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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5EBCFC it is the complementary color #A14303. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5EBCFC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5EBCFC shade: #63BCF7, #74CEFF, #85E0FF, #96F2FF and #A7FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5EBCFC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5EBCFC shade: #5EBCFC, #4DAAE9, #3C98D6, #2B86C3 and #1A74B0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5EBCFC shade: #5FBCFB, #5F92FB, #5F67FB, #805FFB and #AA5FFB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5EBCFC shade: #5FBCFB, #5F92FB, #5F67FB and #5F5FFB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5EBCFC shade matches the following richer shades: #5FBCFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5EBCFC shade: #5FBCFB, #6CB9EE, #79B7E1, #86B4D4 and #93B2C6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5EBCFC shade: #5FFBE6, #5FE6FB, #5FBDFB, #5F93FB and #5F69FB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5EBCFC shade: #0E9AFA, #36ABFA, #5FBCFB, #87CDFC and #AFDEFD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5EBCFC shade: #5EBCFC, #BD5FFB and #FBFB5F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5EBCFC shade: #5EBCFC, #FB5FBD and #BDFB5F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5EBCFC shade: #5EBCFC, #BD5FFB, #FB9D5F and #9DFB5F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5EBCFC shade: #5EBCFC, #EC5FFB, #FB9D5F and #6EFB5F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 25 / 0 / 1

HEX #5EBCFC

RGB 94 188 252

HSL 204.3, 0.96%, 0.68%

LAB 73.14, -8.99, -39.9

 

Complementary color

CMYK 0 / 58 / 98 / 37

HEX #A14303

RGB 161 67 3

HSL 24.3, 0.96%, 0.32%

LAB 40.57, 36.33, 50.2

 

CMYK 60 / 24 / 0 / 3

HEX #63BCF7

RGB 99 188 247

HSL 203.92, 0.9%, 0.68%

LAB 73.11, -9.67, -37.23

 

CMYK 55 / 19 / 0 / 0

HEX #74CEFF

RGB 116 206 255

HSL 201.15, 1%, 0.73%

LAB 79.08, -13.55, -32.23

 

CMYK 48 / 12 / 0 / 0

HEX #85E0FF

RGB 133 224 255

HSL 195.25, 1%, 0.76%

LAB 84.75, -19.19, -23.5

 

CMYK 41 / 5 / 0 / 0

HEX #96F2FF

RGB 150 242 255

HSL 187.43, 1%, 0.79%

LAB 90.42, -24.18, -14.88

 

CMYK 35 / 0 / 0 / 0

HEX #A7FFFF

RGB 167 255 255

HSL 180, 1%, 0.83%

LAB 94.72, -26.25, -8.39

 

CMYK 63 / 25 / 0 / 1

HEX #5EBCFC

RGB 94 188 252

HSL 204.3, 0.96%, 0.68%

LAB 73.14, -8.99, -39.9

 

CMYK 67 / 27 / 0 / 9

HEX #4DAAE9

RGB 77 170 233

HSL 204.23, 0.78%, 0.61%

LAB 66.68, -8.03, -39.69

 

CMYK 72 / 29 / 0 / 16

HEX #3C98D6

RGB 60 152 214

HSL 204.16, 0.65%, 0.54%

LAB 60.13, -6.83, -39.48

 

CMYK 78 / 31 / 0 / 24

HEX #2B86C3

RGB 43 134 195

HSL 204.08, 0.64%, 0.47%

LAB 53.5, -5.31, -39.23

 

CMYK 85 / 34 / 0 / 31

HEX #1A74B0

RGB 26 116 176

HSL 204, 0.74%, 0.4%

LAB 46.77, -3.35, -38.93

 

CMYK 62 / 25 / 0 / 2

HEX #5FBCFB

RGB 95 188 251

HSL 204.23, 0.95%, 0.68%

LAB 73.13, -9.13, -39.37

 

