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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5ED2D5 it is the complementary color #A12D2A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5ED2D5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5ED2D5 shade: #63D2D0, #74E4E3, #85F6F6, #96FFFF and #A7FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5ED2D5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5ED2D5 shade: #5ED2D5, #4DC0C2, #3CAEAF, #2B9C9C and #1A8A89

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5ED2D5 shade: #5DD2D5, #5DB2D5, #5D91D5, #5D71D5 and #695DD5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5ED2D5 shade: #5DD2D5, #5DB2D5, #5D91D5, #5D71D5 and #5D5DD5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5ED2D5 shade matches the following richer shades: #5DD2D5, #4CE2E6 and #3CF1F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5ED2D5 shade: #5DD2D5, #6DC2C5, #7EB3B4, #8EA3A4 and #9F9393

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5ED2D5 shade: #5DD597, #5DD5B7, #5DD3D5, #5DB3D5 and #5D93D5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5ED2D5 shade: #2EAEB2, #3CC9CD, #5DD2D5, #7EDBDE and #9EE4E6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5ED2D5 shade: #5ED2D5, #775DD5 and #D5A75D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5ED2D5 shade: #5ED2D5, #D55DD3 and #D3D55D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5ED2D5 shade: #5ED2D5, #775DD5, #D55F5D and #BBD55D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5ED2D5 shade: #5ED2D5, #9B5DD5, #D55F5D and #97D55D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 1 / 0 / 16

HEX #5ED2D5

RGB 94 210 213

HSL 181.51, 0.59%, 0.6%

LAB 78.04, -31.67, -11.41

 

Complementary color

CMYK 0 / 72 / 74 / 37

HEX #A12D2A

RGB 161 45 42

HSL 1.51, 0.59%, 0.4%

LAB 37.15, 47.28, 29.91

 

CMYK 53 / 0 / 1 / 18

HEX #63D2D0

RGB 99 210 208

HSL 178.92, 0.55%, 0.61%

LAB 78.05, -32.03, -8.69

 

CMYK 49 / 0 / 0 / 11

HEX #74E4E3

RGB 116 228 227

HSL 179.46, 0.67%, 0.67%

LAB 84.35, -32.15, -9.38

 

CMYK 46 / 0 / 0 / 4

HEX #85F6F6

RGB 133 246 246

HSL 180, 0.86%, 0.74%

LAB 90.58, -32.22, -10.03

 

CMYK 41 / 0 / 0 / 0

HEX #96FFFF

RGB 150 255 255

HSL 180, 1%, 0.79%

LAB 93.98, -30.42, -9.57

 

CMYK 35 / 0 / 0 / 0

HEX #A7FFFF

RGB 167 255 255

HSL 180, 1%, 0.83%

LAB 94.72, -26.25, -8.39

 

CMYK 56 / 1 / 0 / 16

HEX #5ED2D5

RGB 94 210 213

HSL 181.51, 0.59%, 0.6%

LAB 78.04, -31.67, -11.41

 

CMYK 60 / 1 / 0 / 24

HEX #4DC0C2

RGB 77 192 194

HSL 181.03, 0.49%, 0.53%

LAB 71.67, -31.34, -10.69

 

CMYK 66 / 1 / 0 / 31

HEX #3CAEAF

RGB 60 174 175

HSL 180.52, 0.49%, 0.46%

LAB 65.22, -30.86, -9.9

 

CMYK 72 / 0 / 0 / 39

HEX #2B9C9C

RGB 43 156 156

HSL 180, 0.57%, 0.39%

LAB 58.69, -30.16, -9.02

 

CMYK 81 / 0 / 1 / 46

HEX #1A8A89

RGB 26 138 137

HSL 179.46, 0.68%, 0.32%

LAB 52.07, -29.14, -8.03

 

CMYK 56 / 1 / 0 / 16

HEX #5DD2D5

RGB 93 210 213

HSL 181.5, 0.59%, 0.6%

LAB 78.01, -31.85, -11.46

 

