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Color name
HEX #5EC12A

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5EC12A it is the complementary color #A13ED5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5EC12A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5EC12A shade: #63C125, #74D338, #85E54B, #96F75E and #A7FF71

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5EC12A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5EC12A shade: #5EC12A, #4DAF17, #3C9D04, #2B8B00 and #1A7900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5EC12A shade: #5EC02A, #86C02A, #AFC02A, #C0A92A and #C0812A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5EC12A shade: #5EC02A, #35C02A, #2AC048, #2AC070 and #2AC098

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5EC12A shade matches the following richer shades: #5EC02A, #58D317 and #52E604

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5EC12A shade: #5EC02A, #64AD3D, #6A9A50, #708763 and #767476

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5EC12A shade: #AFC02A, #87C02A, #5FC02A, #37C02A and #2AC046

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5EC12A shade: #3D7D1B, #4D9F23, #5EC02A, #73D53F and #8BDC61

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5EC12A shade: #5EC12A, #2AC0AA and #C02A9B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5EC12A shade: #5EC12A, #2A5FC0 and #C02A5F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5EC12A shade: #5EC12A, #2AC0AA, #8C2AC0 and #C02A41

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5EC12A shade: #5EC12A, #2AAAC0, #8C2AC0 and #C0412A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 0 / 78 / 24

HEX #5EC12A

RGB 94 193 42

HSL 99.34, 0.64%, 0.46%

LAB 69.96, -54.01, 61.82

 

Complementary color

CMYK 24 / 71 / 0 / 16

HEX #A13ED5

RGB 161 62 213

HSL 279.34, 0.64%, 0.54%

LAB 46.75, 63.93, -59.79

 

CMYK 49 / 0 / 81 / 24

HEX #63C125

RGB 99 193 37

HSL 96.15, 0.68%, 0.45%

LAB 70.12, -52.8, 63.5

 

CMYK 45 / 0 / 73 / 17

HEX #74D338

RGB 116 211 56

HSL 96.77, 0.64%, 0.52%

LAB 76.43, -53.45, 63.84

 

CMYK 42 / 0 / 67 / 10

HEX #85E54B

RGB 133 229 75

HSL 97.4, 0.75%, 0.6%

LAB 82.66, -53.85, 63.53

 

CMYK 39 / 0 / 62 / 3

HEX #96F75E

RGB 150 247 94

HSL 98.04, 0.91%, 0.67%

LAB 88.83, -54.09, 62.83

 

CMYK 35 / 0 / 56 / 0

HEX #A7FF71

RGB 167 255 113

HSL 97.18, 1%, 0.72%

LAB 92.1, -50.11, 58.65

 

CMYK 51 / 0 / 78 / 24

HEX #5EC12A

RGB 94 193 42

HSL 99.34, 0.64%, 0.46%

LAB 69.96, -54.01, 61.82

 

CMYK 56 / 0 / 87 / 31

HEX #4DAF17

RGB 77 175 23

HSL 98.68, 0.77%, 0.39%

LAB 63.59, -53.06, 60.83

 

CMYK 62 / 0 / 97 / 38

HEX #3C9D04

RGB 60 157 4

HSL 98.04, 0.95%, 0.32%

LAB 57.16, -51.63, 58.44

 

CMYK 69 / 0 / 100 / 45

HEX #2B8B00

RGB 43 139 0

HSL 101.44, 1%, 0.27%

LAB 50.66, -49.51, 53.71

 

CMYK 79 / 0 / 100 / 53

HEX #1A7900

RGB 26 121 0

HSL 107.11, 1%, 0.24%

LAB 44.08, -46.79, 48.31

 

CMYK 51 / 0 / 78 / 25

HEX #5EC02A

RGB 94 192 42

HSL 99.2, 0.64%, 0.46%

LAB 69.64, -53.64, 61.52

 

CMYK 30 / 0 / 78 / 25

HEX #86C02A

RGB 134 192 42

HSL 83.2, 0.64%, 0.46%

LAB 71.51, -40.21, 63.94

 