CMYK 62 / 42 / 0 / 2

HEX #5F92FB

RGB 95 146 251

HSL 220.38, 0.95%, 0.68%

LAB 61.62, 14.77, -57.52

 

CMYK 62 / 59 / 0 / 2

HEX #5F67FB

RGB 95 103 251

HSL 236.92, 0.95%, 0.68%

LAB 50.8, 40.67, -74.94

 

CMYK 49 / 62 / 0 / 2

HEX #805FFB

RGB 128 95 251

HSL 252.69, 0.95%, 0.68%

LAB 51.54, 50.84, -73.63

 

CMYK 32 / 62 / 0 / 2

HEX #AA5FFB

RGB 170 95 251

HSL 268.85, 0.95%, 0.68%

LAB 55.78, 59.2, -66.56

 

CMYK 62 / 25 / 0 / 2

HEX #5FBCFB

RGB 95 188 251

HSL 204.23, 0.95%, 0.68%

LAB 73.13, -9.13, -39.37

 

CMYK 62 / 42 / 0 / 2

HEX #5F92FB

RGB 95 146 251

HSL 220.38, 0.95%, 0.68%

LAB 61.62, 14.77, -57.52

 

CMYK 62 / 59 / 0 / 2

HEX #5F67FB

RGB 95 103 251

HSL 236.92, 0.95%, 0.68%

LAB 50.8, 40.67, -74.94

 

CMYK 62 / 62 / 0 / 2

HEX #5F5FFB

RGB 95 95 251

HSL 240, 0.95%, 0.68%

LAB 48.99, 45.39, -77.9

 

CMYK 62 / 25 / 0 / 2

HEX #5FBCFB

RGB 95 188 251

HSL 204.23, 0.95%, 0.68%

LAB 73.13, -9.13, -39.37

 

CMYK 62 / 25 / 0 / 2

HEX #5FBCFB

RGB 95 188 251

HSL 204.23, 0.95%, 0.68%

LAB 73.13, -9.13, -39.37

 

CMYK 55 / 22 / 0 / 7

HEX #6CB9EE

RGB 108 185 238

HSL 204.46, 0.79%, 0.68%

LAB 72.27, -9.03, -33.64

 

CMYK 46 / 19 / 0 / 12

HEX #79B7E1

RGB 121 183 225

HSL 204.23, 0.63%, 0.68%

LAB 71.8, -8.81, -27.25

 

CMYK 37 / 15 / 0 / 17

HEX #86B4D4

RGB 134 180 212

HSL 204.62, 0.48%, 0.68%

LAB 71.19, -7.36, -21.03

 

CMYK 26 / 10 / 0 / 22

HEX #93B2C6

RGB 147 178 198

HSL 203.53, 0.31%, 0.68%

LAB 70.95, -5.99, -13.63

 

CMYK 62 / 0 / 8 / 2

HEX #5FFBE6

RGB 95 251 230

HSL 171.92, 0.95%, 0.68%

LAB 90.39, -45.73, -2.12

 

CMYK 62 / 8 / 0 / 2

HEX #5FE6FB

RGB 95 230 251

HSL 188.08, 0.95%, 0.68%

LAB 84.99, -30.53, -21.15

 

CMYK 62 / 25 / 0 / 2

HEX #5FBDFB

RGB 95 189 251

HSL 203.85, 0.95%, 0.68%

LAB 73.41, -9.67, -38.93

 

CMYK 62 / 41 / 0 / 2

HEX #5F93FB

RGB 95 147 251

HSL 220, 0.95%, 0.68%

LAB 61.88, 14.17, -57.09

 

CMYK 62 / 58 / 0 / 2

HEX #5F69FB

RGB 95 105 251

HSL 236.15, 0.95%, 0.68%

LAB 51.27, 39.48, -74.19

 

