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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5ECCA6 it is the complementary color #A13359. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5ECCA6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5ECCA6 shade: #63CCA1, #74DEB4, #85F0C7, #96FFDA and #A7FFED

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5ECCA6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5ECCA6 shade: #5ECCA6, #4DBA93, #3CA880, #2B966D and #1A845A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5ECCA6 shade: #5CCCA5, #5CCC87, #5CCC69, #6DCC5C and #8BCC5C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5ECCA6 shade: #5CCCA5, #5CCCC3, #5CB6CC, #5C98CC and #5C7ACC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5ECCA6 shade matches the following richer shades: #5CCCA5, #4BDDAA and #3AEEB0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5ECCA6 shade: #5CCCA5, #6EBAA0, #7FA99A, #909895 and #A28690

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5ECCA6 shade: #5CCC69, #5CCC87, #5CCCA5, #5CCCC2 and #5CB7CC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5ECCA6 shade: #33A27C, #3DC194, #5CCCA5, #7CD5B6 and #9BDFC8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5ECCA6 shade: #5ECCA6, #5C6DCC and #CC785C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5ECCA6 shade: #5ECCA6, #A55CCC and #CCA55C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5ECCA6 shade: #5ECCA6, #5C6DCC, #CC5C83 and #CCBB5C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5ECCA6 shade: #5ECCA6, #6D5CCC, #CC5C83 and #BBCC5C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 0 / 19 / 20

HEX #5ECCA6

RGB 94 204 166

HSL 159.27, 0.52%, 0.58%

LAB 75.03, -40.6, 9.46

 

Complementary color

CMYK 0 / 68 / 45 / 37

HEX #A13359

RGB 161 51 89

HSL 339.27, 0.52%, 0.42%

LAB 39.01, 48.33, 2.91

 

CMYK 51 / 0 / 21 / 20

HEX #63CCA1

RGB 99 204 161

HSL 155.43, 0.51%, 0.59%

LAB 75.08, -40.57, 12.25

 

CMYK 48 / 0 / 19 / 13

HEX #74DEB4

RGB 116 222 180

HSL 156.23, 0.62%, 0.66%

LAB 81.43, -40.44, 11.22

 

CMYK 45 / 0 / 17 / 6

HEX #85F0C7

RGB 133 240 199

HSL 157.01, 0.78%, 0.73%

LAB 87.69, -40.28, 10.27

 

CMYK 41 / 0 / 15 / 0

HEX #96FFDA

RGB 150 255 218

HSL 158.86, 1%, 0.79%

LAB 93.04, -38.74, 8.18

 

CMYK 35 / 0 / 7 / 0

HEX #A7FFED

RGB 167 255 237

HSL 167.73, 1%, 0.83%

LAB 94.25, -30.26, 0.21

 

CMYK 54 / 0 / 19 / 20

HEX #5ECCA6

RGB 94 204 166

HSL 159.27, 0.52%, 0.58%

LAB 75.03, -40.6, 9.46

 

CMYK 59 / 0 / 21 / 27

HEX #4DBA93

RGB 77 186 147

HSL 158.53, 0.44%, 0.52%

LAB 68.61, -40.59, 10.55

 

CMYK 64 / 0 / 24 / 34

HEX #3CA880

RGB 60 168 128

HSL 157.78, 0.47%, 0.45%

LAB 62.1, -40.44, 11.75

 

CMYK 71 / 0 / 27 / 41

HEX #2B966D

RGB 43 150 109

HSL 157.01, 0.55%, 0.38%

LAB 55.51, -40.08, 13.09

 

CMYK 80 / 0 / 32 / 48

HEX #1A845A

RGB 26 132 90

HSL 156.23, 0.67%, 0.31%

LAB 48.83, -39.37, 14.61

 

CMYK 55 / 0 / 19 / 20

HEX #5CCCA5

RGB 92 204 165

HSL 159.11, 0.52%, 0.58%

LAB 74.94, -41.27, 9.86

 

CMYK 55 / 0 / 34 / 20

HEX #5CCC87

RGB 92 204 135

HSL 143.04, 0.52%, 0.58%

LAB 74.32, -47.47, 24.97

 

