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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5EEB5C it is the complementary color #A114A3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5EEB5C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5EEB5C shade: #63EB57, #74FD6A, #85FF7D, #96FF90 and #A7FFA3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5EEB5C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5EEB5C shade: #5EEB5C, #4DD949, #3CC736, #2BB523 and #1AA310

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5EEB5C shade: #5EEB5C, #84EB5C, #ABEB5C, #D1EB5C and #EBDE5C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5EEB5C shade: #5EEB5C, #5CEB80, #5CEBA7, #5CEBCD and #5CE2EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5EEB5C shade matches the following richer shades: #5EEB5C and #4FFA4D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5EEB5C shade: #5EEB5C, #6CDC6A, #7ACD79, #89BE88 and #97AF97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5EEB5C shade: #AAEB5C, #84EB5C, #5EEB5C, #5CEB7F and #5CEBA6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5EEB5C shade: #1DD91B, #39E637, #5EEB5C, #82EF80 and #A6F4A5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5EEB5C shade: #5EEB5C, #5CD1EB and #EB5C97

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5EEB5C shade: #5EEB5C, #5C5EEB and #EB5C5E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5EEB5C shade: #5EEB5C, #5CD1EB, #E85CEB and #EB765C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5EEB5C shade: #5EEB5C, #5CA6EB, #E85CEB and #EBA15C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 61 / 8

HEX #5EEB5C

RGB 94 235 92

HSL 119.16, 0.78%, 0.64%

LAB 83.22, -65.03, 56.82

 

Complementary color

CMYK 1 / 88 / 0 / 36

HEX #A114A3

RGB 161 20 163

HSL 299.16, 0.78%, 0.36%

LAB 39.11, 67.4, -42.75

 

CMYK 58 / 0 / 63 / 8

HEX #63EB57

RGB 99 235 87

HSL 115.14, 0.79%, 0.63%

LAB 83.31, -64.4, 59.07

 

CMYK 54 / 0 / 58 / 1

HEX #74FD6A

RGB 116 253 106

HSL 115.92, 0.97%, 0.7%

LAB 89.39, -64.8, 58.04

 

CMYK 48 / 0 / 51 / 0

HEX #85FF7D

RGB 133 255 125

HSL 116.31, 1%, 0.75%

LAB 90.77, -58.95, 51.31

 

CMYK 41 / 0 / 44 / 0

HEX #96FF90

RGB 150 255 144

HSL 116.76, 1%, 0.78%

LAB 91.69, -51.69, 43.62

 

CMYK 35 / 0 / 36 / 0

HEX #A7FFA3

RGB 167 255 163

HSL 117.39, 1%, 0.82%

LAB 92.74, -43.87, 35.83

 

CMYK 60 / 0 / 61 / 8

HEX #5EEB5C

RGB 94 235 92

HSL 119.16, 0.78%, 0.64%

LAB 83.22, -65.03, 56.82

 

CMYK 65 / 0 / 66 / 15

HEX #4DD949

RGB 77 217 73

HSL 118.33, 0.65%, 0.57%

LAB 77.09, -64.36, 57.79

 

CMYK 70 / 0 / 73 / 22

HEX #3CC736

RGB 60 199 54

HSL 117.52, 0.57%, 0.5%

LAB 70.92, -63.3, 58.44

 

CMYK 76 / 0 / 81 / 29

HEX #2BB523

RGB 43 181 35

HSL 116.71, 0.68%, 0.42%

LAB 64.71, -61.7, 58.46

 

CMYK 84 / 0 / 90 / 36

HEX #1AA310

RGB 26 163 16

HSL 115.92, 0.82%, 0.35%

LAB 58.46, -59.34, 57.35

 

CMYK 60 / 0 / 61 / 8

HEX #5EEB5C

RGB 94 235 92

HSL 119.16, 0.78%, 0.64%

LAB 83.22, -65.03, 56.82

 

CMYK 44 / 0 / 61 / 8

HEX #84EB5C

RGB 132 235 92

HSL 103.22, 0.78%, 0.64%

LAB 84.53, -55.06, 58.66

 

