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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5EC840 it is the complementary color #A137BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5EC840. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5EC840 shade: #63C83B, #74DA4E, #85EC61, #96FE74 and #A7FF87

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5EC840. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5EC840 shade: #5EC840, #4DB62D, #3CA41A, #2B9207 and #1A8000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5EC840 shade: #5FC841, #83C841, #A8C841, #C8C441 and #C8A041

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5EC840 shade: #5FC841, #41C848, #41C86C, #41C890 and #41C8B5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5EC840 shade matches the following richer shades: #5FC841, #54DC2D and #49F01A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5EC840 shade: #5FC841, #6AB455, #75A069, #808D7D and #8B7990

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5EC840 shade: #A9C841, #85C841, #61C841, #41C846 and #41C86A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5EC840 shade: #3F8E29, #4EAE32, #5FC841, #7AD161 and #95DA81

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5EC840 shade: #5EC840, #41C8C3 and #C84197

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5EC840 shade: #5EC840, #4161C8 and #C84161

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5EC840 shade: #5EC840, #41C8C3, #A941C8 and #C84146

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5EC840 shade: #5EC840, #41A4C8, #A941C8 and #C86541

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 0 / 68 / 22

HEX #5EC840

RGB 94 200 64

HSL 106.76, 0.55%, 0.52%

LAB 72.27, -55.08, 56.37

 

Complementary color

CMYK 16 / 71 / 0 / 25

HEX #A137BF

RGB 161 55 191

HSL 286.76, 0.55%, 0.48%

LAB 44.33, 62.28, -50.95

 

CMYK 51 / 0 / 71 / 22

HEX #63C83B

RGB 99 200 59

HSL 102.98, 0.56%, 0.51%

LAB 72.41, -54.08, 58.5

 

CMYK 47 / 0 / 64 / 15

HEX #74DA4E

RGB 116 218 78

HSL 103.71, 0.65%, 0.58%

LAB 78.7, -54.47, 57.87

 

CMYK 44 / 0 / 59 / 7

HEX #85EC61

RGB 133 236 97

HSL 104.46, 0.79%, 0.65%

LAB 84.92, -54.67, 56.97

 

CMYK 41 / 0 / 54 / 0

HEX #96FE74

RGB 150 254 116

HSL 105.22, 0.99%, 0.73%

LAB 91.07, -54.73, 55.91

 

CMYK 35 / 0 / 47 / 0

HEX #A7FF87

RGB 167 255 135

HSL 104, 1%, 0.76%

LAB 92.35, -47.67, 48.9

 

CMYK 53 / 0 / 68 / 22

HEX #5EC840

RGB 94 200 64

HSL 106.76, 0.55%, 0.52%

LAB 72.27, -55.08, 56.37

 

CMYK 58 / 0 / 75 / 29

HEX #4DB62D

RGB 77 182 45

HSL 105.99, 0.6%, 0.45%

LAB 65.92, -54.42, 56.74

 

CMYK 63 / 0 / 84 / 36

HEX #3CA41A

RGB 60 164 26

HSL 105.22, 0.73%, 0.37%

LAB 59.51, -53.35, 56.29

 

CMYK 71 / 0 / 95 / 43

HEX #2B9207

RGB 43 146 7

HSL 104.46, 0.91%, 0.3%

LAB 53.04, -51.65, 54.41

 

CMYK 80 / 0 / 100 / 50

HEX #1A8000

RGB 26 128 0

HSL 107.81, 1%, 0.25%

LAB 46.52, -49.05, 50.26

 

CMYK 53 / 0 / 68 / 22

HEX #5FC841

RGB 95 200 65

HSL 106.67, 0.55%, 0.52%

LAB 72.31, -54.72, 56.03

 

CMYK 35 / 0 / 68 / 22

HEX #83C841

RGB 131 200 65

HSL 90.67, 0.55%, 0.52%

LAB 73.88, -43.35, 58.16

 

