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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5EC978 it is the complementary color #A13687. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5EC978. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5EC978 shade: #63C973, #74DB86, #85ED99, #96FFAC and #A7FFBF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5EC978. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5EC978 shade: #5EC978, #4DB765, #3CA552, #2B933F and #1A812C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5EC978 shade: #5EC978, #61C95E, #7EC95E, #9BC95E and #B8C95E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5EC978 shade: #5EC978, #5EC995, #5EC9B2, #5EC4C9 and #5EA7C9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5EC978 shade matches the following richer shades: #5EC978, #4DDB6F, #3CEC67 and #2AFD5E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5EC978 shade: #5EC978, #70B881, #81A78A, #929593 and #A4849C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5EC978 shade: #7EC95E, #62C95E, #5EC977, #5EC994 and #5EC9B0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5EC978 shade: #35A04F, #40BF5F, #5EC978, #7DD492 and #9CDEAC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5EC978 shade: #5EC978, #5E9BC9 and #C95E70

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5EC978 shade: #5EC978, #775EC9 and #C9775E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5EC978 shade: #5EC978, #5E9BC9, #C95EB0 and #C98D5E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5EC978 shade: #5EC978, #5E7BC9, #C95EB0 and #C9AD5E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 0 / 40 / 21

HEX #5EC978

RGB 94 201 120

HSL 134.58, 0.5%, 0.58%

LAB 73.23, -48.4, 31.32

 

Complementary color

CMYK 0 / 66 / 16 / 37

HEX #A13687

RGB 161 54 135

HSL 314.58, 0.5%, 0.42%

LAB 41.16, 52.94, -22.52

 

CMYK 51 / 0 / 43 / 21

HEX #63C973

RGB 99 201 115

HSL 129.41, 0.49%, 0.59%

LAB 73.33, -47.93, 34.05

 

CMYK 47 / 0 / 39 / 14

HEX #74DB86

RGB 116 219 134

HSL 130.49, 0.59%, 0.66%

LAB 79.67, -47.82, 32.75

 

CMYK 44 / 0 / 35 / 7

HEX #85ED99

RGB 133 237 153

HSL 131.54, 0.74%, 0.73%

LAB 85.93, -47.64, 31.53

 

CMYK 41 / 0 / 33 / 0

HEX #96FFAC

RGB 150 255 172

HSL 132.57, 1%, 0.79%

LAB 92.12, -47.42, 30.37

 

CMYK 35 / 0 / 25 / 0

HEX #A7FFBF

RGB 167 255 191

HSL 136.36, 1%, 0.83%

LAB 93.23, -39.3, 22.39

 

CMYK 53 / 0 / 40 / 21

HEX #5EC978

RGB 94 201 120

HSL 134.58, 0.5%, 0.58%

LAB 73.23, -48.4, 31.32

 

CMYK 58 / 0 / 45 / 28

HEX #4DB765

RGB 77 183 101

HSL 133.58, 0.42%, 0.51%

LAB 66.81, -48.37, 32.7

 

CMYK 64 / 0 / 50 / 35

HEX #3CA552

RGB 60 165 82

HSL 132.57, 0.47%, 0.44%

LAB 60.32, -48.13, 34.14

 

CMYK 71 / 0 / 57 / 42

HEX #2B933F

RGB 43 147 63

HSL 131.54, 0.55%, 0.37%

LAB 53.75, -47.55, 35.63

 

CMYK 80 / 0 / 66 / 49

HEX #1A812C

RGB 26 129 44

HSL 130.49, 0.66%, 0.3%

LAB 47.11, -46.42, 37.04

 

CMYK 53 / 0 / 40 / 21

HEX #5EC978

RGB 94 201 120

HSL 134.58, 0.5%, 0.58%

LAB 73.23, -48.4, 31.32

 

CMYK 52 / 0 / 53 / 21

HEX #61C95E

RGB 97 201 94

HSL 118.32, 0.5%, 0.58%

LAB 72.97, -51.46, 43.98

 

CMYK 37 / 0 / 53 / 21

HEX #7EC95E

RGB 126 201 94

HSL 102.06, 0.5%, 0.58%

LAB 74.2, -42.74, 45.74

 

