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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5ED87A it is the complementary color #A12785. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5ED87A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5ED87A shade: #63D875, #74EA88, #85FC9B, #96FFAE and #A7FFC1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5ED87A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5ED87A shade: #5ED87A, #4DC667, #3CB454, #2BA241 and #1A902E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5ED87A shade: #5FD87B, #64D85F, #84D85F, #A5D85F and #C6D85F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5ED87A shade: #5FD87B, #5FD89B, #5FD8BC, #5FD4D8 and #5FB3D8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5ED87A shade matches the following richer shades: #5FD87B, #4FE872 and #3FF869

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5ED87A shade: #5FD87B, #6FC883, #7FB88C, #8FA895 and #9F989E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5ED87A shade: #85D85F, #65D85F, #5FD879, #5FD89A and #5FD8BA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5ED87A shade: #2DB84D, #3ED05F, #5FD87B, #80E096 and #A1E8B2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5ED87A shade: #5ED87A, #5FA6D8 and #D85F75

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5ED87A shade: #5ED87A, #795FD8 and #D8795F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5ED87A shade: #5ED87A, #5FA6D8, #D85FBE and #D8915F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5ED87A shade: #5ED87A, #5F81D8, #D85FBE and #D8B65F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 44 / 15

HEX #5ED87A

RGB 94 216 122

HSL 133.77, 0.61%, 0.61%

LAB 77.81, -54.07, 36.25

 

Complementary color

CMYK 0 / 76 / 17 / 37

HEX #A12785

RGB 161 39 133

HSL 313.77, 0.61%, 0.39%

LAB 39.11, 58.15, -24.48

 

CMYK 54 / 0 / 46 / 15

HEX #63D875

RGB 99 216 117

HSL 129.23, 0.6%, 0.62%

LAB 77.9, -53.65, 38.89

 

CMYK 50 / 0 / 42 / 8

HEX #74EA88

RGB 116 234 136

HSL 130.17, 0.74%, 0.69%

LAB 84.14, -53.64, 37.58

 

CMYK 47 / 0 / 38 / 1

HEX #85FC9B

RGB 133 252 155

HSL 131.09, 0.95%, 0.75%

LAB 90.31, -53.53, 36.32

 

CMYK 41 / 0 / 32 / 0

HEX #96FFAE

RGB 150 255 174

HSL 133.71, 1%, 0.79%

LAB 92.16, -47.09, 29.41

 

CMYK 35 / 0 / 24 / 0

HEX #A7FFC1

RGB 167 255 193

HSL 137.73, 1%, 0.83%

LAB 93.27, -38.95, 21.43

 

CMYK 56 / 0 / 44 / 15

HEX #5ED87A

RGB 94 216 122

HSL 133.77, 0.61%, 0.61%

LAB 77.81, -54.07, 36.25

 

CMYK 61 / 0 / 48 / 22

HEX #4DC667

RGB 77 198 103

HSL 132.89, 0.51%, 0.54%

LAB 71.52, -53.9, 37.65

 

CMYK 67 / 0 / 53 / 29

HEX #3CB454

RGB 60 180 84

HSL 132, 0.5%, 0.47%

LAB 65.16, -53.48, 39.09

 

CMYK 73 / 0 / 60 / 36

HEX #2BA241

RGB 43 162 65

HSL 131.09, 0.58%, 0.4%

LAB 58.73, -52.69, 40.52

 

CMYK 82 / 0 / 68 / 44

HEX #1A902E

RGB 26 144 46

HSL 130.17, 0.69%, 0.33%

LAB 52.25, -51.3, 41.81

 

CMYK 56 / 0 / 43 / 15

HEX #5FD87B

RGB 95 216 123

HSL 133.88, 0.61%, 0.61%

LAB 77.86, -53.68, 35.82

 

CMYK 54 / 0 / 56 / 15

HEX #64D85F

RGB 100 216 95

HSL 117.52, 0.61%, 0.61%

LAB 77.67, -56.34, 49.13

 