CMYK 56 / 16 / 0 / 16

HEX #5DB2D5

RGB 93 178 213

HSL 197.5, 0.59%, 0.6%

LAB 68.73, -15.78, -25.5

 

CMYK 56 / 32 / 0 / 16

HEX #5D91D5

RGB 93 145 213

HSL 214, 0.59%, 0.6%

LAB 59.33, 2.57, -40.1

 

CMYK 56 / 47 / 0 / 16

HEX #5D71D5

RGB 93 113 213

HSL 230, 0.59%, 0.6%

LAB 50.62, 21.83, -53.91

 

CMYK 51 / 56 / 0 / 16

HEX #695DD5

RGB 105 93 213

HSL 246, 0.59%, 0.6%

LAB 46.49, 36.46, -60.5

 

CMYK 56 / 1 / 0 / 16

HEX #5DD2D5

RGB 93 210 213

HSL 181.5, 0.59%, 0.6%

LAB 78.01, -31.85, -11.46

 

CMYK 56 / 16 / 0 / 16

HEX #5DB2D5

RGB 93 178 213

HSL 197.5, 0.59%, 0.6%

LAB 68.73, -15.78, -25.5

 

CMYK 56 / 32 / 0 / 16

HEX #5D91D5

RGB 93 145 213

HSL 214, 0.59%, 0.6%

LAB 59.33, 2.57, -40.1

 

CMYK 56 / 47 / 0 / 16

HEX #5D71D5

RGB 93 113 213

HSL 230, 0.59%, 0.6%

LAB 50.62, 21.83, -53.91

 

CMYK 56 / 56 / 0 / 16

HEX #5D5DD5

RGB 93 93 213

HSL 240, 0.59%, 0.6%

LAB 45.58, 34.13, -62.02

 

CMYK 56 / 1 / 0 / 16

HEX #5DD2D5

RGB 93 210 213

HSL 181.5, 0.59%, 0.6%

LAB 78.01, -31.85, -11.46

 

CMYK 67 / 2 / 0 / 10

HEX #4CE2E6

RGB 76 226 230

HSL 181.56, 0.75%, 0.6%

LAB 82.72, -37.4, -13.52

 

CMYK 76 / 2 / 0 / 4

HEX #3CF1F6

RGB 60 241 246

HSL 181.61, 0.91%, 0.6%

LAB 87.25, -41.56, -15.19

 

CMYK 56 / 1 / 0 / 16

HEX #5DD2D5

RGB 93 210 213

HSL 181.5, 0.59%, 0.6%

LAB 78.01, -31.85, -11.46

 

CMYK 45 / 2 / 0 / 23

HEX #6DC2C5

RGB 109 194 197

HSL 182.05, 0.43%, 0.6%

LAB 73.46, -24.92, -9.54

 

CMYK 30 / 1 / 0 / 29

HEX #7EB3B4

RGB 126 179 180

HSL 181.11, 0.26%, 0.6%

LAB 69.45, -17.03, -6.1

 

CMYK 13 / 1 / 0 / 36

HEX #8EA3A4

RGB 142 163 164

HSL 182.73, 0.11%, 0.6%

LAB 65.46, -7.1, -3.01

 

CMYK 0 / 8 / 8 / 38

HEX #9F9393

RGB 159 147 147

HSL 0, 0.06%, 0.6%

LAB 61.95, 4.43, 1.59

 

CMYK 56 / 0 / 29 / 16

HEX #5DD597

RGB 93 213 151

HSL 149, 0.59%, 0.6%

LAB 77.37, -47.89, 20.72

 

CMYK 56 / 0 / 14 / 16

HEX #5DD5B7

RGB 93 213 183

HSL 165, 0.59%, 0.6%

LAB 78.07, -40.88, 4.72

 

CMYK 56 / 1 / 0 / 16

HEX #5DD3D5

RGB 93 211 213

HSL 181, 0.59%, 0.6%

LAB 78.3, -32.33, -11.03

 

CMYK 56 / 16 / 0 / 16

HEX #5DB3D5

RGB 93 179 213

HSL 197, 0.59%, 0.6%

LAB 69.02, -16.31, -25.06

 