CMYK 23 / 0 / 53 / 21

HEX #9BC95E

RGB 155 201 94

HSL 85.79, 0.5%, 0.58%

LAB 75.79, -32.48, 48.02

 

CMYK 8 / 0 / 53 / 21

HEX #B8C95E

RGB 184 201 94

HSL 69.53, 0.5%, 0.58%

LAB 77.74, -21.19, 50.79

 

CMYK 53 / 0 / 40 / 21

HEX #5EC978

RGB 94 201 120

HSL 134.58, 0.5%, 0.58%

LAB 73.23, -48.4, 31.32

 

CMYK 53 / 0 / 26 / 21

HEX #5EC995

RGB 94 201 149

HSL 150.84, 0.5%, 0.58%

LAB 73.75, -42.97, 16.78

 

CMYK 53 / 0 / 11 / 21

HEX #5EC9B2

RGB 94 201 178

HSL 167.1, 0.5%, 0.58%

LAB 74.42, -36.44, 2.13

 

CMYK 53 / 2 / 0 / 21

HEX #5EC4C9

RGB 94 196 201

HSL 182.8, 0.5%, 0.58%

LAB 73.6, -28.15, -11.57

 

CMYK 53 / 17 / 0 / 21

HEX #5EA7C9

RGB 94 167 201

HSL 199.07, 0.5%, 0.58%

LAB 65.15, -13.26, -24.37

 

CMYK 53 / 0 / 40 / 21

HEX #5EC978

RGB 94 201 120

HSL 134.58, 0.5%, 0.58%

LAB 73.23, -48.4, 31.32

 

CMYK 65 / 0 / 49 / 14

HEX #4DDB6F

RGB 77 219 111

HSL 134.37, 0.66%, 0.58%

LAB 78.1, -60.48, 41.95

 

CMYK 75 / 0 / 56 / 7

HEX #3CEC67

RGB 60 236 103

HSL 134.66, 0.82%, 0.58%

LAB 82.88, -70.19, 51.4

 

CMYK 83 / 0 / 63 / 1

HEX #2AFD5E

RGB 42 253 94

HSL 134.79, 0.98%, 0.58%

LAB 87.75, -78.54, 60.83

 

CMYK 53 / 0 / 40 / 21

HEX #5EC978

RGB 94 201 120

HSL 134.58, 0.5%, 0.58%

LAB 73.23, -48.4, 31.32

 

CMYK 39 / 0 / 30 / 28

HEX #70B881

RGB 112 184 129

HSL 134.17, 0.34%, 0.58%

LAB 68.98, -34.44, 21.03

 

CMYK 23 / 0 / 17 / 35

HEX #81A78A

RGB 129 167 138

HSL 134.21, 0.18%, 0.58%

LAB 65.07, -18.92, 10.83

 

CMYK 2 / 0 / 1 / 42

HEX #929593

RGB 146 149 147

HSL 140, 0.01%, 0.58%

LAB 61.41, -1.47, 0.67

 

CMYK 0 / 20 / 5 / 36

HEX #A4849C

RGB 164 132 156

HSL 315, 0.15%, 0.58%

LAB 58.78, 16.42, -8.15

 

CMYK 37 / 0 / 53 / 21

HEX #7EC95E

RGB 126 201 94

HSL 102.06, 0.5%, 0.58%

LAB 74.2, -42.74, 45.74

 

CMYK 51 / 0 / 53 / 21

HEX #62C95E

RGB 98 201 94

HSL 117.76, 0.5%, 0.58%

LAB 73.01, -51.19, 44.03

 

CMYK 53 / 0 / 41 / 21

HEX #5EC977

RGB 94 201 119

HSL 134.02, 0.5%, 0.58%

LAB 73.21, -48.57, 31.81

 

CMYK 53 / 0 / 26 / 21

HEX #5EC994

RGB 94 201 148

HSL 150.28, 0.5%, 0.58%

LAB 73.73, -43.17, 17.29

 