CMYK 27 / 0 / 61 / 8

HEX #ABEB5C

RGB 171 235 92

HSL 86.85, 0.78%, 0.64%

LAB 86.43, -42.13, 61.3

 

CMYK 11 / 0 / 61 / 8

HEX #D1EB5C

RGB 209 235 92

HSL 70.91, 0.78%, 0.64%

LAB 88.8, -27.79, 64.58

 

CMYK 0 / 6 / 61 / 8

HEX #EBDE5C

RGB 235 222 92

HSL 54.55, 0.78%, 0.64%

LAB 87.33, -11.02, 63.55

 

CMYK 60 / 0 / 61 / 8

HEX #5EEB5C

RGB 94 235 92

HSL 119.16, 0.78%, 0.64%

LAB 83.22, -65.03, 56.82

 

CMYK 61 / 0 / 46 / 8

HEX #5CEB80

RGB 92 235 128

HSL 135.1, 0.78%, 0.64%

LAB 83.57, -60.8, 40.64

 

CMYK 61 / 0 / 29 / 8

HEX #5CEBA7

RGB 92 235 167

HSL 151.47, 0.78%, 0.64%

LAB 84.22, -53.88, 21.81

 

CMYK 61 / 0 / 13 / 8

HEX #5CEBCD

RGB 92 235 205

HSL 167.41, 0.78%, 0.64%

LAB 85.05, -45.44, 3.15

 

CMYK 61 / 4 / 0 / 8

HEX #5CE2EB

RGB 92 226 235

HSL 183.78, 0.78%, 0.64%

LAB 83.27, -33.59, -15.31

 

CMYK 60 / 0 / 61 / 8

HEX #5EEB5C

RGB 94 235 92

HSL 119.16, 0.78%, 0.64%

LAB 83.22, -65.03, 56.82

 

CMYK 68 / 0 / 69 / 2

HEX #4FFA4D

RGB 79 250 77

HSL 119.31, 0.95%, 0.64%

LAB 87.28, -74.4, 67.09

 

CMYK 60 / 0 / 61 / 8

HEX #5EEB5C

RGB 94 235 92

HSL 119.16, 0.78%, 0.64%

LAB 83.22, -65.03, 56.82

 

CMYK 51 / 0 / 52 / 14

HEX #6CDC6A

RGB 108 220 106

HSL 118.95, 0.62%, 0.64%

LAB 79.28, -54.44, 46

 

CMYK 40 / 0 / 41 / 20

HEX #7ACD79

RGB 122 205 121

HSL 119.29, 0.46%, 0.64%

LAB 75.56, -42.16, 34.07

 

CMYK 28 / 0 / 28 / 25

HEX #89BE88

RGB 137 190 136

HSL 118.89, 0.29%, 0.64%

LAB 72.18, -28.03, 21.86

 

CMYK 14 / 0 / 14 / 31

HEX #97AF97

RGB 151 175 151

HSL 120, 0.13%, 0.64%

LAB 69.09, -12.97, 9.55

 

CMYK 28 / 0 / 61 / 8

HEX #AAEB5C

RGB 170 235 92

HSL 87.27, 0.78%, 0.64%

LAB 86.37, -42.49, 61.23

 

CMYK 44 / 0 / 61 / 8

HEX #84EB5C

RGB 132 235 92

HSL 103.22, 0.78%, 0.64%

LAB 84.53, -55.06, 58.66

 

CMYK 60 / 0 / 61 / 8

HEX #5EEB5C

RGB 94 235 92

HSL 119.16, 0.78%, 0.64%

LAB 83.22, -65.03, 56.82

 

CMYK 61 / 0 / 46 / 8

HEX #5CEB7F

RGB 92 235 127

HSL 134.69, 0.78%, 0.64%

LAB 83.56, -60.95, 41.11

 

CMYK 61 / 0 / 29 / 8

HEX #5CEBA6

RGB 92 235 166

HSL 151.05, 0.78%, 0.64%

LAB 84.2, -54.08, 22.3

 