CMYK 55 / 0 / 49 / 20

HEX #5CCC69

RGB 92 204 105

HSL 126.96, 0.52%, 0.58%

LAB 73.86, -52.43, 39.68

 

CMYK 47 / 0 / 55 / 20

HEX #6DCC5C

RGB 109 204 92

HSL 110.89, 0.52%, 0.58%

LAB 74.32, -49.53, 46.65

 

CMYK 32 / 0 / 55 / 20

HEX #8BCC5C

RGB 139 204 92

HSL 94.82, 0.52%, 0.58%

LAB 75.73, -39.85, 48.66

 

CMYK 55 / 0 / 19 / 20

HEX #5CCCA5

RGB 92 204 165

HSL 159.11, 0.52%, 0.58%

LAB 74.94, -41.27, 9.86

 

CMYK 55 / 0 / 4 / 20

HEX #5CCCC3

RGB 92 204 195

HSL 175.18, 0.52%, 0.58%

LAB 75.7, -33.98, -5.2

 

CMYK 55 / 11 / 0 / 20

HEX #5CB6CC

RGB 92 182 204

HSL 191.79, 0.52%, 0.58%

LAB 69.53, -20.7, -19.34

 

CMYK 55 / 25 / 0 / 20

HEX #5C98CC

RGB 92 152 204

HSL 207.86, 0.52%, 0.58%

LAB 60.86, -4.49, -32.66

 

CMYK 55 / 40 / 0 / 20

HEX #5C7ACC

RGB 92 122 204

HSL 223.93, 0.52%, 0.58%

LAB 52.46, 13.18, -45.86

 

CMYK 55 / 0 / 19 / 20

HEX #5CCCA5

RGB 92 204 165

HSL 159.11, 0.52%, 0.58%

LAB 74.94, -41.27, 9.86

 

CMYK 66 / 0 / 23 / 13

HEX #4BDDAA

RGB 75 221 170

HSL 159.04, 0.68%, 0.58%

LAB 79.68, -50.59, 13.85

 

CMYK 76 / 0 / 26 / 7

HEX #3AEEB0

RGB 58 238 176

HSL 159.33, 0.84%, 0.58%

LAB 84.58, -58.35, 17.54

 

CMYK 55 / 0 / 19 / 20

HEX #5CCCA5

RGB 92 204 165

HSL 159.11, 0.52%, 0.58%

LAB 74.94, -41.27, 9.86

 

CMYK 41 / 0 / 14 / 27

HEX #6EBAA0

RGB 110 186 160

HSL 159.47, 0.36%, 0.58%

LAB 70.16, -29.67, 5.82

 

CMYK 25 / 0 / 9 / 34

HEX #7FA99A

RGB 127 169 154

HSL 158.57, 0.2%, 0.58%

LAB 65.92, -17.38, 3.13

 

CMYK 5 / 0 / 2 / 40

HEX #909895

RGB 144 152 149

HSL 157.5, 0.04%, 0.58%

LAB 62.13, -3.47, 0.57

 

CMYK 0 / 17 / 11 / 36

HEX #A28690

RGB 162 134 144

HSL 338.57, 0.13%, 0.58%

LAB 58.74, 12.36, -1.35

 

CMYK 55 / 0 / 49 / 20

HEX #5CCC69

RGB 92 204 105

HSL 126.96, 0.52%, 0.58%

LAB 73.86, -52.43, 39.68

 

CMYK 55 / 0 / 34 / 20

HEX #5CCC87

RGB 92 204 135

HSL 143.04, 0.52%, 0.58%

LAB 74.32, -47.47, 24.97

 

CMYK 55 / 0 / 19 / 20

HEX #5CCCA5

RGB 92 204 165

HSL 159.11, 0.52%, 0.58%

LAB 74.94, -41.27, 9.86

 

CMYK 55 / 0 / 5 / 20

HEX #5CCCC2

RGB 92 204 194

HSL 174.64, 0.52%, 0.58%

LAB 75.67, -34.24, -4.7

 

