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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5ED409 it is the complementary color #A12BF6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5ED409. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5ED409 shade: #63D404, #74E617, #85F82A, #96FF3D and #A7FF50

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5ED409. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5ED409 shade: #5ED409, #4DC200, #3CB000, #2B9E00 and #1A8C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5ED409 shade: #5DD309, #94D309, #CAD309, #D3A509 and #D36E09

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5ED409 shade: #5DD309, #27D309, #09D321, #09D358 and #09D38E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5ED409 shade matches the following richer shades: #5DD309

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5ED409 shade: #5DD309, #60C11B, #63AF2C, #669D3E and #698C50

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5ED409 shade: #CCD309, #96D309, #60D309, #2AD309 and #09D31D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5ED409 shade: #3A8305, #4CAB07, #5DD309, #70F510 and #87F737

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5ED409 shade: #5ED409, #09D3A3 and #D309B1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5ED409 shade: #5ED409, #0960D3 and #D30960

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5ED409 shade: #5ED409, #09D3A3, #7B09D3 and #D30938

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5ED409 shade: #5ED409, #09C5D3, #7B09D3 and #D31609

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 96 / 17

HEX #5ED409

RGB 94 212 9

HSL 94.88, 0.92%, 0.43%

LAB 75.75, -61.97, 73.31

 

Complementary color

CMYK 35 / 83 / 0 / 4

HEX #A12BF6

RGB 161 43 246

HSL 274.88, 0.92%, 0.57%

LAB 46.92, 77.34, -78.22

 

CMYK 53 / 0 / 98 / 17

HEX #63D404

RGB 99 212 4

HSL 92.6, 0.96%, 0.42%

LAB 75.91, -60.7, 74

 

CMYK 50 / 0 / 90 / 10

HEX #74E617

RGB 116 230 23

HSL 93.04, 0.82%, 0.5%

LAB 82.04, -61.98, 77.07

 

CMYK 46 / 0 / 83 / 3

HEX #85F82A

RGB 133 248 42

HSL 93.5, 0.94%, 0.57%

LAB 88.11, -62.95, 78.93

 

CMYK 41 / 0 / 76 / 0

HEX #96FF3D

RGB 150 255 61

HSL 92.47, 1%, 0.62%

LAB 90.94, -59.52, 76.79

 

CMYK 35 / 0 / 69 / 0

HEX #A7FF50

RGB 167 255 80

HSL 90.17, 1%, 0.66%

LAB 91.83, -52.85, 71.67

 

CMYK 56 / 0 / 96 / 17

HEX #5ED409

RGB 94 212 9

HSL 94.88, 0.92%, 0.43%

LAB 75.75, -61.97, 73.31

 

CMYK 60 / 0 / 100 / 24

HEX #4DC200

RGB 77 194 0

HSL 96.19, 1%, 0.38%

LAB 69.58, -60.27, 69.1

 

CMYK 66 / 0 / 100 / 31

HEX #3CB000

RGB 60 176 0

HSL 99.55, 1%, 0.35%

LAB 63.35, -58.19, 63.96

 

CMYK 73 / 0 / 100 / 38

HEX #2B9E00

RGB 43 158 0

HSL 103.67, 1%, 0.31%

LAB 57.04, -55.76, 58.78

 

CMYK 81 / 0 / 100 / 45

HEX #1A8C00

RGB 26 140 0

HSL 108.86, 1%, 0.27%

LAB 50.66, -52.83, 53.56

 

CMYK 56 / 0 / 96 / 17

HEX #5DD309

RGB 93 211 9

HSL 95.05, 0.92%, 0.43%

LAB 75.41, -61.89, 73.02

 

CMYK 30 / 0 / 96 / 17

HEX #94D309

RGB 148 211 9

HSL 78.71, 0.92%, 0.43%

LAB 77.82, -44.12, 75.96

 

CMYK 4 / 0 / 96 / 17

HEX #CAD309

RGB 202 211 9

HSL 62.67, 0.92%, 0.43%

LAB 81.38, -22.41, 80.25

 

CMYK 0 / 22 / 96 / 17

HEX #D3A509

RGB 211 165 9

HSL 46.34, 0.92%, 0.43%

LAB 70.02, 5.06, 72.2

 

CMYK 0 / 48 / 96 / 17

HEX #D36E09

RGB 211 110 9

HSL 30, 0.92%, 0.43%

LAB 57.1, 34.53, 63.2

 

CMYK 56 / 0 / 96 / 17

HEX #5DD309

RGB 93 211 9

HSL 95.05, 0.92%, 0.43%

LAB 75.41, -61.89, 73.02

 

CMYK 82 / 0 / 96 / 17

HEX #27D309

RGB 39 211 9

HSL 111.09, 0.92%, 0.43%

LAB 74.22, -72.04, 71.55

 

CMYK 96 / 0 / 84 / 17

HEX #09D321

RGB 9 211 33

HSL 127.13, 0.92%, 0.43%

LAB 74.03, -73.45, 67.42

 

CMYK 96 / 0 / 58 / 17

HEX #09D358

RGB 9 211 88

HSL 143.47, 0.92%, 0.43%

LAB 74.41, -68.64, 48.1

 

CMYK 96 / 0 / 33 / 17

HEX #09D38E

RGB 9 211 142

HSL 159.5, 0.92%, 0.43%

LAB 75.2, -59.28, 22.25

 

CMYK 56 / 0 / 96 / 17

HEX #5DD309

RGB 93 211 9

HSL 95.05, 0.92%, 0.43%

LAB 75.41, -61.89, 73.02

 

CMYK 56 / 0 / 96 / 17

HEX #5DD309

RGB 93 211 9

HSL 95.05, 0.92%, 0.43%

LAB 75.41, -61.89, 73.02

 