CMYK 39 / 0 / 56 / 15

HEX #84D85F

RGB 132 216 95

HSL 101.65, 0.61%, 0.61%

LAB 78.95, -47.05, 50.96

 

CMYK 24 / 0 / 56 / 15

HEX #A5D85F

RGB 165 216 95

HSL 85.29, 0.61%, 0.61%

LAB 80.7, -35.57, 53.44

 

CMYK 8 / 0 / 56 / 15

HEX #C6D85F

RGB 198 216 95

HSL 68.93, 0.61%, 0.61%

LAB 82.88, -22.84, 56.51

 

CMYK 56 / 0 / 43 / 15

HEX #5FD87B

RGB 95 216 123

HSL 133.88, 0.61%, 0.61%

LAB 77.86, -53.68, 35.82

 

CMYK 56 / 0 / 28 / 15

HEX #5FD89B

RGB 95 216 155

HSL 149.75, 0.61%, 0.61%

LAB 78.41, -47.9, 20.06

 

CMYK 56 / 0 / 13 / 15

HEX #5FD8BC

RGB 95 216 188

HSL 166.12, 0.61%, 0.61%

LAB 79.14, -40.62, 3.6

 

CMYK 56 / 2 / 0 / 15

HEX #5FD4D8

RGB 95 212 216

HSL 181.98, 0.61%, 0.61%

LAB 78.74, -31.62, -11.97

 

CMYK 56 / 17 / 0 / 15

HEX #5FB3D8

RGB 95 179 216

HSL 198.35, 0.61%, 0.61%

LAB 69.21, -15.02, -26.41

 

CMYK 56 / 0 / 43 / 15

HEX #5FD87B

RGB 95 216 123

HSL 133.88, 0.61%, 0.61%

LAB 77.86, -53.68, 35.82

 

CMYK 66 / 0 / 51 / 9

HEX #4FE872

RGB 79 232 114

HSL 133.73, 0.77%, 0.61%

LAB 82.16, -64.31, 45.54

 

CMYK 75 / 0 / 58 / 3

HEX #3FF869

RGB 63 248 105

HSL 133.62, 0.93%, 0.61%

LAB 86.61, -73.4, 54.92

 

CMYK 56 / 0 / 43 / 15

HEX #5FD87B

RGB 95 216 123

HSL 133.88, 0.61%, 0.61%

LAB 77.86, -53.68, 35.82

 

CMYK 45 / 0 / 35 / 22

HEX #6FC883

RGB 111 200 131

HSL 133.48, 0.45%, 0.61%

LAB 73.76, -41.58, 26.42

 

CMYK 31 / 0 / 24 / 28

HEX #7FB88C

RGB 127 184 140

HSL 133.68, 0.29%, 0.61%

LAB 69.96, -27.71, 16.56

 

CMYK 15 / 0 / 11 / 34

HEX #8FA895

RGB 143 168 149

HSL 134.4, 0.13%, 0.61%

LAB 66.53, -12.47, 6.92

 

CMYK 0 / 4 / 1 / 38

HEX #9F989E

RGB 159 152 158

HSL 308.57, 0.04%, 0.61%

LAB 63.59, 3.69, -2.23

 

CMYK 38 / 0 / 56 / 15

HEX #85D85F

RGB 133 216 95

HSL 101.16, 0.61%, 0.61%

LAB 79, -46.73, 51.03

 

CMYK 53 / 0 / 56 / 15

HEX #65D85F

RGB 101 216 95

HSL 117.02, 0.61%, 0.61%

LAB 77.7, -56.09, 49.18

 

CMYK 56 / 0 / 44 / 15

HEX #5FD879

RGB 95 216 121

HSL 132.89, 0.61%, 0.61%

LAB 77.83, -54, 36.78

 

CMYK 56 / 0 / 29 / 15

HEX #5FD89A

RGB 95 216 154

HSL 149.26, 0.61%, 0.61%

LAB 78.39, -48.1, 20.56

 

