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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5ED3E3 it is the complementary color #A12C1C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5ED3E3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5ED3E3 shade: #63D3DE, #74E5F1, #85F7FF, #96FFFF and #A7FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5ED3E3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5ED3E3 shade: #5ED3E3, #4DC1D0, #3CAFBD, #2B9DAA and #1A8B97

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5ED3E3 shade: #5ED2E2, #5EAFE2, #5E8BE2, #5E67E2 and #785EE2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5ED3E3 shade: #5ED2E2, #5EAFE2, #5E8BE2, #5E67E2 and #5E5EE2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5ED3E3 shade matches the following richer shades: #5ED2E2 and #4FDEF1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5ED3E3 shade: #5ED2E2, #6DC7D3, #7DBBC4, #8CB0B4 and #9BA4A5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5ED3E3 shade: #5EE2AB, #5EE2CE, #5ED3E2, #5EB0E2 and #5E8CE2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5ED3E3 shade: #23B6CA, #3BC9DC, #5ED2E2, #81DCE8 and #A4E6EF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5ED3E3 shade: #5ED3E3, #885EE2 and #E2BD5E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5ED3E3 shade: #5ED3E3, #E25ED3 and #D3E25E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5ED3E3 shade: #5ED3E3, #885EE2, #E26E5E and #B8E25E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5ED3E3 shade: #5ED3E3, #B05EE2, #E26E5E and #91E25E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 7 / 0 / 11

HEX #5ED3E3

RGB 94 211 227

HSL 187.22, 0.7%, 0.63%

LAB 78.76, -28.29, -17.83

 

Complementary color

CMYK 0 / 73 / 83 / 37

HEX #A12C1C

RGB 161 44 28

HSL 7.22, 0.7%, 0.37%

LAB 36.86, 47.13, 37.57

 

CMYK 55 / 5 / 0 / 13

HEX #63D3DE

RGB 99 211 222

HSL 185.37, 0.65%, 0.63%

LAB 78.76, -28.75, -15.14

 

CMYK 52 / 5 / 0 / 5

HEX #74E5F1

RGB 116 229 241

HSL 185.76, 0.82%, 0.7%

LAB 85.05, -28.99, -15.73

 

CMYK 48 / 3 / 0 / 0

HEX #85F7FF

RGB 133 247 255

HSL 183.93, 1%, 0.76%

LAB 91.11, -30.44, -13.91

 

CMYK 41 / 0 / 0 / 0

HEX #96FFFF

RGB 150 255 255

HSL 180, 1%, 0.79%

LAB 93.98, -30.42, -9.57

 

CMYK 35 / 0 / 0 / 0

HEX #A7FFFF

RGB 167 255 255

HSL 180, 1%, 0.83%

LAB 94.72, -26.25, -8.39

 

CMYK 59 / 7 / 0 / 11

HEX #5ED3E3

RGB 94 211 227

HSL 187.22, 0.7%, 0.63%

LAB 78.76, -28.29, -17.83

 

CMYK 63 / 7 / 0 / 18

HEX #4DC1D0

RGB 77 193 208

HSL 186.87, 0.58%, 0.56%

LAB 72.41, -27.83, -17.22

 

CMYK 68 / 7 / 0 / 26

HEX #3CAFBD

RGB 60 175 189

HSL 186.51, 0.52%, 0.49%

LAB 65.98, -27.21, -16.54

 

CMYK 75 / 8 / 0 / 33

HEX #2B9DAA

RGB 43 157 170

HSL 186.14, 0.6%, 0.42%

LAB 59.46, -26.35, -15.8

 

CMYK 83 / 8 / 0 / 41

HEX #1A8B97

RGB 26 139 151

HSL 185.76, 0.71%, 0.35%

LAB 52.86, -25.15, -14.95

 

CMYK 58 / 7 / 0 / 11

HEX #5ED2E2

RGB 94 210 226

HSL 187.27, 0.69%, 0.63%

LAB 78.44, -28.09, -17.78

 

