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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5ED29B it is the complementary color #A12D64. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5ED29B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5ED29B shade: #63D296, #74E4A9, #85F6BC, #96FFCF and #A7FFE2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5ED29B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5ED29B shade: #5ED29B, #4DC088, #3CAE75, #2B9C62 and #1A8A4F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5ED29B shade: #60D29C, #60D27D, #61D260, #80D260 and #9FD260

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5ED29B shade: #60D29C, #60D2BB, #60CBD2, #60ACD2 and #608DD2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5ED29B shade matches the following richer shades: #60D29C, #4FE39D and #3FF39E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5ED29B shade: #60D29C, #70C29B, #81B19A, #91A199 and #A29099

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5ED29B shade: #62D260, #60D27C, #60D29B, #60D2B9 and #60CCD2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5ED29B shade: #31AE73, #40C988, #60D29C, #80DBB0 and #A0E4C4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5ED29B shade: #5ED29B, #6080D2 and #D26D60

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5ED29B shade: #5ED29B, #9B60D2 and #D29B60

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5ED29B shade: #5ED29B, #6080D2, #D26097 and #D2B260

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5ED29B shade: #5ED29B, #6260D2, #D26097 and #D0D260

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 26 / 18

HEX #5ED29B

RGB 94 210 155

HSL 151.55, 0.56%, 0.6%

LAB 76.58, -45.59, 17.52

 

Complementary color

CMYK 0 / 72 / 38 / 37

HEX #A12D64

RGB 161 45 100

HSL 331.55, 0.56%, 0.4%

LAB 38.51, 51.86, -4.79

 

CMYK 53 / 0 / 29 / 18

HEX #63D296

RGB 99 210 150

HSL 147.57, 0.55%, 0.61%

LAB 76.65, -45.46, 20.28

 

CMYK 49 / 0 / 26 / 11

HEX #74E4A9

RGB 116 228 169

HSL 148.39, 0.67%, 0.67%

LAB 82.95, -45.34, 19.13

 

CMYK 46 / 0 / 24 / 4

HEX #85F6BC

RGB 133 246 188

HSL 149.2, 0.86%, 0.74%

LAB 89.17, -45.16, 18.06

 

CMYK 41 / 0 / 19 / 0

HEX #96FFCF

RGB 150 255 207

HSL 152.57, 1%, 0.79%

LAB 92.8, -41, 13.49

 

CMYK 35 / 0 / 11 / 0

HEX #A7FFE2

RGB 167 255 226

HSL 160.23, 1%, 0.83%

LAB 93.98, -32.58, 5.5

 

CMYK 55 / 0 / 26 / 18

HEX #5ED29B

RGB 94 210 155

HSL 151.55, 0.56%, 0.6%

LAB 76.58, -45.59, 17.52

 

CMYK 60 / 0 / 29 / 25

HEX #4DC088

RGB 77 192 136

HSL 150.78, 0.48%, 0.53%

LAB 70.21, -45.57, 18.75

 

CMYK 66 / 0 / 33 / 32

HEX #3CAE75

RGB 60 174 117

HSL 150, 0.49%, 0.46%

LAB 63.77, -45.39, 20.1

 

CMYK 72 / 0 / 37 / 39

HEX #2B9C62

RGB 43 156 98

HSL 149.2, 0.57%, 0.39%

LAB 57.24, -44.97, 21.59

 

CMYK 81 / 0 / 43 / 46

HEX #1A8A4F

RGB 26 138 79

HSL 148.39, 0.68%, 0.32%

LAB 50.64, -44.14, 23.24

 

CMYK 54 / 0 / 26 / 18

HEX #60D29C

RGB 96 210 156

HSL 151.58, 0.56%, 0.6%

LAB 76.67, -44.94, 17.12

 

CMYK 54 / 0 / 40 / 18

HEX #60D27D

RGB 96 210 125

HSL 135.26, 0.56%, 0.6%

LAB 76.11, -50.73, 32.54

 

