41 / 0 / 44 / 20

HEX #79CD73

RGB 121 205 115

HSL 116, 0.47%, 0.63%

LAB 75.43, -43.34, 36.92

 

CMYK 29 / 0 / 32 / 25

HEX #86BE82

RGB 134 190 130

HSL 116, 0.32%, 0.63%

LAB 71.9, -30.04, 24.64

 

CMYK 15 / 0 / 17 / 31

HEX #94AF92

RGB 148 175 146

HSL 115.86, 0.15%, 0.63%

LAB 68.77, -14.94, 11.82

 

CMYK 26 / 0 / 64 / 7

HEX #AFEC55

RGB 175 236 85

HSL 84.24, 0.8%, 0.63%

LAB 86.88, -41.67, 64.72

 

CMYK 43 / 0 / 64 / 7

HEX #87EC55

RGB 135 236 85

HSL 100.13, 0.8%, 0.63%

LAB 84.89, -55.18, 61.99

 

CMYK 60 / 0 / 64 / 7

HEX #5FEC55

RGB 95 236 85

HSL 116.03, 0.8%, 0.63%

LAB 83.48, -65.86, 60.05

 

CMYK 64 / 0 / 51 / 7

HEX #55EC73

RGB 85 236 115

HSL 131.92, 0.8%, 0.63%

LAB 83.53, -64.45, 46.78

 

CMYK 64 / 0 / 34 / 7

HEX #55EC9B

RGB 85 236 155

HSL 147.81, 0.8%, 0.63%

LAB 84.12, -57.91, 27.8

 

CMYK 83 / 0 / 89 / 16

HEX #24D617

RGB 36 214 23

HSL 115.92, 0.81%, 0.46%

LAB 75.16, -72.87, 70.49

 

CMYK 74 / 0 / 79 / 9

HEX #3CE830

RGB 60 232 48

HSL 116.09, 0.8%, 0.55%

LAB 81.23, -73.98, 70.39

 

CMYK 60 / 0 / 64 / 7

HEX #5FEC55

RGB 95 236 85

HSL 116.03, 0.8%, 0.63%

LAB 83.48, -65.86, 60.05

 

CMYK 46 / 0 / 49 / 6

HEX #82F07A

RGB 130 240 122

HSL 115.93, 0.8%, 0.71%

LAB 86.24, -54.26, 47.13

 

CMYK 32 / 0 / 35 / 4

HEX #A5F49F

RGB 165 244 159

HSL 115.76, 0.79%, 0.79%

LAB 89.49, -40.25, 33.5

 

CMYK 60 / 0 / 64 / 7

HEX #5EEC54

RGB 94 236 84

HSL 116.05, 0.8%, 0.63%

LAB 83.45, -66.18, 60.41

 

CMYK 64 / 8 / 0 / 7

HEX #55D8EC

RGB 85 216 236

HSL 187.95, 0.8%, 0.63%

LAB 80.24, -29.66, -20.44

 

CMYK 0 / 64 / 34 / 7

HEX #EC559B

RGB 236 85 155

HSL 332.19, 0.8%, 0.63%

LAB 58.69, 64.13, -6.72

 

CMYK 60 / 0 / 64 / 7

HEX #5EEC54

RGB 94 236 84

HSL 116.05, 0.8%, 0.63%

LAB 83.45, -66.18, 60.41

 

CMYK 64 / 60 / 0 / 7

HEX #555FEC

RGB 85 95 236

HSL 236.03, 0.8%, 0.63%

LAB 47.2, 39.07, -72.45

 

CMYK 0 / 64 / 60 / 7

HEX #EC555F

RGB 236 85 95

HSL 356.03, 0.8%, 0.63%

LAB 57.23, 58.77, 26.33

 

CMYK 60 / 0 / 64 / 7

HEX #5EEC54

RGB 94 236 84

HSL 116.05, 0.8%, 0.63%

LAB 83.45, -66.18, 60.41

 

CMYK 64 / 8 / 0 / 7

HEX #55D8EC

RGB 85 216 236

HSL 187.95, 0.8%, 0.63%

LAB 80.24, -29.66, -20.44

 

CMYK 4 / 64 / 0 / 7

HEX #E255EC

RGB 226 85 236

HSL 296.03, 0.8%, 0.63%

LAB 60.54, 73.07, -50.21

 

CMYK 0 / 56 / 64 / 7

HEX #EC6955

RGB 236 105 85

HSL 7.95, 0.8%, 0.63%

LAB 60.42, 49.26, 36.04

 

CMYK 60 / 0 / 64 / 7

HEX #5EEC54

RGB 94 236 84

HSL 116.05, 0.8%, 0.63%

LAB 83.45, -66.18, 60.41

 

CMYK 64 / 28 / 0 / 7

HEX #55AAEC

RGB 85 170 236

HSL 206.23, 0.8%, 0.63%

LAB 67.08, -5.75, -40.69

 

CMYK 4 / 64 / 0 / 7

HEX #E255EC

RGB 226 85 236

HSL 296.03, 0.8%, 0.63%

LAB 60.54, 73.07, -50.21

 

CMYK 0 / 36 / 64 / 7

HEX #EC9655

RGB 236 150 85

HSL 25.83, 0.8%, 0.63%

LAB 69.68, 26.45, 47.05

 

Description

Color code: HEX #5EEC54 | qconv.com Color code: HEX #5EEC54 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 236 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 236 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 64 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 64% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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