CMYK 56 / 0 / 14 / 15

HEX #5FD8BA

RGB 95 216 186

HSL 165.12, 0.61%, 0.61%

LAB 79.09, -41.1, 4.6

 

CMYK 76 / 0 / 58 / 28

HEX #2DB84D

RGB 45 184 77

HSL 133.81, 0.61%, 0.45%

LAB 66.04, -58.41, 43.43

 

CMYK 70 / 0 / 54 / 18

HEX #3ED05F

RGB 62 208 95

HSL 133.56, 0.61%, 0.53%

LAB 74.17, -61.56, 44.71

 

CMYK 56 / 0 / 43 / 15

HEX #5FD87B

RGB 95 216 123

HSL 133.88, 0.61%, 0.61%

LAB 77.86, -53.68, 35.82

 

CMYK 43 / 0 / 33 / 12

HEX #80E096

RGB 128 224 150

HSL 133.75, 0.61%, 0.69%

LAB 81.89, -43.97, 27.61

 

CMYK 31 / 0 / 23 / 9

HEX #A1E8B2

RGB 161 232 178

HSL 134.37, 0.61%, 0.77%

LAB 86.26, -32.91, 19.35

 

CMYK 56 / 0 / 44 / 15

HEX #5ED87A

RGB 94 216 122

HSL 133.77, 0.61%, 0.61%

LAB 77.81, -54.07, 36.25

 

CMYK 56 / 23 / 0 / 15

HEX #5FA6D8

RGB 95 166 216

HSL 204.79, 0.61%, 0.61%

LAB 65.49, -7.98, -32.15

 

CMYK 0 / 56 / 46 / 15

HEX #D85F75

RGB 216 95 117

HSL 349.09, 0.61%, 0.61%

LAB 56.16, 49.48, 11.48

 

CMYK 56 / 0 / 44 / 15

HEX #5ED87A

RGB 94 216 122

HSL 133.77, 0.61%, 0.61%

LAB 77.81, -54.07, 36.25

 

CMYK 44 / 56 / 0 / 15

HEX #795FD8

RGB 121 95 216

HSL 252.89, 0.61%, 0.61%

LAB 48.52, 39.55, -58.87

 

CMYK 0 / 44 / 56 / 15

HEX #D8795F

RGB 216 121 95

HSL 12.89, 0.61%, 0.61%

LAB 60.87, 34.48, 30.44

 

CMYK 56 / 0 / 44 / 15

HEX #5ED87A

RGB 94 216 122

HSL 133.77, 0.61%, 0.61%

LAB 77.81, -54.07, 36.25

 

CMYK 56 / 23 / 0 / 15

HEX #5FA6D8

RGB 95 166 216

HSL 204.79, 0.61%, 0.61%

LAB 65.49, -7.98, -32.15

 

CMYK 0 / 56 / 12 / 15

HEX #D85FBE

RGB 216 95 190

HSL 312.89, 0.61%, 0.61%

LAB 58.51, 58.78, -27.5

 

CMYK 0 / 33 / 56 / 15

HEX #D8915F

RGB 216 145 95

HSL 24.79, 0.61%, 0.61%

LAB 66.27, 21.66, 37.24

 

CMYK 56 / 0 / 44 / 15

HEX #5ED87A

RGB 94 216 122

HSL 133.77, 0.61%, 0.61%

LAB 77.81, -54.07, 36.25

 

CMYK 56 / 40 / 0 / 15

HEX #5F81D8

RGB 95 129 216

HSL 223.14, 0.61%, 0.61%

LAB 55.17, 13.46, -48.34

 

CMYK 0 / 56 / 12 / 15

HEX #D85FBE

RGB 216 95 190

HSL 312.89, 0.61%, 0.61%

LAB 58.51, 58.78, -27.5

 

CMYK 0 / 16 / 56 / 15

HEX #D8B65F

RGB 216 182 95

HSL 43.14, 0.61%, 0.61%

LAB 75.38, 1.84, 48.23

 

Description

Color code: HEX #5ED87A | qconv.com Color code: HEX #5ED87A | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 216 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 216 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 44 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 44% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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