CMYK 9 / 0 / 78 / 25

HEX #AFC02A

RGB 175 192 42

HSL 66.8, 0.64%, 0.46%

LAB 74.18, -23.79, 67.36

 

CMYK 0 / 12 / 78 / 25

HEX #C0A92A

RGB 192 169 42

HSL 50.8, 0.64%, 0.46%

LAB 69.29, -4.72, 63.47

 

CMYK 0 / 33 / 78 / 25

HEX #C0812A

RGB 192 129 42

HSL 34.8, 0.64%, 0.46%

LAB 59.04, 17, 53.98

 

CMYK 51 / 0 / 78 / 25

HEX #5EC02A

RGB 94 192 42

HSL 99.2, 0.64%, 0.46%

LAB 69.64, -53.64, 61.52

 

CMYK 72 / 0 / 78 / 25

HEX #35C02A

RGB 53 192 42

HSL 115.6, 0.64%, 0.46%

LAB 68.48, -63.13, 60

 

CMYK 78 / 0 / 63 / 25

HEX #2AC048

RGB 42 192 72

HSL 132, 0.64%, 0.46%

LAB 68.5, -62.09, 48.53

 

CMYK 78 / 0 / 42 / 25

HEX #2AC070

RGB 42 192 112

HSL 148, 0.64%, 0.46%

LAB 69.01, -56.08, 29.7

 

CMYK 78 / 0 / 21 / 25

HEX #2AC098

RGB 42 192 152

HSL 164, 0.64%, 0.46%

LAB 69.79, -47.44, 9.41

 

CMYK 51 / 0 / 78 / 25

HEX #5EC02A

RGB 94 192 42

HSL 99.2, 0.64%, 0.46%

LAB 69.64, -53.64, 61.52

 

CMYK 58 / 0 / 89 / 17

HEX #58D317

RGB 88 211 23

HSL 99.26, 0.8%, 0.46%

LAB 75.28, -62.85, 71.01

 

CMYK 64 / 0 / 98 / 10

HEX #52E604

RGB 82 230 4

HSL 99.29, 0.97%, 0.46%

LAB 80.96, -70.82, 77.81

 

CMYK 51 / 0 / 78 / 25

HEX #5EC02A

RGB 94 192 42

HSL 99.2, 0.64%, 0.46%

LAB 69.64, -53.64, 61.52

 

CMYK 42 / 0 / 65 / 32

HEX #64AD3D

RGB 100 173 61

HSL 99.11, 0.48%, 0.46%

LAB 64.11, -42.82, 48.91

 

CMYK 31 / 0 / 48 / 40

HEX #6A9A50

RGB 106 154 80

HSL 98.92, 0.32%, 0.46%

LAB 58.75, -30.1, 33.64

 

CMYK 17 / 0 / 27 / 47

HEX #708763

RGB 112 135 99

HSL 98.33, 0.15%, 0.46%

LAB 53.68, -15.36, 16.7

 

CMYK 0 / 2 / 0 / 54

HEX #767476

RGB 118 116 118

HSL 300, 0.01%, 0.46%

LAB 49.07, 1.17, -0.84

 

CMYK 9 / 0 / 78 / 25

HEX #AFC02A

RGB 175 192 42

HSL 66.8, 0.64%, 0.46%

LAB 74.18, -23.79, 67.36

 

CMYK 30 / 0 / 78 / 25

HEX #87C02A

RGB 135 192 42

HSL 82.8, 0.64%, 0.46%

LAB 71.57, -39.84, 64.01

 

CMYK 51 / 0 / 78 / 25

HEX #5FC02A

RGB 95 192 42

HSL 98.8, 0.64%, 0.46%

LAB 69.68, -53.35, 61.57

 

CMYK 71 / 0 / 78 / 25

HEX #37C02A

RGB 55 192 42

HSL 114.8, 0.64%, 0.46%

LAB 68.52, -62.78, 60.05

 

CMYK 78 / 0 / 64 / 25

HEX #2AC046

RGB 42 192 70

HSL 131.2, 0.64%, 0.46%

LAB 68.49, -62.32, 49.38

 

