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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5EEB48 it is the complementary color #A114B7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5EEB48. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5EEB48 shade: #63EB43, #74FD56, #85FF69, #96FF7C and #A7FF8F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5EEB48. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5EEB48 shade: #5EEB48, #4DD935, #3CC722, #2BB50F and #1AA300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5EEB48 shade: #5DEB47, #89EB47, #B5EB47, #E1EB47 and #EBC847

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5EEB48 shade: #5DEB47, #47EB5D, #47EB89, #47EBB5 and #47EBE1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5EEB48 shade matches the following richer shades: #5DEB47 and #51FB37

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5EEB48 shade: #5DEB47, #69DA58, #76CA68, #82B979 and #8EA989

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5EEB48 shade: #B7EB47, #8BEB47, #60EB47, #47EB5A and #47EB86

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5EEB48 shade: #2EC916, #3DE622, #5DEB47, #7EEF6D and #9FF392

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5EEB48 shade: #5EEB48, #47E2EB and #EB47A1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5EEB48 shade: #5EEB48, #4760EB and #EB4760

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5EEB48 shade: #5EEB48, #47E2EB, #D247EB and #EB5047

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5EEB48 shade: #5EEB48, #47B1EB, #D247EB and #EB8147

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 69 / 8

HEX #5EEB48

RGB 94 235 72

HSL 111.9, 0.8%, 0.6%

LAB 83.05, -66.89, 64.63

 

Complementary color

CMYK 12 / 89 / 0 / 28

HEX #A114B7

RGB 161 20 183

HSL 291.9, 0.8%, 0.4%

LAB 40.4, 70.68, -52.58

 

CMYK 58 / 0 / 71 / 8

HEX #63EB43

RGB 99 235 67

HSL 108.57, 0.81%, 0.59%

LAB 83.17, -66.12, 66.59

 

CMYK 54 / 0 / 66 / 1

HEX #74FD56

RGB 116 253 86

HSL 109.22, 0.98%, 0.66%

LAB 89.22, -66.73, 66.06

 

CMYK 48 / 0 / 59 / 0

HEX #85FF69

RGB 133 255 105

HSL 108.8, 1%, 0.71%

LAB 90.56, -61.2, 59.97

 

CMYK 41 / 0 / 51 / 0

HEX #96FF7C

RGB 150 255 124

HSL 108.09, 1%, 0.74%

LAB 91.44, -54.24, 52.74

 

CMYK 35 / 0 / 44 / 0

HEX #A7FF8F

RGB 167 255 143

HSL 107.14, 1%, 0.78%

LAB 92.45, -46.67, 45.22

 

CMYK 60 / 0 / 69 / 8

HEX #5EEB48

RGB 94 235 72

HSL 111.9, 0.8%, 0.6%

LAB 83.05, -66.89, 64.63

 

CMYK 65 / 0 / 76 / 15

HEX #4DD935

RGB 77 217 53

HSL 111.22, 0.68%, 0.53%

LAB 76.96, -65.95, 64.92

 

CMYK 70 / 0 / 83 / 22

HEX #3CC722

RGB 60 199 34

HSL 110.55, 0.71%, 0.46%

LAB 70.82, -64.57, 64.49

 

CMYK 76 / 0 / 92 / 29

HEX #2BB50F

RGB 43 181 15

HSL 109.88, 0.85%, 0.38%

LAB 64.64, -62.56, 62.89

 

CMYK 84 / 0 / 100 / 36

HEX #1AA300

RGB 26 163 0

HSL 110.43, 1%, 0.32%

LAB 58.43, -59.78, 59.77

 

CMYK 60 / 0 / 70 / 8

HEX #5DEB47

RGB 93 235 71

HSL 111.95, 0.8%, 0.6%

LAB 83.02, -67.2, 64.96

 

CMYK 42 / 0 / 70 / 8

HEX #89EB47

RGB 137 235 71

HSL 95.85, 0.8%, 0.6%

LAB 84.58, -55.25, 67.06

 