CMYK 16 / 0 / 68 / 22

HEX #A8C841

RGB 168 200 65

HSL 74.22, 0.55%, 0.52%

LAB 76.08, -29.33, 61.13

 

CMYK 0 / 2 / 68 / 22

HEX #C8C441

RGB 200 196 65

HSL 58.22, 0.55%, 0.52%

LAB 77.36, -14.15, 63.21

 

CMYK 0 / 20 / 68 / 22

HEX #C8A041

RGB 200 160 65

HSL 42.22, 0.55%, 0.52%

LAB 67.87, 4.68, 53.4

 

CMYK 53 / 0 / 68 / 22

HEX #5FC841

RGB 95 200 65

HSL 106.67, 0.55%, 0.52%

LAB 72.31, -54.72, 56.03

 

CMYK 68 / 0 / 64 / 22

HEX #41C848

RGB 65 200 72

HSL 123.11, 0.55%, 0.52%

LAB 71.49, -61.05, 51.99

 

CMYK 68 / 0 / 46 / 22

HEX #41C86C

RGB 65 200 108

HSL 139.11, 0.55%, 0.52%

LAB 71.9, -56.24, 35.56

 

CMYK 68 / 0 / 28 / 22

HEX #41C890

RGB 65 200 144

HSL 155.11, 0.55%, 0.52%

LAB 72.53, -49.41, 17.62

 

CMYK 68 / 0 / 10 / 22

HEX #41C8B5

RGB 65 200 181

HSL 171.56, 0.55%, 0.52%

LAB 73.4, -40.5, -1.1

 

CMYK 53 / 0 / 68 / 22

HEX #5FC841

RGB 95 200 65

HSL 106.67, 0.55%, 0.52%

LAB 72.31, -54.72, 56.03

 

CMYK 62 / 0 / 80 / 14

HEX #54DC2D

RGB 84 220 45

HSL 106.63, 0.71%, 0.52%

LAB 78.03, -65.91, 68.42

 

CMYK 70 / 0 / 89 / 6

HEX #49F01A

RGB 73 240 26

HSL 106.82, 0.88%, 0.52%

LAB 83.87, -75.2, 77.65

 

CMYK 53 / 0 / 68 / 22

HEX #5FC841

RGB 95 200 65

HSL 106.67, 0.55%, 0.52%

LAB 72.31, -54.72, 56.03

 

CMYK 41 / 0 / 53 / 29

HEX #6AB455

RGB 106 180 85

HSL 106.74, 0.39%, 0.52%

LAB 66.8, -41.27, 40.96

 

CMYK 27 / 0 / 34 / 37

HEX #75A069

RGB 117 160 105

HSL 106.91, 0.22%, 0.52%

LAB 61.61, -25.4, 24.12

 

CMYK 9 / 0 / 11 / 45

HEX #808D7D

RGB 128 141 125

HSL 108.75, 0.07%, 0.52%

LAB 57.19, -7.89, 6.94

 

CMYK 3 / 16 / 0 / 44

HEX #8B7990

RGB 139 121 144

HSL 286.96, 0.09%, 0.52%

LAB 53.14, 11.36, -9.89

 

CMYK 16 / 0 / 68 / 22

HEX #A9C841

RGB 169 200 65

HSL 73.78, 0.55%, 0.52%

LAB 76.15, -28.93, 61.22

 

CMYK 34 / 0 / 68 / 22

HEX #85C841

RGB 133 200 65

HSL 89.78, 0.55%, 0.52%

LAB 73.98, -42.64, 58.3

 

CMYK 52 / 0 / 68 / 22

HEX #61C841

RGB 97 200 65

HSL 105.78, 0.55%, 0.52%

LAB 72.38, -54.16, 56.12

 

CMYK 68 / 0 / 65 / 22

HEX #41C846

RGB 65 200 70

HSL 122.22, 0.55%, 0.52%

LAB 71.47, -61.26, 52.81

 

CMYK 68 / 0 / 47 / 22

HEX #41C86A

RGB 65 200 106

HSL 138.22, 0.55%, 0.52%

LAB 71.87, -56.56, 36.53

 