CMYK 53 / 0 / 12 / 21

HEX #5EC9B0

RGB 94 201 176

HSL 165.98, 0.5%, 0.58%

LAB 74.37, -36.92, 3.13

 

CMYK 67 / 0 / 51 / 37

HEX #35A04F

RGB 53 160 79

HSL 134.58, 0.5%, 0.42%

LAB 58.47, -48.13, 33.35

 

CMYK 66 / 0 / 50 / 25

HEX #40BF5F

RGB 64 191 95

HSL 134.65, 0.5%, 0.5%

LAB 68.88, -55.14, 38.26

 

CMYK 53 / 0 / 40 / 21

HEX #5EC978

RGB 94 201 120

HSL 134.58, 0.5%, 0.58%

LAB 73.23, -48.4, 31.32

 

CMYK 41 / 0 / 31 / 17

HEX #7DD492

RGB 125 212 146

HSL 134.48, 0.5%, 0.66%

LAB 78.18, -40.25, 24.65

 

CMYK 30 / 0 / 23 / 13

HEX #9CDEAC

RGB 156 222 172

HSL 134.55, 0.5%, 0.74%

LAB 83.07, -30.85, 18

 

CMYK 53 / 0 / 40 / 21

HEX #5EC978

RGB 94 201 120

HSL 134.58, 0.5%, 0.58%

LAB 73.23, -48.4, 31.32

 

CMYK 53 / 23 / 0 / 21

HEX #5E9BC9

RGB 94 155 201

HSL 205.79, 0.5%, 0.58%

LAB 61.69, -6.67, -29.69

 

CMYK 0 / 53 / 44 / 21

HEX #C95E70

RGB 201 94 112

HSL 349.91, 0.5%, 0.58%

LAB 53.59, 44.26, 10.5

 

CMYK 53 / 0 / 40 / 21

HEX #5EC978

RGB 94 201 120

HSL 134.58, 0.5%, 0.58%

LAB 73.23, -48.4, 31.32

 

CMYK 41 / 53 / 0 / 21

HEX #775EC9

RGB 119 94 201

HSL 254.02, 0.5%, 0.58%

LAB 47.16, 35.45, -52.48

 

CMYK 0 / 41 / 53 / 21

HEX #C9775E

RGB 201 119 94

HSL 14.02, 0.5%, 0.58%

LAB 58.43, 29.54, 27.47

 

CMYK 53 / 0 / 40 / 21

HEX #5EC978

RGB 94 201 120

HSL 134.58, 0.5%, 0.58%

LAB 73.23, -48.4, 31.32

 

CMYK 53 / 23 / 0 / 21

HEX #5E9BC9

RGB 94 155 201

HSL 205.79, 0.5%, 0.58%

LAB 61.69, -6.67, -29.69

 

CMYK 0 / 53 / 12 / 21

HEX #C95EB0

RGB 201 94 176

HSL 314.02, 0.5%, 0.58%

LAB 55.64, 52.72, -24.04

 

CMYK 0 / 30 / 53 / 21

HEX #C98D5E

RGB 201 141 94

HSL 26.36, 0.5%, 0.58%

LAB 63.57, 17.56, 34.03

 

CMYK 53 / 0 / 40 / 21

HEX #5EC978

RGB 94 201 120

HSL 134.58, 0.5%, 0.58%

LAB 73.23, -48.4, 31.32

 

CMYK 53 / 39 / 0 / 21

HEX #5E7BC9

RGB 94 123 201

HSL 223.74, 0.5%, 0.58%

LAB 52.69, 12.04, -43.78

 

CMYK 0 / 53 / 12 / 21

HEX #C95EB0

RGB 201 94 176

HSL 314.02, 0.5%, 0.58%

LAB 55.64, 52.72, -24.04

 

CMYK 0 / 14 / 53 / 21

HEX #C9AD5E

RGB 201 173 94

HSL 44.3, 0.5%, 0.58%

LAB 71.63, 0.23, 43.93

 

Description

Color code: HEX #5EC978 | qconv.com Color code: HEX #5EC978 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 201 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 201 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, none magenta, 40 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 0% 40% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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