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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5ECA5E it is the complementary color #A135A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5ECA5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5ECA5E shade: #63CA59, #74DC6C, #85EE7F, #96FF92 and #A7FFA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5ECA5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5ECA5E shade: #5ECA5E, #4DB84B, #3CA638, #2B9425 and #1A8212

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5ECA5E shade: #5EC95E, #7BC95E, #98C95E, #B5C95E and #C9C15E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5ECA5E shade: #5EC95E, #5EC97B, #5EC998, #5EC9B5 and #5EC1C9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5ECA5E shade matches the following richer shades: #5EC95E, #4DDB4D, #3CEC3C and #2AFD2A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5ECA5E shade: #5EC95E, #70B870, #81A781, #929592 and #A484A4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5ECA5E shade: #97C95E, #7BC95E, #5EC95E, #5EC97B and #5EC997

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5ECA5E shade: #35A035, #40BF40, #5EC95E, #7DD47D and #9CDE9C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5ECA5E shade: #5ECA5E, #5EB4C9 and #C95E89

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5ECA5E shade: #5ECA5E, #5E5EC9 and #C95E5E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5ECA5E shade: #5ECA5E, #5EB4C9, #C95EC9 and #C9745E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5ECA5E shade: #5ECA5E, #5E94C9, #C95EC9 and #C9945E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 0 / 53 / 21

HEX #5ECA5E

RGB 94 202 94

HSL 120, 0.5%, 0.58%

LAB 73.17, -52.64, 44.19

 

Complementary color

CMYK 0 / 67 / 0 / 37

HEX #A135A1

RGB 161 53 161

HSL 300, 0.5%, 0.42%

LAB 42.3, 57.56, -36.47

 

CMYK 51 / 0 / 56 / 21

HEX #63CA59

RGB 99 202 89

HSL 114.69, 0.52%, 0.57%

LAB 73.3, -51.93, 46.74

 

CMYK 47 / 0 / 51 / 14

HEX #74DC6C

RGB 116 220 108

HSL 115.71, 0.62%, 0.64%

LAB 79.6, -52, 45.51

 

CMYK 44 / 0 / 47 / 7

HEX #85EE7F

RGB 133 238 127

HSL 116.76, 0.77%, 0.72%

LAB 85.84, -51.95, 44.27

 

CMYK 41 / 0 / 43 / 0

HEX #96FF92

RGB 150 255 146

HSL 117.8, 1%, 0.79%

LAB 91.72, -51.41, 42.69

 

CMYK 35 / 0 / 35 / 0

HEX #A7FFA5

RGB 167 255 165

HSL 118.67, 1%, 0.82%

LAB 92.77, -43.57, 34.87

 

CMYK 53 / 0 / 53 / 21

HEX #5ECA5E

RGB 94 202 94

HSL 120, 0.5%, 0.58%

LAB 73.17, -52.64, 44.19

 

CMYK 58 / 0 / 59 / 28

HEX #4DB84B

RGB 77 184 75

HSL 118.9, 0.43%, 0.51%

LAB 66.8, -52.38, 45.44

 

CMYK 64 / 0 / 66 / 35

HEX #3CA638

RGB 60 166 56

HSL 117.82, 0.5%, 0.44%

LAB 60.35, -51.81, 46.53

 

CMYK 71 / 0 / 75 / 42

HEX #2B9425

RGB 43 148 37

HSL 116.76, 0.6%, 0.36%

LAB 53.84, -50.77, 47.23

 

CMYK 80 / 0 / 86 / 49

HEX #1A8212

RGB 26 130 18

HSL 115.71, 0.76%, 0.29%

LAB 47.27, -48.98, 47.01

 

CMYK 53 / 0 / 53 / 21

HEX #5EC95E

RGB 94 201 94

HSL 120, 0.5%, 0.58%

LAB 72.87, -52.25, 43.82

 

CMYK 39 / 0 / 53 / 21

HEX #7BC95E

RGB 123 201 94

HSL 103.74, 0.5%, 0.58%

LAB 74.06, -43.72, 45.54

 