CMYK 56 / 0 / 71 / 44

HEX #3F8E29

RGB 63 142 41

HSL 106.93, 0.55%, 0.36%

LAB 52.47, -43.43, 44.44

 

CMYK 55 / 0 / 71 / 32

HEX #4EAE32

RGB 78 174 50

HSL 106.45, 0.55%, 0.44%

LAB 63.44, -50.83, 52.43

 

CMYK 53 / 0 / 68 / 22

HEX #5FC841

RGB 95 200 65

HSL 106.67, 0.55%, 0.52%

LAB 72.31, -54.72, 56.03

 

CMYK 42 / 0 / 54 / 18

HEX #7AD161

RGB 122 209 97

HSL 106.61, 0.55%, 0.6%

LAB 76.44, -47.07, 46.95

 

CMYK 32 / 0 / 41 / 15

HEX #95DA81

RGB 149 218 129

HSL 106.52, 0.55%, 0.68%

LAB 80.8, -38.16, 37.05

 

CMYK 53 / 0 / 68 / 22

HEX #5EC840

RGB 94 200 64

HSL 106.76, 0.55%, 0.52%

LAB 72.27, -55.08, 56.37

 

CMYK 68 / 0 / 3 / 22

HEX #41C8C3

RGB 65 200 195

HSL 177.78, 0.55%, 0.52%

LAB 73.79, -36.71, -8.12

 

CMYK 0 / 68 / 25 / 22

HEX #C84197

RGB 200 65 151

HSL 321.78, 0.55%, 0.52%

LAB 49.85, 61.42, -18.26

 

CMYK 53 / 0 / 68 / 22

HEX #5EC840

RGB 94 200 64

HSL 106.76, 0.55%, 0.52%

LAB 72.27, -55.08, 56.37

 

CMYK 68 / 52 / 0 / 22

HEX #4161C8

RGB 65 97 200

HSL 225.78, 0.55%, 0.52%

LAB 44.01, 22.4, -57.18

 

CMYK 0 / 68 / 52 / 22

HEX #C84161

RGB 200 65 97

HSL 345.78, 0.55%, 0.52%

LAB 48.16, 55.6, 11.87

 

CMYK 53 / 0 / 68 / 22

HEX #5EC840

RGB 94 200 64

HSL 106.76, 0.55%, 0.52%

LAB 72.27, -55.08, 56.37

 

CMYK 68 / 0 / 3 / 22

HEX #41C8C3

RGB 65 200 195

HSL 177.78, 0.55%, 0.52%

LAB 73.79, -36.71, -8.12

 

CMYK 16 / 68 / 0 / 22

HEX #A941C8

RGB 169 65 200

HSL 286.22, 0.55%, 0.52%

LAB 47.48, 61.75, -51.08

 

CMYK 0 / 68 / 65 / 22

HEX #C84146

RGB 200 65 70

HSL 357.78, 0.55%, 0.52%

LAB 47.63, 53.68, 27.48

 

CMYK 53 / 0 / 68 / 22

HEX #5EC840

RGB 94 200 64

HSL 106.76, 0.55%, 0.52%

LAB 72.27, -55.08, 56.37

 

CMYK 68 / 18 / 0 / 22

HEX #41A4C8

RGB 65 164 200

HSL 196, 0.55%, 0.52%

LAB 63.21, -17.36, -26.87

 

CMYK 16 / 68 / 0 / 22

HEX #A941C8

RGB 169 65 200

HSL 286.22, 0.55%, 0.52%

LAB 47.48, 61.75, -51.08

 

CMYK 0 / 50 / 68 / 22

HEX #C86541

RGB 200 101 65

HSL 16, 0.55%, 0.52%

LAB 53.99, 36.56, 38.01

 

Description

Color code: HEX #5EC840 | qconv.com Color code: HEX #5EC840 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 200 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 200 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, none magenta, 68 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 0% 68% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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