CMYK 54 / 0 / 54 / 18

HEX #61D260

RGB 97 210 96

HSL 119.47, 0.56%, 0.6%

LAB 75.75, -54.7, 46.36

 

CMYK 39 / 0 / 54 / 18

HEX #80D260

RGB 128 210 96

HSL 103.16, 0.56%, 0.6%

LAB 77, -45.7, 48.15

 

CMYK 24 / 0 / 54 / 18

HEX #9FD260

RGB 159 210 96

HSL 86.84, 0.56%, 0.6%

LAB 78.64, -34.95, 50.5

 

CMYK 54 / 0 / 26 / 18

HEX #60D29C

RGB 96 210 156

HSL 151.58, 0.56%, 0.6%

LAB 76.67, -44.94, 17.12

 

CMYK 54 / 0 / 11 / 18

HEX #60D2BB

RGB 96 210 187

HSL 167.89, 0.56%, 0.6%

LAB 77.38, -37.95, 1.58

 

CMYK 54 / 3 / 0 / 18

HEX #60CBD2

RGB 96 203 210

HSL 183.68, 0.56%, 0.6%

LAB 75.98, -28.72, -12.87

 

CMYK 54 / 18 / 0 / 18

HEX #60ACD2

RGB 96 172 210

HSL 200, 0.56%, 0.6%

LAB 67.01, -12.85, -26.48

 

CMYK 54 / 33 / 0 / 18

HEX #608DD2

RGB 96 141 210

HSL 216.32, 0.56%, 0.6%

LAB 58.22, 4.6, -40.15

 

CMYK 54 / 0 / 26 / 18

HEX #60D29C

RGB 96 210 156

HSL 151.58, 0.56%, 0.6%

LAB 76.67, -44.94, 17.12

 

CMYK 65 / 0 / 31 / 11

HEX #4FE39D

RGB 79 227 157

HSL 151.62, 0.73%, 0.6%

LAB 81.31, -55.09, 22.94

 

CMYK 74 / 0 / 35 / 5

HEX #3FF39E

RGB 63 243 158

HSL 151.67, 0.88%, 0.6%

LAB 85.82, -63.33, 28.5

 

CMYK 54 / 0 / 26 / 18

HEX #60D29C

RGB 96 210 156

HSL 151.58, 0.56%, 0.6%

LAB 76.67, -44.94, 17.12

 

CMYK 42 / 0 / 20 / 24

HEX #70C29B

RGB 112 194 155

HSL 151.46, 0.4%, 0.6%

LAB 72.49, -33.99, 11.89

 

CMYK 27 / 0 / 13 / 31

HEX #81B19A

RGB 129 177 154

HSL 151.25, 0.24%, 0.6%

LAB 68.35, -20.85, 6.65

 

CMYK 10 / 0 / 5 / 37

HEX #91A199

RGB 145 161 153

HSL 150, 0.08%, 0.6%

LAB 64.81, -7.24, 2.23

 

CMYK 0 / 11 / 6 / 36

HEX #A29099

RGB 162 144 153

HSL 330, 0.09%, 0.6%

LAB 61.59, 8.33, -2.3

 

CMYK 53 / 0 / 54 / 18

HEX #62D260

RGB 98 210 96

HSL 118.95, 0.56%, 0.6%

LAB 75.78, -54.45, 46.41

 

CMYK 54 / 0 / 41 / 18

HEX #60D27C

RGB 96 210 124

HSL 134.74, 0.56%, 0.6%

LAB 76.09, -50.9, 33.02

 

CMYK 54 / 0 / 26 / 18

HEX #60D29B

RGB 96 210 155

HSL 151.05, 0.56%, 0.6%

LAB 76.65, -45.15, 17.62

 

CMYK 54 / 0 / 12 / 18

HEX #60D2B9

RGB 96 210 185

HSL 166.84, 0.56%, 0.6%

LAB 77.33, -38.43, 2.58

 