CMYK 24 / 0 / 53 / 21

HEX #98C95E

RGB 152 201 94

HSL 87.48, 0.5%, 0.58%

LAB 75.61, -33.59, 47.76

 

CMYK 10 / 0 / 53 / 21

HEX #B5C95E

RGB 181 201 94

HSL 71.21, 0.5%, 0.58%

LAB 77.52, -22.39, 50.49

 

CMYK 0 / 4 / 53 / 21

HEX #C9C15E

RGB 201 193 94

HSL 55.51, 0.5%, 0.58%

LAB 76.9, -10.22, 50.16

 

CMYK 53 / 0 / 53 / 21

HEX #5EC95E

RGB 94 201 94

HSL 120, 0.5%, 0.58%

LAB 72.87, -52.25, 43.82

 

CMYK 53 / 0 / 39 / 21

HEX #5EC97B

RGB 94 201 123

HSL 136.26, 0.5%, 0.58%

LAB 73.27, -47.89, 29.83

 

CMYK 53 / 0 / 24 / 21

HEX #5EC998

RGB 94 201 152

HSL 152.52, 0.5%, 0.58%

LAB 73.82, -42.34, 15.26

 

CMYK 53 / 0 / 10 / 21

HEX #5EC9B5

RGB 94 201 181

HSL 168.79, 0.5%, 0.58%

LAB 74.5, -35.7, 0.61

 

CMYK 53 / 4 / 0 / 21

HEX #5EC1C9

RGB 94 193 201

HSL 184.49, 0.5%, 0.58%

LAB 72.72, -26.68, -12.89

 

CMYK 53 / 0 / 53 / 21

HEX #5EC95E

RGB 94 201 94

HSL 120, 0.5%, 0.58%

LAB 72.87, -52.25, 43.82

 

CMYK 65 / 0 / 65 / 14

HEX #4DDB4D

RGB 77 219 77

HSL 120, 0.66%, 0.58%

LAB 77.74, -64.65, 56.88

 

CMYK 75 / 0 / 75 / 7

HEX #3CEC3C

RGB 60 236 60

HSL 120, 0.82%, 0.58%

LAB 82.53, -74.43, 68.02

 

CMYK 83 / 0 / 83 / 1

HEX #2AFD2A

RGB 42 253 42

HSL 120, 0.98%, 0.58%

LAB 87.44, -82.44, 77.51

 

CMYK 53 / 0 / 53 / 21

HEX #5EC95E

RGB 94 201 94

HSL 120, 0.5%, 0.58%

LAB 72.87, -52.25, 43.82

 

CMYK 39 / 0 / 39 / 28

HEX #70B870

RGB 112 184 112

HSL 120, 0.34%, 0.58%

LAB 68.68, -37.33, 29.66

 

CMYK 23 / 0 / 23 / 35

HEX #81A781

RGB 129 167 129

HSL 120, 0.18%, 0.58%

LAB 64.87, -20.59, 15.53

 

CMYK 2 / 0 / 2 / 42

HEX #929592

RGB 146 149 146

HSL 120, 0.01%, 0.58%

LAB 61.38, -1.67, 1.19

 

CMYK 0 / 20 / 0 / 36

HEX #A484A4

RGB 164 132 164

HSL 300, 0.15%, 0.58%

LAB 59.04, 17.95, -12.35

 

CMYK 25 / 0 / 53 / 21

HEX #97C95E

RGB 151 201 94

HSL 88.04, 0.5%, 0.58%

LAB 75.55, -33.96, 47.68

 

CMYK 39 / 0 / 53 / 21

HEX #7BC95E

RGB 123 201 94

HSL 103.74, 0.5%, 0.58%

LAB 74.06, -43.72, 45.54

 

CMYK 53 / 0 / 53 / 21

HEX #5EC95E

RGB 94 201 94

HSL 120, 0.5%, 0.58%

LAB 72.87, -52.25, 43.82

 

CMYK 53 / 0 / 39 / 21

HEX #5EC97B

RGB 94 201 123

HSL 136.26, 0.5%, 0.58%

LAB 73.27, -47.89, 29.83

 