CMYK 58 / 23 / 0 / 11

HEX #5EAFE2

RGB 94 175 226

HSL 203.18, 0.69%, 0.63%

LAB 68.41, -10.04, -33.12

 

CMYK 58 / 38 / 0 / 11

HEX #5E8BE2

RGB 94 139 226

HSL 219.55, 0.69%, 0.63%

LAB 58.35, 10.51, -48.89

 

CMYK 58 / 54 / 0 / 11

HEX #5E67E2

RGB 94 103 226

HSL 235.91, 0.69%, 0.63%

LAB 48.97, 32.4, -63.92

 

CMYK 47 / 58 / 0 / 11

HEX #785EE2

RGB 120 94 226

HSL 251.82, 0.69%, 0.63%

LAB 48.87, 42.76, -63.98

 

CMYK 58 / 7 / 0 / 11

HEX #5ED2E2

RGB 94 210 226

HSL 187.27, 0.69%, 0.63%

LAB 78.44, -28.09, -17.78

 

CMYK 58 / 23 / 0 / 11

HEX #5EAFE2

RGB 94 175 226

HSL 203.18, 0.69%, 0.63%

LAB 68.41, -10.04, -33.12

 

CMYK 58 / 38 / 0 / 11

HEX #5E8BE2

RGB 94 139 226

HSL 219.55, 0.69%, 0.63%

LAB 58.35, 10.51, -48.89

 

CMYK 58 / 54 / 0 / 11

HEX #5E67E2

RGB 94 103 226

HSL 235.91, 0.69%, 0.63%

LAB 48.97, 32.4, -63.92

 

CMYK 58 / 58 / 0 / 11

HEX #5E5EE2

RGB 94 94 226

HSL 240, 0.69%, 0.63%

LAB 46.81, 37.86, -67.42

 

CMYK 58 / 7 / 0 / 11

HEX #5ED2E2

RGB 94 210 226

HSL 187.27, 0.69%, 0.63%

LAB 78.44, -28.09, -17.78

 

CMYK 67 / 8 / 0 / 5

HEX #4FDEF1

RGB 79 222 241

HSL 187.04, 0.85%, 0.63%

LAB 81.98, -31.97, -20.47

 

CMYK 58 / 7 / 0 / 11

HEX #5ED2E2

RGB 94 210 226

HSL 187.27, 0.69%, 0.63%

LAB 78.44, -28.09, -17.78

 

CMYK 48 / 6 / 0 / 17

HEX #6DC7D3

RGB 109 199 211

HSL 187.06, 0.54%, 0.63%

LAB 75.33, -23.74, -14.34

 

CMYK 36 / 5 / 0 / 23

HEX #7DBBC4

RGB 125 187 196

HSL 187.61, 0.38%, 0.63%

LAB 72.15, -17.56, -10.87

 

CMYK 22 / 2 / 0 / 29

HEX #8CB0B4

RGB 140 176 180

HSL 186, 0.21%, 0.63%

LAB 69.41, -11.22, -6.07

 

CMYK 6 / 1 / 0 / 35

HEX #9BA4A5

RGB 155 164 165

HSL 186, 0.05%, 0.63%

LAB 66.7, -2.98, -1.63

 

CMYK 58 / 0 / 24 / 11

HEX #5EE2AB

RGB 94 226 171

HSL 155, 0.69%, 0.63%

LAB 81.68, -48.98, 16.21

 

CMYK 58 / 0 / 9 / 11

HEX #5EE2CE

RGB 94 226 206

HSL 170.91, 0.69%, 0.63%

LAB 82.5, -40.88, -1.08

 

CMYK 58 / 7 / 0 / 11

HEX #5ED3E2

RGB 94 211 226

HSL 186.82, 0.69%, 0.63%

LAB 78.73, -28.57, -17.35

 

CMYK 58 / 22 / 0 / 11

HEX #5EB0E2

RGB 94 176 226

HSL 202.73, 0.69%, 0.63%

LAB 68.69, -10.58, -32.68

 

CMYK 58 / 38 / 0 / 11

HEX #5E8CE2

RGB 94 140 226

HSL 219.09, 0.69%, 0.63%

LAB 58.63, 9.92, -48.46

 