CMYK 50 / 0 / 86 / 24

HEX #60C11B

RGB 96 193 27

HSL 95.06, 0.75%, 0.43%

LAB 69.97, -54.13, 65.79

 

CMYK 43 / 0 / 75 / 31

HEX #63AF2C

RGB 99 175 44

HSL 94.81, 0.6%, 0.43%

LAB 64.56, -45.3, 56.03

 

CMYK 35 / 0 / 61 / 38

HEX #669D3E

RGB 102 157 62

HSL 94.74, 0.43%, 0.43%

LAB 59.24, -35.03, 43.07

 

CMYK 25 / 0 / 43 / 45

HEX #698C50

RGB 105 140 80

HSL 95, 0.27%, 0.43%

LAB 54.38, -23.61, 28.14

 

CMYK 3 / 0 / 96 / 17

HEX #CCD309

RGB 204 211 9

HSL 62.08, 0.92%, 0.43%

LAB 81.54, -21.56, 80.44

 

CMYK 29 / 0 / 96 / 17

HEX #96D309

RGB 150 211 9

HSL 78.12, 0.92%, 0.43%

LAB 77.93, -43.37, 76.09

 

CMYK 55 / 0 / 96 / 17

HEX #60D309

RGB 96 211 9

HSL 94.16, 0.92%, 0.43%

LAB 75.51, -61.09, 73.15

 

CMYK 80 / 0 / 96 / 17

HEX #2AD309

RGB 42 211 9

HSL 110.2, 0.92%, 0.43%

LAB 74.25, -71.69, 71.6

 

CMYK 96 / 0 / 86 / 17

HEX #09D31D

RGB 9 211 29

HSL 125.94, 0.92%, 0.43%

LAB 74.02, -73.63, 68.29

 

CMYK 56 / 0 / 96 / 49

HEX #3A8305

RGB 58 131 5

HSL 94.76, 0.93%, 0.27%

LAB 48.44, -42.59, 51.16

 

CMYK 56 / 0 / 96 / 33

HEX #4CAB07

RGB 76 171 7

HSL 94.76, 0.92%, 0.35%

LAB 62.23, -52.33, 62.34

 

CMYK 56 / 0 / 96 / 17

HEX #5DD309

RGB 93 211 9

HSL 95.05, 0.92%, 0.43%

LAB 75.41, -61.89, 73.02

 

CMYK 54 / 0 / 93 / 4

HEX #70F510

RGB 112 245 16

HSL 94.85, 0.92%, 0.51%

LAB 86.4, -68.47, 81.49

 

CMYK 45 / 0 / 78 / 3

HEX #87F737

RGB 135 247 55

HSL 95, 0.92%, 0.59%

LAB 87.94, -61.41, 75.49

 

CMYK 56 / 0 / 96 / 17

HEX #5ED409

RGB 94 212 9

HSL 94.88, 0.92%, 0.43%

LAB 75.75, -61.97, 73.31

 

CMYK 96 / 0 / 23 / 17

HEX #09D3A3

RGB 9 211 163

HSL 165.74, 0.92%, 0.43%

LAB 75.63, -54.47, 11.73

 

CMYK 0 / 96 / 16 / 17

HEX #D309B1

RGB 211 9 177

HSL 310.1, 0.92%, 0.43%

LAB 48.53, 79.87, -35.56

 

CMYK 56 / 0 / 96 / 17

HEX #5ED409

RGB 94 212 9

HSL 94.88, 0.92%, 0.43%

LAB 75.75, -61.97, 73.31

 

CMYK 96 / 55 / 0 / 17

HEX #0960D3

RGB 9 96 211

HSL 214.16, 0.92%, 0.43%

LAB 42.95, 22.27, -65.29

 

CMYK 0 / 96 / 55 / 17

HEX #D30960

RGB 211 9 96

HSL 334.16, 0.92%, 0.43%

LAB 45.48, 71.88, 9.04

 

CMYK 56 / 0 / 96 / 17

HEX #5ED409

RGB 94 212 9

HSL 94.88, 0.92%, 0.43%

LAB 75.75, -61.97, 73.31

 

CMYK 96 / 0 / 23 / 17

HEX #09D3A3

RGB 9 211 163

HSL 165.74, 0.92%, 0.43%

LAB 75.63, -54.47, 11.73

 

CMYK 42 / 96 / 0 / 17

HEX #7B09D3

RGB 123 9 211

HSL 273.86, 0.92%, 0.43%

LAB 36.19, 72.54, -76.07

 

CMYK 0 / 96 / 73 / 17

HEX #D30938

RGB 211 9 56

HSL 346.04, 0.92%, 0.43%

LAB 44.7, 69.75, 32.81

 

CMYK 56 / 0 / 96 / 17

HEX #5ED409

RGB 94 212 9

HSL 94.88, 0.92%, 0.43%

LAB 75.75, -61.97, 73.31

 

CMYK 96 / 7 / 0 / 17

HEX #09C5D3

RGB 9 197 211

HSL 184.16, 0.92%, 0.43%

LAB 72.69, -35.04, -18.52

 

CMYK 42 / 96 / 0 / 17

HEX #7B09D3

RGB 123 9 211

HSL 273.86, 0.92%, 0.43%

LAB 36.19, 72.54, -76.07

 

CMYK 0 / 90 / 96 / 17

HEX #D31609

RGB 211 22 9

HSL 3.86, 0.92%, 0.43%

LAB 44.86, 67.16, 55.82

 

Description

Color code: HEX #5ED409 | qconv.com Color code: HEX #5ED409 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 212 green and 9 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 212 9 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 96 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 96% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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