CMYK 23 / 0 / 70 / 8

HEX #B5EB47

RGB 181 235 71

HSL 79.76, 0.8%, 0.6%

LAB 86.85, -39.94, 70.09

 

CMYK 4 / 0 / 70 / 8

HEX #E1EB47

RGB 225 235 71

HSL 63.66, 0.8%, 0.6%

LAB 89.8, -22.66, 74

 

CMYK 0 / 15 / 70 / 8

HEX #EBC847

RGB 235 200 71

HSL 47.2, 0.8%, 0.6%

LAB 81.53, -1.07, 66.07

 

CMYK 60 / 0 / 70 / 8

HEX #5DEB47

RGB 93 235 71

HSL 111.95, 0.8%, 0.6%

LAB 83.02, -67.2, 64.96

 

CMYK 70 / 0 / 60 / 8

HEX #47EB5D

RGB 71 235 93

HSL 128.05, 0.8%, 0.6%

LAB 82.67, -69.39, 55.63

 

CMYK 70 / 0 / 42 / 8

HEX #47EB89

RGB 71 235 137

HSL 144.15, 0.8%, 0.6%

LAB 83.21, -63.14, 35.63

 

CMYK 70 / 0 / 23 / 8

HEX #47EBB5

RGB 71 235 181

HSL 160.24, 0.8%, 0.6%

LAB 84.01, -54.39, 14.18

 

CMYK 70 / 0 / 4 / 8

HEX #47EBE1

RGB 71 235 225

HSL 176.34, 0.8%, 0.6%

LAB 85.09, -43.48, -7.36

 

CMYK 60 / 0 / 70 / 8

HEX #5DEB47

RGB 93 235 71

HSL 111.95, 0.8%, 0.6%

LAB 83.02, -67.2, 64.96

 

CMYK 68 / 0 / 78 / 2

HEX #51FB37

RGB 81 251 55

HSL 112.04, 0.96%, 0.6%

LAB 87.49, -75.89, 74.49

 

CMYK 60 / 0 / 70 / 8

HEX #5DEB47

RGB 93 235 71

HSL 111.95, 0.8%, 0.6%

LAB 83.02, -67.2, 64.96

 

CMYK 52 / 0 / 60 / 15

HEX #69DA58

RGB 105 218 88

HSL 112.15, 0.64%, 0.6%

LAB 78.37, -56.58, 53.14

 

CMYK 42 / 0 / 49 / 21

HEX #76CA68

RGB 118 202 104

HSL 111.43, 0.48%, 0.6%

LAB 74.25, -44.49, 40.88

 

CMYK 30 / 0 / 35 / 27

HEX #82B979

RGB 130 185 121

HSL 111.56, 0.31%, 0.6%

LAB 70.05, -30.46, 26.91

 

CMYK 16 / 0 / 19 / 34

HEX #8EA989

RGB 142 169 137

HSL 110.63, 0.16%, 0.6%

LAB 66.47, -15.57, 13.46

 

CMYK 22 / 0 / 70 / 8

HEX #B7EB47

RGB 183 235 71

HSL 79.02, 0.8%, 0.6%

LAB 86.97, -39.19, 70.25

 

CMYK 41 / 0 / 70 / 8

HEX #8BEB47

RGB 139 235 71

HSL 95.12, 0.8%, 0.6%

LAB 84.67, -54.62, 67.18

 

CMYK 59 / 0 / 70 / 8

HEX #60EB47

RGB 96 235 71

HSL 110.85, 0.8%, 0.6%

LAB 83.1, -66.52, 65.07

 

CMYK 70 / 0 / 62 / 8

HEX #47EB5A

RGB 71 235 90

HSL 126.95, 0.8%, 0.6%

LAB 82.64, -69.72, 56.88

 

CMYK 70 / 0 / 43 / 8

HEX #47EB86

RGB 71 235 134

HSL 143.05, 0.8%, 0.6%

LAB 83.17, -63.65, 37.06

 