CMYK 83 / 10 / 0 / 21

HEX #23B6CA

RGB 35 182 202

HSL 187.19, 0.7%, 0.46%

LAB 68.08, -29.39, -20.58

 

CMYK 73 / 9 / 0 / 14

HEX #3BC9DC

RGB 59 201 220

HSL 187.08, 0.7%, 0.55%

LAB 74.74, -30.69, -20.23

 

CMYK 58 / 7 / 0 / 11

HEX #5ED2E2

RGB 94 210 226

HSL 187.27, 0.69%, 0.63%

LAB 78.44, -28.09, -17.78

 

CMYK 44 / 5 / 0 / 9

HEX #81DCE8

RGB 129 220 232

HSL 186.99, 0.69%, 0.71%

LAB 82.74, -24.12, -14.38

 

CMYK 31 / 4 / 0 / 6

HEX #A4E6EF

RGB 164 230 239

HSL 187.2, 0.7%, 0.79%

LAB 87.35, -18.49, -11.02

 

CMYK 59 / 7 / 0 / 11

HEX #5ED3E3

RGB 94 211 227

HSL 187.22, 0.7%, 0.63%

LAB 78.76, -28.29, -17.83

 

CMYK 40 / 58 / 0 / 11

HEX #885EE2

RGB 136 94 226

HSL 259.09, 0.69%, 0.63%

LAB 50.37, 46.15, -61.49

 

CMYK 0 / 16 / 58 / 11

HEX #E2BD5E

RGB 226 189 94

HSL 43.18, 0.69%, 0.63%

LAB 78.09, 2.26, 52.12

 

CMYK 59 / 7 / 0 / 11

HEX #5ED3E3

RGB 94 211 227

HSL 187.22, 0.7%, 0.63%

LAB 78.76, -28.29, -17.83

 

CMYK 0 / 58 / 7 / 11

HEX #E25ED3

RGB 226 94 211

HSL 306.82, 0.69%, 0.63%

LAB 60.67, 65.25, -35.96

 

CMYK 7 / 0 / 58 / 11

HEX #D3E25E

RGB 211 226 94

HSL 66.82, 0.69%, 0.63%

LAB 86.53, -22.57, 61.29

 

CMYK 59 / 7 / 0 / 11

HEX #5ED3E3

RGB 94 211 227

HSL 187.22, 0.7%, 0.63%

LAB 78.76, -28.29, -17.83

 

CMYK 40 / 58 / 0 / 11

HEX #885EE2

RGB 136 94 226

HSL 259.09, 0.69%, 0.63%

LAB 50.37, 46.15, -61.49

 

CMYK 0 / 51 / 58 / 11

HEX #E26E5E

RGB 226 110 94

HSL 7.27, 0.69%, 0.63%

LAB 60, 43.81, 30.18

 

CMYK 19 / 0 / 58 / 11

HEX #B8E25E

RGB 184 226 94

HSL 79.09, 0.69%, 0.63%

LAB 84.68, -33.11, 58.72

 

CMYK 59 / 7 / 0 / 11

HEX #5ED3E3

RGB 94 211 227

HSL 187.22, 0.7%, 0.63%

LAB 78.76, -28.29, -17.83

 

CMYK 22 / 58 / 0 / 11

HEX #B05EE2

RGB 176 94 226

HSL 277.27, 0.69%, 0.63%

LAB 54.79, 55.41, -54.15

 

CMYK 0 / 51 / 58 / 11

HEX #E26E5E

RGB 226 110 94

HSL 7.27, 0.69%, 0.63%

LAB 60, 43.81, 30.18

 

CMYK 36 / 0 / 58 / 11

HEX #91E25E

RGB 145 226 94

HSL 96.82, 0.69%, 0.63%

LAB 82.5, -47.09, 55.66

 

Description

Color code: HEX #5ED3E3 | qconv.com Color code: HEX #5ED3E3 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 211 green and 227 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 211 227 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, 7 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 7% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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