CMYK 55 / 10 / 0 / 20

HEX #5CB7CC

RGB 92 183 204

HSL 191.25, 0.52%, 0.58%

LAB 69.83, -21.21, -18.9

 

CMYK 69 / 0 / 23 / 36

HEX #33A27C

RGB 51 162 124

HSL 159.46, 0.52%, 0.42%

LAB 59.89, -40.38, 10.83

 

CMYK 68 / 0 / 23 / 24

HEX #3DC194

RGB 61 193 148

HSL 159.55, 0.52%, 0.5%

LAB 70.36, -46.28, 12.43

 

CMYK 55 / 0 / 19 / 20

HEX #5CCCA5

RGB 92 204 165

HSL 159.11, 0.52%, 0.58%

LAB 74.94, -41.27, 9.86

 

CMYK 42 / 0 / 15 / 16

HEX #7CD5B6

RGB 124 213 182

HSL 159.1, 0.51%, 0.66%

LAB 79.19, -33.88, 7

 

CMYK 30 / 0 / 10 / 13

HEX #9BDFC8

RGB 155 223 200

HSL 159.71, 0.52%, 0.74%

LAB 83.92, -26.18, 4.46

 

CMYK 54 / 0 / 19 / 20

HEX #5ECCA6

RGB 94 204 166

HSL 159.27, 0.52%, 0.58%

LAB 75.03, -40.6, 9.46

 

CMYK 55 / 47 / 0 / 20

HEX #5C6DCC

RGB 92 109 204

HSL 230.89, 0.52%, 0.58%

LAB 48.97, 21.16, -51.42

 

CMYK 0 / 41 / 55 / 20

HEX #CC785C

RGB 204 120 92

HSL 15, 0.52%, 0.58%

LAB 59.01, 30.03, 29.42

 

CMYK 54 / 0 / 19 / 20

HEX #5ECCA6

RGB 94 204 166

HSL 159.27, 0.52%, 0.58%

LAB 75.03, -40.6, 9.46

 

CMYK 19 / 55 / 0 / 20

HEX #A55CCC

RGB 165 92 204

HSL 279.11, 0.52%, 0.58%

LAB 51.85, 48.88, -46.43

 

CMYK 0 / 19 / 55 / 20

HEX #CCA55C

RGB 204 165 92

HSL 39.11, 0.52%, 0.58%

LAB 69.84, 5.6, 42.85

 

CMYK 54 / 0 / 19 / 20

HEX #5ECCA6

RGB 94 204 166

HSL 159.27, 0.52%, 0.58%

LAB 75.03, -40.6, 9.46

 

CMYK 55 / 47 / 0 / 20

HEX #5C6DCC

RGB 92 109 204

HSL 230.89, 0.52%, 0.58%

LAB 48.97, 21.16, -51.42

 

CMYK 0 / 55 / 36 / 20

HEX #CC5C83

RGB 204 92 131

HSL 339.11, 0.52%, 0.58%

LAB 54.17, 48.37, 0.14

 

CMYK 0 / 8 / 55 / 20

HEX #CCBB5C

RGB 204 187 92

HSL 50.89, 0.52%, 0.58%

LAB 75.54, -6.04, 49.59

 

CMYK 54 / 0 / 19 / 20

HEX #5ECCA6

RGB 94 204 166

HSL 159.27, 0.52%, 0.58%

LAB 75.03, -40.6, 9.46

 

CMYK 47 / 55 / 0 / 20

HEX #6D5CCC

RGB 109 92 204

HSL 249.11, 0.52%, 0.58%

LAB 46, 35.21, -56.13

 

CMYK 0 / 55 / 36 / 20

HEX #CC5C83

RGB 204 92 131

HSL 339.11, 0.52%, 0.58%

LAB 54.17, 48.37, 0.14

 

CMYK 8 / 0 / 55 / 20

HEX #BBCC5C

RGB 187 204 92

HSL 69.11, 0.52%, 0.58%

LAB 78.77, -21.63, 52.96

 

Description

Color code: HEX #5ECCA6 | qconv.com Color code: HEX #5ECCA6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 204 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 204 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, none magenta, 19 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 0% 19% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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