CMYK 51 / 0 / 78 / 51

HEX #3D7D1B

RGB 61 125 27

HSL 99.18, 0.64%, 0.3%

LAB 46.63, -38.27, 43.93

 

CMYK 52 / 0 / 78 / 38

HEX #4D9F23

RGB 77 159 35

HSL 99.68, 0.64%, 0.38%

LAB 58.5, -46.44, 52.89

 

CMYK 51 / 0 / 78 / 25

HEX #5EC02A

RGB 94 192 42

HSL 99.2, 0.64%, 0.46%

LAB 69.64, -53.64, 61.52

 

CMYK 46 / 0 / 70 / 16

HEX #73D53F

RGB 115 213 63

HSL 99.2, 0.64%, 0.54%

LAB 77.04, -54.05, 61.96

 

CMYK 37 / 0 / 56 / 14

HEX #8BDC61

RGB 139 220 97

HSL 99.51, 0.64%, 0.62%

LAB 80.48, -46.24, 51.92

 

CMYK 51 / 0 / 78 / 24

HEX #5EC12A

RGB 94 193 42

HSL 99.34, 0.64%, 0.46%

LAB 69.96, -54.01, 61.82

 

CMYK 78 / 0 / 11 / 25

HEX #2AC0AA

RGB 42 192 170

HSL 171.2, 0.64%, 0.46%

LAB 70.24, -42.8, 0.23

 

CMYK 0 / 78 / 19 / 25

HEX #C02A9B

RGB 192 42 155

HSL 314.8, 0.64%, 0.46%

LAB 45.95, 67.58, -26.79

 

CMYK 51 / 0 / 78 / 24

HEX #5EC12A

RGB 94 193 42

HSL 99.34, 0.64%, 0.46%

LAB 69.96, -54.01, 61.82

 

CMYK 78 / 51 / 0 / 25

HEX #2A5FC0

RGB 42 95 192

HSL 218.8, 0.64%, 0.46%

LAB 41.97, 17.66, -55.89

 

CMYK 0 / 78 / 51 / 25

HEX #C02A5F

RGB 192 42 95

HSL 338.8, 0.64%, 0.46%

LAB 43.78, 61.09, 6.73

 

CMYK 51 / 0 / 78 / 24

HEX #5EC12A

RGB 94 193 42

HSL 99.34, 0.64%, 0.46%

LAB 69.96, -54.01, 61.82

 

CMYK 78 / 0 / 11 / 25

HEX #2AC0AA

RGB 42 192 170

HSL 171.2, 0.64%, 0.46%

LAB 70.24, -42.8, 0.23

 

CMYK 27 / 78 / 0 / 25

HEX #8C2AC0

RGB 140 42 192

HSL 279.2, 0.64%, 0.46%

LAB 39.64, 63.19, -59.27

 

CMYK 0 / 78 / 66 / 25

HEX #C02A41

RGB 192 42 65

HSL 350.8, 0.64%, 0.46%

LAB 43.13, 59.04, 24.52

 

CMYK 51 / 0 / 78 / 24

HEX #5EC12A

RGB 94 193 42

HSL 99.34, 0.64%, 0.46%

LAB 69.96, -54.01, 61.82

 

CMYK 78 / 11 / 0 / 25

HEX #2AAAC0

RGB 42 170 192

HSL 188.8, 0.64%, 0.46%

LAB 64.2, -26, -20.95

 

CMYK 27 / 78 / 0 / 25

HEX #8C2AC0

RGB 140 42 192

HSL 279.2, 0.64%, 0.46%

LAB 39.64, 63.19, -59.27

 

CMYK 0 / 66 / 78 / 25

HEX #C0412A

RGB 192 65 42

HSL 9.2, 0.64%, 0.46%

LAB 45.84, 49.66, 41

 

Description

Color code: HEX #5EC12A | qconv.com Color code: HEX #5EC12A | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 193 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 193 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, none magenta, 78 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 0% 78% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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