CMYK 56 / 31 / 0 / 16

HEX #5D93D5

RGB 93 147 213

HSL 213, 0.59%, 0.6%

LAB 59.89, 1.41, -39.22

 

CMYK 74 / 2 / 0 / 30

HEX #2EAEB2

RGB 46 174 178

HSL 181.82, 0.59%, 0.44%

LAB 65.02, -31.87, -11.91

 

CMYK 71 / 2 / 0 / 20

HEX #3CC9CD

RGB 60 201 205

HSL 181.66, 0.59%, 0.52%

LAB 74.28, -35.01, -12.81

 

CMYK 56 / 1 / 0 / 16

HEX #5DD2D5

RGB 93 210 213

HSL 181.5, 0.59%, 0.6%

LAB 78.01, -31.85, -11.46

 

CMYK 43 / 1 / 0 / 13

HEX #7EDBDE

RGB 126 219 222

HSL 181.88, 0.59%, 0.68%

LAB 82.04, -26.86, -10.13

 

CMYK 31 / 1 / 0 / 10

HEX #9EE4E6

RGB 158 228 230

HSL 181.67, 0.59%, 0.76%

LAB 86.24, -21.21, -7.97

 

CMYK 56 / 1 / 0 / 16

HEX #5ED2D5

RGB 94 210 213

HSL 181.51, 0.59%, 0.6%

LAB 78.04, -31.67, -11.41

 

CMYK 44 / 56 / 0 / 16

HEX #775DD5

RGB 119 93 213

HSL 253, 0.59%, 0.6%

LAB 47.69, 39.42, -58.5

 

CMYK 0 / 22 / 56 / 16

HEX #D5A75D

RGB 213 167 93

HSL 37, 0.59%, 0.6%

LAB 71.26, 8.39, 44.27

 

CMYK 56 / 1 / 0 / 16

HEX #5ED2D5

RGB 94 210 213

HSL 181.51, 0.59%, 0.6%

LAB 78.04, -31.67, -11.41

 

CMYK 0 / 56 / 1 / 16

HEX #D55DD3

RGB 213 93 211

HSL 301, 0.59%, 0.6%

LAB 58.68, 62.3, -39.22

 

CMYK 1 / 0 / 56 / 16

HEX #D3D55D

RGB 211 213 93

HSL 61, 0.59%, 0.6%

LAB 83.03, -16.28, 57.84

 

CMYK 56 / 1 / 0 / 16

HEX #5ED2D5

RGB 94 210 213

HSL 181.51, 0.59%, 0.6%

LAB 78.04, -31.67, -11.41

 

CMYK 44 / 56 / 0 / 16

HEX #775DD5

RGB 119 93 213

HSL 253, 0.59%, 0.6%

LAB 47.69, 39.42, -58.5

 

CMYK 0 / 55 / 56 / 16

HEX #D55F5D

RGB 213 95 93

HSL 1, 0.59%, 0.6%

LAB 55.2, 46.34, 24.14

 

CMYK 12 / 0 / 56 / 16

HEX #BBD55D

RGB 187 213 93

HSL 73, 0.59%, 0.6%

LAB 81.26, -25.91, 55.35

 

CMYK 56 / 1 / 0 / 16

HEX #5ED2D5

RGB 94 210 213

HSL 181.51, 0.59%, 0.6%

LAB 78.04, -31.67, -11.41

 

CMYK 27 / 56 / 0 / 16

HEX #9B5DD5

RGB 155 93 213

HSL 271, 0.59%, 0.6%

LAB 51.38, 47.86, -52.38

 

CMYK 0 / 55 / 56 / 16

HEX #D55F5D

RGB 213 95 93

HSL 1, 0.59%, 0.6%

LAB 55.2, 46.34, 24.14

 

CMYK 29 / 0 / 56 / 16

HEX #97D55D

RGB 151 213 93

HSL 91, 0.59%, 0.6%

LAB 79.02, -39.5, 52.19

 

Description

Color code: HEX #5ED2D5 | qconv.com Color code: HEX #5ED2D5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 210 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 210 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, 1 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 1% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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