CMYK 53 / 0 / 25 / 21

HEX #5EC997

RGB 94 201 151

HSL 151.96, 0.5%, 0.58%

LAB 73.8, -42.55, 15.77

 

CMYK 67 / 0 / 67 / 37

HEX #35A035

RGB 53 160 53

HSL 120, 0.5%, 0.42%

LAB 58.18, -51.48, 45.4

 

CMYK 66 / 0 / 66 / 25

HEX #40BF40

RGB 64 191 64

HSL 120, 0.5%, 0.5%

LAB 68.55, -58.98, 52.11

 

CMYK 53 / 0 / 53 / 21

HEX #5EC95E

RGB 94 201 94

HSL 120, 0.5%, 0.58%

LAB 72.87, -52.25, 43.82

 

CMYK 41 / 0 / 41 / 17

HEX #7DD47D

RGB 125 212 125

HSL 120, 0.5%, 0.66%

LAB 77.83, -43.68, 35

 

CMYK 30 / 0 / 30 / 13

HEX #9CDE9C

RGB 156 222 156

HSL 120, 0.5%, 0.74%

LAB 82.76, -33.6, 25.91

 

CMYK 53 / 0 / 53 / 21

HEX #5ECA5E

RGB 94 202 94

HSL 120, 0.5%, 0.58%

LAB 73.17, -52.64, 44.19

 

CMYK 53 / 10 / 0 / 21

HEX #5EB4C9

RGB 94 180 201

HSL 191.78, 0.5%, 0.58%

LAB 68.92, -20.11, -18.61

 

CMYK 0 / 53 / 32 / 21

HEX #C95E89

RGB 201 94 137

HSL 335.89, 0.5%, 0.58%

LAB 54.27, 47.13, -3.31

 

CMYK 53 / 0 / 53 / 21

HEX #5ECA5E

RGB 94 202 94

HSL 120, 0.5%, 0.58%

LAB 73.17, -52.64, 44.19

 

CMYK 53 / 53 / 0 / 21

HEX #5E5EC9

RGB 94 94 201

HSL 240, 0.5%, 0.58%

LAB 45.08, 29.88, -55.93

 

CMYK 0 / 53 / 53 / 21

HEX #C95E5E

RGB 201 94 94

HSL 0, 0.5%, 0.58%

LAB 53.2, 42.57, 20.58

 

CMYK 53 / 0 / 53 / 21

HEX #5ECA5E

RGB 94 202 94

HSL 120, 0.5%, 0.58%

LAB 73.17, -52.64, 44.19

 

CMYK 53 / 10 / 0 / 21

HEX #5EB4C9

RGB 94 180 201

HSL 191.78, 0.5%, 0.58%

LAB 68.92, -20.11, -18.61

 

CMYK 0 / 53 / 0 / 21

HEX #C95EC9

RGB 201 94 201

HSL 300, 0.5%, 0.58%

LAB 56.72, 56.91, -36.72

 

CMYK 0 / 42 / 53 / 21

HEX #C9745E

RGB 201 116 94

HSL 12.34, 0.5%, 0.58%

LAB 57.77, 31.15, 26.61

 

CMYK 53 / 0 / 53 / 21

HEX #5ECA5E

RGB 94 202 94

HSL 120, 0.5%, 0.58%

LAB 73.17, -52.64, 44.19

 

CMYK 53 / 26 / 0 / 21

HEX #5E94C9

RGB 94 148 201

HSL 209.72, 0.5%, 0.58%

LAB 59.69, -2.71, -32.8

 

CMYK 0 / 53 / 0 / 21

HEX #C95EC9

RGB 201 94 201

HSL 300, 0.5%, 0.58%

LAB 56.72, 56.91, -36.72

 

CMYK 0 / 26 / 53 / 21

HEX #C9945E

RGB 201 148 94

HSL 30.28, 0.5%, 0.58%

LAB 65.28, 13.73, 36.17

 

Description

Color code: HEX #5ECA5E | qconv.com Color code: HEX #5ECA5E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 202 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 202 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, none magenta, 53 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 0% 53% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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