CMYK 54 / 3 / 0 / 18

HEX #60CCD2

RGB 96 204 210

HSL 183.16, 0.56%, 0.6%

LAB 76.27, -29.21, -12.44

 

CMYK 72 / 0 / 34 / 32

HEX #31AE73

RGB 49 174 115

HSL 151.68, 0.56%, 0.44%

LAB 63.48, -47.69, 20.75

 

CMYK 68 / 0 / 32 / 21

HEX #40C988

RGB 64 201 136

HSL 151.53, 0.56%, 0.52%

LAB 72.65, -51.65, 22.05

 

CMYK 54 / 0 / 26 / 18

HEX #60D29C

RGB 96 210 156

HSL 151.58, 0.56%, 0.6%

LAB 76.67, -44.94, 17.12

 

CMYK 42 / 0 / 20 / 14

HEX #80DBB0

RGB 128 219 176

HSL 151.65, 0.56%, 0.68%

LAB 80.95, -36.85, 12.73

 

CMYK 30 / 0 / 14 / 11

HEX #A0E4C4

RGB 160 228 196

HSL 151.76, 0.56%, 0.76%

LAB 85.48, -27.93, 8.84

 

CMYK 55 / 0 / 26 / 18

HEX #5ED29B

RGB 94 210 155

HSL 151.55, 0.56%, 0.6%

LAB 76.58, -45.59, 17.52

 

CMYK 54 / 39 / 0 / 18

HEX #6080D2

RGB 96 128 210

HSL 223.16, 0.56%, 0.6%

LAB 54.64, 12.34, -45.8

 

CMYK 0 / 48 / 54 / 18

HEX #D26D60

RGB 210 109 96

HSL 6.84, 0.56%, 0.6%

LAB 57.54, 38.49, 25.41

 

CMYK 55 / 0 / 26 / 18

HEX #5ED29B

RGB 94 210 155

HSL 151.55, 0.56%, 0.6%

LAB 76.58, -45.59, 17.52

 

CMYK 26 / 54 / 0 / 18

HEX #9B60D2

RGB 155 96 210

HSL 271.05, 0.56%, 0.6%

LAB 51.82, 45.55, -49.97

 

CMYK 0 / 26 / 54 / 18

HEX #D29B60

RGB 210 155 96

HSL 31.05, 0.56%, 0.6%

LAB 68.01, 13.85, 38.72

 

CMYK 55 / 0 / 26 / 18

HEX #5ED29B

RGB 94 210 155

HSL 151.55, 0.56%, 0.6%

LAB 76.58, -45.59, 17.52

 

CMYK 54 / 39 / 0 / 18

HEX #6080D2

RGB 96 128 210

HSL 223.16, 0.56%, 0.6%

LAB 54.64, 12.34, -45.8

 

CMYK 0 / 54 / 28 / 18

HEX #D26097

RGB 210 96 151

HSL 331.05, 0.56%, 0.6%

LAB 56.39, 50.9, -8.24

 

CMYK 0 / 15 / 54 / 18

HEX #D2B260

RGB 210 178 96

HSL 43.16, 0.56%, 0.6%

LAB 73.8, 1.52, 45.73

 

CMYK 55 / 0 / 26 / 18

HEX #5ED29B

RGB 94 210 155

HSL 151.55, 0.56%, 0.6%

LAB 76.58, -45.59, 17.52

 

CMYK 53 / 54 / 0 / 18

HEX #6260D2

RGB 98 96 210

HSL 241.05, 0.56%, 0.6%

LAB 46.47, 32.31, -58.86

 

CMYK 0 / 54 / 28 / 18

HEX #D26097

RGB 210 96 151

HSL 331.05, 0.56%, 0.6%

LAB 56.39, 50.9, -8.24

 

CMYK 1 / 0 / 54 / 18

HEX #D0D260

RGB 208 210 96

HSL 61.05, 0.56%, 0.6%

LAB 82.03, -15.78, 55.29

 

Description

Color code: HEX #5ED29B | qconv.com Color code: HEX #5ED29B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 210 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 210 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 26 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 26% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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