CMYK 87 / 0 / 88 / 15

HEX #1DD91B

RGB 29 217 27

HSL 119.37, 0.78%, 0.48%

LAB 76.05, -74.21, 70.51

 

CMYK 75 / 0 / 76 / 10

HEX #39E637

RGB 57 230 55

HSL 119.31, 0.78%, 0.56%

LAB 80.59, -73.39, 67.7

 

CMYK 60 / 0 / 61 / 8

HEX #5EEB5C

RGB 94 235 92

HSL 119.16, 0.78%, 0.64%

LAB 83.22, -65.03, 56.82

 

CMYK 46 / 0 / 46 / 6

HEX #82EF80

RGB 130 239 128

HSL 118.92, 0.78%, 0.72%

LAB 86.03, -53.07, 44

 

CMYK 32 / 0 / 32 / 4

HEX #A6F4A5

RGB 166 244 165

HSL 119.24, 0.78%, 0.8%

LAB 89.64, -39.01, 30.68

 

CMYK 60 / 0 / 61 / 8

HEX #5EEB5C

RGB 94 235 92

HSL 119.16, 0.78%, 0.64%

LAB 83.22, -65.03, 56.82

 

CMYK 61 / 11 / 0 / 8

HEX #5CD1EB

RGB 92 209 235

HSL 190.91, 0.78%, 0.64%

LAB 78.39, -25.38, -22.69

 

CMYK 0 / 61 / 36 / 8

HEX #EB5C97

RGB 235 92 151

HSL 335.24, 0.78%, 0.64%

LAB 59.48, 60.48, -3.24

 

CMYK 60 / 0 / 61 / 8

HEX #5EEB5C

RGB 94 235 92

HSL 119.16, 0.78%, 0.64%

LAB 83.22, -65.03, 56.82

 

CMYK 61 / 60 / 0 / 8

HEX #5C5EEB

RGB 92 94 235

HSL 239.16, 0.78%, 0.64%

LAB 47.34, 40.42, -71.65

 

CMYK 0 / 61 / 60 / 8

HEX #EB5C5E

RGB 235 92 94

HSL 359.16, 0.78%, 0.64%

LAB 58.16, 55.4, 28.08

 

CMYK 60 / 0 / 61 / 8

HEX #5EEB5C

RGB 94 235 92

HSL 119.16, 0.78%, 0.64%

LAB 83.22, -65.03, 56.82

 

CMYK 61 / 11 / 0 / 8

HEX #5CD1EB

RGB 92 209 235

HSL 190.91, 0.78%, 0.64%

LAB 78.39, -25.38, -22.69

 

CMYK 1 / 61 / 0 / 8

HEX #E85CEB

RGB 232 92 235

HSL 298.74, 0.78%, 0.64%

LAB 62.35, 71.51, -46.73

 

CMYK 0 / 50 / 61 / 8

HEX #EB765C

RGB 235 118 92

HSL 10.91, 0.78%, 0.64%

LAB 62.84, 43.04, 35.14

 

CMYK 60 / 0 / 61 / 8

HEX #5EEB5C

RGB 94 235 92

HSL 119.16, 0.78%, 0.64%

LAB 83.22, -65.03, 56.82

 

CMYK 61 / 29 / 0 / 8

HEX #5CA6EB

RGB 92 166 235

HSL 208.95, 0.78%, 0.64%

LAB 66.17, -2.61, -41.55

 

CMYK 1 / 61 / 0 / 8

HEX #E85CEB

RGB 232 92 235

HSL 298.74, 0.78%, 0.64%

LAB 62.35, 71.51, -46.73

 

CMYK 0 / 31 / 61 / 8

HEX #EBA15C

RGB 235 161 92

HSL 28.95, 0.78%, 0.64%

LAB 72.18, 20.67, 46.44

 

Description

Color code: HEX #5EEB5C | qconv.com Color code: HEX #5EEB5C | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 235 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 235 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 61 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 61% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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