CMYK 77 / 0 / 89 / 21

HEX #2EC916

RGB 46 201 22

HSL 111.96, 0.8%, 0.44%

LAB 71.15, -67.94, 67.28

 

CMYK 73 / 0 / 85 / 10

HEX #3DE622

RGB 61 230 34

HSL 111.73, 0.8%, 0.52%

LAB 80.57, -73.91, 73.24

 

CMYK 60 / 0 / 70 / 8

HEX #5DEB47

RGB 93 235 71

HSL 111.95, 0.8%, 0.6%

LAB 83.02, -67.2, 64.96

 

CMYK 47 / 0 / 54 / 6

HEX #7EEF6D

RGB 126 239 109

HSL 112.15, 0.8%, 0.68%

LAB 85.64, -56.57, 52.41

 

CMYK 35 / 0 / 40 / 5

HEX #9FF392

RGB 159 243 146

HSL 111.96, 0.8%, 0.76%

LAB 88.71, -43.61, 38.89

 

CMYK 60 / 0 / 69 / 8

HEX #5EEB48

RGB 94 235 72

HSL 111.9, 0.8%, 0.6%

LAB 83.05, -66.89, 64.63

 

CMYK 70 / 4 / 0 / 8

HEX #47E2EB

RGB 71 226 235

HSL 183.29, 0.8%, 0.6%

LAB 82.77, -36.64, -16.11

 

CMYK 0 / 70 / 31 / 8

HEX #EB47A1

RGB 235 71 161

HSL 327.07, 0.8%, 0.6%

LAB 56.82, 69.79, -13.03

 

CMYK 60 / 0 / 69 / 8

HEX #5EEB48

RGB 94 235 72

HSL 111.9, 0.8%, 0.6%

LAB 83.05, -66.89, 64.63

 

CMYK 70 / 59 / 0 / 8

HEX #4760EB

RGB 71 96 235

HSL 230.85, 0.8%, 0.6%

LAB 46.58, 36.2, -72.93

 

CMYK 0 / 70 / 59 / 8

HEX #EB4760

RGB 235 71 96

HSL 350.85, 0.8%, 0.6%

LAB 55.09, 63.95, 22.9

 

CMYK 60 / 0 / 69 / 8

HEX #5EEB48

RGB 94 235 72

HSL 111.9, 0.8%, 0.6%

LAB 83.05, -66.89, 64.63

 

CMYK 70 / 4 / 0 / 8

HEX #47E2EB

RGB 71 226 235

HSL 183.29, 0.8%, 0.6%

LAB 82.77, -36.64, -16.11

 

CMYK 11 / 70 / 0 / 8

HEX #D247EB

RGB 210 71 235

HSL 290.85, 0.8%, 0.6%

LAB 56.29, 74.67, -56.55

 

CMYK 0 / 66 / 70 / 8

HEX #EB5047

RGB 235 80 71

HSL 3.29, 0.8%, 0.6%

LAB 55.94, 59.11, 38.4

 

CMYK 60 / 0 / 69 / 8

HEX #5EEB48

RGB 94 235 72

HSL 111.9, 0.8%, 0.6%

LAB 83.05, -66.89, 64.63

 

CMYK 70 / 25 / 0 / 8

HEX #47B1EB

RGB 71 177 235

HSL 201.22, 0.8%, 0.6%

LAB 68.59, -12.09, -37.82

 

CMYK 11 / 70 / 0 / 8

HEX #D247EB

RGB 210 71 235

HSL 290.85, 0.8%, 0.6%

LAB 56.29, 74.67, -56.55

 

CMYK 0 / 45 / 70 / 8

HEX #EB8147

RGB 235 129 71

HSL 21.22, 0.8%, 0.6%

LAB 64.82, 36.22, 48.48

 

Description

Color code: HEX #5EEB48 | qconv.com Color code: HEX #5EEB48 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 235 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 235 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 69 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 69% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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