CMYK 94 / 38 / 0 / 2

HEX #0E9AFA

RGB 14 154 250

HSL 204.41, 0.96%, 0.52%

LAB 61.75, 1.46, -56.88

 

CMYK 78 / 32 / 0 / 2

HEX #36ABFA

RGB 54 171 250

HSL 204.18, 0.95%, 0.6%

LAB 67.14, -5.72, -48.3

 

CMYK 62 / 25 / 0 / 2

HEX #5FBCFB

RGB 95 188 251

HSL 204.23, 0.95%, 0.68%

LAB 73.13, -9.13, -39.37

 

CMYK 46 / 19 / 0 / 1

HEX #87CDFC

RGB 135 205 252

HSL 204.1, 0.95%, 0.76%

LAB 79.52, -9.75, -29.89

 

CMYK 31 / 12 / 0 / 1

HEX #AFDEFD

RGB 175 222 253

HSL 203.85, 0.95%, 0.84%

LAB 86.23, -8.11, -20.01

 

CMYK 63 / 25 / 0 / 1

HEX #5EBCFC

RGB 94 188 252

HSL 204.3, 0.96%, 0.68%

LAB 73.14, -8.99, -39.9

 

CMYK 25 / 62 / 0 / 2

HEX #BD5FFB

RGB 189 95 251

HSL 276.15, 0.95%, 0.68%

LAB 58.01, 63.32, -62.87

 

CMYK 0 / 0 / 62 / 2

HEX #FBFB5F

RGB 251 251 95

HSL 60, 0.95%, 0.68%

LAB 96.13, -18.55, 72.12

 

CMYK 63 / 25 / 0 / 1

HEX #5EBCFC

RGB 94 188 252

HSL 204.3, 0.96%, 0.68%

LAB 73.14, -8.99, -39.9

 

CMYK 0 / 62 / 25 / 2

HEX #FB5FBD

RGB 251 95 189

HSL 323.85, 0.95%, 0.68%

LAB 63.65, 68.4, -18.6

 

CMYK 25 / 0 / 62 / 2

HEX #BDFB5F

RGB 189 251 95

HSL 83.85, 0.95%, 0.68%

LAB 91.97, -42.4, 66.43

 

CMYK 63 / 25 / 0 / 1

HEX #5EBCFC

RGB 94 188 252

HSL 204.3, 0.96%, 0.68%

LAB 73.14, -8.99, -39.9

 

CMYK 25 / 62 / 0 / 2

HEX #BD5FFB

RGB 189 95 251

HSL 276.15, 0.95%, 0.68%

LAB 58.01, 63.32, -62.87

 

CMYK 0 / 37 / 62 / 2

HEX #FB9D5F

RGB 251 157 95

HSL 23.85, 0.95%, 0.68%

LAB 73.19, 29.45, 46.59

 

CMYK 37 / 0 / 62 / 2

HEX #9DFB5F

RGB 157 251 95

HSL 96.15, 0.95%, 0.68%

LAB 90.32, -53.38, 64.15

 

CMYK 63 / 25 / 0 / 1

HEX #5EBCFC

RGB 94 188 252

HSL 204.3, 0.96%, 0.68%

LAB 73.14, -8.99, -39.9

 

CMYK 6 / 62 / 0 / 2

HEX #EC5FFB

RGB 236 95 251

HSL 294.23, 0.95%, 0.68%

LAB 64.15, 73.95, -52.71

 

CMYK 0 / 37 / 62 / 2

HEX #FB9D5F

RGB 251 157 95

HSL 23.85, 0.95%, 0.68%

LAB 73.19, 29.45, 46.59

 

CMYK 56 / 0 / 62 / 2

HEX #6EFB5F

RGB 110 251 95

HSL 114.23, 0.95%, 0.68%

LAB 88.51, -66.67, 61.64

 

Description

Color code: HEX #5EBCFC | qconv.com Color code: HEX #5EBCFC | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 188 green and 252 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 188 252 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, 25 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 25% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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